Art & Design from 1860

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Art & Design from 1860

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Joe Descomps, a pâte de verre glass plaque, probably made by Almeric Walter or Gabriel Argy-Rousseau, the rectangular yellow glass plaque with a b...

A large and impressive C. H. Brannam three-handled vase, painted and incised with fish swimming amidst foliage to a deep blue ground, numbered 142...

C. H. Brannam for Liberty & Co., an Art Nouveau vase, the tapering cylindrical form with scalloped rim, the green glazed body with stylised spade ...

Dr. Christopher Dresser for Watcombe, Torquay, a terracotta jug, of angular form with silver cover and mount impressed mark, hallmarked for Harry ...

A Wemys honey pot, cover and stand, with thistle knop enamelled with bees around a hive within a dentil border, together with another lacking cove...

An early twentieth century Athens Pottery vase, the bottle form painted with an Iznik inspired design of flowers and foliage, dated 1926 to unders...

An earthenware vase by Professor Max Läuger, slip decorated with foliate design over pale green ground, incised marks 22cm (9in) There are a few...

A Goldscheider Art Deco wall mask, the terracotta head of a young woman holds a theatrical mask to her cheek, printed marks 20 x 20cm (8 x 8in)

A miniature Ruskin high fired bowl, the circular footed form glazed in reds and purples, dated 1933, impressed marks 2½ x 6cm (1 x 2in)

A Ruskin crystalline glaze vase, the shouldered form glazed in streaks of green and orange, dated 1932, impressed marks 31cm (12in)

A Clarice Cliff Limberlost pattern preserve jar and cover, of cylindrical form, printed factory marks and Lawleys retail stamp in gilt 9cm (4in)

A collection of Shelley Mabel Lucie Attwell wares, comprising a Boo Boo jug, a toad stool sugar basin and a baby plate, printed marks (3)

Eric Ravilious for Wedgwood, a collection of Travel pattern wares, comprising six coffee cans and saucers, a sauce boat and stand, each decorated ...

Eric Ravilious for Wedgwood, a George VI commemorative mug, designed 1937 to celebrate the coronation, printed marks 10 x 15cm (4 x 6in) Provenanc...

Eric Ravilious for Wedgwood, a limited edition Boat Race Bowl, from the original design of 1938, this bowl produced in 1975 as number 61 from an e...

Keith Murray for Wedgwood, an Elephant Grey shoulder vase, the tapering body of ribbed design, painted and impressed marks 28cm (11in) There is a...

A Moorcroft African lily pattern jug, decorated to a blue ground, together with a Moorcroft Orchid pattern bowl, painted and impressed marks (2)

A Moorcroft anemone pattern flambé vase, of squat baluster form, painted and impressed marks along with original paper trade label 8cm (3in)

A Moorcroft Anemone pattern planter, decorated to a blue ground, together with a simliar small vase, painted and impressed marks (2)

A Moorcroft Anemone pattern vase, the inverted baluster form decorated on a deep blue ground, painted and impressed marks 32cm (12in)

A Moorcroft grape vine pattern bowl, of circular footed form decorated on a white ground, painted and impressed marks 9½ x 21cm (4 x 8in)

A Moorcroft leaves and berries pattern bowl, of circular form decorated to a green ground, painted and impressed marks 9 x 32cm (4 x 12in)

A Moorcroft orchid pattern vase, decorated to a green to blue ground, together with a Moorcroft hibiscus pattern pin dish on a yellow ground (2) 1...

A Moorcroft Orchid pattern vase, the inverted baluster form decorated to a pale green to blue ground, painted and impressed mark 23cm (9in)

A Moorcroft pansy pattern vase, the tall cylindrical form with flared rim, painted and impressed marks, together with 'Moorcroft Pottery', Ed. by ...

A Moorcroft pomegranate pattern milk jug and sugar basin, each decorated to a dark blue ground, painted and impressed marks (2)

A Moorcroft pomegranate pattern trumpet vase with Tudric pewter foot, together with a Moorcroft Poppy pattern vase, also with Tudric pewter foot, ...

Two Moorcroft inverted baluster shape vases, the first in the leaves and berries pattern, the second in the anemone pattern, painted and impressed...

Paul Prochowsky for Royal Copenhagen, a crystalline glaze vase, the slender bottle form with subtle green glaze, painted marks and dated 18.6.1924...

A large Royal Copenhagen model of a long eared owl, numbered 1331, together with another smaller Copenhagen model of an owl, painted and printed m...

A large Royal Copenhagen model of a Snowy Owl, numbered 1829, painted and printed marks, together with another smaller Copenhagen model of an owl,...

§ Robin Welch (British, b.1936), a monumental stoneware vase, the tapering cylindrical form with waisted band to centre, the top section with pier...

§ Robin Welch (British, b.1936), a stoneware bowl, glazed both internally and to the upper section of the outer with a green/blue glaze, impressed...

John Bedding, St Ives, a stoneware bowl, the shallow form with iron and cobalt glazed pseudo Chinese character mark, impressed marks 38cm (15in)

Michael Cardew (British, 1901-1983), a Winchcombe Pottery slip ware dish, with impressed seal marks, together with three Michael Cardew mugs and a...

§ John Maltby (born 1936), a large charger entitled 'Landscape with Border', painted in slip with a black border, painted Maltby signature 44cm (1...

A small collection of studio ceramics, comprising a celadon glazed gourd vase by Katherine Pleydell-Bouverie, a small Branham pottery jar and stop...

Takeshi Yasuda, (Japanese, b.1943), a 'Sancai' stoneware pillow dish and a shallow bowl/stand, stoneware with pale yellow, brown and green 'Sancai...

A collection of Concorde memorabilia, to include a Cross ball point pen, two cased pairs of silver bottle labels, a grey leather wallet, a 1986 le...

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