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Domenico Beccafumi (1484-1551), The effects of gunpowder, from The Various Operations of Alchemy,
Domenico Beccafumi (1484-1551), The effects of gunpowder, from The Various Operations of Alchemy, woodcut, unframed, 17.5cm x 11.5cm.
Antonio Tempesta (1555-1630), Illustration for Canto I from Tasso's Jerusalem Delivered III, twenty,
Antonio Tempesta (1555-1630), Illustration for Canto I from Tasso's Jerusalem Delivered III, twenty, unframed, each 28cm x 20.5cm.
Jacques Callot (1592-1635), Les images des Saints (Lieure 809-12 95), etching, circa 1631, unframed,
Jacques Callot (1592-1635), Les images des Saints (Lieure 809-12 95), etching, circa 1631, unframed, 17cm x 11cm.
Michele Marieschi, Campo Santa Maria Formosa (succi 13), etching, and another of the Arsenale,
Michele Marieschi, Campo Santa Maria Formosa (succi 13), etching, and another of the Arsenale, both unframed, each 31cm x 47cm.(2)
After Jacques Callot, The holy family at a table, engraving, 19cm x 16.5cm.
Eugene Lacoste (19th century),
Eugene Lacoste (19th century), Demonday de Girardons la Piece par L'on va jouer; Boucherie de Paris; Affaires Etrangere; L'Oiswetede la misere a t...
Spanish School (19th century), Two Senoritas in a town square, watercolour, unframed, 198cm x 16cm.
Spanish School (19th century), Two Senoritas in a town square, watercolour, unframed, 198cm x 16cm.
James Malton (1761-1803), Barracks, Dublin; St Stephen's Green, Dublin; Ryal Exchange, Dublin; Powerscourt House, Dublin; Royal Infirmary, Phoenix...
H. Taylor (19th century), Mother and sleeping infant, pastel, oval, signed, 65.5cm 78.5cm. Illustrated.
J** Y** (19th century), Still life of bank note, newspaper and magazine, watercolour, pen and ink,
J** Y** (19th century), Still life of bank note, newspaper and magazine, watercolour, pen and ink, bears monogram JY and dated 1808 8, 25cm x 35cm.
CIrcle of John Ruskin, A Continental house, pencil, 18cm x 25.5cm.Provenance: Said to have been purchased at the General sale at Brantwood after R...
Circle of William Turner of Oxford, Distant spires of Oxford, watercolour, unframed, 33.5cm x 47.
Circle of William Turner of Oxford, Distant spires of Oxford, watercolour, unframed, 33.5cm x 47.5cm.
After Rembrandt van Rijn, The Gold Weigher; The beheading of John the Baptist, two etchings,
After Rembrandt van Rijn, The Gold Weigher; The beheading of John the Baptist, two etchings, the larger 24cm x 20cm.(2)
Attributed to Saverio della Gatta (1777-1829), Figure group, monochrome watercolour, bears a signature and dated 1818, unframed, 19cm x 25cm.
Francisco José de Goya, Two plates from La Tauromaquia: Chevalier & Matador, two etchings, unframed,
Francisco José de Goya, Two plates from La Tauromaquia: Chevalier & Matador, two etchings, unframed, each 20.5cm x 31cm.(2) ...[more]
John Henry Henshall (1856-1928), The Spinning Wheel, watercolour, signed, inscribed on labels verso,
John Henry Henshall (1856-1928), The Spinning Wheel, watercolour, signed, inscribed on labels verso, 35cm x 24cm.
Frederick R.
Frederick R. Fitzgerald (1897-1938), The Romsdal, Naes; Bejteln, Naero Fjord, a pair, watercolour, both signed, each 37cm x 54cm.(2)
Frederick R.
Frederick R. Fitzgerald (1897-1938), Mt Skaala, Leon; The Geiranger Fjord, Merok, two, watercolour, both signed, each approx 39cm x 55cm.(2)
Vincent Clare (1855-1930), Still life of fruit; Still life of blossom and birds nest, a pair,
Vincent Clare (1855-1930), Still life of fruit; Still life of blossom and birds nest, a pair, watercolour, oval, both signed, each 15cm x 22cm.
Albert Goodwin (1845-1932), York Minster, pen, ink, pencil and grey wash, signed and inscribed, 26.
Albert Goodwin (1845-1932), York Minster, pen, ink, pencil and grey wash, signed and inscribed, 26.5cm x 35cm. 6231
Walter Henry Sweet (1889-1949), Harbour scene; Clovelly; Country Church; At the Cottage door,
Walter Henry Sweet (1889-1949), Harbour scene; Clovelly; Country Church; At the Cottage door, a group of four watercolours, all signed, the larges...
Louis Eugene Leroux (1833-1905), Sheep and shepherdess in a wooded clearing, watercolour, signed,
Louis Eugene Leroux (1833-1905), Sheep and shepherdess in a wooded clearing, watercolour, signed, 34cm x 25.5cm.
Attributed to Kate Greenaway (1846-1901), Study of a Gypsy girl by a village, watercolour, 14cm x 12cm,. together with a further twelve pencil ske...
Bartolomeo Biscaino (1632-1657), Saint Jerome in the Wilderness (Bartsch 34), etching c.1650-1657, unframed, 20cm x 13.5cm.; together with a furth...
Carlo Maratti (1625-1713), The Visitation (Bartsch 3), etching, circa 1645-1660, and two further,
Carlo Maratti (1625-1713), The Visitation (Bartsch 3), etching, circa 1645-1660, and two further, all unframed, the largest 21.5cm x 14.5cm.(3)
Lorenzo Loli (1612-1691), Holy Family (Bartsch 6), etching, and a further seven, all unframed,
Lorenzo Loli (1612-1691), Holy Family (Bartsch 6), etching, and a further seven, all unframed, various sizes .
Monogrammist A. F., The Winged Genius on horseback (Bartsch XV.536. 2), engraving, circa 1600's, unframed, 18cm x 24cm.
Agostino Carracci (1557-1602), Le Lascivie (B. 123-25 128-135), ten engravings from the set, unframed, various sizes.(folio)
Henri Fantin-Latour (1836-1904), Evocation de Kundry, lithograph, with printed signature and date Nov 97, 40.5cm x 48cm.
Guido Reni (1575-1642), Holy Family (Bartsch 9), etching circa 1590, unframed, 23cm x 15cm.
Guido Reni (1575-1642), Holy Family (Bartsch 9), etching circa 1590, unframed, 23cm x 15cm.
Felicien Rops (1833-1898), Woman with jester holding a tiny man, colour etching, 47cm x 32cm.
Felicien Rops (1833-1898), Woman with jester holding a tiny man, colour etching, 47cm x 32cm.
Stefano della Bella (1610-1664), Deux differents dessins d'une grotte, sur le Meme Planche,
Stefano della Bella (1610-1664), Deux differents dessins d'une grotte, sur le Meme Planche, two etchings, unframed, the larger 25cm x 36cm.(2)
Stefano della Bella (1610-1664), Desseins de quelques conduites (de Vesme 246-257), the complete set of twelve, unframed each 6cm x 12.5cm.
Stefano della Bella (1610-1664), Varii Capricci militari (de Vesme 258-263), the complete set of six, unframed, each 9cm x 13.5cm.
Stefano della Bella (1610-1664), Raccolta di Vasi Diversi ( dfe Vesme 1045-1050), a set of six etchings, unframed, each approx 9cm x 18cm.
Stefano della Bella (1610-1664), Le Banquet des Piacevoli (de Vesme 43), etching, circa 1820's,
Stefano della Bella (1610-1664), Le Banquet des Piacevoli (de Vesme 43), etching, circa 1820's, together with a further eight, all unframed.
Stefano della Bella (1610-1664), Diversi Capricci (de Vesme 128-151), The complete set of twenty four etchings, unframed.
Stefano della Bella (1610-1664), Plusiers Tetes Coiffes a la Persienne(de Vesme 181-192, the set of twelve etchings, unframed, each 10.5cm x 7cm.
James McBey (1883-1959), La Giudecca, Venice; A Tartane leaving Venice; Brightlingsea; A flood in the Fens; The Doorway, five etchings, all signed...
Clifford Hall (1904-1973), Four figures on the beach, pencil and coloured chalk, dated 1972, 25.
Clifford Hall (1904-1973), Four figures on the beach, pencil and coloured chalk, dated 1972, 25.5cm x 30cm; together with a charcoal and white cha...
Jean Louis Forain (1852-1931), Bar scene; Dressing room, a pair of etchings, each 16cm x 11.5cm.
Jean Louis Forain (1852-1931), Bar scene; Dressing room, a pair of etchings, each 16cm x 11.5cm.(2)
Circle of Amadeo Modigliani, Head study, pencil, indistinctly inscribed, 26cm x 20cm.
Jens Jensen (20th century), Edgar oe og den ganile mand ag Malstriommen, linocut, signed, inscribed and dated 1978, 24.5cm x 37cm. ARR
Manner of Vincent van Gogh, The Shoemaker, charcoal, bears a signature, 53.5cm x 42cm. Illustrated.
Manner of Vincent van Gogh, The Shoemaker, charcoal, bears a signature, 53.5cm x 42cm. Illustrated.
Roland Svensson (1910-2003), A sketch of Soay, St Kilda, watercolour and pencil, signed, inscribed and dated 1961, 30cm x 38.5cm. ARR
Follower of Emil Nolde, Boats, monochrome watercolour, bears a signature and date '13, unframed,
Follower of Emil Nolde, Boats, monochrome watercolour, bears a signature and date '13, unframed, 46cm x 69cm.
After Maurits Cornelis Escher, Sky and water, engraved print, bears monogram and date '38, 40cm x 29cm.
'Snaffles' (Charles Johnson Payne 1884-1967), 'Oh! To be in England now that April's there',
'Snaffles' (Charles Johnson Payne 1884-1967), 'Oh! To be in England now that April's there', colour print, signed in pencil, 51cm x 67cm. ARR
'Snaffles' (Charles Johnson Payne 1884-1967), The Grand National, The Canal Turn, colour print,
'Snaffles' (Charles Johnson Payne 1884-1967), The Grand National, The Canal Turn, colour print, signed in pencil, 54cm x 83cm. ARR
Rowland Hilder (1905-1993), South Downs Barn, watercolour, pen and ink, signed, 24.5cm x 34cm.
Rowland Hilder (1905-1993), South Downs Barn, watercolour, pen and ink, signed, 24.5cm x 34cm. ARR
Rowland Hilder (1905-1993), Water Pump, watercolour, pen and ink, signed, 36cm x 54cm. ARR
Rowland Hilder (1905-1993), Customs House, watercolour, pen and ink, signed, 35cm x 51cm. ARR Illustrated.
Rowland Hilder (1905-1993), St Andrews Castle Ruins, watercolour, pen and ink, signed, 23.5cm x 33cm. ARR
Rowland Hilder (1905-1993), Lock, Flatford on Stour, watercolour, pen and ink, signed and inscribed,
Rowland Hilder (1905-1993), Lock, Flatford on Stour, watercolour, pen and ink, signed and inscribed, 22.5cm x 32cm. ARR
David Shepherd (1931-2017), The Scavengers, colour print, signed, 50cm x 87cm. ARR
David Shepherd (1931-2017), Sleepy Tigers, colour print, signed and numbered 827/850, 45cm x 73cm.
David Shepherd (1931-2017), Sleepy Tigers, colour print, signed and numbered 827/850, 45cm x 73cm. ARR
John Edward Meade (1909-1982), A quantity of assorted watercolours and drawings, including a pub scene with drinkers, a scene of bathers by a lake...
Marie Laurencin (1883-1956), A group of three colour etchings, the larger pair 19.5cm x 14.5cm.
Marie Laurencin (1883-1956), A group of three colour etchings, the larger pair 19.5cm x 14.5cm.; together with an ink and wash sketch attributed t...