Fine Art, Antiques & Photography

*McAlpine (William, 19th century). Entrace to Ramsgate Harbour, & A Harbour Scene (possibly Channel Islands), a pair of oils on canvas, 435 x 800...

*McCarthy (Cornelius, 1935-2009). Mick Jones Resting, 1995, gouache on paper, showing a reclining male nude, signed and dated lower right, 28.5 x ...

*Morrell (Harriette Anne, 1843-1924). Painted folding screen, 1911-1913, oil on leather backed with canvas, composed of four arched panels, each d...

*Morrell (Harriette, 1843-1924). A collection of approximately fifty watercolour studies and sketches, circa 1890-1910, including English and con...

*Neapolitan School. Villa Reale, Naples, circa 1830s, gouache on paper, in the style of Camillo de Vito, sheet size 166 x 214 mm (6.5 x 8.4 ins),...

*Neapolitan School. Panoramic view of the harbour, Naples, late 19th/early 20th century, gouache on paper, unsigned, 405 x 617 mm (16 x 24.3 ins)...

*Orchardson (William Quiller, 1832-1910). Study of two women reading outdoors, watercolour on paper, signed lower left, some overall toning, 225 ...

*Payne (William, 1755/60-c.1830). On the Wye, watercolour and black ink on paper, signed within foreground, sheet size 13 x 16.5cm (5 x 6.25ins),...

*Roberts (David, 1796-1864). St. Paul's, Antwerp, watercolour over pencil on card, laid down onto card, showing figures in a church interior, shee...

*Roberts (David, 1796-1864). Fortress in Salamanca, Spain, watercolour on paper with scratching out, overall slight discolouration, sheet size 164...

*Rooke (Thomas Matthew, 1842-1942). The Frari, 1907, watercolour on paper, signed, dated and titled lower right, 37 x 24cm (14.5 x 9.5ins), framed...

*Sauzay (Adrien Jacques, 1841-1928). La Laveuse, 1875, oil on canvas, signed and dated lower left, 404 x 293mm (16 x 11.5ins), elaborate gilt moul...

*Scott (Alexander, 1872-1932). Nielghery Hills from Ootacamund, India, oil on canvas, signed lower left, 458 x 610mm (18 x 24ins), period frame, ...

*Scott (William Bell, 1811-1890). View of the interior of the Great Hall, Newcastle Castle, 1846, pencil and watercolour, showing a female figure ...

*Silhouette Portraits. Gentleman in profile wearing tricorn hat, late 18th century, pen & ink on paper head & shoulders oval portrait, 100 x 75mm,...

*Smith (Frederica J., active 1860s). Still life of roses and a sparrow, 1869, oval watercolour, showing pink and white dog roses and alkanet, and ...

*English School. Virgin and Child with infant Saint John in the fields, 1893, large circular oil on canvas, signed with initials 'J D M' and date...

*Steffan (Johann Gottfried, 1815-1905). Gebirgslandschaft mit B„umen, August 1848, pencil on grey paper, captioned and dated lower left, 376 x 282...

*Varley (Edgar John, 1839-1888). North Mundham Church & Rectory, Sussex, 1867, watercolour on paper, signed and dated lower left, mounted on mount...

*Victorian School. The Artist's Studio, circa 1860, watercolour on paper, 522 x 713mm x 20.6 x 28.1ins), near contemporary frame, glazed Provena...

Watercolour Album. An album of drawings and watercolours compiled by Emily Frances, Ridley Colborne, 1831, containing thirty-five watercolour and...

Watercolour album. An early 19th century folio album of watercolours and drawings, compiled by Jane B. Campion, circa 1815-25, containing 32 vari...

Watercolour Album. An album of watercolour sketches believed to be by Maria Wrottesley (1805-1881), circa 1842-45, containing approximately fifty...

Watercolour Album. An album of mostly pencil views by Eva Maingay, circa 1847, containing thirty attractive pencil sketches, most heightened with...

*Watling (Hamlet, 1818-1908). A small archive of watercolours and drawings, approximately sixty-three watercolours and drawings in pencil or pen &...

*Wildash (Frederick, active 1892). The Old Bull and Bush, Hampstead, oil on canvas, signed lower left, 47 x 34 cm, framed (1) NB: This lot has be...

*After Sir David Wilkie (1785-1841). The Rent Day, early to mid 19th century oil on panel, a copy after the famous work by David Wilkie of 1807, ...

*Wilkie (Sir David 1785-1841). First sketch for "Peep O Day, Boy's Cabin", pen and ink on paper, 15 x 10cm (6 x 4ins), Abbott & Holder label to ve...

*Wilkin (Charles, 1750-1814). Portrait of a young Gentleman, head & shoulders oval watercolour portrait on thin bone, lined with card to verso ins...

*Wright (Robert William, active 1870-1906). The Flower Seller, 1888, oil on canvas, signed and dated lower right, old stencil to verso of stretche...

*After Giovanni Bellini (circa 1430-1516). Madonna and Child holding cherries, late 18th century, oil on canvas, relined, 41 x 33cm (16 x 13ins),...

*Boyle (George, 1826-1899 ). Greenwich Landscape, oil on panel, signed lower left, 304 x 227mm (12 x 9ins), framed (1)

*Attributed to Francis Cotes (1726-1770). Portrait of a young lady, oil on canvas, half-length portrait of a dark-haired lady wearing an ivory si...

*Creswick (Thomas, 1811-1869). Going fishing, oil on canvas, signed lower right, 306 x 611mm (12 x 24ins), framed (1)

*English School. Portrait of a young lady, circa 1810, oil on canvas, half-length portrait of a young lady with dark brown curls, wearing a high-w...

*German School. Portrait of St. Luke reading his gospel, with head of a black bull, 16th century, oil on quarter sawn baltic pine panel, showing ...

*Attributed to Robert Griffier (circa 1675- after 1727). Mountainous River Landscape with figures on a ferry, oil on bevelled panel, old cracks p...

*Anglo-Chinese School. British Clipper off the coast of Hong Kong, mid 19th century, oil on canvas, several repaired tears to verso, some surface...

*Attributed to Solomon Ruisdael (1600-1670). Arcadian landscape with figures and bridge across a river, oil on bevelled wood panel, 307 x 399mm (...

*Attributed to John Warwick Smith (1749-1831). Isle of Barbe, Lyon, France, oil on wood panel, edges bevelled to verso, showing the Isle of Barbe...

*English School. The Great Temple of Rameses II at Abu Simbel, circa 1900, oil on canvas, unsigned, relined, contemporary framer's label of Harris...

*Van Spaendonck (Cornelis, 1756-1840 ). Still Life of a bunch of grapes on a ledge, oil on panel, signed Corneille van Spaendonck lower left, 16.5...

*Blake (William, 1757-1827). Head of a girl, 1819, pencil on paper, profile portrait to the right of a young woman with braided hair, sheet size 1...

*Blake (William, 1757-1827). Standing King Holding a Sceptre, a fortified town behind, circa 1819, pencil on wove paper, showing a full-length mal...

*Cazin (Jean-Charles, 1841-1901). Rue de Village, black chalk on grey paper, signed lower left, 193 x 217 mm (7.6 x 8.5 ins), framed and glazed, ...

Everdingen (Allart van, 1621-1675). A bound collection of 101 engravings of landscapes, rustic and village scenes, 101 etchings on 50 leaves, mos...

*French School. Head of a man expressing hatred, early to mid 18th century, red chalk on laid paper, with partial watermark of a five pointed sta...

*French School. Don Quixote carried away on an ox-cart (illustration to Cervantes' Don Quixote, chapter 47), probably early to mid 19th century, ...

*Haydon (Benjamin Robert, 1786-1846). Sketch of the Acropolis at Athens, circa 1835-40, pencil on wove paper, heightened with brown ink, 162 x 258...

*Hogarth (William, 1697-1764). A Rake's Progress, 1735-1763, the complete set of 8 engravings, on pale cream laid paper, the 3rd state, with vari...

*Hughes (Edward Robert, 1851-1914). Scenes of Medieval Industry, five pen and ink drawings on paper, each initialled lower corner, Julian Hartnol...

*Italian School. Two figures leaning on a balcony looking down, early 17th century, pencil on pale blue paper, 224 x 155 mm (8.8 x 6.1 ins) mount...

*Kauffman (Angelica, 1741-1807). Religion (after Angelica Kauffman), 1792, fine monochrome silk oval embroidery by Eunice Bagster (nee Birch), a ...

*After Sir Peter Lely (1618-1680). Self-portrait, black and coloured chalks on laid paper, heightened with white, apparently a 19th century copy ...

*Neoclassical School. Study of a girl's head in profile with hair tied back, late 18th or early 19th century, oval pencil and pale red fine crayo...

*Attributed to Fran‡ois Perrier (1594-1650). Study for The Deificiation of Aeneas, pen & brown ink with brown wash on pale cream laid paper, with ...

*Piranesi (Giovanni Battista, 1720-1778). Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli (from the Vedute di Rom...

*Ploos van Amstel (Cornelis, 1726-1798). Marine Landscape off the Dutch Coast, after P. Cooper, 1777, etching with hand-colouring on laid paper, ...

*Rossini (Luigi, 1790-1857). Veduta dell'avanzo del fianco del Portico, che circondava la Cella del Tempio di Antonino Pio, in Oggi Dogana di Terr...

*Tempesta (Antonio, 1555-1630). Septem Orbis Admiranda ex Antiquitatis..., 1608, etched title page, 225 x 285mm (8.9 x 11.25ins), trimmed to margi...