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After Frederic, Lord Leighton, Summer Slumber, artists proof mezzotint by John Miller, 40cm x 55cm.
After Frederic, Lord Leighton, Summer Slumber, artists proof mezzotint by John Miller, 40cm x 55cm.
British School (20th century), Full of Bright Ideas, colour screenprint, indistinctly signed,
British School (20th century), Full of Bright Ideas, colour screenprint, indistinctly signed, inscribed, dated '99 and numbered 5/10, 91cm x 142cm.
Sir William Russell Flint (1880-1969), The Unsuccessful Shrimper; Model Reclining, two colour reproductions, both numbered, each approx 40cm x 53c...
A group of four, including a colour transfer engraving on glass of 'Dutch Sam', pugilist; a hand coloured stipple engraving of Richard Curtis; and...
Timothy J.
Timothy J. Greenwood (1947-2010), Owl; Horses; Willow Tits; Horses head; Owl; five etchings, all signed and numbered, various sizes,(5).
A group of three colour etchings of Venice scenes, indistinctly signed, various sizes; together with two further prints,(5).
English School (19th century), Furniture designs, two engravings with hand colouring, each 12cm x 18cm, (2).
A quantity of 20th century picture frames of various sizes, the largest 50cm wide x 80cm high,
A quantity of 20th century picture frames of various sizes, the largest 50cm wide x 80cm high, (qty).
After Joseph Nigg, Floral Still Lives, a set of six chromolithographs, each approx 59cm x 47cm, (6).
After Joseph Nigg, Floral Still Lives, a set of six chromolithographs, each approx 59cm x 47cm, (6).
After Thomas Bush Hardy, Coastal scenes, a pair, chromolithographs, each 14.5cm x 33cm,(2).
John Piper (1903-1992), Gedney, Lincolnshire, from 'A Retrospect of Churches' (Levinson 139),
John Piper (1903-1992), Gedney, Lincolnshire, from 'A Retrospect of Churches' (Levinson 139), lithograph printed in colours, 1964, printed by Curw...
Donald Wilkinson (b.
Donald Wilkinson (b.1937), From Chateauneuf towards the Rhone, Provence; From the road to Beaume de Venise, Provence; From Chateauneuf towards the...
British School (20th century), 'Void', colour screenprint, indistinctly signed, inscribed A/P and dated '78, 33cm x 71.5cm.
Donald Wilkinson (b.
Donald Wilkinson (b.1937), Through Willow Branches, Giverny; Autumn reflections, Giverny; Winter Window, three colour etchings with aquatint, all ...
Mary Rose O'Neill, (20th century), Leaf I; Leaf II; Echos I; Echos II, a group of four collage prints, all signed, inscribed, numbered and dated, ...
Stephen Bartlett (b.
Stephen Bartlett (b.1942), Red Diamond; Tropical Garden, a pair of colour screenprints, both signed and numbered 87/150 and 132/150, each 60cm x 7...
A group of six 20th century Japanese prints, the largest 34cm wide x 64cm high and another oval framed, (7).
Continental School (early 20th century), Cat; Hen; Locusts; Sheep, four lithographs each approx 29cm x 23cm, (4).
British School (contemporary), Still lives, two colour prints, both indistinctly signed and numbered, the larger 70cm x 51cm.
Jacques Callot (1592-1635), Les images des Saints (Lieure 809-12 95), etching, circa 1631, unframed,
Jacques Callot (1592-1635), Les images des Saints (Lieure 809-12 95), etching, circa 1631, unframed, 17cm x 11cm.
After Jacques Callot, The holy family at a table, engraving, 19cm x 16.5cm.
James Malton (1761-1803), Barracks, Dublin; St Stephen's Green, Dublin; Ryal Exchange, Dublin; Powerscourt House, Dublin; Royal Infirmary, Phoenix...
After Rembrandt van Rijn, The Gold Weigher; The beheading of John the Baptist, two etchings,
After Rembrandt van Rijn, The Gold Weigher; The beheading of John the Baptist, two etchings, the larger 24cm x 20cm.(2)
Francisco José de Goya, Two plates from La Tauromaquia: Chevalier & Matador, two etchings, unframed,
Francisco José de Goya, Two plates from La Tauromaquia: Chevalier & Matador, two etchings, unframed, each 20.5cm x 31cm.(2) ...[more]
Agostino Carracci (1557-1602), Le Lascivie (B. 123-25 128-135), ten engravings from the set, unframed, various sizes.(folio)
Henri Fantin-Latour (1836-1904), Evocation de Kundry, lithograph, with printed signature and date Nov 97, 40.5cm x 48cm.
Felicien Rops (1833-1898), Woman with jester holding a tiny man, colour etching, 47cm x 32cm.
Felicien Rops (1833-1898), Woman with jester holding a tiny man, colour etching, 47cm x 32cm.
James McBey (1883-1959), La Giudecca, Venice; A Tartane leaving Venice; Brightlingsea; A flood in the Fens; The Doorway, five etchings, all signed...
Jens Jensen (20th century), Edgar oe og den ganile mand ag Malstriommen, linocut, signed, inscribed and dated 1978, 24.5cm x 37cm. ARR
After Maurits Cornelis Escher, Sky and water, engraved print, bears monogram and date '38, 40cm x 29cm.
'Snaffles' (Charles Johnson Payne 1884-1967), 'Oh! To be in England now that April's there',
'Snaffles' (Charles Johnson Payne 1884-1967), 'Oh! To be in England now that April's there', colour print, signed in pencil, 51cm x 67cm. ARR
'Snaffles' (Charles Johnson Payne 1884-1967), The Grand National, The Canal Turn, colour print,
'Snaffles' (Charles Johnson Payne 1884-1967), The Grand National, The Canal Turn, colour print, signed in pencil, 54cm x 83cm. ARR
Colin Self (b.
Colin Self (b. 1941), Prelude to 100 objects, print on two sheets, both inscribed and numbered on reverse, unframed. 108cm x 68cm. ARR
Three small deer horns mounted on ebonised wooden plaques, another larger pair of mounted horns,
Three small deer horns mounted on ebonised wooden plaques, another larger pair of mounted horns, possibly a kudu, an animal skull and two 19th cen...
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