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* Ward (Herbert, 1863-1919). Head of an African man, 1901, watercolour, signed and dated lower
* Ward (Herbert, 1863-1919). Head of an African man, 1901, watercolour, signed and dated lower right, 28 x 24cm (11 x 9.5ins), framed and glazed. ...
* Ward (William, 1829-1908). Jumieges, after J. M. W. Turner, watercolour and gouache on pale blue
* Ward (William, 1829-1908). Jumieges, after J. M. W. Turner, watercolour and gouache on pale blue thick wove paper, inscribed in brown ink to low...
* Warren (Emily Mary Bibbens, exh. 1900-39). Salisbury, watercolour, signed, 21.5 x 32cm (8.5 x 12.
* Warren (Emily Mary Bibbens, exh. 1900-39). Salisbury, watercolour, signed, 21.5 x 32cm (8.5 x 12.5in), framed & glazed (1) ...[more]
* Watts (George Frederick, 1817-1904). Study of a Child’s Head, coloured chalks on paper, mounted,
* Watts (George Frederick, 1817-1904). Study of a Child’s Head, coloured chalks on paper, mounted, some surface marks and glue stains to outer edg...
* Watts (James T., 1853-1930). Autumn in Lord Latham’s Courts, watercolour, heightened with bodycolour, signed lower right, 39.5 x 29.5cm (15.5 x ...
* West (Edgar E., active 1857-1881). Rocky coast with seabirds, watercolour, signed, 54 x 74cm (21 x
* West (Edgar E., active 1857-1881). Rocky coast with seabirds, watercolour, signed, 54 x 74cm (21 x 29in), framed and glazed. Lived in London and...
* Alken (Samuel, 1756-1815). A North-East View of the City of Bath, taken from the Rising-Ground
* Alken (Samuel, 1756-1815). A North-East View of the City of Bath, taken from the Rising-Ground beyong the Villa-Gardens, together with A South-W...
* Baynes (Thomas Mann, 1794-1854). Piercefield Mansion and Park, Chepstow, lithograph after G.
* Baynes (Thomas Mann, 1794-1854). Piercefield Mansion and Park, Chepstow, lithograph after G. Eyre Brooks, printed by Day & Haghe, 18 x 32cm (7 x...
* Cashin (Edward). Redland Chapel, Redland, Bristol, 1825, fine pen, ink and watercolour, signed,
* Cashin (Edward). Redland Chapel, Redland, Bristol, 1825, fine pen, ink and watercolour, signed, some toning, 115 x 165mm (4.5 x 6.5ins), gilt fr...
* Childs (G., late 18th/early 19th century). “Clifton”, after Samuel Jackson, hand coloured litho.
* Childs (G., late 18th/early 19th century). “Clifton”, after Samuel Jackson, hand coloured litho. published by O.C. Lane, 21.5 x 31cm (8.5 x 12in...
* Colville (G., early 20th century). The Old Fox Inn, Redcliff Street, Bristol, watercolour, signed,
* Colville (G., early 20th century). The Old Fox Inn, Redcliff Street, Bristol, watercolour, signed, 35.5 x 26cm (14 x 10in), framed & glazed (1) ...
* Fagan (J., 19th century). St. Vincents Rocks, Clifton. Hotwell House and Baths, c.1850s, hand
* Fagan (J., 19th century). St. Vincents Rocks, Clifton. Hotwell House and Baths, c.1850s, hand coloured lithograph, published by James Bolton, 31...
* Frank (William Arnee, 1808-1897). At Horfields, Downend, near Stapleton, Bristol, watercolour,
* Frank (William Arnee, 1808-1897). At Horfields, Downend, near Stapleton, Bristol, watercolour, heightened with bodycolour, signed lower left, 31...
* Harding (E., early 19th century). Suspension Bridge, now erecting over the Avon at St. Vincent’s
* Harding (E., early 19th century). Suspension Bridge, now erecting over the Avon at St. Vincent’s Rocks, Clifton, c.1820s, uncoloured lithograph ...
* Hassell (John, 1767-1825). To the most Noble the Marquis of Worcester, this View of the City of
* Hassell (John, 1767-1825). To the most Noble the Marquis of Worcester, this View of the City of Bristol is humbly Inscribed, aquatint etching, p...
* Hill (John, 1770-1850). A General View of Bath from the Claverton Road, together with Old Ferry &
* Hill (John, 1770-1850). A General View of Bath from the Claverton Road, together with Old Ferry &c., two hand coloured aquatint views of Bath af...
* Hill (John, 1770-1850). Hot Wells, after J.C. Nattes, 1804, a pair of tinted aquatints, published by William Miller, each 20 x 28cm (8 x 11in), ...
* Holmes (S.C., 19th century). The Avon & Severn from Pen Pole Point, c.1850s, tinted lithograph
* Holmes (S.C., 19th century). The Avon & Severn from Pen Pole Point, c.1850s, tinted lithograph published by George Davey, 23 x 29cm (9 x 11.5in)...
* Jackson (Samuel, 1794-1869). View of St. Vincent’s Rocks and the Old Hotwell House, pub. Rowney & Forster, 1823, hand coloured lithograph, print...
* Jackson (Samuel, 1794-1869). “The Suspension Bridge Intended to be Erected over the Avon at St.
* Jackson (Samuel, 1794-1869). “The Suspension Bridge Intended to be Erected over the Avon at St. Vincent’s Rock, Clifton, near Bristol. Reduced f...
* Jackson (Samuel, 1794-1869). View in the Lake District, brown wash with stopping out, 19 x 28cm (
* Jackson (Samuel, 1794-1869). View in the Lake District, brown wash with stopping out, 19 x 28cm (7.5 x 11in), framed & glazed. Provenance: Purch...
* Jackson (Samuel, 1794-1869). Ross Castle, Killarney, pen and brown ink, inscribed with title, 19 x
* Jackson (Samuel, 1794-1869). Ross Castle, Killarney, pen and brown ink, inscribed with title, 19 x 29cm (7.5 X 11.5in), together with three othe...
* Locker (Edward Hawke, 1777-1849). Clevedon Court, Bristol, pen and brown ink with watercolour,
* Locker (Edward Hawke, 1777-1849). Clevedon Court, Bristol, pen and brown ink with watercolour, signed and dated 2 October 1809 on original mount...
* Maggs (John Charles, 1819-1896). The London to Exeter stage coach at Bath, 1882, oil on canvas,
* Maggs (John Charles, 1819-1896). The London to Exeter stage coach at Bath, 1882, oil on canvas, depicting a rainy scene with a crowded stage coa...
* Payne (William, 1755/60-c.1830). View on the Tamar, hand coloured etching, grey wash border, title
* Payne (William, 1755/60-c.1830). View on the Tamar, hand coloured etching, grey wash border, title in ink to lower margin, 20 x 25cm (8 x 10in),...
* Pocock (Nicholas, 1740-1821). Bristol Cathredral and the Quay from Wapping, together with View
* Pocock (Nicholas, 1740-1821). Bristol Cathredral and the Quay from Wapping, together with View of Clifton Wood from Sea Banks, Avon Gorge with C...
* Prout (John Skinner, 1806-1876). “On Avon, Clifton”, watercolour, signed and inscribed in pencil, 11.5 x 22cm (4.5 x 8.75in), framed & glazed. T...
* Rossiter (Walter, 1871-1948). Bathwick Hill, Bath, watercolour, signed, 245 x 350mm (9.75 x 13.
* Rossiter (Walter, 1871-1948). Bathwick Hill, Bath, watercolour, signed, 245 x 350mm (9.75 x 13.75ins), early 20th c. frame, glazed (1) ...[mor...
* Sutherland (Thomas, c. 1785-c. 1820). A View of Exmouth, Devon, taken from Cock Wood, sepia
* Sutherland (Thomas, c. 1785-c. 1820). A View of Exmouth, Devon, taken from Cock Wood, sepia aquatint after J. Fidlor, published by J. Wallis, Ro...
* Wallis (E., pub.). Bristol Hot-wells, on the Avon, with Steam Packets, c.1823, uncoloured aquatint
* Wallis (E., pub.). Bristol Hot-wells, on the Avon, with Steam Packets, c.1823, uncoloured aquatint etching, plate dimenisons 25.3 x 35cm (10 x 1...
* Atkins (William Edward, 1842-1910). Coming Ashore with the Catch, watercolour, signed, 24 x
* Atkins (William Edward, 1842-1910). Coming Ashore with the Catch, watercolour, signed, 24 x 36cm (9.5 x 14in), framed & glazed. Marine painter w...
* Beatty (R., 19th century). Bringing in the Catch, watercolour, signed and dated (18)79, 26 x
* Beatty (R., 19th century). Bringing in the Catch, watercolour, signed and dated (18)79, 26 x 37cm (10 x 14.5in), framed & glazed (1) ...[more]
* Brett (Donald, 20th century). “The Lightning”, oil on canvas of a square-rigged, three masted
* Brett (Donald, 20th century). “The Lightning”, oil on canvas of a square-rigged, three masted tea clipper, signed lower right, 49 x 75.3cm (19.5...
* Brooks (Robin, 1943-). “The Homeward Run”, oil on canvas board, showing a square rigged, three
* Brooks (Robin, 1943-). “The Homeward Run”, oil on canvas board, showing a square rigged, three masted clipper, signed lower left, label to verso...
* Cleveley (Robert, 1747-1809). French and British man-o’war engaged in battle, watercolour with pen
* Cleveley (Robert, 1747-1809). French and British man-o’war engaged in battle, watercolour with pen & ink, 18.5 x 22.3cm (7.25 x 8.75ins), framed...
* Condy (Nicholas Matthew, 1793-1857). HMS Victory in Portsmouth Harbour, oil on canvas, relined, 23
* Condy (Nicholas Matthew, 1793-1857). HMS Victory in Portsmouth Harbour, oil on canvas, relined, 23 x 30.5cm (9 x 12ins), framed (1) This is not ...
* Cooke (Edward William, 1811-1880). The Beach at Hastings, fine pen, ink and watercolour wash on
* Cooke (Edward William, 1811-1880). The Beach at Hastings, fine pen, ink and watercolour wash on wove paper, 98 x 146mm (3.8 x 5.75ins), with art...
* Duncan (Edward, 1803-1882). After the Storm: wreckage on the sand, watercolour over pencil, 18.5 x
* Duncan (Edward, 1803-1882). After the Storm: wreckage on the sand, watercolour over pencil, 18.5 x 26cm (7.25 x 10.25in), framed & glazed. Prove...
* Duncan (Edward, 1803-1882). Vessels in a stormy sea, pen and ink with brown wash, signed and dated
* Duncan (Edward, 1803-1882). Vessels in a stormy sea, pen and ink with brown wash, signed and dated 1876, 21.5 x 32.5cm (8.5 x 12.75in), framed &...
* Ewbank (John Wilson, 1799-1847). Stranded Vessel, Morning, pencil drawing, signed and dated
* Ewbank (John Wilson, 1799-1847). Stranded Vessel, Morning, pencil drawing, signed and dated 1831, 13 x 18cm (5 x 7in), together with a small pen...
* Fielding (Anthony Vandyke Copley, 1787-1855). Sailing boat near Clam-shell Cave, Staffa, with Iona
* Fielding (Anthony Vandyke Copley, 1787-1855). Sailing boat near Clam-shell Cave, Staffa, with Iona in the distance, watercolour on paper, signed...
* Hemy (Charles Napier, 1841-1917). Sailing yacht taking down its gib in a stiff breeze, uncoloured etching by Victor Focillon after Napier Hemy, ...
* Jackson (Samuel Phillips, 1830-1904). Beached coastal craft on the Mawddach Estuary, Barmouth,
* Jackson (Samuel Phillips, 1830-1904). Beached coastal craft on the Mawddach Estuary, Barmouth, watercolour, signed and dated 1862, 24 x 48cm (9....
* Attributed to Rowland Langmaid (1897-1956). Royal Yacht Victoria & Albert in Portsmouth Harbour,
* Attributed to Rowland Langmaid (1897-1956). Royal Yacht Victoria & Albert in Portsmouth Harbour, watercolour, 29.5 x 50cm (11.5 x 19.5in), frame...
* Mackrill (Martyn R., 1962-). Yachts with other shipping, pen and ink with pencil on paper, signed,
* Mackrill (Martyn R., 1962-). Yachts with other shipping, pen and ink with pencil on paper, signed, 18 x 33.5cm (7.25 x 13.25ins), framed & glaze...
* McAlpine (William, 19th-century). Coastal scene with ship in stormy seas, and another beached, and
* McAlpine (William, 19th-century). Coastal scene with ship in stormy seas, and another beached, and castle on a promontory, 1875, oil on canvas, ...
* Neapolitan School. Spanish merchant steamer “Sestao” at sea, late 19th century gouache, 49 x
* Neapolitan School. Spanish merchant steamer “Sestao” at sea, late 19th century gouache, 49 x 79cm (19.25 x 31ins), contemporary wooden frame (1)...
* Newberry (R.B., 20th century). “In the Mersey circa 1900”, watercolour of a square-rigged brig
* Newberry (R.B., 20th century). “In the Mersey circa 1900”, watercolour of a square-rigged brig with a pilot tug alongside, a lightship to the le...
* Pearson (William Henry, fl. late 19th century). Off Dunkirk, watercolour heightened with bodycolour, signed and titled lower-left, 25 x 73cm (10...
* Perry (Roy, 1935-1993 ). A Coastal Trader, oil on board, signed, 32.5 x 55cm (12.75 x 21.5in),
* Perry (Roy, 1935-1993 ). A Coastal Trader, oil on board, signed, 32.5 x 55cm (12.75 x 21.5in), framed & glazed (1) ...[more]
* Simmins (C.B., 20th century). The Sydney Star, leaving Napier Harbour, watercolour, signed and
* Simmins (C.B., 20th century). The Sydney Star, leaving Napier Harbour, watercolour, signed and dated 1940 lower left, 37.5 x 51.5cm (14.75 x 20....
* Wood (Hunter, 1908-1948). Schooner ‘Henry Ford’ at Dawn, 1938, gouache on paper, signed and
* Wood (Hunter, 1908-1948). Schooner ‘Henry Ford’ at Dawn, 1938, gouache on paper, signed and dated lower right, 26 x 36.3cm (10.25 x 14.25ins), f...
* Wyllie (William Lionel, 1851-1931). Royal Yacht Squadron, Cowes, etching, signed in pencil, 12.5 x
* Wyllie (William Lionel, 1851-1931). Royal Yacht Squadron, Cowes, etching, signed in pencil, 12.5 x 38cm (5 x 15in), framed & glazed (1) ...[mo...
* Wyllie (William Lionel, 1851-1931). Naval vessels on the Firth of Clyde, etching, signed in
* Wyllie (William Lionel, 1851-1931). Naval vessels on the Firth of Clyde, etching, signed in pencil, 9 x 36cm (3.5 x 14in), framed & glazed (1) ...
* Wyllie (William Lionel, 1851-1931). Torpedo Boats in Action, etching, signed in pencil, 17 x
* Wyllie (William Lionel, 1851-1931). Torpedo Boats in Action, etching, signed in pencil, 17 x 30cm (6.5 x 12in), framed & glazed, together with F...
* Yockney (Kenneth Allington, 1881-1965). Old Portsmouth, watercolour, 12.5 x 36cm (5 x 14in),
* Yockney (Kenneth Allington, 1881-1965). Old Portsmouth, watercolour, 12.5 x 36cm (5 x 14in), framed & glazed (1) ...[more]
* Cusa (Noel William, 1909-1990). Pair of Saddlebacks, watercolour and pencil, signed lower right,
* Cusa (Noel William, 1909-1990). Pair of Saddlebacks, watercolour and pencil, signed lower right, 20 x 29.5cm (8 x 11.75ins), framed (1) ...[mo...
* Kelly (Richard Barrett Talbot, 1896-1971). Dabchick, watercolour, signed with monogram lower left,
* Kelly (Richard Barrett Talbot, 1896-1971). Dabchick, watercolour, signed with monogram lower left, 27.3 x 18.2cm (10.75 x 7.2ins) mount aperture...
* Kelly (Richard Barrett Talbot, 1896-1971). Pinkfeet in Flight, watercolour, faint monogram lower
* Kelly (Richard Barrett Talbot, 1896-1971). Pinkfeet in Flight, watercolour, faint monogram lower right, 23 x 29cm (9 x 11.25ins), framed and gla...
* Kristupas (Richard David, 1954-). Goshawk perched on a branch, gouache on brown paper, signed
* Kristupas (Richard David, 1954-). Goshawk perched on a branch, gouache on brown paper, signed lower right, 33.3 x 27.5cm (13 x 11ins), framed an...