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*After Thomas Sidney Cooper (1803-1902). Horses and Fowl, watercolour, showing a bay horse and a dun
*After Thomas Sidney Cooper (1803-1902). Horses and Fowl, watercolour, showing a bay horse and a dun pony in a farmyard with chickens and a wooden...
*Artists. A collection of twenty-one engravings, originally published in ‘Het Gulden Cabinet....’, pub. Antwerp, [1662], uncoloured engraved portr...
*After William Blake (1757 -1827). Christ or Michael trampling upon Satan, c. 1806-08, copper
*After William Blake (1757 -1827). Christ or Michael trampling upon Satan, c. 1806-08, copper engraving by Thomas Butts on laid paper, after the o...
*Boissieu (Jean-Jacques de, 1736-1810). The Temple of Vesta, 1774, etching on laid paper, 28 x
*Boissieu (Jean-Jacques de, 1736-1810). The Temple of Vesta, 1774, etching on laid paper, 28 x 38cm (11 x 15ins) mount aperture, with title indist...
*Bristol. South East View of Redcliffe Church, Bristol, early 19th century colour printed view in
*Bristol. South East View of Redcliffe Church, Bristol, early 19th century colour printed view in oil on canvas, manufactured by John Hare and Co....
*Callot (Jacques, 1592-1635). Entree des Sieurs de Vroncourt, Tyllom et Marimont, c.1627, uncoloured
*Callot (Jacques, 1592-1635). Entree des Sieurs de Vroncourt, Tyllom et Marimont, c.1627, uncoloured etching showing two floats in the shape of mo...
![*Claude (Le Lorrain, 1600-1682). L’Enlevament d’Europe (The Rape of Europa), [1634 or later],](https://s3-eu-west-1.amazonaws.com/lot-images.atgmedia.com/SR/10729/2898030/73-2014127173825_155x155.jpg)
*Claude (Le Lorrain, 1600-1682). L’Enlevament d’Europe (The Rape of Europa), [1634 or later],
*Claude (Le Lorrain, 1600-1682). L’Enlevament d’Europe (The Rape of Europa), [1634 or later], uncoloured etching on laid, tipped on to later paper...
![*Danby (Francis). Opening of the Sixth Seal [and] Passage through the Red Sea, pub. M.Colnaghi,](https://s3-eu-west-1.amazonaws.com/lot-images.atgmedia.com/SR/10729/2898030/74-2014127173826_155x155.jpg)
*Danby (Francis). Opening of the Sixth Seal [and] Passage through the Red Sea, pub. M.Colnaghi,
*Danby (Francis). Opening of the Sixth Seal [and] Passage through the Red Sea, pub. M.Colnaghi, 1830, together two mezzotints by G.H.Phillips afte...
*Debucourt (Philibert-Louis, 1755-1832). Minet aux aguets, colour-printed mixed method engraving
*Debucourt (Philibert-Louis, 1755-1832). Minet aux aguets, colour-printed mixed method engraving on thick wove paper, with engraved title below im...
![*Potter (Paulus, 1625-1654). Les Vaches, 1643 [or later], uncoloured etching, tipped on to later](https://s3-eu-west-1.amazonaws.com/lot-images.atgmedia.com/SR/10729/2898030/76-2014127173829_155x155.jpg)
*Potter (Paulus, 1625-1654). Les Vaches, 1643 [or later], uncoloured etching, tipped on to later
*Potter (Paulus, 1625-1654). Les Vaches, 1643 [or later], uncoloured etching, tipped on to later card, 18 x 26.5cms (7 x 10.25 ins), together with...
*Durer (Albrecht). La Passione di N. S. Giesu Christo d’Alberto Durero di Norimberga, Sposta in
*Durer (Albrecht). La Passione di N. S. Giesu Christo d’Alberto Durero di Norimberga, Sposta in ottava rima dal R. P. D. Mauritio Moro, Venice, Ap...
*Galle (Philip, 1537-1612). Samson smiting the Philistines with the jawbone of an ass, c. 1560s,
*Galle (Philip, 1537-1612). Samson smiting the Philistines with the jawbone of an ass, c. 1560s, circular copper engraving on laid paper by Philip...
*Goltzius (Hendrik, 1558-1617). The Wives of the Patriarchs, c.1597, uncoloured engraving attributed
*Goltzius (Hendrik, 1558-1617). The Wives of the Patriarchs, c.1597, uncoloured engraving attributed to Jacob Matham, of Sara wife of Abraham, two...
*Goudt (Hendrick, 1582/88-1630/48). Tobias and the Angel (after Adam Elsheimer), 1608, copper
*Goudt (Hendrick, 1582/88-1630/48). Tobias and the Angel (after Adam Elsheimer), 1608, copper engraving on laid paper, with short margins, some ma...
Goya (Francisco de, 1746-1828). Los Desastres de la Guerra. Coleccion de ochenta laminas inventadas y grabadas al agua-fuerte, Publicala la Real A...
*Hollar (Wenceslaus, 1607-1677). View of Coburg, c. 1657, etching on laid paper, first state (of 2),
*Hollar (Wenceslaus, 1607-1677). View of Coburg, c. 1657, etching on laid paper, first state (of 2), with the two figures to left foreground, imag...
*Leyden (Lucas van, 1489-1533). Joseph interpreting his dreams to Jacob, 1512, engraving on laid
*Leyden (Lucas van, 1489-1533). Joseph interpreting his dreams to Jacob, 1512, engraving on laid paper, trimmed to the border line, early ink insc...
*Lory (Gabriel the younger, 1784-1846). Swiss costumes, c.1823, a pair of aquatints with bright
*Lory (Gabriel the younger, 1784-1846). Swiss costumes, c.1823, a pair of aquatints with bright contemporary gouache colouring, each approx. 22 x ...
*Marlow (William, 1740-1813). Views in Italy, 1795, a set of six etchings by William Marlow, published February 10, 1795 by J. Curtis, Twickenham,...
*Merian (Matthaus, 1593-1650). The Four Seasons, 1622, a set of four etchings on laid paper, with
*Merian (Matthaus, 1593-1650). The Four Seasons, 1622, a set of four etchings on laid paper, with indistinct watermark, some minor marks and old r...
*Pasqualini (Giovanni Battista, 1585-c.1635). The Virgin feeding the Child, 1621, copper engraving
*Pasqualini (Giovanni Battista, 1585-c.1635). The Virgin feeding the Child, 1621, copper engraving on laid paper after Guercino, lower margin with...
*Rubens (Peter Paul, 1577-1640). A collection of twelve engravings by Jean Marc Nattier and others, c.1740, eleven large uncoloured engravings of ...
*Tempesta (Antonio, 1555-1630). Aetas Aenea (The Golden Age), etching on laid paper, with indistinct
*Tempesta (Antonio, 1555-1630). Aetas Aenea (The Golden Age), etching on laid paper, with indistinct watermark, thread margins restrengthened, she...
*Waltner (Charles-Albert, 1846-1925). Harmony, after Frank Dicksee, 1880, etching on wove paper
*Waltner (Charles-Albert, 1846-1925). Harmony, after Frank Dicksee, 1880, etching on wove paper printed by A. Salmon & Ardall, Paris, published by...
*Worlidge (Thomas, 1700-1766). The Select Works of Thos. Worlidge, Containing Fifty Etchings of
*Worlidge (Thomas, 1700-1766). The Select Works of Thos. Worlidge, Containing Fifty Etchings of Portraits, Fancy Heads and Miscellaneous Subjects,...
*Van Mastenbroek (Johann Hendrik, 1875-1945). Overschie Bridge, lithograph on Ingres laid paper,
*Van Mastenbroek (Johann Hendrik, 1875-1945). Overschie Bridge, lithograph on Ingres laid paper, signed in pencil lower right, image size 47.5 x 6...
*De Zwart (Willem, 1862-1931). Market Day, etching on wove, signed lower right, some toning, 15 x
*De Zwart (Willem, 1862-1931). Market Day, etching on wove, signed lower right, some toning, 15 x 22.5cm (6 x 8.75ins), framed and glazed, togethe...
*Kunisada (Utagawa, 1786-1865). Ladies in a landscape with cherry-blossom, colour woodblock print,
*Kunisada (Utagawa, 1786-1865). Ladies in a landscape with cherry-blossom, colour woodblock print, 35.5 x 25 cm (14 x 9.75 ins), mount aperture, f...
*Kunisada (Utagawa, 1786-1865). Four woodblock prints, four colour woodblocks on crepe paper,
*Kunisada (Utagawa, 1786-1865). Four woodblock prints, four colour woodblocks on crepe paper, mounted within a lace border, slight toning at top b...
*Kunisada (Utagawa, 1786-1865). ‘Princess Sayo’, 1852, colour woodblock print, 35 x 23.5cm (13.75 x 9.25ins), together with two other female portr...
*Ackroyd (Norman, 1938- ). McDara’s Day, 1998, etching with aquatint, signed, dated, titled, and
*Ackroyd (Norman, 1938- ). McDara’s Day, 1998, etching with aquatint, signed, dated, titled, and numbered 35/90, plate size 172 x 237mm (6.75 x 9....
*Ackroyd (Norman, 1938- ). Randwick Valley, Hoy, 1996, etching with aquatint, signed, dated, titled,
*Ackroyd (Norman, 1938- ). Randwick Valley, Hoy, 1996, etching with aquatint, signed, dated, titled, and numbered 32/60, plate size 150 x 205mm (6...
*Ackroyd (Norman, 1938- ). Nowt Bield, Hoy, 1996, etching with aquatint, signed, dated, titled,
*Ackroyd (Norman, 1938- ). Nowt Bield, Hoy, 1996, etching with aquatint, signed, dated, titled, and numbered 32.60, plate size 153 x 202mm (6 x 8i...
*Ackroyd (Norman, 1938- ). Yesnaby, 1996, etching with aquatint, signed, dated, titled, and numbered
*Ackroyd (Norman, 1938- ). Yesnaby, 1996, etching with aquatint, signed, dated, titled, and numbered 32/60, plate size 157 x 202mm (6.2 x 8ins), f...
*Ackroyd (Norman, 1938- ). Achill Island, 1998, etching with aquatint, signed, dated, titled, and
*Ackroyd (Norman, 1938- ). Achill Island, 1998, etching with aquatint, signed, dated, titled, and numbered 35/90, plate size 175 x 255mm (7 x 10in...
*Ardizzone (Edward, 1900-1979). Shelter Scene, pub. The National Gallery, 1941, colour lithograph,
*Ardizzone (Edward, 1900-1979). Shelter Scene, pub. The National Gallery, 1941, colour lithograph, 75 x 100cm (29.5 x 39.5ins), framed and glazed(...
*Barker (Anthony Raine, 1880-1963). Circus scene, 1912, lithograph, signed, dated, and numbered
*Barker (Anthony Raine, 1880-1963). Circus scene, 1912, lithograph, signed, dated, and numbered Dec-30 in pencil, image size 30 x 39cm (11.75 x 15...
*AR Bartlett (Charles William, 1860-1940). Miono-Matsubara, 1916, colour woodcut, signed lower left,
*AR Bartlett (Charles William, 1860-1940). Miono-Matsubara, 1916, colour woodcut, signed lower left, sheet size 25.5 x 37.5cm (10 x 14.75ins), ext...
*Boxsuis (Sylvan G., 1878-1941). Corfe Castle, colour woodblock, signed and titled in pencil to
*Boxsuis (Sylvan G., 1878-1941). Corfe Castle, colour woodblock, signed and titled in pencil to lower margin, the full sheet, 28 x 33cm (11 x 13in...
*Brangwyn (Frank, 1867-1956 ). Street in Puy, etching with drypoint, signed in pencil, plate size
*Brangwyn (Frank, 1867-1956 ). Street in Puy, etching with drypoint, signed in pencil, plate size 405 x 300mm (16 x 11.75ins), framed and glazed(1...
*Bresslern-Roth (Norbertine von, 1891-1978). North African Donkeys, colour linocut, signed and
*Bresslern-Roth (Norbertine von, 1891-1978). North African Donkeys, colour linocut, signed and inscribed Handdruck in pencil to lower margin, 18.5...
*Brockhurst (Gerald Leslie, 1890-1978). Une Dacquoise, 1922, etching, signed in pencil, plate size
*Brockhurst (Gerald Leslie, 1890-1978). Une Dacquoise, 1922, etching, signed in pencil, plate size 165 x 113mm (6.5 x 4.5ins), framed and glazed(1...
*Brockhurst (Gerald Leslie, 1890-1978). Galway Peasant, 1920, etching, printed in an edition of
*Brockhurst (Gerald Leslie, 1890-1978). Galway Peasant, 1920, etching, printed in an edition of 55, signed in pencil, plate size 100 x 107mm, fram...
*Burridge (Frederick Jango, c. 1869-1945). The Smithy, etching, signed in pencil, plate size 190 x
*Burridge (Frederick Jango, c. 1869-1945). The Smithy, etching, signed in pencil, plate size 190 x 245mm (7.5 x 9.7ins), framed and glazed(1) ......
*Buzzacchi (Mimi Quilichi). Panorama of Rome, 1947, uncoloured woodcut, signed, titled and numbered 13/100 in pencil by artist below image, 17 x 8...
*Clilverd (Graham Barry, 1883-1978). H.M.S. Victory, Portsmouth, etching with drypoint, signed in
*Clilverd (Graham Barry, 1883-1978). H.M.S. Victory, Portsmouth, etching with drypoint, signed in pencil, plate size 302 x 200mm (11.9 x 7.9ins), ...
*Craig (Edward Henry Gordon, 1872-1966). The Storm, King Lear, 1923, woodcut on thin japan tissue,
*Craig (Edward Henry Gordon, 1872-1966). The Storm, King Lear, 1923, woodcut on thin japan tissue, state 5, printed in an edition of 150 copies, t...
*Craig (Edward Henry Gordon, 1872-1966). Commedia dell’Arte, wood engraving on thin japan tissue,
*Craig (Edward Henry Gordon, 1872-1966). Commedia dell’Arte, wood engraving on thin japan tissue, printed in an edition of 150 copies, this copy n...
*Craig (Edward Henry Gordon, 1872-1966). A Penny, 1923, copper engraving on laid paper, printed in
*Craig (Edward Henry Gordon, 1872-1966). A Penny, 1923, copper engraving on laid paper, printed in an edition of 26 copies, this copy numbered 10,...
*Croasdale (P., 20th century). An album containing thirty-eight woodcuts and wood engravings, some
*Croasdale (P., 20th century). An album containing thirty-eight woodcuts and wood engravings, some printed on japan, others on wove paper, and a f...
*Drian (Etienne Adrien, 1885-1961). Elegante, etching with drypoint, published by Devambez for
*Drian (Etienne Adrien, 1885-1961). Elegante, etching with drypoint, published by Devambez for Maison Parry, signed in pencil, plate size 44 x 19c...
*Greg (Barbara, 1900-1983). Landscape with sheep, woodcut on japanese tissue, showing sheep under
*Greg (Barbara, 1900-1983). Landscape with sheep, woodcut on japanese tissue, showing sheep under spreading trees, signed in pencil to lower margi...
*Hayter (Stanley William, 1901-1988). Marquis de Sade, Le prisonnier des iles, Cassie & L’
*Hayter (Stanley William, 1901-1988). Marquis de Sade, Le prisonnier des iles, Cassie & L’archipel (le rendevouz des iles), from Ombres Portees by...
*Houston (George, 1869-1947). Twelve Etchings by George Houston A.R.S.A., 1915, a set of twelve
*Houston (George, 1869-1947). Twelve Etchings by George Houston A.R.S.A., 1915, a set of twelve drypoint etchings, each signed and titled in penci...
*Icart (Louis, 1888-1950). Montmartre, 1949, etching with aquatint, signed in pencil to lower
*Icart (Louis, 1888-1950). Montmartre, 1949, etching with aquatint, signed in pencil to lower right margin, 45 x 69cm (17.75 x 27.25ins)(1) ...[m...
*Iwan (Friedrich, 1889-1967). Einsame Baude, Riesengebirge, circa 1930, colour etching, signed in
*Iwan (Friedrich, 1889-1967). Einsame Baude, Riesengebirge, circa 1930, colour etching, signed in pencil, plate size 120 x 170mm (4.75 x 6.6ins), ...
*Jacquemin (Andre, 1904-1992). Fille de Bali, 1944, etching with drypoint, signed, titled, and
*Jacquemin (Andre, 1904-1992). Fille de Bali, 1944, etching with drypoint, signed, titled, and numbered 1/30, plate size 300 x 160mm (7.9 x 6.25in...
*Kasimir (Luigi, 1881-1962). Vienna, colour etching, signed in pencil, 39 x 26.5 (15.25 x 10.25
*Kasimir (Luigi, 1881-1962). Vienna, colour etching, signed in pencil, 39 x 26.5 (15.25 x 10.25 ins), framed and glazed, together with Singer (Emi...
*Kasimir (Luigi, 1881-1962). Street scene, Vienna, colour etching, signed in pencil, plate size 41 x
*Kasimir (Luigi, 1881-1962). Street scene, Vienna, colour etching, signed in pencil, plate size 41 x 38.5 cm (16 x 15.25 ins), together with anoth...
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