Interiors including Property from the late Sir David Tang, Fine Clocks, Asian Works of Art & Fine Jewellery

A GEORGE III OAK LONGCASE CLOCKBy John Payne, Lenham, circa 1780The case with an arched pediment and fretted cornice, above a glazed door, with a ...

AN EBONISED AND CHINOISERIE DECORATED LONGCASE CLOCKThe movement by William Skikelthorp, LondonThe case with a domed top above moulded pediment an...

A WALNUT AND OAK LONGCASE CLOCKThe associated movement by Thomas William Lutwych, WorcesterThe case with a swan-neck pediment centred by foliage, ...

AN UNUSUAL GEORGE III OAK 30-HOUR LONGCASE CLOCKBy William Kemp and John Holman, Lewes, circa 1790The case with a moulded cornice above a glazed p...

A GEORGE I WALNUT LONGCASE CLOCKBy James Drury, London, circa 1720The case with a moulded pediment above fretted spandrels and arched glazed door ...

A FINE GEORGE III GILT-BRASS-MOUNTED MAHOGANY LONGCASE CLOCKBy George Jamison, London, circa 1790Surmounted by a pagoda pediment with foliate scro...

A GEORGE II WALNUT LONGCASE CLOCKThe movement by George Graham, No. 709, circa 1733, the case associated and of the periodThe cushion-moulded hood...

A GEORGE III OAK LONGCASE CLOCKBy Thomas Barrow, Stockport, circa 1785The case with a bell-top pediment above a moulded cornice with Greek key orn...

A GEORGE III AND LATER RED LACQUER CHINOISERIE DECORATED LONGCASE CLOCKThe movement signed Thomas Hemings, London, circa 1760The case with an arch...

A GEORGE III PARCEL-GILT GREEN LACQUER CHINOISERIE LONGCASE CLOCKThe movement by William Rout, London, circa 1760The arched case with glazed door ...

Attributed to Karel Dujardin (1622-1678), Studies of goats, pencil heightened with brown crayon, bears initials, 14.5cm x 18cm.; together with a f...

Follower of Valentin Lefebvre, Biblical scene, pen, ink and wash, unframed, 31.5cm x 23.5cm.

After Albrecht Durer, Study of a classical female sculpture, grey washes over pencil, 14cm x 9cm.

Francois Nicolas Martinet (1731-1804), The Puffin; The Magpie; The Puffin; The Great Sea Loon; The Canada Goose; The Soland Goose, a group of six ...

Johann Wilhelm Weinmann (1683-1741), Botanical studies, plates 151, 207, 242, 250, 251, 255, from Phytanthoza iconographia, six engravings with h...

Manner of Raphael, Figure sketches, a group of five, pen and ink, three bear a signature, the largest 17cm x 17.5cm.(5)

William Anderson (1757-1837), The Royal Yacht Charlotte at anchor, watercolour, 24cm x 38.5cm.

After Leonard Knyff, The Country Seats of the Aristocracy: Shurdington; Upparke; Westwood; Dyrham; Harwick Park Court; Hales Abbey; Gisbrough, sev...

Alfred Gomersal Vickers (1810-1837), View of Margate Bay, watercolour, 25.5cm x 37.5cm.

A. E. Touchemolin (19th century), Profile portrait, pen and ink, signed and dated 1804, inscribed NIL MORTALE IN AMICITIA, oval, 13cm x 9.5cm.

William Evans of Eton (1798-1877), Conway Castle, watercolour, 13cm x 19cm,; together with a pen, ink and wash drawing of Brest Harbour attributed...

Follower of Peter le Cave, Horse and cart on a country road, watercolour, bears a signature, 18.5cm x 25cm.; together with a further watercolour b...

Attributed to George Chinnery (1774-1852), Portrait study of a gentleman, pen and ink, unframed, 12.5cm x 7.5cm.

Attributed to Louis le Barbier (1743-1789), Figures gathered around a font, pen, ink and sepia wash, unframed, 13cm x 15.5cm.

A group of three Marine watercolours, including works attributed to William Callow, Thomas Luny and a view of Margate Pier by Captain Alexander Br...

Edward William Cooke (1811-1880), Selling fish at Newlyn, pencil and watercolour, 12cm x 24cm.; together with a drawing of Glendalough attributed ...

Sir George Hayter (1792-1871), The Port of Venice; Teddington; study f a cherub, three, two pen and ink, one pencil and wash, all unframed, the la...

Charles Woolnoth (1815-1906), Figures in a glade near a waterfall, watercolour, signed, 52.5cm x 73cm.

Follower of Thomas Bush Hardy, Vessels at the harbour mouth, watercolour, bears a signature, 22.5cm x 71.5cm.; together with a further watercolour...

Follower of Joseph Kirkpatrick, Sheep and shepherd on a country path, watercolour, 52.5cm x 88cm.

Attributed to John Sturgess (1839-1903), 'Le retourd'une course par un Oraje á Saumur Septembre 1856', watercolour and grey ash over pencil, indis...

Attributed to Alfred Vickers senior (1786-1868), Valley of the Moselle, watercolour, 35cm x 67.5cm.

Linnie Watt (fl.1874-1908), Gathering flowers, a pair, watercolour, both signed with monogram, each 11.5cm x 7cm.(2)

Archibald Thorburn (1860-1935), Bird studies, three pencil sketches, one signed with initials, framed as one, each 10cm x 10cm.

Edouard Manet (1832-1883), Odalisque, etching, unframed, 12.5cm x 19.5cm.; together with three pencil or ink sketches of figures and a handby anot...

Thomas W. Morley (1859-1925), Evening, Near Wrotham, watercolour, signed, 33cm x 51cm.

Paul Alfred de Curzon (1820-1895), Femme de Elensis; watercolour; Sketches for L'Ange Gardier; Angel and child, pencil or charcoal, both unframed,...

English Colonial School (19th century), R.Y.S. Mavourneen, gouache, 42cm x 64cm.

John Sherrin (1819-1896), Still life of an apple bough on a mossy bank, watercolour, signed, 30cm x 34.5cm.

Luigi Busetto (19th/20th century), Venetian scenes, a set of four, gouache, all inscribed on reverse, each 12.5cm x 17cm.(4)

Sydney Lawrence (1858-1940), On the edge of an Italian lake, watercolour, signed, 57cm x 90cm.

John Emmanuel Preston (19th/20th century), Solitude, watercolour, signed with monogram and dated 1930, 34.5cm x 24.5cm.; together with three furth...

Philip Eustace Stretton (1863-1930), Farm landscape, watercolour, signed, 45cm x 63cm.

Jean Louis Forain (1852-1931), N'Insiste pas, le Pére est ruiné, watercolour, signed and inscribed, 30cm x 23cm.

Frank Southgate, RBA (1872-1916), Scene on the Broads, watercolour, signed, 20.5cm x 26.5cm.

Wynford Dewhurst (1864-1941), Gorges of La Creuse, France, pastel, signed, 31cm x 48cm.

Cecil Aldin (1870-1935), The Blackmore Vale;Away from Peckforton Wood; Away from Bath Wood; The Belvoir; A Fox away from Berrydale; The V.W.H. Cri...

Attributed to Walter Richard Sickert A.R.A. (1860-1942), At the Theatre, chalk, 25cm x 22.5cm.Executed circa 1907

Noel Harry Leaver (1889-1951), A country lane, watercolour, signed, 26cm x 35cm. DDS

Henri Jourdain (1864-1931), Westminster from the Thames, colour etching with aquatint, signed in pencil, 49.5cm x 66cm.

Follower of Cecil Aldin, Children playing in a tree, charcoal and white chalk on buff paper, bears a signature and date, 24cm x 44cm.

** Hornuth (20th century), Harbour scene, pastel, indistinctly signed and dated 1925, inscribed on label verso, 40cm x 44cm.

Walter Cecil Horsnell (1911-1997), A farm in a landscape, watercolour, signed, 30.5cm x 48.5cm. DDS

Josef Pierre Nuyttens (1885-1960), Young girl, etching, signed in pencil, 38cm x 27cm.

Freda Marston (1895-1949), The Maritime Alps, tepera on silk laid on panel, signed, 39cm x 49cm. DDS

Attributed to Cyril Edward Power (1874-1951), Studies of racehorses and jockeys, a pair, watercolour over pencil, both bear a signature, each 29cm...

John Skeaping (1901-1980), Study of 'Mister', a Cairn terrier, pastel, signed and dated '61, unframed, 37cm x 36cm. DDS

William Gaunt (1900-1980), Tropical Party; Cocktail party, two, pen, ink and watercolour, both signed, one inscribed, the larger 34.5cm x 39cm.(2)...

John Nash (1893-1977), Six wood engravings, printed from the original wood b,oacks, all numbered 103/150, unframed in folio, each 28.5cm x 20cm. D...

Muirhead Bone (1876-1953), Venice, pencil, signed, inscribed and dated 1913, 11.5cm x 17.5cm. DDS