Fine Arts, Antiques, Jewellery & Collectables Auction - 15 MARCH 2018 AT 10:00

WITHDRAWN ...[more]

TERENCE JOHN McCAW (1913 - 1978), CATHEDRAL BENEATH THE TREES, ROME, mixed media on paper, signed and titled (some of the title indecipherable), 3...

JACOB HENDRIK PIERNEEF (1886 - 1957), PLAASHUIS, RUSTENBURG, linocut on paper, signed and dated 1928 in the margin, 10 by 12cm.

JACOB HENDRIK PIERNEEF (1886 - 1957)(, THE BRANDWAG, DESEMBER 1919, linocut on paper, signed in pencil in the margin, titled verso, 5.5 by 8cm.

OTTO KLAR (1908 - 1994), LOWVELDT, colour pencil sketch on paper, signed in ink, 5.5 by 16cm.

JAMES VICARY THACKWRAY (1919 - 1994), ABSTRACT FORMS, oil on canvas, signed and dated '85, 60 by 70cm.

ARMANDO BALDINELLI (1908 - 2003), ORGANIC FORMS, mosaic placque, signed, 88 by 26cm.

FRANS DAVID OERDER (1867 - 1944), PORTRAIT OF A LADY, oil on canvas, signed, 63 by 52.5cm.

SIDNEY CARTER (1874 - 1945), LANDSCAPE WITH TREES AND MAN HERDING SHEEP, oil on canvas, signed lower left-hand corner, 43 by 60cm.

ELLA CRONJE (20TH CENTURY), SMOKING SKULL, signed and dated '14, 21 by 15.5cm.

RONIT JUDELMAN (20TH CENTURY), BABY DOLL, resin and found object, 26 by 30cm.

OLAF BISCHOFF (1976 -), GOOD LUCK, mixed media on glass and oil on canvas, signed, dated 2016 and titled, 40 by 40cm.

PETER CLARKE (1921 - 2014), MALAY WOMEN, pencil sketch on paper, signed and dated Jan 1953, 12 by 18cm.

WALTER WHALL BATTISS (1906 - 1982), WATERMELON EATER, colour lithograph on paper, authenticated by Giles Battiss (signed in pencil), numbered 98/1...

WALTER WHALL BATTISS (1906 - 1982), PORTFOLIO OF TWELVE PHOTOLITHOGRAPHS, on paper, published by Murry Schoonraad, compiled and edited by Art Foli...

KARLIEN DE VILLIERS (1975 -), BIRD WATCHING, watercolour and ink on paper, signed, titled and dated 2013 in pencil, 46 by 39cm.

ZOLANI SIPHUNGELA (1986 -), CONVALESCENCE, Diptych - carved and incised wood panel, signed, 56 by 62cm.

ZOLANI SIPHUNGELA (1986 -), INVESTIGATING SOUND, carved and incised wood panel, signed, 45 by 45cm.

MIZRIAM MASEKO (1927 -), ZULU WARRIOR, embossed and painted leather, signed, 58 by 43.5cm.

ULRICH SCHWANECKE (1932 - 2006), HANGKLIP FARM, NEAR COLESBERG, watercolour on paper, signed, 45 by 64cm.

ULRICH SCHWANECKE (1932 - 2006), NEAR BANDILIERSKOP, N. TVL, diptych, watercolour on paper, signed, 47 by 105cm.

AREND ELOFF (1964 -), CURIOUS NAGAPIE, bronze on wooden base, signed and numbered 6/10, 40cm high. ...[more]

OTTO KLAR (1908 - 1994), WERKERS-HUISIES, ARNISTON, pastel on paper, signed, titled verso, 19 by 72cm.

GREGOIRE JOHANNES BOONZAIER (1909 - 2005), VIEW OF HOUSES, watercolour on paper, signed and dated 1980 in pencil, 22 by 30cm.

WALTER WHALL BATTISS (1906 - 1982), SETHA, lithograph on paper, signed and titled in pencil, 23.5 by 14cm.

WALTER WHALL BATTISS (1906 - 1982), SITE: NDANGA S.R., mixed media on paper, signed "Copy: Walter Battiss", titled, 44.5 by 68cm.

ALEXANDER ROSE-INNES (1915-1966) ARINSTON, oil on board, signed, 27.5 by 42cm. ...[more]

C.H. FERRISS (20TH CENTURY) FRENCH, SNOWY LANDSCAPE AT SUNSET, oil on canvas, signed, 68 by 97cm.

PHILIPS WOUVERMAN (1616 - 1668) DUTCH (ATTR.), HUNTING SCENE, oil on canvas, signed with plaque, 40 by 52cm.

ERNEST ENGEL-PAK (1885 - 1965) FRENCH, ORGANIC FORMS IN YELLOW, acrylic on paper, signed and numbered 1067, 22.5 by 30cm.

ERNEST ENGEL-PAK (1885 - 1965) FRENCH, ORGANIC FORMS IN BLUE AND GREEN, acrylic on paper, signed and numbered 260, 29 by 22cm.

MORTIMER LUDDINGTON MENPES (1855 - 1938) AUSTRALIAN, ASIAN CHILDREN, two engravings on paper, each signed in pencil, 21.5 by 14.5cm & 17 by 22cm e...

JOHANNES BOSBOOM (1817 - 1871) DUTCH, ARCHWAY, watercolour on paper, verso depicting a pencil sketch of Archways, signed and inscribed verso, 36 b...

S.E. JOHNSON (19TH/20TH CENTURY) BRITISH, FARMER HERDING SHEEP, oil on canvas, signed, 24 by 34.5cm.

SOICHI HASEGAWA (1929 -) JAPANESE, FONDS MARIUS, etching/aquatint in colour on paper, signed, titled and numbered 104/110 in pencil in the margin,...

SOICHI HASEGAWA (1929 -) JAPANESE, VILLE ROUG, etching/aquatint in colour on paper, signed, titled and numbered XXV III in pencil in the margin, 5...

SOICHI HASEGAWA (1929 -) JAPANESE, LA ITÉ NETREONVÉL, etching/aquatint in colour on paper, signed, titled and numbered 31/75 in pencil in the marg...

SOICHI HASEGAWA (1929 -) JAPANESE, ABSTRACT FORMS AND FIGURES, etching/aquatint in colour on paper, signed, titled and numbered 98/99 in pencil in...

A LATE 19TH CENTURY GERMAN OAK SERVER, the arched top with a heavily carved frieze above two lead-lighted doors flanked by mirrors and supported b...

A VICTORIAN MAHOGANY BOOKCASE CABINET, the upper-section with a moulded pediment above two glazed arch doors, enclosing shelves above a single dra...

A VICTORIAN MAHOGANY CUPBOARD, the cantered pediment above two arched panel doors, the interior with drawers and shelves above a single long drawe...

AN EDWARDIAN MAHOGANY DISPLAY CABINET, the arched glazed doors flanking a marquetry panel with glazed sides, standing on square tapering legs, on ...

A VICTORIAN ROSEWOOD AND MAHOGANY CHIFFONIER, the rectangular top above a single long drawer with an ornate central carving above two rectangular ...

A GEORGE III OAK CHEST OF DRAWERS, the rectangular top above a single long drawer with an ornate central carving above two rectangular panelled do...

A GEORGE III YEW RECTANGULAR TABLE, the moulded top above a single drawer standing on square tapering legs, on bracket feet, (AF). 72cm high, 92cm...

A GEORGE III MAHOGANY TEA TABLE, the folding rectangular top above a single drawer set in a cock-beaded frieze, standing on square chanelled legs,...

AN EDWARDIAN MAHOGANY DISPLAY CABINET, the astragal glazed doors flanked by bowed cupboards and mirrors supported by turn and square pillars, stan...

A VICTORIAN ROSEWOOD CABINET, the serpentine marble top above a beaded frieze with rectangular carved door below, flanked by two cantered doors, s...

A MID-GEORGIAN OAK HANGING CORNER CABINET, the central door with an arched cushion panel door revealing shelves, standing on a moulded base, (moul...

AN EDWARDIAN MAHOGANY DISPLAY CABINET, the moulded pediment above two astragal glazed doors flanking a central panel standing on square legs, deco...

A VICTORIAN MAHOGANY DRESSING TABLE, the arched mirror supported on floral carved pillars with short drawers and cubby hole below, the bowed surfa...

A VICTORIAN RUSTIC CIRCULAR TILT-TOP DINING TABLE, in oak and rosewood, the top inlaid in bog-oak, standing on a lobed baluster column, on a platf...

AN EDWARDIAN MAHOGANY DRESSING TABLE, the oval mirror flanked by a broken arch and small cupboards above a central drawer flanked with four short ...

AN EARLY 20TH CENTURY CONTINENTAL WALNUT OVAL TABLE, the moulded top above a plain frieze housing a single drawer, standing on a intricately carve...

A WILLIAM IV MAHOGANY CARD TABLE, the well figured top rotating to reveal a well, standing on a square tapering column with platform base and four...

A GEORGE III MAHOGANY CHEST OF DRAWERS, the well figured top above two short and three long graduated drawers with swan handles and bracket feet, ...

A LATE 18TH CENTURY DUTCH OAK AND VENEERED DISPLAY CABINET, the broken arch pediment above two astragal glazed doors with conforming sides, standi...

A 19TH CENTURY CONTINENTAL LIBRARY TABLE, POSSIBLY ROSEWOOD, the rectangular top with bobbin moulding with two short drawers below flanked by scro...

A PAIR OF 20TH CENTURY MAHOGANY SIDE TABLES,  made by J. Shard & Co., Campden, London Established 1883, the moulded square top above beaded frieze...

AN EARLY VICTORIAN ROSEWOOD CIRCULAR DINING TABLE, the well figured top with a beaded frieze standing on a lapetted central column with a platform...