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* Allegory of Plenty. Putti holding a sickle and sheaf of wheat, 18th century, pen & ink with
* Allegory of Plenty. Putti holding a sickle and sheaf of wheat, 18th century, pen & ink with wash, 15 x 12cm, contained in antique birdseye maple...
* Blanchet (Louis Gabriel, 1705-1772). Head of a bearded man looking upwards, black and white
* Blanchet (Louis Gabriel, 1705-1772). Head of a bearded man looking upwards, black and white chalk on blue-grey paper, of an elderly man in cleri...
* Bolognese School. Study of a male figure with clasped hands, later 17th century, red chalk on laid
* Bolognese School. Study of a male figure with clasped hands, later 17th century, red chalk on laid paper, 180 x 182mm (7.1 x 7.2ins) mount apert...
* De La Rue (Philibert Benoit, 1718-1780). Putti treading grapes before a term, pen and black ink,
* De La Rue (Philibert Benoit, 1718-1780). Putti treading grapes before a term, pen and black ink, with red-brown wash, inscribed La rue to centre...
* School of Etienne Delaune (1518/19-1595). Bacchanal, fine miniature design for a frieze, pen &
* School of Etienne Delaune (1518/19-1595). Bacchanal, fine miniature design for a frieze, pen & brown ink on laid paper, 71 x 212mm (2.75 x 8.3in...
* Emilian School. Studies of the Infant Bacchus struggling with a putto, 17th century, pen and brown
* Emilian School. Studies of the Infant Bacchus struggling with a putto, 17th century, pen and brown ink on laid paper, with brown wash, lightly s...
* French School. The Release of St. Paul from Prison, c. 1780, pen and black ink on laid paper, with
* French School. The Release of St. Paul from Prison, c. 1780, pen and black ink on laid paper, with grey and brown wash, with Hesse/Vorst waterma...
* Manner of Thomas Gainsborough (1727-1788). Landscape with Cottages and Trees, brown chalk and wash
* Manner of Thomas Gainsborough (1727-1788). Landscape with Cottages and Trees, brown chalk and wash on paper, some waterstaining, 110 x 177mm (4....
* Circle of Luca Giordano (1634-1705). The Mocking of Christ, pen and brown ink, on laid paper, with
* Circle of Luca Giordano (1634-1705). The Mocking of Christ, pen and brown ink, on laid paper, with traces of grey wash, 237 x 324mm (9.3 x 12.5i...
* Godward (John William, 1861-1922, after). The Betrothed, charcoal on card, showing a young lady
* Godward (John William, 1861-1922, after). The Betrothed, charcoal on card, showing a young lady reclining on a leopard skin on a marble seat in ...
* Attributed to Margaret Holmes (1868-1961). Still life of apples, fine academic tonal pencil
* Attributed to Margaret Holmes (1868-1961). Still life of apples, fine academic tonal pencil study on thick wove of an apple tree branch with two...
* Horsfall (Charles Mendelssohn, 1865-1942). A pair of potraits of a lady and gentleman, pastel on
* Horsfall (Charles Mendelssohn, 1865-1942). A pair of potraits of a lady and gentleman, pastel on paper, each signed and dated 1918, each 70 x 50...
* Jurres (Johannes Hendrikus, 1875-1946). The Death of Jezebel, charcoal & pastel on paper, signed
* Jurres (Johannes Hendrikus, 1875-1946). The Death of Jezebel, charcoal & pastel on paper, signed upper right, 59 x 37cm (23 x 14.5 in), framed &...
* Lear (Edward, 1812-1888). San Remo from a hillside, c. 1870, grey wash drawing on paper, titled ‘
* Lear (Edward, 1812-1888). San Remo from a hillside, c. 1870, grey wash drawing on paper, titled ‘San Remo’ to lower left corner, 94 x 146mm (3.7...
* Lear (Edward, 1812-1888). Villa Tennyson, San Remo, c. 1880-1881, three albumen print photos,
* Lear (Edward, 1812-1888). Villa Tennyson, San Remo, c. 1880-1881, three albumen print photos, showing Villa Tennyson under construction, [1880],...
* Nicholson (Francis, 1753-1844). Loch Katrine, pencil drawing, inscribed and dated 12 June 1812, 20
* Nicholson (Francis, 1753-1844). Loch Katrine, pencil drawing, inscribed and dated 12 June 1812, 20 x 26cm (8 x 10in), framed & glazed. Provenanc...
* Pether (Abraham, 1756-1812). Crummock Water and Buttermere from near Scale Force, pencil on grey
* Pether (Abraham, 1756-1812). Crummock Water and Buttermere from near Scale Force, pencil on grey paper heightened with scratching out, signed an...
* Tuscher (Karl Markus, 1705-1757). Attalante & Meleagre, pen, ink and grey wash on laid paper,
* Tuscher (Karl Markus, 1705-1757). Attalante & Meleagre, pen, ink and grey wash on laid paper, heightened with white bodycolour, with indistinct ...