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Eichenberg (Fritz). The Art of the Print. Masterpieces-History-Techniques, 1st ed., Thames &
Eichenberg (Fritz). The Art of the Print. Masterpieces-History-Techniques, 1st ed., Thames & Hudson, 1976, num. col. and b & w illusts., orig. cloth in d.j., 4to, together with Morison (Stanley), Splendour of Ornament. Specimens Selected from the Essempio di recammi the first Italian Manual of Decoration, Venice, 1524, by Giovanni Antonio Tagliente. His Life and Literary Remains... and His Typographical Style, by Esther Potter, Preface by Berthold Wolpe, Lion & Unicorn Press, 1968, col. illusts., orig. self-patterned silk binding, a trifle rubbed on spine, square 4to (no. 28 of an unspecified limitation), plus Adams (Ansel), The Camera, The Negative, The Print. The New Ansel Adams Photography series, Books 1-3, New York Graphic Society, 1981-83, b & w illusts., orig. cloth in d.j., 4to, and others on art and design, mostly G/VG (3 shelves)
Eichenberg (Fritz). The Art of the Print. Masterpieces-History-Techniques, 1st ed., Thames & Hudson, 1976, num. col. and b & w illusts., orig. cloth in d.j., 4to, together with Morison (Stanley), Splendour of Ornament. Specimens Selected from the Essempio di recammi the first Italian Manual of Decoration, Venice, 1524, by Giovanni Antonio Tagliente. His Life and Literary Remains... and His Typographical Style, by Esther Potter, Preface by Berthold Wolpe, Lion & Unicorn Press, 1968, col. illusts., orig. self-patterned silk binding, a trifle rubbed on spine, square 4to (no. 28 of an unspecified limitation), plus Adams (Ansel), The Camera, The Negative, The Print. The New Ansel Adams Photography series, Books 1-3, New York Graphic Society, 1981-83, b & w illusts., orig. cloth in d.j., 4to, and others on art and design, mostly G/VG (3 shelves)
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