Lot

101

Rosemary Wright (UK) burr elm lidded vessel 14x14cm. Signed

In The Ray Key Woodturners Collaboration Auction ...

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Rosemary Wright (UK) burr elm lidded vessel 14x14cm. Signed

 

I was always a bit in awe of Ray as one of the “top guys” but his humour and down to earth approach put everyone at ease.  The highlight for me was the 20th Anniversary AWGB seminar of 2007 when I was chosen for the Tony Boase award.  He couldn’t have been more generous with his encouragement and I learnt a lot from his critiques as we shared the same love of form and preference for a simple aesthetic, famously verbalised as “keep it simple stupid”!  It is impossible to overestimate his contribution the world of woodturning in this country.

I chose what I thought would be the easiest piece to work on from his collection, as, although thrilled and honoured to be invited to the collaboration, coward that I am, I was terrified of making a mess of it!  It sat untouched in my workshop for weeks and weeks while I wracked my brains for some ideas. 

Ray’s form was very pleasing to me and I didn’t want to change it and I didn’t see how I could develop it “in my own style”.  I have been doing some colouring and texturing recently but didn’t want to detract from the natural beauty of the wood but I thought the more defined tool marks Ray had left towards the rim could be highlighted with colour and it would be lovely to keep that original input from him.  So, I decided to hollow the bowl, highlight a band of Ray’s tool marks with white milk paint and gilt wax, and make additions that I could be freer with. I made a lid from burr elm and created an ebony and holly “leaf” finial that referenced my “leaf” series. The lidded bowl needed elevating, so I made a grooved rectangular platform and a beaded round plinth, both in Asian striped ebony, that referenced earlier work.  I think the collaboration worked well in the end.

The Ray Key Collaboration Auctionn

Rosemary Wright (UK) burr elm lidded vessel 14x14cm. Signed

 

I was always a bit in awe of Ray as one of the “top guys” but his humour and down to earth approach put everyone at ease.  The highlight for me was the 20th Anniversary AWGB seminar of 2007 when I was chosen for the Tony Boase award.  He couldn’t have been more generous with his encouragement and I learnt a lot from his critiques as we shared the same love of form and preference for a simple aesthetic, famously verbalised as “keep it simple stupid”!  It is impossible to overestimate his contribution the world of woodturning in this country.

I chose what I thought would be the easiest piece to work on from his collection, as, although thrilled and honoured to be invited to the collaboration, coward that I am, I was terrified of making a mess of it!  It sat untouched in my workshop for weeks and weeks while I wracked my brains for some ideas. 

Ray’s form was very pleasing to me and I didn’t want to change it and I didn’t see how I could develop it “in my own style”.  I have been doing some colouring and texturing recently but didn’t want to detract from the natural beauty of the wood but I thought the more defined tool marks Ray had left towards the rim could be highlighted with colour and it would be lovely to keep that original input from him.  So, I decided to hollow the bowl, highlight a band of Ray’s tool marks with white milk paint and gilt wax, and make additions that I could be freer with. I made a lid from burr elm and created an ebony and holly “leaf” finial that referenced my “leaf” series. The lidded bowl needed elevating, so I made a grooved rectangular platform and a beaded round plinth, both in Asian striped ebony, that referenced earlier work.  I think the collaboration worked well in the end.

The Ray Key Collaboration Auctionn

The Ray Key Woodturners Collaboration Auction - AWGB

Ends from
Venue Address
Gloucester
United Kingdom

For Association of Woodturners of Great Britain delivery information please telephone 01594 544 417.

Important Information

Note: A bid in the closing minutes of any lot will extend the closing time of that lot by five minutes to allow you to counter-bid.

The items in this auction were initially turned by Ray Key and completed by the woodturner noted in the lot description. All the pieces will be displayed at the three week exhibition at Nature in Art, Gloucester from the 2nd to the 21st of July (closed on Mondays).

No buyer’s premium or VAT will be charged to successful bidders on the price of the lot
The AWGB Treasurer will issue an invoice by email to successful online bidders after the close of the auction.

Payment 

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Payment

  1. (a)           No buyer’s premium or VAT will be charged to successful bidders on the price of the lot

(c)           Online Bidders: The Treasurer will issue an invoice by email to successful online bidders after the close of the auction.

 (f)          AWGB Trading can accept payment by

  • PayPal – send money to awgbtrading@awgb.co.uk
  • Online payment by credit / debit card or Paypal account for payment requested via emailed invoice
  • Bank transfer to Santander Bank, Account number 41132390

Sort Code 09-01-28

Collection or despatch of lots   

  1. 7.       No lot may be collected and no lot will be despatched, unless payment has been made in full. Lots may be collected in person by arrangement with the AWGB chairman (chairman@awgb.co.uk). The purchaser of any lot agrees to pay AWGB Trading Ltd all costs relating to packing and despatch of the lot, which will attract Value Added Tax charged at the prevailing rate (currently 20%)

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Clause headings

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