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* Alken (Samuel, 1756-1815). A North-East View of the City of Bath, taken from the Rising-Ground
* Alken (Samuel, 1756-1815). A North-East View of the City of Bath, taken from the Rising-Ground beyong the Villa-Gardens, together with A South-W...
* Baynes (Thomas Mann, 1794-1854). Piercefield Mansion and Park, Chepstow, lithograph after G.
* Baynes (Thomas Mann, 1794-1854). Piercefield Mansion and Park, Chepstow, lithograph after G. Eyre Brooks, printed by Day & Haghe, 18 x 32cm (7 x...
* Cashin (Edward). Redland Chapel, Redland, Bristol, 1825, fine pen, ink and watercolour, signed,
* Cashin (Edward). Redland Chapel, Redland, Bristol, 1825, fine pen, ink and watercolour, signed, some toning, 115 x 165mm (4.5 x 6.5ins), gilt fr...
* Childs (G., late 18th/early 19th century). “Clifton”, after Samuel Jackson, hand coloured litho.
* Childs (G., late 18th/early 19th century). “Clifton”, after Samuel Jackson, hand coloured litho. published by O.C. Lane, 21.5 x 31cm (8.5 x 12in...
* Colville (G., early 20th century). The Old Fox Inn, Redcliff Street, Bristol, watercolour, signed,
* Colville (G., early 20th century). The Old Fox Inn, Redcliff Street, Bristol, watercolour, signed, 35.5 x 26cm (14 x 10in), framed & glazed (1) ...
* Fagan (J., 19th century). St. Vincents Rocks, Clifton. Hotwell House and Baths, c.1850s, hand
* Fagan (J., 19th century). St. Vincents Rocks, Clifton. Hotwell House and Baths, c.1850s, hand coloured lithograph, published by James Bolton, 31...
* Frank (William Arnee, 1808-1897). At Horfields, Downend, near Stapleton, Bristol, watercolour,
* Frank (William Arnee, 1808-1897). At Horfields, Downend, near Stapleton, Bristol, watercolour, heightened with bodycolour, signed lower left, 31...
* Harding (E., early 19th century). Suspension Bridge, now erecting over the Avon at St. Vincent’s
* Harding (E., early 19th century). Suspension Bridge, now erecting over the Avon at St. Vincent’s Rocks, Clifton, c.1820s, uncoloured lithograph ...
* Hassell (John, 1767-1825). To the most Noble the Marquis of Worcester, this View of the City of
* Hassell (John, 1767-1825). To the most Noble the Marquis of Worcester, this View of the City of Bristol is humbly Inscribed, aquatint etching, p...
* Hill (John, 1770-1850). A General View of Bath from the Claverton Road, together with Old Ferry &
* Hill (John, 1770-1850). A General View of Bath from the Claverton Road, together with Old Ferry &c., two hand coloured aquatint views of Bath af...
* Hill (John, 1770-1850). Hot Wells, after J.C. Nattes, 1804, a pair of tinted aquatints, published by William Miller, each 20 x 28cm (8 x 11in), ...
* Holmes (S.C., 19th century). The Avon & Severn from Pen Pole Point, c.1850s, tinted lithograph
* Holmes (S.C., 19th century). The Avon & Severn from Pen Pole Point, c.1850s, tinted lithograph published by George Davey, 23 x 29cm (9 x 11.5in)...
* Jackson (Samuel, 1794-1869). View of St. Vincent’s Rocks and the Old Hotwell House, pub. Rowney & Forster, 1823, hand coloured lithograph, print...
* Jackson (Samuel, 1794-1869). “The Suspension Bridge Intended to be Erected over the Avon at St.
* Jackson (Samuel, 1794-1869). “The Suspension Bridge Intended to be Erected over the Avon at St. Vincent’s Rock, Clifton, near Bristol. Reduced f...
* Jackson (Samuel, 1794-1869). View in the Lake District, brown wash with stopping out, 19 x 28cm (
* Jackson (Samuel, 1794-1869). View in the Lake District, brown wash with stopping out, 19 x 28cm (7.5 x 11in), framed & glazed. Provenance: Purch...
* Jackson (Samuel, 1794-1869). Ross Castle, Killarney, pen and brown ink, inscribed with title, 19 x
* Jackson (Samuel, 1794-1869). Ross Castle, Killarney, pen and brown ink, inscribed with title, 19 x 29cm (7.5 X 11.5in), together with three othe...
* Locker (Edward Hawke, 1777-1849). Clevedon Court, Bristol, pen and brown ink with watercolour,
* Locker (Edward Hawke, 1777-1849). Clevedon Court, Bristol, pen and brown ink with watercolour, signed and dated 2 October 1809 on original mount...
* Maggs (John Charles, 1819-1896). The London to Exeter stage coach at Bath, 1882, oil on canvas,
* Maggs (John Charles, 1819-1896). The London to Exeter stage coach at Bath, 1882, oil on canvas, depicting a rainy scene with a crowded stage coa...
* Payne (William, 1755/60-c.1830). View on the Tamar, hand coloured etching, grey wash border, title
* Payne (William, 1755/60-c.1830). View on the Tamar, hand coloured etching, grey wash border, title in ink to lower margin, 20 x 25cm (8 x 10in),...
* Pocock (Nicholas, 1740-1821). Bristol Cathredral and the Quay from Wapping, together with View
* Pocock (Nicholas, 1740-1821). Bristol Cathredral and the Quay from Wapping, together with View of Clifton Wood from Sea Banks, Avon Gorge with C...
* Prout (John Skinner, 1806-1876). “On Avon, Clifton”, watercolour, signed and inscribed in pencil, 11.5 x 22cm (4.5 x 8.75in), framed & glazed. T...
* Rossiter (Walter, 1871-1948). Bathwick Hill, Bath, watercolour, signed, 245 x 350mm (9.75 x 13.
* Rossiter (Walter, 1871-1948). Bathwick Hill, Bath, watercolour, signed, 245 x 350mm (9.75 x 13.75ins), early 20th c. frame, glazed (1) ...[mor...
* Sutherland (Thomas, c. 1785-c. 1820). A View of Exmouth, Devon, taken from Cock Wood, sepia
* Sutherland (Thomas, c. 1785-c. 1820). A View of Exmouth, Devon, taken from Cock Wood, sepia aquatint after J. Fidlor, published by J. Wallis, Ro...
* Wallis (E., pub.). Bristol Hot-wells, on the Avon, with Steam Packets, c.1823, uncoloured aquatint
* Wallis (E., pub.). Bristol Hot-wells, on the Avon, with Steam Packets, c.1823, uncoloured aquatint etching, plate dimenisons 25.3 x 35cm (10 x 1...
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