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all of hollow construction with attached pairs of bells and mother of pearl handles, the first by W H Collins & Co, Glasgow 1928 featuring Bo Peep...
A trio of baby's requisites,
the first, a Sterling silver rattle/teether by Crisford & Norris Ltd, Birmingham 1918, in the form of a cow bell, with clapper and ivory ring; the...
hallmarked in Birmingham, the other marks indecipherable but probably 19th century, decorated all over with foliate embossing and engraving and wi...
the chatelaine and four all by Lawrence Emanuel, Birmingham 1902/3, comprising a cast triangular top section featuring Diana & Cupid within a scro...
by S Blanckensee & Son Ltd, Chester 1908, the circular, somewhat domed brim rising to a vertical band representing a ribbon, with a bow to the fro...
A George III silver novelty caddy spoon in the form of a jockey cap, by Peter & Ann Bateman,
London 1792, of traditional and plain form, with large peak, 6cm in length, 0.6ozt
all with decorative mother-of-pearl handles; the first spade, makers mark (R.B) not traced, London 1786, the triangular blade with a border of bri...
Birmingham 1840, the fluted bowl with repoussé foliate decoration which continues up the short scroll edged and shell topped handle, 7.5 x 4cm, 12...
A George III silver caddy spoon,
by William Pugh, Birmingham 1813, shovel shaped with mother of pearl handle, the blade decorated with bright cut basket weave design engravingFoot...
possibly by James Collins, Birmingham 1839, with mother of pearl handle, the blade decorated with bright cut floral designs over a textured ground
London 1936, circular dished bowl, the thumbpiece with applied cast crown featuring commemorative decoration, verso with hammered finish and featu...
the first, Sheffield 1990, of 'D' shaped form, the piano hinged cover topped with a lap set domed and polished blue john specimen, 2.7ozt gross; t...
by Clark & Sewell (James Clark & John Sewell), Birmingham 1911, of navette form, plain sided, the piano hinged cover with polychrome enamelled flo...
possibly by William Pinder, London 1803, of plain slightly tapering cylindrical form, with reversible threaded corer, fully hallmarked blade and p...
marks of 2nd standard silver (900/1000 purity), Vienna, maker not traced, of rectangular form with cut corners, the sides and base decorated with ...
decorated with long stripes of engine turned decoration, the pocket clip in the form of a stylised 'T', signed and stamped '925', numbered inside ...
the card case by George Nathan & Ridley Hayes, Birmingham 1904, of rectangular slightly concave form with hinged cover, the front with a flush fit...
the vesta, Chester 1908, of rectangular form with spring hinged cover, gilded interior, strike to the base and suspension ring to the side, with p...
Birmingham 1868, of rectangular form, decorated all over with scroll and foliate symmetrical patterns, the hinged cover decorated to match, 9.5 x ...
each of rectangular form with engine turned decoration all over, the piano hinged cover with a vacant central rectangular cartouche, gilded interi...
A Victorian silver vinaigrette,
by Edward Smith, Birmingham 1849, of rectangular form and decorated all over with engraved scrollwork, the piano hinged cover to match around a ce...
each of rectangular form with engine turned decoration all over, the piano hinged cover with an engraved central rectangular cartouche, floral edg...
probably by Thomas Shaw, Birmingham 1828, of rectangular form, the decorated border around a central engine turned section, the piano hinged cover...
Two 19th Century silver vinaigrettes together with a novelty silver vesta case of the same era,
the first, a vinaigrette by Francis Clark, Birmingham 1841, of rectangular form decorated all over with 'quilted' engine turned engraving, the pia...
by Edward Smith, Birmingham 1853, of rectangular form decorated with engraved scrollwork, the piano hinged cover decorated to match around a centr...
all of rectangular form with gilded interiors; the first, Birmingham 1838, with reeded sides and cast foliate thumbpiece, decorated with engine tu...
both London 1807, the first by Thomas Phipps & Edward Robinson, decorated all over with engine turned engraving, the piano hinged cover to match a...
Birmingham 1813, of rectangular form, decorated all over with bright cut engraving, the piano hinged cover to match around a central vacant rectan...
both rectangular in form with cast foliate thumbpiece and gilded interior; the first, Birmingham 1833, with reeded edge, decorated with engine tur...
Birmingham 1871, of rectangular form, decorated all over with engine turned engraving, the piano hinged cover decorated to match around an engrave...
both with piano hinged covers, gilded interiors and engine turned decoration; the first, by SJ Rose, Birmingham 1979, of rectangular form with app...
A Victorian silver snuff box,
by Francis Clark, Birmingham 1840, of rectangular form, decorated all over with a chequerboard design of engine turned engraving, the piano hinged...
Birmingham 1844, of rectangular form, engine turned base with piano hinged cover to match around a monogrammed central rectangular cartouche and w...
by John Hilliard & John Thomason trading as Hilliard & Thomason, Birmingham 1852, of rectangular form with scrolled edges and decorated with engin...
by Edward Smith, Birmingham 1857, of rectangular form with scrolled edges and decorated all over with engine turned engraving, the piano hinged co...
by Henry William Dee, London 1870, of rectangular form with rounded sides, decorated with engine turned engraving all over, milled edge, the cover...
A Victorian silver snuff box,
by Edward Edwards II, London 1841, of rectangular form with reeded edge and cast foliate thumbpiece, decorated with engine turned engraving, the p...
by Alexander J Strachan, London 1814, of rectangular form, decorated all over with engine turned engraving, the piano hinged cover decorated to ma...
the unsigned white dial, 24mm diameter, with black Arabic numerals, baton minute track and blued Louis style hands, signed but un numbered key win...
the unsigned tan coloured dial, 32mm diameter, with (originally) luminous Arabic numerals and hands, unsigned 15 jewel crown wind movement, gilt m...
the body of square form resembling a handbag and decorated all over with polished symmetrical designs over an engine turned field, a plunger locat...
the clock with signed arch topped white dial, blued hands and gold coloured alarm pointer, arch top gold-plated brass case with burgundy Roman num...
by Daniel & John Wellby, London 1890, of hollow cast construction and in the form of a naturalistic Victorian bulldog with hinged saddle, the mout...
by John Wilmin Figg, London 1849, in the form of an 'Aladdin's lamp', engraved with 'Greek key' style and foliate decoration, the flying handle wi...
both by Parkin Silversmiths Ltd, Sheffield 1979, each on rectangular plinths measuring 8.5 x 3.5cm, the underside with green baize table protector...
both of rectangular form, the piano hinged cover decorated with a central cream coloured guilloché enamel panel overlaid with gold coloured fleur ...
both of rectangular form and decorated with alternate reeded bands and rose coloured stripes within a Greek key style border, piano hinged cover t...
of square form, decorated all over with engine turned engraving within a Greek key style border, piano hinged spring loaded cover to match with ca...
the tortoiseshell coloured comb with hinged cover decorated with floral engraving over a textured field, stamped '750' and with London import mark...
A 14ct gold travelling pillbox,
the square box with slightly canted corners, decorated all over with engine turned engraving within an engraved 'dot and dash border', the piano h...
of circular form, 6cm diameter, the piano hinged slightly convex cover decorated with engine turned engraving within a foliate border and a centra...
A George V 9ct gold match cover,
by SJ Rose and retailed by Mappin & Webb, London 1928, of rectangular form with chamfered edges and decorated all over with engine turned decorati...
by Adie Brothers Ltd, Birmingham 1947, of circular form and decorated all over with engine turned engraving, two thumbpieces, mirrored interior wi...
the holder of fluted trumpet form, stamped '14K' twice together with '685', no further markings, with black mouthpiece, 11.5cm overall length, 7.3...
by Henry Clifford Davis, Birmingham 1921, comprising hand mirror, hairbrush, clothes brush and tortoiseshell coloured comb, decorated with engine ...
number 3 of a limited edition of 30, verso with an image of Concorde taking off, and an applied silhouette constructed from a piece of the aircraf...
number 26 of a limited edition of 50, stamped '999AU' in addition to Swiss marks, the milled edge stamped '026' presented in a plastic capsule and...
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