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* Alken (Samuel, 1756-1815). A North-East View of the City of Bath, taken from the Rising-Ground
* Alken (Samuel, 1756-1815). A North-East View of the City of Bath, taken from the Rising-Ground beyong the Villa-Gardens, together with A South-W...
* Baynes (Thomas Mann, 1794-1854). Piercefield Mansion and Park, Chepstow, lithograph after G.
* Baynes (Thomas Mann, 1794-1854). Piercefield Mansion and Park, Chepstow, lithograph after G. Eyre Brooks, printed by Day & Haghe, 18 x 32cm (7 x...
* Childs (G., late 18th/early 19th century). “Clifton”, after Samuel Jackson, hand coloured litho.
* Childs (G., late 18th/early 19th century). “Clifton”, after Samuel Jackson, hand coloured litho. published by O.C. Lane, 21.5 x 31cm (8.5 x 12in...
* Fagan (J., 19th century). St. Vincents Rocks, Clifton. Hotwell House and Baths, c.1850s, hand
* Fagan (J., 19th century). St. Vincents Rocks, Clifton. Hotwell House and Baths, c.1850s, hand coloured lithograph, published by James Bolton, 31...
* Harding (E., early 19th century). Suspension Bridge, now erecting over the Avon at St. Vincent’s
* Harding (E., early 19th century). Suspension Bridge, now erecting over the Avon at St. Vincent’s Rocks, Clifton, c.1820s, uncoloured lithograph ...
* Hassell (John, 1767-1825). To the most Noble the Marquis of Worcester, this View of the City of
* Hassell (John, 1767-1825). To the most Noble the Marquis of Worcester, this View of the City of Bristol is humbly Inscribed, aquatint etching, p...
* Hill (John, 1770-1850). A General View of Bath from the Claverton Road, together with Old Ferry &
* Hill (John, 1770-1850). A General View of Bath from the Claverton Road, together with Old Ferry &c., two hand coloured aquatint views of Bath af...
* Hill (John, 1770-1850). Hot Wells, after J.C. Nattes, 1804, a pair of tinted aquatints, published by William Miller, each 20 x 28cm (8 x 11in), ...
* Holmes (S.C., 19th century). The Avon & Severn from Pen Pole Point, c.1850s, tinted lithograph
* Holmes (S.C., 19th century). The Avon & Severn from Pen Pole Point, c.1850s, tinted lithograph published by George Davey, 23 x 29cm (9 x 11.5in)...
* Jackson (Samuel, 1794-1869). View of St. Vincent’s Rocks and the Old Hotwell House, pub. Rowney & Forster, 1823, hand coloured lithograph, print...
* Jackson (Samuel, 1794-1869). “The Suspension Bridge Intended to be Erected over the Avon at St.
* Jackson (Samuel, 1794-1869). “The Suspension Bridge Intended to be Erected over the Avon at St. Vincent’s Rock, Clifton, near Bristol. Reduced f...
* Payne (William, 1755/60-c.1830). View on the Tamar, hand coloured etching, grey wash border, title
* Payne (William, 1755/60-c.1830). View on the Tamar, hand coloured etching, grey wash border, title in ink to lower margin, 20 x 25cm (8 x 10in),...
* Pocock (Nicholas, 1740-1821). Bristol Cathredral and the Quay from Wapping, together with View
* Pocock (Nicholas, 1740-1821). Bristol Cathredral and the Quay from Wapping, together with View of Clifton Wood from Sea Banks, Avon Gorge with C...
* Sutherland (Thomas, c. 1785-c. 1820). A View of Exmouth, Devon, taken from Cock Wood, sepia
* Sutherland (Thomas, c. 1785-c. 1820). A View of Exmouth, Devon, taken from Cock Wood, sepia aquatint after J. Fidlor, published by J. Wallis, Ro...
* Wallis (E., pub.). Bristol Hot-wells, on the Avon, with Steam Packets, c.1823, uncoloured aquatint
* Wallis (E., pub.). Bristol Hot-wells, on the Avon, with Steam Packets, c.1823, uncoloured aquatint etching, plate dimenisons 25.3 x 35cm (10 x 1...
* Hemy (Charles Napier, 1841-1917). Sailing yacht taking down its gib in a stiff breeze, uncoloured etching by Victor Focillon after Napier Hemy, ...
* Wyllie (William Lionel, 1851-1931). Royal Yacht Squadron, Cowes, etching, signed in pencil, 12.5 x
* Wyllie (William Lionel, 1851-1931). Royal Yacht Squadron, Cowes, etching, signed in pencil, 12.5 x 38cm (5 x 15in), framed & glazed (1) ...[mo...
* Wyllie (William Lionel, 1851-1931). Naval vessels on the Firth of Clyde, etching, signed in
* Wyllie (William Lionel, 1851-1931). Naval vessels on the Firth of Clyde, etching, signed in pencil, 9 x 36cm (3.5 x 14in), framed & glazed (1) ...
* Wyllie (William Lionel, 1851-1931). Torpedo Boats in Action, etching, signed in pencil, 17 x
* Wyllie (William Lionel, 1851-1931). Torpedo Boats in Action, etching, signed in pencil, 17 x 30cm (6.5 x 12in), framed & glazed, together with F...
* Pudlat (Pudlo, 1916-1992). Journey of the Loon, 1983, lithograph and coloured stencil, showing a
* Pudlat (Pudlo, 1916-1992). Journey of the Loon, 1983, lithograph and coloured stencil, showing a great northern diver with sailing boat in the b...
* Simpson (Jackson Henry, 1893-1963). “The Spaniel” and “Setters”, a pair of etchings, captioned &
* Simpson (Jackson Henry, 1893-1963). “The Spaniel” and “Setters”, a pair of etchings, captioned & signed to lower margin, plate size, 13.5 x 22.5...
* Wallpaper panel. A large papier peint landscape scene, for an overdoor, by Arthur et Robert of
* Wallpaper panel. A large papier peint landscape scene, for an overdoor, by Arthur et Robert of Paris, 1786 [but later], printed from woodblocks ...
* Boel (Pieter, 1622-1674). Hunting dogs attacking a wild boar, etching on wove paper, initialled in
* Boel (Pieter, 1622-1674). Hunting dogs attacking a wild boar, etching on wove paper, initialled in the plate, trimmed to plate margin, 19 x 32.7...
* Cooper (Anthony Ashley, 7th Earl of Shaftesbury). Six Etchings of Landscapes [titled to upper
* Cooper (Anthony Ashley, 7th Earl of Shaftesbury). Six Etchings of Landscapes [titled to upper cover], 30 May 1799, six soft-ground etchings on w...
* Delff (Willem Jacobsz, 1580-1638). Charles I, King of England, (after Daniel Mytens the Elder),
* Delff (Willem Jacobsz, 1580-1638). Charles I, King of England, (after Daniel Mytens the Elder), 1628, fine engraving on laid paper, with indisti...
Dusart (Cornelis, 1660-1704). Violin Player Seated in the Inn, etching, with etched title to lower
Dusart (Cornelis, 1660-1704). Violin Player Seated in the Inn, etching, with etched title to lower margin “Rusticus ex animo, non pullus Hypocrita...
* Goudt (Hendrick, 1582/88-1630/48). Jupiter and Mercury in the House of Philemon and Baucis (
* Goudt (Hendrick, 1582/88-1630/48). Jupiter and Mercury in the House of Philemon and Baucis (after Adam Elsheimer), 1612, copper engraving on lai...
* Goudt (Hendrick, 1582/88-1630/48). The Mocking of Ceres (after Adam Elsheimer), 1610, etching
* Goudt (Hendrick, 1582/88-1630/48). The Mocking of Ceres (after Adam Elsheimer), 1610, etching and engraving on laid paper, a good dark impressio...
* Laporte (John, 1761-1839). A group of seven soft-ground etchings after landscapes by Thomas
* Laporte (John, 1761-1839). A group of seven soft-ground etchings after landscapes by Thomas Gainsborough, pub. 1802-03, together seven soft-grou...
* Martin (John, 1789-1854). Bridge over Chaos, mezzotint on laid paper, a proof of the small plate
* Martin (John, 1789-1854). Bridge over Chaos, mezzotint on laid paper, a proof of the small plate version of Paradise Lost by John Milton, printe...
* Neureuther (Eugen Napoleon, 1806-1882). Heute rot, morgen tot, etching on thick wove, plate size
* Neureuther (Eugen Napoleon, 1806-1882). Heute rot, morgen tot, etching on thick wove, plate size 385 x 280mm (15.25 x 11ins), with margins, some...
* Pontius (Paulus, 1603-1658). Frederick, Prince of Arau, fine large engraved portrait by Pontius
* Pontius (Paulus, 1603-1658). Frederick, Prince of Arau, fine large engraved portrait by Pontius after Van Dyck, published by C. vander Stock, ce...
* Preissler (Johann Justin, 1698-1771). Fortsetzung der durch Theorie erfundenen Practic. Oder
* Preissler (Johann Justin, 1698-1771). Fortsetzung der durch Theorie erfundenen Practic. Oder Grundlich-verfasste Reguln derer man sich als einer...
* Van Dyck (Anthony, 1599-1641). Adam van Noort, etching on laid paper, with partial foolscap
* Van Dyck (Anthony, 1599-1641). Adam van Noort, etching on laid paper, with partial foolscap watermark, trimmed just inside platemark, some resto...
* Vernet (Carle, 1758-1836). Arabian horse running free, lithograph, 43 x 56cm (17 x 22ins),
* Vernet (Carle, 1758-1836). Arabian horse running free, lithograph, 43 x 56cm (17 x 22ins), together with another similar litho. by Vernet depict...
* Goyo (Hashiguchi, 1880-1921). Geisha Hisae with a Towel, 1920, dai oban tate-e colour woodblock
* Goyo (Hashiguchi, 1880-1921). Geisha Hisae with a Towel, 1920, dai oban tate-e colour woodblock print, with silver mica ground, in fine conditio...
* Koson (Ohara, 1877-1945). Three Plovers on a Rock (Nami ni Chidori), 1926, colour woodblock
* Koson (Ohara, 1877-1945). Three Plovers on a Rock (Nami ni Chidori), 1926, colour woodblock kacho-e print, on laid paper, with Watanabe publishe...
* Koson (Ohara, 1877-1945). Bird on a Branch with Blossom & Pair of Birds, together two colour
* Koson (Ohara, 1877-1945). Bird on a Branch with Blossom & Pair of Birds, together two colour woodblock prints, 33 x 18cm (13 x 7ins) (2) ...[m...
* Kunisada (Utagawa, 1786-1864). Kabuki Actor, & Woman with sculptor and wooden stork, together
* Kunisada (Utagawa, 1786-1864). Kabuki Actor, & Woman with sculptor and wooden stork, together two colour woodblock prints, 33.5 24cm (13.25 x 9....
* Kunisada (Utagawa, 1786-1865). Mother and Child from the series One Hundred Poems by One Hundred
* Kunisada (Utagawa, 1786-1865). Mother and Child from the series One Hundred Poems by One Hundred Poets (Ogura Hyakunin Isshu), c. 1845, oban col...
* Kunisada (Utagawa, 1786-1865). The Water Carrier, Surimono colour woodblock, 21 x 18.1cm, framed
* Kunisada (Utagawa, 1786-1865). The Water Carrier, Surimono colour woodblock, 21 x 18.1cm, framed and glazed (1) ...[more]
* Kunisada (Utagawa, 1786-1865). Scenes from the Chushingura (The Forty-Seven Ronin), c. 1850s,
* Kunisada (Utagawa, 1786-1865). Scenes from the Chushingura (The Forty-Seven Ronin), c. 1850s, together three chuban colour woodblock prints, 21....
* Kuniyoshi (Utagawa, 1797-1861). Warrior swimming in the sea, oban tate-e colour woodblock print,
* Kuniyoshi (Utagawa, 1797-1861). Warrior swimming in the sea, oban tate-e colour woodblock print, with artist’s seal, 36 x 25.5cm (14.2 x 10ins),...
* Pai (Laxman, 1926-). ‘Flower woman’, uncoloured etching, signed in pencil by the artist, dated
* Pai (Laxman, 1926-). ‘Flower woman’, uncoloured etching, signed in pencil by the artist, dated Paris ‘61 and inscribed ‘Epreuve d’Artiste’, shee...
* Shotei (Takahashi, 1871-1945). Three Figures on a Moonlit path, colour woodblock print, 37.3 x
* Shotei (Takahashi, 1871-1945). Three Figures on a Moonlit path, colour woodblock print, 37.3 x 16.2cm (14.7 x 6.4ins), framed and glazed (1) ....
* Sozan (Ito, 1884-). Lilies with Bees, circa 1915-20, o-tanzaku colour woodblock print, with red
* Sozan (Ito, 1884-). Lilies with Bees, circa 1915-20, o-tanzaku colour woodblock print, with red artist’s seal, and red circular Watanabe seal, 3...
* Toshikata (Mizuno, 1866-1908). Viewing a waterfall: Women of the Jokyo Era (1684-1688), from the
* Toshikata (Mizuno, 1866-1908). Viewing a waterfall: Women of the Jokyo Era (1684-1688), from the series Thirty-Six Elegant Selections (Sanjuroku...
* Utagawa (Yoshiiku, 1833-1904). Triptych Scene of Women at a Bathhouse, colour woodblock print,
* Utagawa (Yoshiiku, 1833-1904). Triptych Scene of Women at a Bathhouse, colour woodblock print, 34.5 x 70cm (13.5 x 27.5ins), framed and glazed (...
* Anderson (Alfred Charles Stanley, 1884-1966). Farm landscape with thatched barns, c. 1913,
* Anderson (Alfred Charles Stanley, 1884-1966). Farm landscape with thatched barns, c. 1913, etching, initialled in the image S.A., signed in penc...
* Anderson (Alfred Charles Stanley, 1884-1966). Self portrait, etching, trimmed to plate margins,
* Anderson (Alfred Charles Stanley, 1884-1966). Self portrait, etching, trimmed to plate margins, with tab signature in pencil to lower margin, a ...
* Anderson (Alfred Charles Stanley, 1884-1966). Covent Garden, etching showing porters loading and
* Anderson (Alfred Charles Stanley, 1884-1966). Covent Garden, etching showing porters loading and unloading supplies in Covent Garden Market agai...
* Anderson (Alfred Charles Stanley, 1884-1966). Old Mill and Haymakers, Norfolk, etching showing
* Anderson (Alfred Charles Stanley, 1884-1966). Old Mill and Haymakers, Norfolk, etching showing figures haymaking in the fields, with windmill in...
* Austen (Winifred Marie Louise, 1876-1964). Wigeon dropping in, etching, signed in pencil to
* Austen (Winifred Marie Louise, 1876-1964). Wigeon dropping in, etching, signed in pencil to lower margin, plate size 22 x 30cm (8.75 x 11.75ins)...
* Banting (John, 1902-1972). Explosion, 1931, colour linocut, signed and dated lower right, and
* Banting (John, 1902-1972). Explosion, 1931, colour linocut, signed and dated lower right, and numbered 39/45 lower left, sheet size 22.2 x 27.3c...
* Baskett (Charles Henry, 1872-1953). The Collier, uncoloured aquatint, captioned and signed to
* Baskett (Charles Henry, 1872-1953). The Collier, uncoloured aquatint, captioned and signed to lower margin, plate size 17.2 x 30cm (6.75 x 11.75...
* Beaver (Tessa, b.1932). Massachusetts Farm, etching with aquatint in colours, signed and titled in
* Beaver (Tessa, b.1932). Massachusetts Farm, etching with aquatint in colours, signed and titled in pencil, limited edition numbered 24/75, plate...
* Blampied (Edmund, 1886-1966). Marriages, Births and Deaths, dryoint, dated October 1929, signed in
* Blampied (Edmund, 1886-1966). Marriages, Births and Deaths, dryoint, dated October 1929, signed in ink, limited edition 87/100, plate dimensions...
* Bone (Sir David Muirhead, 1876-1953). Lifting an oil tank into a train ferry from On the Clyde,
* Bone (Sir David Muirhead, 1876-1953). Lifting an oil tank into a train ferry from On the Clyde, published by P. & D. Colnaghi & Obach, 1917-18, ...
* Brangwyn (Frank). Barques de Venise, 1908, etching, with drypoint on laid paper, watermarked F. J.
* Brangwyn (Frank). Barques de Venise, 1908, etching, with drypoint on laid paper, watermarked F. J. Head & Co., signed in pencil, marked in penci...
* Brangwyn (Frank, 1867-1956 ). A Beggar-Assissi, etching with aquatint, signed in pencil, an
* Brangwyn (Frank, 1867-1956 ). A Beggar-Assissi, etching with aquatint, signed in pencil, an unnumbered artist’s proof, plate size 25.5 x 21.7cm ...
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