Filtered by:
- Category,
- Item Type
- List
- Grid
A subscription to the Price Guide is required to view results for auctions ten days or older. Click here for more information
all of hollow construction with attached pairs of bells and mother of pearl handles, the first by W H Collins & Co, Glasgow 1928 featuring Bo Peep...
A George III silver novelty caddy spoon in the form of a jockey cap, by Peter & Ann Bateman,
London 1792, of traditional and plain form, with large peak, 6cm in length, 0.6ozt
all with decorative mother-of-pearl handles; the first spade, makers mark (R.B) not traced, London 1786, the triangular blade with a border of bri...
Birmingham 1840, the fluted bowl with repoussé foliate decoration which continues up the short scroll edged and shell topped handle, 7.5 x 4cm, 12...
A George III silver caddy spoon,
by William Pugh, Birmingham 1813, shovel shaped with mother of pearl handle, the blade decorated with bright cut basket weave design engravingFoot...
possibly by James Collins, Birmingham 1839, with mother of pearl handle, the blade decorated with bright cut floral designs over a textured ground
by Clark & Sewell (James Clark & John Sewell), Birmingham 1911, of navette form, plain sided, the piano hinged cover with polychrome enamelled flo...
possibly by William Pinder, London 1803, of plain slightly tapering cylindrical form, with reversible threaded corer, fully hallmarked blade and p...
the card case by George Nathan & Ridley Hayes, Birmingham 1904, of rectangular slightly concave form with hinged cover, the front with a flush fit...
the vesta, Chester 1908, of rectangular form with spring hinged cover, gilded interior, strike to the base and suspension ring to the side, with p...
Birmingham 1868, of rectangular form, decorated all over with scroll and foliate symmetrical patterns, the hinged cover decorated to match, 9.5 x ...
each of rectangular form with engine turned decoration all over, the piano hinged cover with a vacant central rectangular cartouche, gilded interi...
A Victorian silver vinaigrette,
by Edward Smith, Birmingham 1849, of rectangular form and decorated all over with engraved scrollwork, the piano hinged cover to match around a ce...
each of rectangular form with engine turned decoration all over, the piano hinged cover with an engraved central rectangular cartouche, floral edg...
probably by Thomas Shaw, Birmingham 1828, of rectangular form, the decorated border around a central engine turned section, the piano hinged cover...
Two 19th Century silver vinaigrettes together with a novelty silver vesta case of the same era,
the first, a vinaigrette by Francis Clark, Birmingham 1841, of rectangular form decorated all over with 'quilted' engine turned engraving, the pia...
by Edward Smith, Birmingham 1853, of rectangular form decorated with engraved scrollwork, the piano hinged cover decorated to match around a centr...
all of rectangular form with gilded interiors; the first, Birmingham 1838, with reeded sides and cast foliate thumbpiece, decorated with engine tu...
both London 1807, the first by Thomas Phipps & Edward Robinson, decorated all over with engine turned engraving, the piano hinged cover to match a...
Birmingham 1813, of rectangular form, decorated all over with bright cut engraving, the piano hinged cover to match around a central vacant rectan...
both rectangular in form with cast foliate thumbpiece and gilded interior; the first, Birmingham 1833, with reeded edge, decorated with engine tur...
Birmingham 1871, of rectangular form, decorated all over with engine turned engraving, the piano hinged cover decorated to match around an engrave...
both with piano hinged covers, gilded interiors and engine turned decoration; the first, by SJ Rose, Birmingham 1979, of rectangular form with app...
A Victorian silver snuff box,
by Francis Clark, Birmingham 1840, of rectangular form, decorated all over with a chequerboard design of engine turned engraving, the piano hinged...
Birmingham 1844, of rectangular form, engine turned base with piano hinged cover to match around a monogrammed central rectangular cartouche and w...
by John Hilliard & John Thomason trading as Hilliard & Thomason, Birmingham 1852, of rectangular form with scrolled edges and decorated with engin...
by Edward Smith, Birmingham 1857, of rectangular form with scrolled edges and decorated all over with engine turned engraving, the piano hinged co...
by Henry William Dee, London 1870, of rectangular form with rounded sides, decorated with engine turned engraving all over, milled edge, the cover...
A Victorian silver snuff box,
by Edward Edwards II, London 1841, of rectangular form with reeded edge and cast foliate thumbpiece, decorated with engine turned engraving, the p...
by Alexander J Strachan, London 1814, of rectangular form, decorated all over with engine turned engraving, the piano hinged cover decorated to ma...
by Daniel & John Wellby, London 1890, of hollow cast construction and in the form of a naturalistic Victorian bulldog with hinged saddle, the mout...
both by Parkin Silversmiths Ltd, Sheffield 1979, each on rectangular plinths measuring 8.5 x 3.5cm, the underside with green baize table protector...
the tortoiseshell coloured comb with hinged cover decorated with floral engraving over a textured field, stamped '750' and with London import mark...
A 14ct gold travelling pillbox,
the square box with slightly canted corners, decorated all over with engine turned engraving within an engraved 'dot and dash border', the piano h...
of circular form, 6cm diameter, the piano hinged slightly convex cover decorated with engine turned engraving within a foliate border and a centra...
by Adie Brothers Ltd, Birmingham 1947, of circular form and decorated all over with engine turned engraving, two thumbpieces, mirrored interior wi...
the holder of fluted trumpet form, stamped '14K' twice together with '685', no further markings, with black mouthpiece, 11.5cm overall length, 7.3...
by Henry Clifford Davis, Birmingham 1921, comprising hand mirror, hairbrush, clothes brush and tortoiseshell coloured comb, decorated with engine ...
by Cooper Ludlam, 'Dubarry' pattern, comprising 6 table forks, 6 table knives, 2 table spoons, 6 dessert forks, 6 dessert knives, 6 dessert spoons...
by Eduard Friedman, Vienna, 800/1000 standard, of circular form with raised outer and simple foliate rim, monogrammed, 34cm in diameter, 32.2ozt
by A. Bonebakker & Zoon, struck with Lion passant indicating second standard purity, (minimum standard of 833/1000) overstruck with the key indica...
marked to the belly with pseudo marks for The Hague, of plain form, with exaggerated fringe, horns and ears, the hinged saddle decorated with a re...
the first with circular bowl 6.5cm diameter including the pouring lip and 3cm deep, the base of the bowl set with a Charles II maundy fourpence (1...
each with rat tail bowls, the first a dog nose example by John Ladyman, with London marks for Britannia silver, 1709, verso initialled A over RI; ...
A George I silver spice caster,
by Edward Gibbon, London 1726, of traditional baluster form with reeded waist, the friction fitting detachable bun top cover with acorn finial, cr...
A set of six George I silver tablespoons, together with a further pair and three single examples,
all of 'Hanoverian with rattail' pattern, the six by William Petley, London 1726, crested, 11.9ozt; the pair by Samuel Hutton, London 1725, monogr...
A George I silver punch ladle,
maker's mark (IC) not traced, London 1720, the circular plain bowl, 7cm in diameter and 4cm deep, with plain lip, the simple conical tubular socke...
both with fluted double pouring lipped bowls and with (probably later) turned wooden handles, the first by Dorothy Mills & Thomas Sarbitt, London ...
London 1758, of circular form, the scalloped rim with shell, scroll and gadroon decoration, raised on three ball and claw feet, 26cm in diameter, ...
the six by Richard Pargeter, London 1743, 'Hanoverian' pattern, monogrammed, 10.4ozt, together with a single spoon by William Turner, London 1756,...
by William Gwillim, London 1735, the circular bowl with decorative piercing around a pierced quatrefoil border, with two part marked applied scrol...
the first by James Wilks, London 1748 monogrammed, the second by Thomas & William Chawner, London 1764, monogrammed, both double ended, the third,...
possibly by William Justus, London 1732, of plain, slightly baluster form with sparrow beak spout and part wooden side placed handle with heart sh...
A George II silver spice caster,
by David Field, London 1746, of traditional baluster form with gadrooned waist, the part marked friction fitting top section, gadroon edged and pi...
one by Gabriel Sleath London 1752 and the other with an unidentified maker's mark, London 1743, each square base with turned corners, scalloped si...
A George II silver sauce boat,
by William Shaw & William Priest, London marks but no decipherable date letter, of traditional form with cut edge rim and capped flying scroll han...
A George II silver brandy pan,
by George Greenhill Jones, London 1743, slightly flared with reeded base, 9cm diameter at the rim, monogrammed to the underside, handle lacking, 4...
A George II silver soup ladle,
probably by Ebenezer Coker, London, probably 1755 (hallmarks rather rubbed), 'Hanoverian' pattern with round bowl, overall length 35cm, 7.3oz
A George II silver salver,
by George Hindmarsh, London 1737, circular with classic 'Chippendale' style edge, with field engraved with an impressive armorial, surrounded by (...
A George II silver pint tankard,
by Richard Bayley, London 1747, with waisted body and capped scroll handle, raised on a pedestal base with initials to the underside, 13cm in heig...
Loading...