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Lewis Mittman; a modern green upholstered rectangular footstool, 68cm wide x 45cm high.
A 19th century mahogany occasional table, the circular top on barley twist column and triform platform, 57cm diameter x 74cm high.
A George III mahogany spider leg drop flap side table on turned supports, 75cm wide x 68cm high.
A George III mahogany spider leg drop flap side table on turned supports, 75cm wide x 68cm high.
A Biedermeier style satin birch single drawer oval side table on large column plinth base, 60cm wide x 72cm high.
A George III mahogany spider leg drop flap side table on ring turned supports, 121cm wide x 74cm high.
A late 18th century oak floor standing double height corner cupboard, 117cm wide x 223cm high.
A late 18th century oak floor standing double height corner cupboard, 117cm wide x 223cm high.
A 19th century mahogany single drawer hanging spice cupboard with mesh door, 52cm wide x 78cm high.
A 19th century mahogany single drawer hanging spice cupboard with mesh door, 52cm wide x 78cm high.
A pair of 20th century white painted campaign style two drawer bedside tables, 45cm wide x 52cm high.
A mid-20th century plywood octagonal three tier open bookcase, 51cm wide x 67cm high.
A 19th century mahogany side table, with single frieze drawer, on tapering square supports, 77cm wide x 74cm high.
An Edwardian mahogany and inlaid writing table with two drawers and square tapering supports,
An Edwardian mahogany and inlaid writing table with two drawers and square tapering supports, 120cm wide x 100cm high.
A Victorian mahogany low nursing chair, 54cm wide x 90cm high and a late Victorian mahogany towel rail, 69cm wide x 93cm high, (2).
A 19th century French stained beech marble top jardiniere stand, 32cm wide x 83cm high and a red japanned circular occasional table, 36cm diamter ...
A pair of early 20th century brass standard lamps with outswept supports, 150cm high, (2).
A Regency style giltwood oval wall mirror with ribbon tied crest, 68cm wide x 90cm high and another later painted oval mirror, 59cm wide x 82cm hi...
A modern gold painted triptych floor standing mirror, 120cm wide x 165cm high.
A late Victorian cast iron wooden slatted garden bench with scroll ends, 139cm wide x 78cm high.
A late Victorian cast iron wooden slatted garden bench with scroll ends, 139cm wide x 78cm high.
A 20th century white painted metal garden table, with circular glass inset top, 92cm diameter,
A 20th century white painted metal garden table, with circular glass inset top, 92cm diameter, together with four chairs, (5).
A 19th century mahogany sideboard/ serving table, the drop dummy drawer, with pull-out interior over a pair of short drawers, on tapering square s...
An early 19th century marquetry inlaid fruitwood music cabinet, on tapering square supports,
An early 19th century marquetry inlaid fruitwood music cabinet, on tapering square supports, 46cm wide x 88cm high.
An 18th century style mahogany corner chair, with double vase back, 80cm wide x 82cm high.
An early 19th century ebonised open armchair, with bobbin turned crest rail and splayed supports,
An early 19th century ebonised open armchair, with bobbin turned crest rail and splayed supports, 50cm wide x 82cm high.
A Regency parcel gilt ebonised open armchair with 'X' frame back and sabre supports, 55cm wide x 84cm high.
A circular occasional table, with stripped mahogany top on a grey painted cast iron base, with three block supports, 58cm diameter x 71cm high.
Domenico Beccafumi (1484-1551), The effects of gunpowder, from The Various Operations of Alchemy,
Domenico Beccafumi (1484-1551), The effects of gunpowder, from The Various Operations of Alchemy, woodcut, unframed, 17.5cm x 11.5cm.
Antonio Tempesta (1555-1630), Illustration for Canto I from Tasso's Jerusalem Delivered III, twenty,
Antonio Tempesta (1555-1630), Illustration for Canto I from Tasso's Jerusalem Delivered III, twenty, unframed, each 28cm x 20.5cm.
Jacques Callot (1592-1635), Les images des Saints (Lieure 809-12 95), etching, circa 1631, unframed,
Jacques Callot (1592-1635), Les images des Saints (Lieure 809-12 95), etching, circa 1631, unframed, 17cm x 11cm.
Michele Marieschi, Campo Santa Maria Formosa (succi 13), etching, and another of the Arsenale,
Michele Marieschi, Campo Santa Maria Formosa (succi 13), etching, and another of the Arsenale, both unframed, each 31cm x 47cm.(2)
After Jacques Callot, The holy family at a table, engraving, 19cm x 16.5cm.
Eugene Lacoste (19th century),
Eugene Lacoste (19th century), Demonday de Girardons la Piece par L'on va jouer; Boucherie de Paris; Affaires Etrangere; L'Oiswetede la misere a t...
Spanish School (19th century), Two Senoritas in a town square, watercolour, unframed, 198cm x 16cm.
Spanish School (19th century), Two Senoritas in a town square, watercolour, unframed, 198cm x 16cm.
James Malton (1761-1803), Barracks, Dublin; St Stephen's Green, Dublin; Ryal Exchange, Dublin; Powerscourt House, Dublin; Royal Infirmary, Phoenix...
H. Taylor (19th century), Mother and sleeping infant, pastel, oval, signed, 65.5cm 78.5cm. Illustrated.
J** Y** (19th century), Still life of bank note, newspaper and magazine, watercolour, pen and ink,
J** Y** (19th century), Still life of bank note, newspaper and magazine, watercolour, pen and ink, bears monogram JY and dated 1808 8, 25cm x 35cm.
CIrcle of John Ruskin, A Continental house, pencil, 18cm x 25.5cm.Provenance: Said to have been purchased at the General sale at Brantwood after R...
Circle of William Turner of Oxford, Distant spires of Oxford, watercolour, unframed, 33.5cm x 47.
Circle of William Turner of Oxford, Distant spires of Oxford, watercolour, unframed, 33.5cm x 47.5cm.
After Rembrandt van Rijn, The Gold Weigher; The beheading of John the Baptist, two etchings,
After Rembrandt van Rijn, The Gold Weigher; The beheading of John the Baptist, two etchings, the larger 24cm x 20cm.(2)
Attributed to Saverio della Gatta (1777-1829), Figure group, monochrome watercolour, bears a signature and dated 1818, unframed, 19cm x 25cm.
Francisco José de Goya, Two plates from La Tauromaquia: Chevalier & Matador, two etchings, unframed,
Francisco José de Goya, Two plates from La Tauromaquia: Chevalier & Matador, two etchings, unframed, each 20.5cm x 31cm.(2) ...[more]
John Henry Henshall (1856-1928), The Spinning Wheel, watercolour, signed, inscribed on labels verso,
John Henry Henshall (1856-1928), The Spinning Wheel, watercolour, signed, inscribed on labels verso, 35cm x 24cm.
Frederick R.
Frederick R. Fitzgerald (1897-1938), The Romsdal, Naes; Bejteln, Naero Fjord, a pair, watercolour, both signed, each 37cm x 54cm.(2)
Frederick R.
Frederick R. Fitzgerald (1897-1938), Mt Skaala, Leon; The Geiranger Fjord, Merok, two, watercolour, both signed, each approx 39cm x 55cm.(2)
Vincent Clare (1855-1930), Still life of fruit; Still life of blossom and birds nest, a pair,
Vincent Clare (1855-1930), Still life of fruit; Still life of blossom and birds nest, a pair, watercolour, oval, both signed, each 15cm x 22cm.
Albert Goodwin (1845-1932), York Minster, pen, ink, pencil and grey wash, signed and inscribed, 26.
Albert Goodwin (1845-1932), York Minster, pen, ink, pencil and grey wash, signed and inscribed, 26.5cm x 35cm. 6231
Walter Henry Sweet (1889-1949), Harbour scene; Clovelly; Country Church; At the Cottage door,
Walter Henry Sweet (1889-1949), Harbour scene; Clovelly; Country Church; At the Cottage door, a group of four watercolours, all signed, the larges...
Louis Eugene Leroux (1833-1905), Sheep and shepherdess in a wooded clearing, watercolour, signed,
Louis Eugene Leroux (1833-1905), Sheep and shepherdess in a wooded clearing, watercolour, signed, 34cm x 25.5cm.
Attributed to Kate Greenaway (1846-1901), Study of a Gypsy girl by a village, watercolour, 14cm x 12cm,. together with a further twelve pencil ske...
Bartolomeo Biscaino (1632-1657), Saint Jerome in the Wilderness (Bartsch 34), etching c.1650-1657, unframed, 20cm x 13.5cm.; together with a furth...
Carlo Maratti (1625-1713), The Visitation (Bartsch 3), etching, circa 1645-1660, and two further,
Carlo Maratti (1625-1713), The Visitation (Bartsch 3), etching, circa 1645-1660, and two further, all unframed, the largest 21.5cm x 14.5cm.(3)
Lorenzo Loli (1612-1691), Holy Family (Bartsch 6), etching, and a further seven, all unframed,
Lorenzo Loli (1612-1691), Holy Family (Bartsch 6), etching, and a further seven, all unframed, various sizes .
Monogrammist A. F., The Winged Genius on horseback (Bartsch XV.536. 2), engraving, circa 1600's, unframed, 18cm x 24cm.
Agostino Carracci (1557-1602), Le Lascivie (B. 123-25 128-135), ten engravings from the set, unframed, various sizes.(folio)
Henri Fantin-Latour (1836-1904), Evocation de Kundry, lithograph, with printed signature and date Nov 97, 40.5cm x 48cm.
Guido Reni (1575-1642), Holy Family (Bartsch 9), etching circa 1590, unframed, 23cm x 15cm.
Guido Reni (1575-1642), Holy Family (Bartsch 9), etching circa 1590, unframed, 23cm x 15cm.
Felicien Rops (1833-1898), Woman with jester holding a tiny man, colour etching, 47cm x 32cm.
Felicien Rops (1833-1898), Woman with jester holding a tiny man, colour etching, 47cm x 32cm.
Stefano della Bella (1610-1664), Deux differents dessins d'une grotte, sur le Meme Planche,
Stefano della Bella (1610-1664), Deux differents dessins d'une grotte, sur le Meme Planche, two etchings, unframed, the larger 25cm x 36cm.(2)
Stefano della Bella (1610-1664), Desseins de quelques conduites (de Vesme 246-257), the complete set of twelve, unframed each 6cm x 12.5cm.
Stefano della Bella (1610-1664), Varii Capricci militari (de Vesme 258-263), the complete set of six, unframed, each 9cm x 13.5cm.
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