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A heavy cut glass oval dish with serrated rim, 12” x 8”; five similar 5¼” diam. shallow dishes; &
A heavy cut glass oval dish with serrated rim, 12” x 8”; five similar 5¼” diam. shallow dishes; & a pair of ditto squat round ashtrays, 5” diam. ...
A Chinese porcelain small cylindrical jar & cover decorated in famille verte enamels, the ribbed
A Chinese porcelain small cylindrical jar & cover decorated in famille verte enamels, the ribbed body & cover with blue glazed handles, 5” high; &...
A pair of Chinese famille verte porcelain cylindrical jars & covers painted with figure scenes,
A pair of Chinese famille verte porcelain cylindrical jars & covers painted with figure scenes, 6¾” high, Tongzhi seal marks; & a ditto pair of sm...
A Japanese porcelain large cylindrical pot & cover decorated in famille verte enamels with figure
A Japanese porcelain large cylindrical pot & cover decorated in famille verte enamels with figure scenes & landscapes on an iron red diaper ground...
A group of ten items of 19th century & later Japanese porcelain, including a 9” Imari dish, a
A group of ten items of 19th century & later Japanese porcelain, including a 9” Imari dish, a faceted Imari cache pot, 4½” high, a Kutani 5½” shal...
Two oriental white metal figures of Buddha, each seated on a lotus base, 6” & 5½” high. ...[more]
AN 18th century SEALED COMMON ROOM WINE BOTTLE of mallet shape & dark amber colour, the circular
AN 18th century SEALED COMMON ROOM WINE BOTTLE of mallet shape & dark amber colour, the circular seal inscribed “All Souls Coll., C.R.”, 10” high....
A Royal Crown Derby porcelain ovoid vase of pink ground with gilt decoration, & finely painted
A Royal Crown Derby porcelain ovoid vase of pink ground with gilt decoration, & finely painted reserve of flowers by Albert Gregory, on square ped...
CECIL CHARLES WINDSOR ALDIN (1870-1935) “The King’s Head, Ombersley”, signed lower left, pastels &
CECIL CHARLES WINDSOR ALDIN (1870-1935) “The King’s Head, Ombersley”, signed lower left, pastels & charcoal, 19½” x 17¼”, framed & glazed (Provena...
CECIL CHARLES WINDSOR ALDIN (1870-1935) A coaching scene titled “The Parting Salute”, signed lower
CECIL CHARLES WINDSOR ALDIN (1870-1935) A coaching scene titled “The Parting Salute”, signed lower right, Watercolour, 17½” x 12¼”, framed & glaze...
After CECIL CHARLES WINDSOR ALDIN (1870-1935) A pair of humorous coloured lithographs of cats & dogs
After CECIL CHARLES WINDSOR ALDIN (1870-1935) A pair of humorous coloured lithographs of cats & dogs singing from songbooks, titled “Basses & Cont...
After CECIL CHARLES WINDSOR ALDIN (1870-1935) A huntsman & hounds riding past a high wall, coloured lithograph, early 20th century, 13½” x 17¼” (t...
CLARA SIMON. Study of a semi-nude standing female figure. Signed, pastels: 24” x 16”.
After CHARLES CUNDALL: A coloured print of Henley Regatta, 15¾” x 28”; & a photographic print of a
After CHARLES CUNDALL: A coloured print of Henley Regatta, 15¾” x 28”; & a photographic print of a swan on a lake by Stephen Coe, 21½” x 30”. ......
MICHAEL FFOLKES (1925-1988). Still-life study of flowers. Signed & dated “ffolkes 58”; watercolour &
MICHAEL FFOLKES (1925-1988). Still-life study of flowers. Signed & dated “ffolkes 58”; watercolour & bodycolour, 19½” x 12”, in glazed frame. (28½...
MICHAEL FFOLKES (1925-1988). Still life study of flowers. Signed & dated “ffolkes ‘59”, watercolour & bodycolour, 19¾” x 12¾; in glazed frame. (2...
MICHAEL FFOLKES (1925-1988). Monochrome architectural study, signed “Ffolkes” lower left, watercolour: 9¾” x 7”, framed & glazed. ...[more]
MICHAEL FFOLKES (1925-1988). Study of a female nude in black ink, signed & dated “ffolkes ‘75”; 13¾”
MICHAEL FFOLKES (1925-1988). Study of a female nude in black ink, signed & dated “ffolkes ‘75”; 13¾” x 9”; framed & glazed. (20 1/8 x 14.7/8 over-...
MICHAEL FFOLKES (1925-1988). Study of a female nude in red chalk. Signed & dated “ffolkes ‘73”,
MICHAEL FFOLKES (1925-1988). Study of a female nude in red chalk. Signed & dated “ffolkes ‘73”, 19” x 9”, framed & glazed. (25¼” x 15” over-all)....
DAVID BACKHOUSE (b. 1941). Nude figure study, signed & dated “Backhouse ‘78”, inscribed verso; pen &
DAVID BACKHOUSE (b. 1941). Nude figure study, signed & dated “Backhouse ‘78”, inscribed verso; pen & wash, 9½” x 14”; framed & glazed. (17½” x 21¼...
STEPHANIE FULLER (contemporary). Study of a reclining female nude, signed lower right, charcoal on
STEPHANIE FULLER (contemporary). Study of a reclining female nude, signed lower right, charcoal on paper; 13½” x 18½”, framed & glazed. (21” x 25...
P. M. FULLER (20th century). An abstract silhouette figure study with rounds of Hebrew text;
P. M. FULLER (20th century). An abstract silhouette figure study with rounds of Hebrew text; collage/mixed media on paper, signed & dated ’66 low...
FRANCES PEETT (20th century). Two rural landscapes, in oils & watercolour, each signed; 10¼” x
FRANCES PEETT (20th century). Two rural landscapes, in oils & watercolour, each signed; 10¼” x 14½” & 11” x 15¼”, both framed & glazed. ...[more]
JOHN PIPER (1903-1992). “Stoner, Oxfordshire”, screenprint on silk, signed in the plate, 17” x 27¾”,
JOHN PIPER (1903-1992). “Stoner, Oxfordshire”, screenprint on silk, signed in the plate, 17” x 27¾”, framed & glazed. (18½” x 29” over-all). ...[...
TIM O’TOOLE (American, Contemporary). An extensive rural landscape with brush to the fore. Signe “
TIM O’TOOLE (American, Contemporary). An extensive rural landscape with brush to the fore. Signe “O’Toole” lower right; oil on board: 11¼” x 19½”,...
CLAUDE WEISBUCH (French, b. 1927). A black-&-white etching of a violinist, titled: “La Partition
CLAUDE WEISBUCH (French, b. 1927). A black-&-white etching of a violinist, titled: “La Partition Déchire” 10¼” x 8”, signed &numbered 77/100 in pe...
PENELOPE MILNER (b. 1961) A room interior with a lady seated at a table; signed “P. Milner” lower
PENELOPE MILNER (b. 1961) A room interior with a lady seated at a table; signed “P. Milner” lower right, mixed media; 33½” x 26”, framed & glazed....
PAUL COX (b. 1957). “Goodwood Races”, signed & dated ’07. Pen, watercolour & bodycolour; 19½” x 27”,
PAUL COX (b. 1957). “Goodwood Races”, signed & dated ’07. Pen, watercolour & bodycolour; 19½” x 27”, framed & glazed with Chris Beetles gallery l...
MICHAEL FFOLKES (1925-1988). “Panorama, Central Park Sunday 29 VII ‘76”. Pen & watercolour, signed &
MICHAEL FFOLKES (1925-1988). “Panorama, Central Park Sunday 29 VII ‘76”. Pen & watercolour, signed & inscribed, 9” x 14”, framed & glazed. (14” x...
MICHAEL FFOLKES (1925-1988). “Name’s Newton, I Understand you’re upsetting my Theory”. Pen &
MICHAEL FFOLKES (1925-1988). “Name’s Newton, I Understand you’re upsetting my Theory”. Pen & watercolour; signed & inscribed, 7¾” x 11½”, framed &...
MICHAEL FFOLKES (1925-1988). “Crazy Thing is it’s some kind of religion!”; Pen & watercolour: 8” x
MICHAEL FFOLKES (1925-1988). “Crazy Thing is it’s some kind of religion!”; Pen & watercolour: 8” x 11¼”; framed & glazed. (13½” x 16½” over-all). ...
MICHAEL FFOLKES (1925-1988). Four humorous cartoons on one sheet, each inscribed with title,
MICHAEL FFOLKES (1925-1988). Four humorous cartoons on one sheet, each inscribed with title, signed lower left, pen & watercolour: 15¾” x 11”, fra...
MICHAEL FFOLKES (1925-1988). “At this rate will never get to Canterbury; for The Wife of Bath,
MICHAEL FFOLKES (1925-1988). “At this rate will never get to Canterbury; for The Wife of Bath, love Michael, 5.v. ‘79”. Pen & watercolour; signed...
MICHAEL FFOLKES (1925-1988). “I’m the Wife of Bath but you can call me Bubbles”. Pen & watercolour, inscribed “ffor Sally, the Wife of Bath, Mich...
MICHAEL FFOLKES (1925-1988). “I fear the Wife of Bath and some of the other Pilgrims are making
MICHAEL FFOLKES (1925-1988). “I fear the Wife of Bath and some of the other Pilgrims are making Progress”, inscribed “ffor Sally, Michael ‘81” & ...
MICHAEL FFOLKES (1925-1988). “How can I convince you it isn’t the wine talking?”. Signed & dated “
MICHAEL FFOLKES (1925-1988). “How can I convince you it isn’t the wine talking?”. Signed & dated “Michael 1963”, pen & watercolour: 11½” x 14”, f...
MICHAEL FFOLKES (1925-1988). “L love you, but I don’t think we’re the same species”, & “What do
MICHAEL FFOLKES (1925-1988). “L love you, but I don’t think we’re the same species”, & “What do you mean, no?”, each signed; pen & watercolour. 9...
MICHAEL FFOLKES (1925-1988). Five monochrome cartoons featuring the artist, his friend David
MICHAEL FFOLKES (1925-1988). Five monochrome cartoons featuring the artist, his friend David Backhouse, & the Villa Magdala hotel in Bath; 7” x 9...
MICHAEL FFOLKES (1925-1988). Four monochrome cartoons: “I’m Sorry, Aphrodite…” (12” x 9½”), “She’s a
MICHAEL FFOLKES (1925-1988). Four monochrome cartoons: “I’m Sorry, Aphrodite…” (12” x 9½”), “She’s a nymph…” (12” x 9½”), “Well, where do you thin...
MICHAEL FFOLKES (1925-1988). Four monochrome cartoons: “I said some corner of a foreign field that
MICHAEL FFOLKES (1925-1988). Four monochrome cartoons: “I said some corner of a foreign field that is forever England”.” (10¼” x 15”), “Extraordi...
MICHAEL FFOLKES (1925-1988). Six monochrome wine related cartoons: “There’s an awful lot of bosh
MICHAEL FFOLKES (1925-1988). Six monochrome wine related cartoons: “There’s an awful lot of bosh talked about wine” (9” x 9¾”), “I don’t care how...
MICHAEL FFOLKES (1925-1988). Six monochrome wine related cartoons: “…and this is my husband’s
MICHAEL FFOLKES (1925-1988). Six monochrome wine related cartoons: “…and this is my husband’s den” (12” X 9¼”), “I’m afraid Brother Anthony’s fle...
Six monochrome humorous cartoons: “It was absolutely nothing to do with Exports…” (10” x 11½”, “
Six monochrome humorous cartoons: “It was absolutely nothing to do with Exports…” (10” x 11½”, “Goodness Me, Miss Stubbs…” (10½” x 9½”), “My previ...
MICHAEL FFOLKES (1925-1988). Six monochrome humorous cartoons: “Our heart machine is on the blink,
MICHAEL FFOLKES (1925-1988). Six monochrome humorous cartoons: “Our heart machine is on the blink, Mr Henderson” (10¼” x 10”), “My, Mr Barstow…” ...
MICHAEL FFOLKES (1925-1988). Six various monochrome cartoons: “MICHAEL FFOLKES: We all have our
MICHAEL FFOLKES (1925-1988). Six various monochrome cartoons: “MICHAEL FFOLKES: We all have our little idiosyncrasies, ffor Sally Superwoman 2.V....
MICHAEL FFOLKES (1925-1988). An extensive collection of original cartoons, many with personal
MICHAEL FFOLKES (1925-1988). An extensive collection of original cartoons, many with personal connections, framed & un-framed, a signed colour pr...
MICHAEL SERVICE (Contemporary). A pair of street scenes at Julian Road, Bath; each signed, pen &
MICHAEL SERVICE (Contemporary). A pair of street scenes at Julian Road, Bath; each signed, pen & wash; 8½” x 5½”, in matching glazed frames. (17”...
WILLIAM ALISTAIR MACDONALD (1861-1948). A small sketch with St. Paul’s from across the Thames;
WILLIAM ALISTAIR MACDONALD (1861-1948). A small sketch with St. Paul’s from across the Thames; signed “W. A. Macdonald” lower right, pen & wash: ...
WALTER GOLDSMITH (1857-1943). “The Mill Pond, Cam.., with Bridge House & the Shank”, signed &
WALTER GOLDSMITH (1857-1943). “The Mill Pond, Cam.., with Bridge House & the Shank”, signed & dated 1931, watercolour: 13” x 19”, framed & glazed...
SYDNEY GOODWIN (1867-1944). “St. Ann Gate, Salisbury”, signed & dated 1913 lower right; watercolour:
SYDNEY GOODWIN (1867-1944). “St. Ann Gate, Salisbury”, signed & dated 1913 lower right; watercolour: 9” x 13¾”, framed & glazed. (18¾” x 23” over...
ENGLISH SCHOOL, 19th century. Portrait of an elderly lady, signed with initials C.E.K. & dated ’
ENGLISH SCHOOL, 19th century. Portrait of an elderly lady, signed with initials C.E.K. & dated ’97, watercolour: 8½” x 6¼”, in glazed gilt gesso ...
ENGLISH SCHOOL, 19th century. Still life study of flowers & fruit, signed with initials E. F. W. &
ENGLISH SCHOOL, 19th century. Still life study of flowers & fruit, signed with initials E. F. W. & dated 1875; watercolour: 5” x 7”, framed & gla...
ENGLISH SCHOOL, 19th century. Figures on a country path, signed with monogram “E.A.S.”, watercolour:
ENGLISH SCHOOL, 19th century. Figures on a country path, signed with monogram “E.A.S.”, watercolour: 6¾” x 11¾”; & a similar oval watercolour by ...
ENGLISH SCHOOL, 20th century. Portrait of a lady seated in a chair; charcoal & coloured chalks; 16½”
ENGLISH SCHOOL, 20th century. Portrait of a lady seated in a chair; charcoal & coloured chalks; 16½” x 12¾”, loose sheet, un-mou8nted & un-framed...
ENGLISH SCHOOL, 20th century. “Peter Gabriel’s Womad Festival”, signed “Wishart”, oil on board:
ENGLISH SCHOOL, 20th century. “Peter Gabriel’s Womad Festival”, signed “Wishart”, oil on board: 16” x 12”.
A set of six 1930’s Art Deco fashion designs, mostly coloured & with annotations; pencil, watercolour & bodycolour, all contained in a double-side...
A set of eight 1930’s Art Deco fashion designs, mostly coloured & with annotations; pencil, watercolour, & bodycolour, all contained in a double-s...
A Victorian embroidered valentine card address to “Miss Fenton, 3, Montpelier, Bath, Feby. 1854”,
A Victorian embroidered valentine card address to “Miss Fenton, 3, Montpelier, Bath, Feby. 1854”, framed with envelope & verse; 13” x 15½”. ...[m...
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