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SAMUEL & NATHANIEL BUCK. “The South East Prospect of The City of Bristol”, hand coloured engraving, publ. 1734; 15” x 36~”, framed & glazed. ...[...
A coloured re-print of “The South East Prospect of The City of Bath”, after SAMUEL & NATHANIEL
A coloured re-print of “The South East Prospect of The City of Bath”, after SAMUEL & NATHANIEL BUCK (originally published in 1734), in glazed fram...
J. B. ALLEN (1803-1876) after THOMAS H. SHEPHERD (1793-1864). “The Hot Baths And New Infirmary,
J. B. ALLEN (1803-1876) after THOMAS H. SHEPHERD (1793-1864). “The Hot Baths And New Infirmary, Bath”, publ. 1829 by Jones & Co.; 4¾” x 6½”; toget...
CHARLES JAMES RICHARDSON, F.S.A. (1806-1871), after WILLES MADDOX (1813-1853). “Objects of Vertu
CHARLES JAMES RICHARDSON, F.S.A. (1806-1871), after WILLES MADDOX (1813-1853). “Objects of Vertu From The Collection of William Beckford Esq.”. Co...
THOMAS BURKE (1749-1815), after HENRY SINGLETON (1766-1839). A 19th century coloured stipple
THOMAS BURKE (1749-1815), after HENRY SINGLETON (1766-1839). A 19th century coloured stipple engraving, titled to the verre-eglomise mount “The C...
WILLIAM WARD (1766-1826), after GEORGE MORLAND (1762-1804). “The Shepherds”; coloured mezzo tint
WILLIAM WARD (1766-1826), after GEORGE MORLAND (1762-1804). “The Shepherds”; coloured mezzo tint engraving publ. June 1st 1806 by H. Morland; 21¼”...
A group of three 18th century mezzotint portrait engravings of Thomas Sydenham, M. D., Henry Boyle
A group of three 18th century mezzotint portrait engravings of Thomas Sydenham, M. D., Henry Boyle Lord Carleton, & John Pym Esq., all by I. & P....
JOHN SMITH (1652-1742) after SIR GODFREY KNELLER (1646-1742). A group of five late 17th/early 18th
JOHN SMITH (1652-1742) after SIR GODFREY KNELLER (1646-1742). A group of five late 17th/early 18th century mezzotint portrait engravings: 1) Godfr...
CHARLES ALBERT WALTNER (1846-1925), after SIR FRANCIS DICKSEE (1853-1928). “Harmony”, black &
CHARLES ALBERT WALTNER (1846-1925), after SIR FRANCIS DICKSEE (1853-1928). “Harmony”, black & white etching, publ. 1880 by Thos. Agnew & Sons, Lon...
CHARLES ALBERT WALTNER (1846-1925), after SIR EDWIN BURNE JONES (1833 -1898). The Cumaean Sibyl,
CHARLES ALBERT WALTNER (1846-1925), after SIR EDWIN BURNE JONES (1833 -1898). The Cumaean Sibyl, black & white etching, signed by E. Burne Jones...
AFTER HENRY WILLIAM BUNBURY (1750-1811). “A LONG MINUET AS DANCED AT BATH”, a very large stipple
AFTER HENRY WILLIAM BUNBURY (1750-1811). “A LONG MINUET AS DANCED AT BATH”, a very large stipple engraving on four joined sheets, publ. 1787 by W...
After JOHN GOULD (1804-1881). “Redstart” & “Stone Chat”, coloured lithographs, publ. by C. Hullmandel: 18½” x 13¾2, in matching glazed frames. (2)...
BERNICE SCHWARTZ (Canadian contemporary). A still life study titled: “Magnolias”. Artist’s proof
BERNICE SCHWARTZ (Canadian contemporary). A still life study titled: “Magnolias”. Artist’s proof monochrome etching, signed, titled, & marked “A/...
JOHN BOYDELL (1720-1804), after RICHARD SHORT (fl. 1750). A set of twelve re-prints of black & whit
JOHN BOYDELL (1720-1804), after RICHARD SHORT (fl. 1750). A set of twelve re-prints of black & white marine engravings depicting various war ships...
CHARLES BIRD (1856-1916). A set of six sepia etchings from the Picturesque Old Bristol series,
CHARLES BIRD (1856-1916). A set of six sepia etchings from the Picturesque Old Bristol series, each signed in pencil lower margin, 5” x 3½”, displ...
FRANCES St. CLAIR MILLER (b. 1947). “Wensleydale”. Artist’s proof coloured etching; signed, titled, & inscribed in pencil lower margin; 12¾” x 21...
A pair of coloured prints after Marinus Johannes de Jongere Drulman (1912-1977), each in glazed
A pair of coloured prints after Marinus Johannes de Jongere Drulman (1912-1977), each in glazed frame, (14” x 17” over-all); a coloured print of ...
WILLIAM DOUGLAS MACLEOD (1892-1963). A pair of black & white etchings, each of sailing vessels,
WILLIAM DOUGLAS MACLEOD (1892-1963). A pair of black & white etchings, each of sailing vessels, one titled: “Arzila”, each signed & numbered VIII ...
BAXTER, George. A coloured print titled: “the love letter received”, depicting a girl seated in a
BAXTER, George. A coloured print titled: “the love letter received”, depicting a girl seated in a woodland setting clutching a folded letter; in g...
J. HOUBRAKEN (1698-1780), after J. OLIVER. An 18th century coloured portrait of “Mary queen of
J. HOUBRAKEN (1698-1780), after J. OLIVER. An 18th century coloured portrait of “Mary queen of Scots”, publ. 1738 by J. & P. Knapton, London; 15” ...
FRANK SHORT, RA, PPRE (1857-1945), after J.M.W. Turner. A classical landscape with ruins & figures
FRANK SHORT, RA, PPRE (1857-1945), after J.M.W. Turner. A classical landscape with ruins & figures to the fore. Sepia etching, dated 1893, signed ...
DAVID JONES (1895-1974). Horses on a Welsh hillside. Copper engraving, numbered 92/100 in pencil
DAVID JONES (1895-1974). Horses on a Welsh hillside. Copper engraving, numbered 92/100 in pencil lower margin; 4¾” x 6”. (Ex: Wolseley Fine Arts c...
After JOSEPH FARQUHARSON (1846-1935). “When The West With Evening Glows”. Coloured engraving; 18”
After JOSEPH FARQUHARSON (1846-1935). “When The West With Evening Glows”. Coloured engraving; 18” x 27½”, in glazed oak frame. (25¼” x 34½” over...
ROBIN TANNER (1904-1988). “Harvest Festival”. Black & white etching, signed in pencil lower margin; 14¼” x 12¾”, in modern glazed frame (25” x 21...
OHARA KOSON (Japanese, 1877-1945). A study of two swimming carp, coloured wood block print; 9” x
OHARA KOSON (Japanese, 1877-1945). A study of two swimming carp, coloured wood block print; 9” x 9½”; a study of a rooster by the same artist, 9¼”...
UTAGAWA HIROSHIGE (1797-1858). Three coloured wood block prints: Hakone, picture of the lake; Okabe,
UTAGAWA HIROSHIGE (1797-1858). Three coloured wood block prints: Hakone, picture of the lake; Okabe, Utsu Mountain; & Religious festival at Atsuta...
TSUKIOKA YOSHITOSHI (1839-1892). Looking Cute, “The Appearance of a Housewife in the Tenth Year of
TSUKIOKA YOSHITOSHI (1839-1892). Looking Cute, “The Appearance of a Housewife in the Tenth Year of Meiji” from the series “Thirty-two aspects of W...
SHIBATA ZESHIN (1807-1891). Spring Meadow, a study of horsetails, violets, & dandelions. Coloured
SHIBATA ZESHIN (1807-1891). Spring Meadow, a study of horsetails, violets, & dandelions. Coloured wood block print; 8¾” x 9”, framed & glazed. ....
TANSAI (Fl. first half 20th century). A study of a crab in the Shigo/Nanga style. Ink on paper,
TANSAI (Fl. first half 20th century). A study of a crab in the Shigo/Nanga style. Ink on paper, signed with red seal. 8½” x 10¼”; framed & glazed...
After JOSEPH RAPACKI (Polish, 1871-1929). Three black & white lithographs: “The Gossips”, “The
After JOSEPH RAPACKI (Polish, 1871-1929). Three black & white lithographs: “The Gossips”, “The Woodcutter”, & “The Coalman”, each signed with mono...
GRAHAM SUTHERLAND (1903-1980). “La Tour Des Oiseaux” (The Tower of Birds). Coloured lithograph,
GRAHAM SUTHERLAND (1903-1980). “La Tour Des Oiseaux” (The Tower of Birds). Coloured lithograph, signed & numbered H. C. 19/25 lower border; 19½” x...
JANE STROTHER (b. 1956). “Summer House”. Coloured lithograph (artist’s proof), signed & inscribed
JANE STROTHER (b. 1956). “Summer House”. Coloured lithograph (artist’s proof), signed & inscribed lower border; 26” x 23¼”, framed & glazed (33½”...
KEVIN HUGHES, R. I. (b. 1947). “Blue Gates”. Signed lower right, inscribed & dated 2004 verso;
KEVIN HUGHES, R. I. (b. 1947). “Blue Gates”. Signed lower right, inscribed & dated 2004 verso; watercolour: 12” x 10”, in glazed frame (20” x 17¾”...
TREVOR PRICE (b.1966). A couple seated at a table with tea, pears, & roses, St. Ives Bay in the
TREVOR PRICE (b.1966). A couple seated at a table with tea, pears, & roses, St. Ives Bay in the distance. Signed lower right, mixed media on boar...
TREVOR PRICE (b. 1966). A couple resting, with a winter seascape above. Signed lower right; mixed
TREVOR PRICE (b. 1966). A couple resting, with a winter seascape above. Signed lower right; mixed media on board: 23¼” x 23¾”, in white painted ...
TREVOR PRICE (b. 1966). An abstract figure study. Signed lower right; mixed media on board: 29¼” x
TREVOR PRICE (b. 1966). An abstract figure study. Signed lower right; mixed media on board: 29¼” x 29½”, in white painted glazed frame (40¾” x 4...
PAULA PATTERSON (contemporary). A study of a pheasant; watercolour on paper; signed & dated 1994
PAULA PATTERSON (contemporary). A study of a pheasant; watercolour on paper; signed & dated 1994 lower margin, 10” 7½” overall (unframed). ...[m...
ERIC ROGERS A.R.C.A. (active 1928 – 1935). An interior scene with three women washing; unsigned,
ERIC ROGERS A.R.C.A. (active 1928 – 1935). An interior scene with three women washing; unsigned, 14½” x 20½”, framed & glazed (22” x 28¼” overall...
KEITH ATHAY (Contemporary). “Cold Sea”. Oil on canvas: in scribed & dated “May 05” verso; 20” x 30”,
KEITH ATHAY (Contemporary). “Cold Sea”. Oil on canvas: in scribed & dated “May 05” verso; 20” x 30”, (unframed). ...[more]
KERRY HARDING (Contemporary). “Rust Field”. Oil on canvas: signed, inscribed & dated 03 verso; 30” x
KERRY HARDING (Contemporary). “Rust Field”. Oil on canvas: signed, inscribed & dated 03 verso; 30” x 47”, (unframed). ...[more]
LEONARD APPELBEE (1914-2000). An extensive coastal landscape titled: “Morea, Conway”. Signed & dated
LEONARD APPELBEE (1914-2000). An extensive coastal landscape titled: “Morea, Conway”. Signed & dated ’69 lower left, inscribed verso; oil on boar...
LEONARD APPELBEE (1914-2000). A still life study of a brace of pheasant. Signed & dated ’68 lower
LEONARD APPELBEE (1914-2000). A still life study of a brace of pheasant. Signed & dated ’68 lower left; oil on board: 26¾” x 37¼”, in grey painte...
ELENA TESHICH (b. 1945) Mountains, Kapaty”. Signed & dated ’92; Oil on canvas laid on board: 20” x
ELENA TESHICH (b. 1945) Mountains, Kapaty”. Signed & dated ’92; Oil on canvas laid on board: 20” x 27”, in wide painted frame. ...[more]
JOSEPH KIRKPATRICK (1872-1936). “This England”. Sepia etching, signed & titled in pencil lower
JOSEPH KIRKPATRICK (1872-1936). “This England”. Sepia etching, signed & titled in pencil lower margin; 9” x 15¾” (image); together with a coloured...
MACKENZIE THORPE (British, b. 1956). “Time Without Shadows”. Signed, titled, & numbered 107/395 in
MACKENZIE THORPE (British, b. 1956). “Time Without Shadows”. Signed, titled, & numbered 107/395 in pencil lower border; coloured etching: 23¼” x 2...
PETER JANSSEN (German, 1906-1979). A middle eastern street scene with figures beside a mosque.
PETER JANSSEN (German, 1906-1979). A middle eastern street scene with figures beside a mosque. Signed: “P. Janssen” lower right; pastels & water...
ENGLISH SCHOOL, late 18th century. A classical figure study allegorical to the celebration of the
ENGLISH SCHOOL, late 18th century. A classical figure study allegorical to the celebration of the restoration of the King George III’s health in ...
THOMAS BARKER of BATH (1769-1847). A rural upland landscape with shepherd & flock beneath a large
THOMAS BARKER of BATH (1769-1847). A rural upland landscape with shepherd & flock beneath a large tree to the fore. Pen & sepia wash: 4” x 6¼”, ...
JOHN LINNELL (1792-1882). A rural landscape with shepherd & flock, trees beyond. Signed, pencil &
JOHN LINNELL (1792-1882). A rural landscape with shepherd & flock, trees beyond. Signed, pencil & white chalk: 4½” x 6¾”, in glazed frame (10½” ...
JAMES JACKSON CURNOCK (Bristol 1839-1891). Two pencil drawings, titled “Henbury” & “The Cottage
JAMES JACKSON CURNOCK (Bristol 1839-1891). Two pencil drawings, titled “Henbury” & “The Cottage Porch, Newton St. Lowe”, 3½” x 6” & 3¼” x 2½” res...
THOMAS UWINS, R. A., R.W.S. (1782-1857). A pencil drawing of a French park scene titled “La Rochelle”, 5½” x 8½”, in glazed frame (10½” x 14” ove...
EDITH ISABEL BARROW (early 20th century). Coombe Martin Parish Church, North Devon. Signed lower
EDITH ISABEL BARROW (early 20th century). Coombe Martin Parish Church, North Devon. Signed lower left; watercolour: 8¾” x 11”, in glazed frame (...
GEORGE HARRISON (1876-1950). A group of three rural landscapes, probably Bettws-y-coed, each signed;
GEORGE HARRISON (1876-1950). A group of three rural landscapes, probably Bettws-y-coed, each signed; watercolour: 6½” x 9½”; together with another...
FREDERICK RICHARD LEE, RA (1798-1879. A mountainous river landscape in Bettws-y-coed, with trees
FREDERICK RICHARD LEE, RA (1798-1879. A mountainous river landscape in Bettws-y-coed, with trees to the fore. Unsigned, inscribed verso, oil on p...
FREDERICK JAMES ALDRIDGE (1850-1933). A small watercolour painting of sailing vessels in rough seas;
FREDERICK JAMES ALDRIDGE (1850-1933). A small watercolour painting of sailing vessels in rough seas; signed lower right; 2¾” x 7”, framed & glazed...
HARRY E. HIME (1863-1933). A mountainous rural landscape with figure on a path to the fore. Signed “H. E. Hime” lower right. Watercolour: 27 “ ...
HENRI TEBBITT (1854-1927). Sailing vessels in calm waters. Signed lower right; watercolour: 16¾” x
HENRI TEBBITT (1854-1927). Sailing vessels in calm waters. Signed lower right; watercolour: 16¾” x 33¾”, in glazed oak frame (21½” x 38½” overal...
FREDERICK JOHN WIDGERY (1861-1942). A coastal landscape from an elevated viewpoint with heather to
FREDERICK JOHN WIDGERY (1861-1942). A coastal landscape from an elevated viewpoint with heather to the fore, rocky outcrops beyond. Signed lower...
JOHN MOGFORD (1821-1885). A rural mountainous landscape with female figure & her dog on a path to
JOHN MOGFORD (1821-1885). A rural mountainous landscape with female figure & her dog on a path to the fore. Signed “John Mogford R. I.” lower lef...
RUBENS SOUTHEY (1881-1933). A pair of Dartmoor landscapes, watercolour: 13¾” x 20½”, each in
RUBENS SOUTHEY (1881-1933). A pair of Dartmoor landscapes, watercolour: 13¾” x 20½”, each in glazed frame (17¾” x 24½” over-all); together with a...
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