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*Jones (Winifred Harris, late 19th/early 20th century). Advertising poster for a demonstration by
*Jones (Winifred Harris, late 19th/early 20th century). Advertising poster for a demonstration by Yoshijiro Urushibara, gouache on paper, showing ...
*Roberts (David, 1796-1864). St. Paul's, Antwerp, watercolour over pencil on card, laid down onto
*Roberts (David, 1796-1864). St. Paul's, Antwerp, watercolour over pencil on card, laid down onto card, showing figures in a church interior, shee...
Watercolour album. An early 19th century folio album of watercolours and drawings, compiled by
Watercolour album. An early 19th century folio album of watercolours and drawings, compiled by Jane B. Campion, circa 1815-25, containing 32 vari...
*Blake (William, 1757-1827). Head of a girl, 1819, pencil on paper, profile portrait to the right of
*Blake (William, 1757-1827). Head of a girl, 1819, pencil on paper, profile portrait to the right of a young woman with braided hair, sheet size 1...
Everdingen (Allart van, 1621-1675). A bound collection of 101 engravings of landscapes, rustic and
Everdingen (Allart van, 1621-1675). A bound collection of 101 engravings of landscapes, rustic and village scenes, 101 etchings on 50 leaves, mos...
*French School. Head of a man expressing hatred, early to mid 18th century, red chalk on laid paper,
*French School. Head of a man expressing hatred, early to mid 18th century, red chalk on laid paper, with partial watermark of a five pointed sta...
*Hogarth (William, 1697-1764). A Rake's Progress, 1735-1763, the complete set of 8 engravings, on
*Hogarth (William, 1697-1764). A Rake's Progress, 1735-1763, the complete set of 8 engravings, on pale cream laid paper, the 3rd state, with vari...
*Italian School. Two figures leaning on a balcony looking down, early 17th century, pencil on pale
*Italian School. Two figures leaning on a balcony looking down, early 17th century, pencil on pale blue paper, 224 x 155 mm (8.8 x 6.1 ins) mount...
*Kauffman (Angelica, 1741-1807). Religion (after Angelica Kauffman), 1792, fine monochrome silk oval
*Kauffman (Angelica, 1741-1807). Religion (after Angelica Kauffman), 1792, fine monochrome silk oval embroidery by Eunice Bagster (nee Birch), a ...
*Neoclassical School. Study of a girl's head in profile with hair tied back, late 18th or early 19th
*Neoclassical School. Study of a girl's head in profile with hair tied back, late 18th or early 19th century, oval pencil and pale red fine crayo...
*Piranesi (Giovanni Battista, 1720-1778). Avanzi di una Sala appartenente al Castro Pretorio nella
*Piranesi (Giovanni Battista, 1720-1778). Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli (from the Vedute di Rom...
*Ploos van Amstel (Cornelis, 1726-1798). Marine Landscape off the Dutch Coast, after P. Cooper,
*Ploos van Amstel (Cornelis, 1726-1798). Marine Landscape off the Dutch Coast, after P. Cooper, 1777, etching with hand-colouring on laid paper, ...
*Rossini (Luigi, 1790-1857). Veduta dell'avanzo del fianco del Portico, che circondava la Cella
*Rossini (Luigi, 1790-1857). Veduta dell'avanzo del fianco del Portico, che circondava la Cella del Tempio di Antonino Pio, in Oggi Dogana di Terr...
*Tempesta (Antonio, 1555-1630). Septem Orbis Admiranda ex Antiquitatis..., 1608, etched title
*Tempesta (Antonio, 1555-1630). Septem Orbis Admiranda ex Antiquitatis..., 1608, etched title page, 225 x 285mm (8.9 x 11.25ins), trimmed to margi...
*After Anthony Van Dyck (1599-1641). Portrait of Sir Kenelm Digby, red chalk on laid paper, with
*After Anthony Van Dyck (1599-1641). Portrait of Sir Kenelm Digby, red chalk on laid paper, with arched top, no watermark visible, 211 x 186 mm (8...
*Leighton (Frederick, 1830-1896). Whispers, 1893, photogravure on chine coll‚, published January 2nd
*Leighton (Frederick, 1830-1896). Whispers, 1893, photogravure on chine coll‚, published January 2nd 1893 by Arthur Tooth & Sons, printed in Berl...
*Leighton (Frederick, 1830-1896). Farewell, 1894, photogravure on chine coll‚, published by Arthur
*Leighton (Frederick, 1830-1896). Farewell, 1894, photogravure on chine coll‚, published by Arthur Tooth & Sons, printed in Berlin, Printseller's...
*Japanese School. Year of the Rat, mid 19th century, surimono, colour woodblock print on paper,
*Japanese School. Year of the Rat, mid 19th century, surimono, colour woodblock print on paper, heightened with silver, some minor surface wear, ...
*Lloyd (Reginald J., 1926-). Pig, Worms & Hare (illustrations for What is the Truth? by Ted Hughes
*Lloyd (Reginald J., 1926-). Pig, Worms & Hare (illustrations for What is the Truth? by Ted Hughes and R.J. Lloyd), 1982, 3 original monotype dra...
*Arnold (Graham, 1932-). St. George in the Garden of King Ren‚, 2002, colour reproduction print,
*Arnold (Graham, 1932-). St. George in the Garden of King Ren‚, 2002, colour reproduction print, signed, titled and dated in pencil, image size 2...
*Brewster (Martyn, 1952-). Untitled, 1988, two monoprints, each signed and dated, 430 x 785 mm (17 x
*Brewster (Martyn, 1952-). Untitled, 1988, two monoprints, each signed and dated, 430 x 785 mm (17 x 31 ins) mount aperture and similar, matching...
*Desmazieres (Erik, 1948-). Atelier Ren‚ Taz‚ III, 1981, etching on thick wove paper, a very good
*Desmazieres (Erik, 1948-). Atelier Ren‚ Taz‚ III, 1981, etching on thick wove paper, a very good clean impression from the edition of 90, signed...
Dickson (Jennifer Joan, 1936-). The Trysting Place, Athelhampton, etching with watercolour on paper,
Dickson (Jennifer Joan, 1936-). The Trysting Place, Athelhampton, etching with watercolour on paper, signed, titled and numbered 21/30 to lower ma...
*Evans (Merlyn Oliver, 1910-1973). Cheiromorph - No. 1, 1966, monochrome etching on thick wove
*Evans (Merlyn Oliver, 1910-1973). Cheiromorph - No. 1, 1966, monochrome etching on thick wove paper, signed lower right, titled and numbered Art...
*Evans (Merlyn Oliver, 1910-1973). Helmet Mask, 1957, monochrome etching on thick wove paper, signed
*Evans (Merlyn Oliver, 1910-1973). Helmet Mask, 1957, monochrome etching on thick wove paper, signed and dated lower right, titled and numbered 4...
*Halter (Ardyn, 1956). Swimming into Morni, 1996, colour silkscreen print on thick handmade paper,
*Halter (Ardyn, 1956). Swimming into Morni, 1996, colour silkscreen print on thick handmade paper, with circular blindstamp of Advanced Graphics,...
*@Hirst (Damien, 1965- ). Valium, 2000, lambda inkjet print in colours, on glossy Fujicolor Professional Paper, published by Eyestorm, London, in...
*@Hodgkin (Howard, 1932-). After Lunch, 1980, etching and aquatint on handmade paper, printed in
*@Hodgkin (Howard, 1932-). After Lunch, 1980, etching and aquatint on handmade paper, printed in an edition of 100, signed with initials, dated a...
*Johnson (Ben, 1946-). Pavilion, Seville, 1992, colour print, signed and dated lower right, titled
*Johnson (Ben, 1946-). Pavilion, Seville, 1992, colour print, signed and dated lower right, titled and numbered 50/100, image size 853 x 575 mm (...
*Keane (John). Economics of Bananas, 1991, colour screenprint, signed, titled, dated, and numbered
*Keane (John). Economics of Bananas, 1991, colour screenprint, signed, titled, dated, and numbered 6/75, framed and glazed (1)
*Lamb (Elspeth, 1951-). Milagro, 1990, colour screenprint, signed and dated, titled, and numbered
*Lamb (Elspeth, 1951-). Milagro, 1990, colour screenprint, signed and dated, titled, and numbered 21/30, sheet size 1070 x 765 mm (42.2 x 30.2 in...
*Leech (Gwyneth, 1959). Salt Sea Fossil Sea, 1989, colour lithograph, signed and dated lower
*Leech (Gwyneth, 1959). Salt Sea Fossil Sea, 1989, colour lithograph, signed and dated lower right, titled and numbered 12/18, image size 482 x 7...
*Moore (Henry, 1898-1986). Two black forms: Metal Figures, 1973, lithograph on T. H. Saunders
*Moore (Henry, 1898-1986). Two black forms: Metal Figures, 1973, lithograph on T. H. Saunders handmade paper, printed by Curwen Prints and publis...
*Moore (Henry, 1898-1986). Hands, 1947, monochrome photograph of the original watercolour drawing,
*Moore (Henry, 1898-1986). Hands, 1947, monochrome photograph of the original watercolour drawing, inscribed by the artist to lower margin 'For M...
*Moynihan (Rodrigo, 1910-1990). Abstract Composition, colour screenprint on wove paper, signed and
*Moynihan (Rodrigo, 1910-1990). Abstract Composition, colour screenprint on wove paper, signed and numbered 3/100 in pencil to lower margin, imag...
*@Nash (Paul, 1889-1946). Wood on the Downs, colour offset lithograph on wove paper, published by by
*@Nash (Paul, 1889-1946). Wood on the Downs, colour offset lithograph on wove paper, published by by W.J. Stacey, London, signed by the artist tw...
*Neiland (Brendan, 1941). Lloyd's, & Skylight, 1981, two colour screenprints, each signed, titled
*Neiland (Brendan, 1941). Lloyd's, & Skylight, 1981, two colour screenprints, each signed, titled and numbered 94/100 and 5/125 respectively, the...
Picasso (Pablo, 1881-1973). Los Toreros I-IV, 1961, together 4 lithographs, including one in colour,
Picasso (Pablo, 1881-1973). Los Toreros I-IV, 1961, together 4 lithographs, including one in colour, as issued in Jaime Sabartes, Picasso: Torero...
*Picasso (Pablo, 1881-1973). Hemme couch‚ et femme assise, reproduction print on watermarked
*Picasso (Pablo, 1881-1973). Hemme couch‚ et femme assise, reproduction print on watermarked paper, dated in the image 23.8.42, with stamped sign...
*Proctor (Patrick, 1936-2003). Untitled (from the South African Suite), 1974, etching with aquatint on wove paper, signed and inscribed Artist's p...
*Ray (Man, 1890-1976). Man on the moon, colour etching, published in an edition of 100, signed and
*Ray (Man, 1890-1976). Man on the moon, colour etching, published in an edition of 100, signed and numbered 98/100, plate size 455 x 302 mm (17.9...
*Reeves (Philip, 1931-). Venetian Mirror, colour etching on heavy handmade paper, signed, titled and
*Reeves (Philip, 1931-). Venetian Mirror, colour etching on heavy handmade paper, signed, titled and numbered 4/8, plate size 697 x 478 mm (27.5 ...
*Rice (Brian, 1936-). The 'Radials' Series, six serigraphs by Brian Rice, November 1967, the
*Rice (Brian, 1936-). The 'Radials' Series, six serigraphs by Brian Rice, November 1967, the complete set of six colour screenprints, printed by ...
*@Picasso (Pablo, 1881-1973). Sculpteurs, ModŠles et Sculpture (plate 41 from La Suite Vollard),
*@Picasso (Pablo, 1881-1973). Sculpteurs, ModŠles et Sculpture (plate 41 from La Suite Vollard), 1933, etching on heavy laid paper, watermarked Pi...
@Walker (John, 1939-). Composition with Skull, 1982, colour screenprint, printed in an edition of
@Walker (John, 1939-). Composition with Skull, 1982, colour screenprint, printed in an edition of 75, signed and numbered 44/75, Advanced Graphics...
*Wells (John, 1907-2000). Untitled, 1958, colour lithograph on paper, laid down on card, signed,
*Wells (John, 1907-2000). Untitled, 1958, colour lithograph on paper, laid down on card, signed, dated and numbered 6/30 in pencil, image size 32...
*Brangwyn (Frank, 1867-1956 ). The Butcher's Shop: La Boucherie, Wormwood Scrubs, 1904, etching
*Brangwyn (Frank, 1867-1956 ). The Butcher's Shop: La Boucherie, Wormwood Scrubs, 1904, etching printed in sepia, a strong dark impression, signe...
*Cameron (David Young, 1865-1945). Cathedral Window, etching with drypoint on thin wove paper,
*Cameron (David Young, 1865-1945). Cathedral Window, etching with drypoint on thin wove paper, signed in pencil, plate size 392 x 282 mm (15.5 x 1...
*Farleigh (John, 1900-1965). Cover design for The Adventures of the Black Girl in her search for
*Farleigh (John, 1900-1965). Cover design for The Adventures of the Black Girl in her search for God, by Bernard Shaw, 1933, wood engraving on ja...
*Haden (Sir Francis Seymour, 1818-1910). Windsor, 1878, etching printed in sepia on wove paper, a
*Haden (Sir Francis Seymour, 1818-1910). Windsor, 1878, etching printed in sepia on wove paper, a proof before letters, signed in pencil lower ri...
*Hoyton (Edward Bouverie, 1900-1988). Baths of Caracalla, Rome, etching on pale cream Van Gelder
*Hoyton (Edward Bouverie, 1900-1988). Baths of Caracalla, Rome, etching on pale cream Van Gelder Zonen laid paper, signed in pencil, plate size 2...
*@Nevinson (Christopher Richard Wynne, 1889-1946). Barmouth Estuary, etching and drypoint on pale
*@Nevinson (Christopher Richard Wynne, 1889-1946). Barmouth Estuary, etching and drypoint on pale cream wove paper, signed in pencil lower right,...
*Penn (William Charles, 1877-1968). The Mersey Ferries, 1930, etching with drypoint on heavy wove
*Penn (William Charles, 1877-1968). The Mersey Ferries, 1930, etching with drypoint on heavy wove paper, signed, dated, and titled in pencil, a v...
*Rushbury (Henry George, 1889-1968 ). City of Durham, 1934, etching and drypoint on wove paper, from
*Rushbury (Henry George, 1889-1968 ). City of Durham, 1934, etching and drypoint on wove paper, from the edition of 75, signed in pencil, plate s...
*Rushbury (Henry George, 1889-1968 ). St. Martins in the Fields, 1944, etching and drypoint,
*Rushbury (Henry George, 1889-1968 ). St. Martins in the Fields, 1944, etching and drypoint, signed in pencil, 290 x 264 mm (11.4 x 10.4 ins), fr...
*Strang (Ian R.E., 1886-1952). The Demolition of the Empire Theatre, 1927, etching, a rich dark
*Strang (Ian R.E., 1886-1952). The Demolition of the Empire Theatre, 1927, etching, a rich dark impression, signed with inscription 'To David Stra...
*Strang (Ian R.E., 1886-1952). The Site of Devonshire House, 1925, etching and drypoint on pale
*Strang (Ian R.E., 1886-1952). The Site of Devonshire House, 1925, etching and drypoint on pale cream laid paper, signed, dated, inscribed to Dav...
*Strang (Ian R.E., 1886-1952). Cannon Street Station, from the River Thames, 1923, etching and
*Strang (Ian R.E., 1886-1952). Cannon Street Station, from the River Thames, 1923, etching and drypoint, signed, dated, inscribed to David Strang...
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