Antique Furniture, Clocks & Eastern Carpets, Traditional Paintings

Antique Furniture, Clocks, Carpets, Rugs, Mirrors, Lighting,Watercolour Drawings,Oil Paintings, Wine, Single Malt Whisky

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Antique Furniture, Clocks & Eastern Carpets, Traditional Paintings

Antique Furniture, Clocks, Carpets, Rugs, Mirrors, Lighting,Watercolour Drawings,Oil Paintings, Wine, Single Malt Whisky

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Currency: GBP
Buyer's premium Inc. VAT/sales tax: 21.60%
Online commission inc. VAT/sales tax: 5.94%

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VICTORIAN GOTHIC REVIVAL BRASS BOUND BURR WALNUT SEWING BOX, of oblong from, the interior lined and fitted in white moire, housing a matching pair...

VICTORIAN LINE INLAID AND CROSSBANDED FIGURED WALNUT SEWING BOX, of oblong form, the fitted interior with lift-out tray, 6” (15.2cm) high, 12” x 9...

GOOD QUALITY NINETEENTH CENTURY FIGURED WALNUT LADIES WRITING/ STATIONERY BOX, of oblong form, the top with open back and applied silvered metal c...

NINETEENTH CENTURY FIGURED SATINWOOD SEWING BOX, of oblong form, the interior well fited with lift-out tray, 4 ½” (11.4cm) high, 13” x 9” (33cm x ...

VICTORIAN LINE INLAID AND CROSSBANDED MAHOGANY BOX, of oblong form with brass lion mask captive ring side handles, 6 3/4" (17.2cm) high, 14" x 10"...

GOOD QUALITY VICTORIAN MAHOGANY TWO BOTTLE DECANTER BOX, the hinged lid with brass inlaid vacant shield cartouche, wine red plush lined fitted int...

EDWARDIAN INLAID MAHOGANY KIDNEY SHAPED TWO HANDLED TRAY, with raised border, brass end handles and central shell inlay, 24” x 16” (61cm x 40.7cm)

NINETEENTH CENTURY COPPER AND BRASS FOUR BOTTLE WINE CHILLER, of petal outline with two scroll handled, the four receivers enclosing a central lid...

19th CENTURY BRASS SPIT ROASTING 'BOTTLE' JACK by John Linwood; a large brass LADLE, 18 3/4" long and an item of brass mounted leather HORSE TACK ...

PERSIAN, HEAVY, CIRCULAR BRASS TRAY with all-over chased decoration and silver coloured metal inlayand kufic texts, 15 3/4" diameter

A LATE VICTORIAN/EDWARDIAN BRASS HELMET SHAPED COAL SCUTTLE, together with an original WOODEN HANDLED SHOVEL, and two MODERN HEARTH IMPLEMENTS

PAIR OF WRIGGLE ENGRAVED WHITE METAL TABLE CANDLESTICKS, each of baluster form with moulded circular base, 12” (30.5cm) high, together with a SIMI...

ANTIQUE PEWTER FOOTED AND LIDDED BALUSTER LARGE TANKARD OR MEASURE, engraved with stylised flowers, 12” (30.5cm) high, together with a PEWTER TEA ...

LOUIS MARIE MORISE (1818-1883), LATE NINETEENTH CENTURY BRONZE EQUESTRIAN GROUP OF NAPOLEON BONAPARTE, light brown patination, signed: MORISE to t...

MEUNIER, PARIS, BRONZE EQUESTRIAN GROUP OF A NAPOLEONIC SOLDIER, light brown patination, 22” (56cm) high, raised on a shaped oblong plinth mounted...

AFTER FREDERICK REMMINGTON, BRONZE GROUP, ‘BRONCO BUSTER’, modelled as a cowboy with whip on a rearing horse, 9” (22.8cm) high, raised on a rounde...

AFTER THE ANTIQUE, A NINETEENTH CENTURY PATINATED BRONZE FIGURE, ‘THE DYING GAUL, 8” (20.3cm) high, 16 ½” (42cm) long, lacks base and thumb missin...

DOUG HYDE (British b.1972) CAST BRONZE 'First Date', ARTIST PROOFedition number 95/95Signed, on a heavy polished granite block plinth9" (23cm) lo...

REPRODUCTION CAST BRONZE ART DECO SEMI NAKED FEMALE DANCER, modelled with right leg raised in stylised pose, signed: D. Alonzo to the base, 13 ½” ...

MODERN REPRODUCTION CAST BRONZE MODEL OF A GREYHOUND, modelled standing with head turned to the left, signed: Barye to the base, 10” (25.4cm) high...

MODERN REPRODUCED PATINATED BRONZE BUST OF NAPOLEON, modelled in military attire, and raised on a waisted square plinth with black veined marble b...

VICTORIAN GOLD PATINATED BRONZE FEMALE FIGURE, modelled seated in pensive pose on a Regency chair, and holding a scroll in her right hand, 13"(33c...

PAIR OF REGENCY PATINATED AND GILT BRONZE FIGURAL CANDLESTICKS, each modelled a Blackamoor supporting an urn on his head, enclosed by eight prism ...

TWO SIMILAR ART DECO ELECTRIC TABLE LAMPS, one with an oxidised metal swan facing an orbicular glass light shade on a veined grey marble base, the...

GEORGIAN STYLE MAHOGANY AND PARCEL GILT WALL MIRROR, the oblong plate within a carved gilt slip and moulded frame with fret cut outline, 29” x 17”...

MODERN GILT FRAMED BEVEL EDGED OBLONG WALL MIRROR, 29” X 41” (73.6cm x 104.1cm), together with ANOTHER, TRIPLE PLATE EXAMPLE with ebonised slips a...

MODERN GILT FRAMED LARGE BEVEL EDGED WALL MIRROR, the frame moulded with meandering, fruiting vines, 53” x 42” (134.6cm x 106.7cm)

MODERN GILT FRAMED BEVEL EDGED WALL MIRROR, with pastiche female portrait above, set in a heavy moulded frame, 53” x 21 ¾” (134.6cm x 55.2cm), tog...

MODERN GILT FRAMED LARGE BEVEL EDGED WALL OR OVERMANTLE MIRROR IN THE CLASSICAL STYLE, frame moulded with twin split columns to either side of the...

NINETEENTH CENTURY LINE INLAID MAHOGANY TOILET MIRROR, the shield shaped plate housed in a crossbanded frame, and flanked by scroll supports, the ...

PAIR OF MODERN BLACK WIRE AND CUT GLASS CEILING LIGHTS, each of orbicular, trellis form with graduated octagonal cut glass drops, 14” (35.4cm) hig...

ROBERT ‘MOUSEMAN’ THOMPSON OAK CARVER ARMCHAIR, the square back with carved lattice work panel, set above downswept arms and studded cream leather...

A CHARLES I OAK WRITING DESK, with sloping hinged top enclosing six small original and replaced drawers, the carved frieze dated 1637 (with restor...

GEORGE III MAHOGANY CROSSBANDED AND INLAID OAK BOW FRONTED CORNER CUPBOARD, the moulded cornice above a pair of cupboard doors, each with oval inl...

NINETEENTH CENTURY ELM AND FRUITWOOD HIGH BACK WINDSOR ARMCHAIR, the two part spindled back with pierced splat, above flat arms with turned suppor...

EIGHTEENTH CENTURY OAK DOWER CHEST, the moulded plank top enclosing a candle box, a/f, with two drawers below, to the interior, and set above a fr...

GEORGE III ‘COUNTRY CHIPPENDALE’ MAHOGANY CORNER ARMCHAIR, the shaped, flat arms surmounted by a short, scroll back, set above scroll pierced spla...

EIGHTEENTH CENTURY OAK SETTLE, the four panelled back above downswept arms with turned supports and floral covered loose cushion to the roped seat...

EIGHTEENTH CENTURY AND LATER COMPOSITE OAK COURT CUPBOARD OR DIDARN, the upper section with drop finials to the guilloche carved canopy, above a p...

EIGHTEENTH CENTURY CARVED OAK ARMCHAIR, the moulded top rail above a shaped splat carved with scroll work and central diamond, flanked by downswep...

GEORGIAN OAK TILT TOP OCCASIONAL TABLE, the circular top above a vase shaped, turned column, and raised on downswept tripod supports, 27 ½” (70cm)...

LATE 17th CENTURY PANELLED OAK TWO PART CUPBOARD, the upper section with moulded cornice above a central cupboard door, enclosing hanging pegs to ...

GEORGE III OAK CHEST OF DRAWERS, the moulded oblong top above two short and three long oak lined and moulded drawers, fitted with brass swan neck ...

PROBABLY FLEMISH, ANTIQUE AND LATER COMPOSITE CARVED OAK SETTLE, the back with seven fielded panels, carved with animals amongst foliage and bust ...

AGED BRASS STUDDED DARK TEAKWOOD? CHEST, of oblong form with hinged top and candle box to the interior, the exterior with studded top and front, m...

ANTIQUE OAK COMPOSITE CUPBOARD, the moulded oblong top above a pair of twin panelled cupboard doors, raised on extended stile feet, 34” (86.3cm) h...

ANTIQUE CARVED OAK AND LATER COMPOSITE BIBLE BOX, of oblong form with moulded top, plain interior and stylised floral carved front with vase shape...

NINETEENTH CENTURY ELM AND OAK HOOP BACK WINDSOR ARMCHAIR, the two part spindle back with pierced central splat and turned supports to the arms, s...

NEAR MATCHED SET OF SIX NINETEENTH CENTURY ELM AND FRUITWOOD ‘MACCLESFIELD’ SPINDLE BACK DINING CHAIRS, comprising: A CARVER AND FIVE SINGLE CHAIR...

GEORGE III STAINED DEAL DRESSER BASE, the moulded oblong top with canted fore corners, set above three moulded frieze drawers, fitted with brass s...

PAIR OF GEORGE III MAHOGANY SHOTGUN AND FISHING ROD CABINETS, each with moulded cornice above a six panel glazed cupboard door, enclosing a green ...

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