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DAVID LOGGAN (1634-1692). “Collegium Sive Aula S. Trinitatis”, a bird’s-eye view of Trinity Hall,
DAVID LOGGAN (1634-1692). “Collegium Sive Aula S. Trinitatis”, a bird’s-eye view of Trinity Hall, Cambridge, publ. c. 1690; black & white engravin...
SAMUEL & NATHANIEL BUCK. “The North West Prospect of The City of Bristol”; hand coloured engraving, publ. 1734, 15” x 36”; framed & glazed. ...[m...
SAMUEL & NATHANIEL BUCK. “The South East Prospect of The City of Bristol”, hand coloured engraving, publ. 1734; 15” x 36~”, framed & glazed. ...[...
A coloured re-print of “The South East Prospect of The City of Bath”, after SAMUEL & NATHANIEL
A coloured re-print of “The South East Prospect of The City of Bath”, after SAMUEL & NATHANIEL BUCK (originally published in 1734), in glazed fram...
J. B. ALLEN (1803-1876) after THOMAS H. SHEPHERD (1793-1864). “The Hot Baths And New Infirmary,
J. B. ALLEN (1803-1876) after THOMAS H. SHEPHERD (1793-1864). “The Hot Baths And New Infirmary, Bath”, publ. 1829 by Jones & Co.; 4¾” x 6½”; toget...
CHARLES JAMES RICHARDSON, F.S.A. (1806-1871), after WILLES MADDOX (1813-1853). “Objects of Vertu
CHARLES JAMES RICHARDSON, F.S.A. (1806-1871), after WILLES MADDOX (1813-1853). “Objects of Vertu From The Collection of William Beckford Esq.”. Co...
THOMAS BURKE (1749-1815), after HENRY SINGLETON (1766-1839). A 19th century coloured stipple
THOMAS BURKE (1749-1815), after HENRY SINGLETON (1766-1839). A 19th century coloured stipple engraving, titled to the verre-eglomise mount “The C...
WILLIAM WARD (1766-1826), after GEORGE MORLAND (1762-1804). “The Shepherds”; coloured mezzo tint
WILLIAM WARD (1766-1826), after GEORGE MORLAND (1762-1804). “The Shepherds”; coloured mezzo tint engraving publ. June 1st 1806 by H. Morland; 21¼”...
A group of three 18th century mezzotint portrait engravings of Thomas Sydenham, M. D., Henry Boyle
A group of three 18th century mezzotint portrait engravings of Thomas Sydenham, M. D., Henry Boyle Lord Carleton, & John Pym Esq., all by I. & P....
JOHN SMITH (1652-1742) after SIR GODFREY KNELLER (1646-1742). A group of five late 17th/early 18th
JOHN SMITH (1652-1742) after SIR GODFREY KNELLER (1646-1742). A group of five late 17th/early 18th century mezzotint portrait engravings: 1) Godfr...
CHARLES ALBERT WALTNER (1846-1925), after SIR FRANCIS DICKSEE (1853-1928). “Harmony”, black &
CHARLES ALBERT WALTNER (1846-1925), after SIR FRANCIS DICKSEE (1853-1928). “Harmony”, black & white etching, publ. 1880 by Thos. Agnew & Sons, Lon...
CHARLES ALBERT WALTNER (1846-1925), after SIR EDWIN BURNE JONES (1833 -1898). The Cumaean Sibyl,
CHARLES ALBERT WALTNER (1846-1925), after SIR EDWIN BURNE JONES (1833 -1898). The Cumaean Sibyl, black & white etching, signed by E. Burne Jones...
AFTER HENRY WILLIAM BUNBURY (1750-1811). “A LONG MINUET AS DANCED AT BATH”, a very large stipple
AFTER HENRY WILLIAM BUNBURY (1750-1811). “A LONG MINUET AS DANCED AT BATH”, a very large stipple engraving on four joined sheets, publ. 1787 by W...
After JOHN GOULD (1804-1881). “Redstart” & “Stone Chat”, coloured lithographs, publ. by C. Hullmandel: 18½” x 13¾2, in matching glazed frames. (2)...
JOHN BOYDELL (1720-1804), after RICHARD SHORT (fl. 1750). A set of twelve re-prints of black & whit
JOHN BOYDELL (1720-1804), after RICHARD SHORT (fl. 1750). A set of twelve re-prints of black & white marine engravings depicting various war ships...
CHARLES BIRD (1856-1916). A set of six sepia etchings from the Picturesque Old Bristol series,
CHARLES BIRD (1856-1916). A set of six sepia etchings from the Picturesque Old Bristol series, each signed in pencil lower margin, 5” x 3½”, displ...
A pair of coloured prints after Marinus Johannes de Jongere Drulman (1912-1977), each in glazed
A pair of coloured prints after Marinus Johannes de Jongere Drulman (1912-1977), each in glazed frame, (14” x 17” over-all); a coloured print of ...
WILLIAM DOUGLAS MACLEOD (1892-1963). A pair of black & white etchings, each of sailing vessels,
WILLIAM DOUGLAS MACLEOD (1892-1963). A pair of black & white etchings, each of sailing vessels, one titled: “Arzila”, each signed & numbered VIII ...
FRANK SHORT, RA, PPRE (1857-1945), after J.M.W. Turner. A classical landscape with ruins & figures
FRANK SHORT, RA, PPRE (1857-1945), after J.M.W. Turner. A classical landscape with ruins & figures to the fore. Sepia etching, dated 1893, signed ...
DAVID JONES (1895-1974). Horses on a Welsh hillside. Copper engraving, numbered 92/100 in pencil
DAVID JONES (1895-1974). Horses on a Welsh hillside. Copper engraving, numbered 92/100 in pencil lower margin; 4¾” x 6”. (Ex: Wolseley Fine Arts c...
After JOSEPH FARQUHARSON (1846-1935). “When The West With Evening Glows”. Coloured engraving; 18”
After JOSEPH FARQUHARSON (1846-1935). “When The West With Evening Glows”. Coloured engraving; 18” x 27½”, in glazed oak frame. (25¼” x 34½” over...
ROBIN TANNER (1904-1988). “Harvest Festival”. Black & white etching, signed in pencil lower margin; 14¼” x 12¾”, in modern glazed frame (25” x 21...
OHARA KOSON (Japanese, 1877-1945). A study of two swimming carp, coloured wood block print; 9” x
OHARA KOSON (Japanese, 1877-1945). A study of two swimming carp, coloured wood block print; 9” x 9½”; a study of a rooster by the same artist, 9¼”...
UTAGAWA HIROSHIGE (1797-1858). Three coloured wood block prints: Hakone, picture of the lake; Okabe,
UTAGAWA HIROSHIGE (1797-1858). Three coloured wood block prints: Hakone, picture of the lake; Okabe, Utsu Mountain; & Religious festival at Atsuta...
TSUKIOKA YOSHITOSHI (1839-1892). Looking Cute, “The Appearance of a Housewife in the Tenth Year of
TSUKIOKA YOSHITOSHI (1839-1892). Looking Cute, “The Appearance of a Housewife in the Tenth Year of Meiji” from the series “Thirty-two aspects of W...
SHIBATA ZESHIN (1807-1891). Spring Meadow, a study of horsetails, violets, & dandelions. Coloured
SHIBATA ZESHIN (1807-1891). Spring Meadow, a study of horsetails, violets, & dandelions. Coloured wood block print; 8¾” x 9”, framed & glazed. ....
After JOSEPH RAPACKI (Polish, 1871-1929). Three black & white lithographs: “The Gossips”, “The
After JOSEPH RAPACKI (Polish, 1871-1929). Three black & white lithographs: “The Gossips”, “The Woodcutter”, & “The Coalman”, each signed with mono...
GRAHAM SUTHERLAND (1903-1980). “La Tour Des Oiseaux” (The Tower of Birds). Coloured lithograph,
GRAHAM SUTHERLAND (1903-1980). “La Tour Des Oiseaux” (The Tower of Birds). Coloured lithograph, signed & numbered H. C. 19/25 lower border; 19½” x...
JANE STROTHER (b. 1956). “Summer House”. Coloured lithograph (artist’s proof), signed & inscribed
JANE STROTHER (b. 1956). “Summer House”. Coloured lithograph (artist’s proof), signed & inscribed lower border; 26” x 23¼”, framed & glazed (33½”...
JOSEPH KIRKPATRICK (1872-1936). “This England”. Sepia etching, signed & titled in pencil lower
JOSEPH KIRKPATRICK (1872-1936). “This England”. Sepia etching, signed & titled in pencil lower margin; 9” x 15¾” (image); together with a coloured...
JOSIAH WOOD WHIMPER, R. I. (1813-1903). “On the Wharfe, near the Strid, Yorkshire”; signed & dated
JOSIAH WOOD WHIMPER, R. I. (1813-1903). “On the Wharfe, near the Strid, Yorkshire”; signed & dated lower left; 14” x 19½”; framed & glazed. ...[...
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