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A GILT-COPPER (TOMBAK) CANDLESTICK OTTOMAN TURKEY, 18TH/EARLY 19TH CENTURY On circular base,
A GILT-COPPER (TOMBAK) CANDLESTICK OTTOMAN TURKEY, 18TH/EARLY 19TH CENTURY On circular base, rising from a shallow well to a tapering flanged tubu...
A LARGE 'CAIROWARE' LAMP STAND EGYPT OR SYRIA FOR THE EXPORT, EARLY 20TH CENTURY On domed circular
A LARGE 'CAIROWARE' LAMP STAND EGYPT OR SYRIA FOR THE EXPORT, EARLY 20TH CENTURY On domed circular foot, with elongated flanged stem, rising to a ...
THREE PANELS FROM A FINE FLORAL CHINTZ MUGHAL INDIA, PROBABLY RAJASTHAN, EARLY 18TH CENTURY Each
THREE PANELS FROM A FINE FLORAL CHINTZ MUGHAL INDIA, PROBABLY RAJASTHAN, EARLY 18TH CENTURY Each rectangular, from the same panel, the off-white f...
A SHAWL FRANCE, CIRCA 1820 In Kashmiri style, of near square form, the light cream field with
A SHAWL FRANCE, CIRCA 1820 In Kashmiri style, of near square form, the light cream field with repeating floral pattern, the borders with three ban...
AN ICON OF LORD VISHNU MYSORE, SOUTH INDIA, 19TH CENTURY Opaque pigments, gold leaf and sukka (
AN ICON OF LORD VISHNU MYSORE, SOUTH INDIA, 19TH CENTURY Opaque pigments, gold leaf and sukka (limestone paste) on wood, the light-skinned god sta...
A LARGE BANQUET SCENE KANGRA OR GULER, NORTH INDIA, MID - 19TH CENTURY Opaque pigments heightened
A LARGE BANQUET SCENE KANGRA OR GULER, NORTH INDIA, MID - 19TH CENTURY Opaque pigments heightened with gold on paper, in a palace courtyard, the k...
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