Carats and Clarets Day 1 - The Jewellery, Silver & Watches Sale

the unsigned tan coloured dial, 32mm diameter, with (originally) luminous Arabic numerals and hands, unsigned 15 jewel crown wind movement, gilt m...

the body of square form resembling a handbag and decorated all over with polished symmetrical designs over an engine turned field, a plunger locat...

the clock with signed arch topped white dial, blued hands and gold coloured alarm pointer, arch top gold-plated brass case with burgundy Roman num...

by Daniel & John Wellby, London 1890, of hollow cast construction and in the form of a naturalistic Victorian bulldog with hinged saddle, the mout...

by John Wilmin Figg, London 1849, in the form of an 'Aladdin's lamp', engraved with 'Greek key' style and foliate decoration, the flying handle wi...

both by Parkin Silversmiths Ltd, Sheffield 1979, each on rectangular plinths measuring 8.5 x 3.5cm, the underside with green baize table protector...

both of rectangular form, the piano hinged cover decorated with a central cream coloured guilloché enamel panel overlaid with gold coloured fleur ...

both of rectangular form and decorated with alternate reeded bands and rose coloured stripes within a Greek key style border, piano hinged cover t...

of square form, decorated all over with engine turned engraving within a Greek key style border, piano hinged spring loaded cover to match with ca...

the tortoiseshell coloured comb with hinged cover decorated with floral engraving over a textured field, stamped '750' and with London import mark...

the square box with slightly canted corners, decorated all over with engine turned engraving within an engraved 'dot and dash border', the piano h...

of circular form, 6cm diameter, the piano hinged slightly convex cover decorated with engine turned engraving within a foliate border and a centra...

by SJ Rose and retailed by Mappin & Webb, London 1928, of rectangular form with chamfered edges and decorated all over with engine turned decorati...

by Adie Brothers Ltd, Birmingham 1947, of circular form and decorated all over with engine turned engraving, two thumbpieces, mirrored interior wi...

the holder of fluted trumpet form, stamped '14K' twice together with '685', no further markings, with black mouthpiece, 11.5cm overall length, 7.3...

by Henry Clifford Davis, Birmingham 1921, comprising hand mirror, hairbrush, clothes brush and tortoiseshell coloured comb, decorated with engine ...

number 3 of a limited edition of 30, verso with an image of Concorde taking off, and an applied silhouette constructed from a piece of the aircraf...

number 26 of a limited edition of 50, stamped '999AU' in addition to Swiss marks, the milled edge stamped '026' presented in a plastic capsule and...

by Cooper Ludlam, 'Dubarry' pattern, comprising 6 table forks, 6 table knives, 2 table spoons, 6 dessert forks, 6 dessert knives, 6 dessert spoons...

each with a circular gadrooned base and knopped column with telescopic friction fitting extendable inner tube supporting a removable and reeded S ...

one with marks for Georg Christian Freidrich Temmler, Augsburg 1763/65, the other three with untraceable marks, the straight sides with oval and b...

the first by Friederich Wilhelm von Bestenbostell, circa 1850, stamped with the maker's mark and '750vb' indicating 750/1000 standard silver (12 l...

maker's mark A.S (not traced), assayed by Dmitriì Ilbich Tverskoì, St Petersberg 1839, to a standard of 84 zolonitki (minimum silver standard of 8...

by Eduard Friedman, Vienna, 800/1000 standard, of circular form with raised outer and simple foliate rim, monogrammed, 34cm in diameter, 32.2ozt

by B. Neresheimer & Sohne, Hanau, with Chester import marks, sponsor mark B Muller & Son (Berthold Muller) 1899, the cast and chased ornament mode...

by A. Bonebakker & Zoon, struck with Lion passant indicating second standard purity, (minimum standard of 833/1000) overstruck with the key indica...

marked to the belly with pseudo marks for The Hague, of plain form, with exaggerated fringe, horns and ears, the hinged saddle decorated with a re...

of plain form with an unusually slender body, the cast and hinged saddle with foliate decoration topped with a resting fly, and an engraved line o...

sponsor marked to the belly, possibly John Linnit, no further markings, decorated all over with bright cut type textured engraving, the fully deta...

maker's marks indecipherable, stamped '835', the head with oversized horns and decorated all over with bright cut type textured engraving, the hin...

stamped 'Sterling 925', with oversized horns, the hinged saddle with thumbpiece, decorated with a resting fly and with raised tail, overall length...

the detailed cast body with hinged saddle decorated with a raised thumbpiece and with drooping tail, marks to the belly possibly that of Ludwig Ne...

marks not traced, (13 above a shield within a shield, A.K. '13' possibly for 13 loth, 812.5/1000 silver standard), the cup of traditional chalice ...

the first with circular bowl 6.5cm diameter including the pouring lip and 3cm deep, the base of the bowl set with a Charles II maundy fourpence (1...

the first with oval bowl 9cm wide including double pouring lips and with piecrust rim, the base of the bowl set with a Queen Anne shilling (1711),...

each with rat tail bowls, the first a dog nose example by John Ladyman, with London marks for Britannia silver, 1709, verso initialled A over RI; ...

by Edward Gibbon, London 1726, of traditional baluster form with reeded waist, the friction fitting detachable bun top cover with acorn finial, cr...

all of 'Hanoverian with rattail' pattern, the six by William Petley, London 1726, crested, 11.9ozt; the pair by Samuel Hutton, London 1725, monogr...

maker's mark (IC) not traced, London 1720, the circular plain bowl, 7cm in diameter and 4cm deep, with plain lip, the simple conical tubular socke...

both with fluted double pouring lipped bowls and with (probably later) turned wooden handles, the first by Dorothy Mills & Thomas Sarbitt, London ...

maker's mark undecipherable, London 1758, of triangular form, the blade with symmetrical piercing, turned wooden handle, verso monogrammed, overal...

London 1758, of circular form, the scalloped rim with shell, scroll and gadroon decoration, raised on three ball and claw feet, 26cm in diameter, ...

by Edward Wood, London 1728, of rectangular form with truncated corners, the concave sides with shell, scroll and foliate designs around a monogra...

the six by Richard Pargeter, London 1743, 'Hanoverian' pattern, monogrammed, 10.4ozt, together with a single spoon by William Turner, London 1756,...

by William Gwillim, London 1735, the circular bowl with decorative piercing around a pierced quatrefoil border, with two part marked applied scrol...

the first by James Wilks, London 1748 monogrammed, the second by Thomas & William Chawner, London 1764, monogrammed, both double ended, the third,...

possibly by William Justus, London 1732, of plain, slightly baluster form with sparrow beak spout and part wooden side placed handle with heart sh...

by David Field, London 1746, of traditional baluster form with gadrooned waist, the part marked friction fitting top section, gadroon edged and pi...

The pair each with a circular bowl, 6cm diameter and 3cm deep, with turned rim and set in the base of the bowl with a George II sixpence (1743 and...

the first with oval bowl 7.5cm wide including the pouring lip, with pressed piecrust rim, the bowl set with a George II sixpence (1732) the flat s...

one by Gabriel Sleath London 1752 and the other with an unidentified maker's mark, London 1743, each square base with turned corners, scalloped si...

by William Shaw & William Priest, London marks but no decipherable date letter, of traditional form with cut edge rim and capped flying scroll han...

by George Greenhill Jones, London 1743, slightly flared with reeded base, 9cm diameter at the rim, monogrammed to the underside, handle lacking, 4...

probably by Ebenezer Coker, London, probably 1755 (hallmarks rather rubbed), 'Hanoverian' pattern with round bowl, overall length 35cm, 7.3oz

the first by Samuel Herbert, London 1749, the fluted oval bowl, 8.5cm wide including the pouring lip and 3cm deep, decorated with repoussé images ...

by George Hindmarsh, London 1737, circular with classic 'Chippendale' style edge, with field engraved with an impressive armorial, surrounded by (...

by Richard Bayley, London 1747, with waisted body and capped scroll handle, raised on a pedestal base with initials to the underside, 13cm in heig...

the first, maker's mark indecipherable, London 1748, of traditional urn shape, leaf capped scroll handle and gilt wash interior, monogrammed, rais...

by Abraham Buteux, London 1729, square with canted corners, the field engraved with an armorial, verso engraved 'Robt Williams of Erbistock marrie...

all London hallmarked and with round and decoratively pierced bowls, the first with indecipherable maker's mark and probably 1751, crested, 'beade...