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by W D Pritchard, Birmingham 1953, of square form, the piano hinged sprung loaded cover decorated with a sunburst of fawn coloured guilloché ename...
by William Neale & Son Ltd, Birmingham 1922, of square form with cut corners, the piano hinged cover decorated with a sunburst and wave pattern of...
by John William Barrett, Birmingham 1913, of circular form with spring loaded thumbpiece, the hinged cover decorated with royal blue guilloché ena...
by Henry Clifford Davis, Birmingham 1962, of circular form, the hinged cover decorated with a starburst of pearlescent pink guilloché enamel withi...
by W H Manton Ltd, Birmingham 1963, of square form and decorated all over with hobnail style engine turning, the piano hinged sprung loaded cover ...
by Deakin & Francis, Birmingham 1946, of scalloped circular form, the hinged cover decorated with a starburst of engine turned engraving around a ...
Birmingham 1846, of oval scalloped from, decorated all over with swirled engine turned design around a central vacant escutcheon shaped cartouche,...
by S J Rose & Son, London 1967, the base and sides with engine turned engraving, the piano hinged cover featuring a cast image of Windsor castle 3...
The first, by William Needham, the blade with Sheffield hallmarks for 1892, with ribbed mother of pearl plate handle; the second by George Unite, ...
by Adie Brothers Ltd, Birmingham 1934, jubilee marked, of rectangular form, the sprung loaded piano hinged cover decorated with an oval plaque fea...
Three 19th century silver and mother of pearl folding fruit knives, two with their original cases,
The first, a William IV example, the blade with Sheffield hallmarks for 1831, the mother of pearl plate handle with silver monogrammed rectangular...
by W H Tandy & Sons, Chester 1932, of rectangular form, the piano hinged cover decorated with a rectangular plaque within an engine turned border ...
Two unusual silver vesta cases,
the first by George Unite & Sons, Birmingham 1926, of rectangular form and in the image of a snuff box, engine turned all over around engine turne...
A trio of silver vesta cases,
the first by Sampson Mordan & Co Ltd, Chester 1909, of rectangular form with sprung hinged cover and strike to the base, stamped 'seamless non-cho...
by 'M & Co', Birmingham 1876, plain and polished with a very unusual twist action cover, the interior of three swivelling sections resembling a ca...
A Victorian silver card case,
by A & J Zimmerman Ltd (Arthur & John Zimmerman), Birmingham 1900, of rectangular form with scrolled edges and landscape orientation, decorated al...
by Deakin & Francis, Birmingham 1949, of rectangular form, decorated all over with engine turned engraving, the sides sprung loaded with the case ...
Birmingham 1839, of rectangular form, engine turned base, plain concave sides and piano hinged cover with matching engine turning around a central...
London 1923, of square form and decorated all over with chequerboard style engraving within a Greek key border, sprung hinged cover, strike to the...
by William Neale & Sons, Chester 1908, rectangular in form and decorated all over with hobnail type engine turned engraving, hinged cover which, w...
by Walker & Hall, Sheffield, 1903/04, comprising 6 table forks, 6 table knives with steel blades and ivory handles, 2 table spoons, 6 dessert fork...
the base of each decorated with applied foliate and scroll decoration, the knop and detachable nozzle similarly decorated, loaded and with green b...
by Horace Woodward & Co, Birmingham (active in this form 1865-1893), comprising 4 'Old English' pattern berry spoons, the stems decorated to both ...
by Elkington & Co, Birmingham 1853 & 1857, each of oval panelled form, with scalloped edge and detachable ornate scroll top handle, both numbered ...
marked with the Reichsmark and '925' and in addition sponsor's mark for Israel Freeman & Son, with London import marks for Sterling silver 1968, t...
by William Fleming, London 1713, slightly flared with reeded base, turned wooden (replacement) handle to a part marked shaft, monogrammed, 9cm dia...
the first, a George I example with London marks for Britannia silver, 1719, maker's mark indecipherable; the second a George III example by John L...
three possibly by John Horsley, London 1764, one by John Hyatt & Charles Semore, London 1759, with square, stepped gadrooned bases, the columns wi...
possibly by Dennis Wilks, London 1762, each with gadroon edged scalloped hexagonal bases decorated with flowers and foliage around a vacant cartou...
by William Cripps, London 1762, each with gadroon edged scalloped hexagonal bases decorated with flowers and foliage around a cartouche engraved w...
A George III silver coffee pot,
by Robert Hennell I and David Hennell II, London 1796, of decagonal form, with an engraved band of bright cut oak leaf decoration above two filled...
the first by Henry Chawner, London 1790, of oval form decorated with bands of bright cut engraving between two vacant escutcheon shaped cartouches...
A George III silver coffee pot,
by Francis Crump, London 1769, of baluster form and decorated with repoussé scrolls and foliage over a textured ground around a crested and monogr...
A George III silver pap boat,
maker's mark very rubbed, but possibly by Charles Fox I, London 1813, of traditional form, plain sided with raised end section, 1.7oztCondition re...
by James Kirkby, Waterhouse & Co (James Kirkby & Joseph Waterhouse), Sheffield 1814, the bases lavishly decorated with repoussé scrolls and foliag...
London 1785, of oval form, the sides decorated with bright cut engraved bands and foliate decoration around two vacant shield shaped cartouches, t...
by Sebastian Crespel II, London 1822, each of traditional circular fluted form, the base with applied shell and scroll rim, the cover, with a band...
the caster by Charles Fox II, London 1824, of urn shape with reeded top, the fully marked friction fitting cover pierced and domed with bun finial...
probably by William Eaton, London 1833, the teapot of octagonal somewhat bulbous form decorated all over with bright cut engraved foliate designs ...
by William Theobalds, London 1831, 'Fiddle, Thread & Shell' pattern with shell backs, crested, comprising 6 table forks, 5 table spoons, 4 dessert...
by a variety of makers and dates, 'Fiddle' pattern comprising 6 table forks, 2 table spoons, 6 dessert forks, 6 dessert spoons, 6 soup spoons and ...
maker's mark erased, Birmingham 1892, of plain rectangular form with piano hinged slightly convex cover and cedar wood lined interior 6 x 20.5cm x...
by John & Henry Lias, London 1843/44, 'Hourglass' pattern with shell backs, crested, comprising 9 table forks, 3 table spoons, 9 dessert forks, 9 ...
by John & Henry Lias, London 1846, 'Fiddle, Thread and Shell' pattern with shell backs, crested, comprising 6 table forks, 4 table spoons, 8 desse...
by Mappin & Webb, Sheffield 1885, comprising twelve forks and knives, with silver tines and blades and monogrammed mother of pearl handles, presen...
by Henry Holland (of Holland, Aldwinckle & Slater), London 1860, the upper body decorated with floral and scroll engraving, the part marked cover,...
by Elkington & Co. (Frederick Elkington), Birmingham 1876, of circular rather bulbous form with gadrooned lower section and bright cut engraved up...
by Thomas Smily, London 1866, the teapot, of bullet shape, decorated with a central band of repoussé scroll and foliate decoration around two scro...
by Lee & Wigfull (Henry Wigfull), Sheffield 1898, of circular fluted form decorated with pierced trellis sections and repoussé foliate swags and s...
A Victorian silver caster,
by Henry Wilkinson & Co, Sheffield 1850, of panelled conical form, the lower section with applied acanthus leaf decoration, the fully marked detac...
by George Richards Elkington, London 1862, the cast column of intertwining vines with hanging leaves, tendrils and bunches of grapes supporting th...
by H J Lias & Son (Henry John Lias & Henry John Lias), London 1865, 'Beaded Edge' pattern, comprising 12 table forks, 2 table spoons, 11 dessert f...
by Robert Stebbings, London 1901, of traditional octagonal from with fully marked detachable friction fitting pierced cover topped with an acorn f...
An Edward VII silver teapot,
by S.W. Smith & Co, London 1907, in the traditional Queen Anne style, with half gadrooned body and beaded parapet, the part marked hinged cover de...
An Edward VII silver fruit bowl,
by Edward Barnard & Sons Ltd, London 1907, of scalloped quatrefoil form, each side panel alternately decorated with a repoussé basket of fruit and...
An Edward VII silver salver,
by Fenton Brothers Ltd, Sheffield 1908, 'Chippendale' style with shell and scroll rim and raised on three shell and scroll feet, diameter 25cm, 17...
by Johnson, Walker & Tolhurst, London 1909, each with a stepped and gadroon decorated square base - one with the original signed table protector -...
An Edward VII silver teapot,
by William Aitken, Birmingham 1906, of oval form and in the Queen Anne style, with half gadrooned body, the part marked domed and hinged cover sim...
A George V silver fruit bowl,
by Josiah Williams & Co, London 1935, jubilee marked, of circular form and designed as 8 shield shaped panels, raised on four applied scrolled edg...
the mustard, by Joseph Hayes Taylor, London 1930, of circular form, lavishly decorated with repoussé decorated foliage and scroll panels between t...
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