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A PAINTED PINE CUTLERY TRAY, with central integral divide, painted in red. 49 x 35cm ...[more]
A 19TH CENTURY PAINTED PINE RECTANGULAR CUTLERY TRAY, with central divide, and integral handle.
A 19TH CENTURY PAINTED PINE RECTANGULAR CUTLERY TRAY, with central divide, and integral handle. 38 x 30cm ...[more]
A 19TH CENTURY STAINED PINE CUTLERY TRAY, with scalloped rim and central internal divide. 36cm long
A 19TH CENTURY STAINED PINE CUTLERY TRAY, with scalloped rim and central internal divide. 36cm long ...[more]
A 19TH CENTURY PAINTED PINE RECTANGULAR SLOPEFRONT SALT BOX, with scalloped rim and sliding target
A 19TH CENTURY PAINTED PINE RECTANGULAR SLOPEFRONT SALT BOX, with scalloped rim and sliding target door. 33(h) x 22(w) x 31(d)cmProvenance: Privat...
A WOODEN SALT BOX, of square form with slope front hinged lid. 31(h) x 25(w) x 17(d)cmProvenance: Part of the original set design for the Oscar no...
A PAIR OF FLAT-CUT URNS AND COVERS c.1790, probably Irish, the domed covers with knobbed finials,
A PAIR OF FLAT-CUT URNS AND COVERS c.1790, probably Irish, the domed covers with knobbed finials, the bodies with fluting of large diamonds on cir...
AN IRISH FULL-SIZE DECANTER IN THE MANNER OF PENROSE TRIPLE-RING NECK, the body engraved with a
AN IRISH FULL-SIZE DECANTER IN THE MANNER OF PENROSE TRIPLE-RING NECK, the body engraved with a swagged bonding of flowering plants, with associat...
AN EXCEPTIONAL PAIR OF OVOID 'THE LAND WE LIVE IN' FULL SIZE DECANTERS c.1800, attributed to Penrose, each with two double milled neck rings the b...
A FULL-SIZE BLOWN AND MOULDED OVOID SHAPED DECANTER c.1800, probably Penrose, with two double
A FULL-SIZE BLOWN AND MOULDED OVOID SHAPED DECANTER c.1800, probably Penrose, with two double milled neck rings the body finely engraved with a ca...
AN 18TH CENTURY FULL-SIZE CUT DECANTER, with three neck rings, faceted shoulder above panels of
AN 18TH CENTURY FULL-SIZE CUT DECANTER, with three neck rings, faceted shoulder above panels of diamonds and sunbursts, the swagged base above flu...
A PAIR OF IRISH REGENCY OVAL BUTTER TUBS, COVERS AND STANDS, the faceted domed lids with knobbed
A PAIR OF IRISH REGENCY OVAL BUTTER TUBS, COVERS AND STANDS, the faceted domed lids with knobbed finials, the faceted bodies with pillar-cut arcad...
TWO DUBLIN GLASS RINSERS, 18TH CENTURY, one cut with a band of stars with a harball continuous swag,
TWO DUBLIN GLASS RINSERS, 18TH CENTURY, one cut with a band of stars with a harball continuous swag, above fluting, the other plain with moulded f...
A PAIR OF FLAT-CUT CANDLESTICKS IN IRISH 18TH CENTURY STYLE AND OF THE PERIOD, with tall trellis-cut sconces double knobbed stems, on lobed circul...
A 19TH CENTURY FLAT-CUT GLASS JUG, the top section and spout cut with reeded decoration and serrated rim, having C-scroll handle, the panelled bod...
AN IRISH SILVER-GILT TARA BROOCH, of "West & Son College Green, Dublin", embellished with Celtic
AN IRISH SILVER-GILT TARA BROOCH, of "West & Son College Green, Dublin", embellished with Celtic knots, stars and geometric shapes, (1.36 troy ozs...
AN IRISH SILVER CELTIC BOWL, Dublin c.1924, mark of West & Sons, of circular form chased with
AN IRISH SILVER CELTIC BOWL, Dublin c.1924, mark of West & Sons, of circular form chased with bosses and bands of Celtic motifs, raised on spreadi...
A CELTIC REVIVAL SILVER TRAY, Dublin c.1913, mark of West & Son, with a bold pierced anamorphic
A CELTIC REVIVAL SILVER TRAY, Dublin c.1913, mark of West & Son, with a bold pierced anamorphic border with a crest of a dagger held aloft by an a...
A GEORGE III SILVER SUGAR BOWL, Cork c.1785, mark of John Warner, of circular form with beaded
A GEORGE III SILVER SUGAR BOWL, Cork c.1785, mark of John Warner, of circular form with beaded rim, spiral fluted body, raised on shell legs and p...
AN IRISH GEORGE II SILVER QUAICH, Dublin C.1740, of plain circular form with flat waisted handle,
AN IRISH GEORGE II SILVER QUAICH,Dublin C.1740, of plain circular form with flat waisted handle, engraved with a crest of a dagger held aloft by a...
AN IRISH GEORGE II SILVER CHALICE, Dublin marks, markers mark 'R. W', the plain bowl on based
AN IRISH GEORGE II SILVER CHALICE, Dublin marks, markers mark 'R. W', the plain bowl on based with knobbed stem and spreading circular foot (8.18 ...
A LATE 18TH CENTURY IRISH SILVER DISH RING, Dublin c. 1772, mark of Edward Boyce, of circular waisted form with repoussé, chased, and engraved ani...
A GEORGE III IRISH SILVER DISH RING, Dublin c. 1778, mark of John Lloyd, of circular waisted form
A GEORGE III IRISH SILVER DISH RING, Dublin c. 1778, mark of John Lloyd, of circular waisted form with repoussé, chased and engraved foliate scrol...
AN IRISH SILVER CIRCULAR DISH RING, Dublin 1863, of waisted form decorated with repoussé, chased,
AN IRISH SILVER CIRCULAR DISH RING,Dublin 1863, of waisted form decorated with repoussé, chased, pierced and engraved animal and foliate scroll mo...
CLADDAGH RING, GALWAY, CIRCA 1800, designed in the manner of Austin French, the hands with fingernail details, size S1/2, stamped initials F and R...
AN IRISH CLADDAGH SHAWL, the central field woven in dark brown, within a cream and brown double
AN IRISH CLADDAGH SHAWL, the central field woven in dark brown, within a cream and brown double border, woven with lozenges, with orange and brown...
James Dixon (1887 – 1970) Giant Muldoon at the West End Village, Tory IslandOil on board, 38 x 53cms (15 x 21”)Signed, indistinctly inscribed with...
William MacQuitty (1905-2004)Maggie Dirrane boiling the kettle (‘Man of Aran’ Cottage) (1938)Silver gelatine print, 34 x 30cmSignedProvenance: The...
Maurice C. Wilks RUA ARHA (1910-1984)Interior, Connemara, Co. GalwayOil on canvas, 55.5 x 70cm (21¾ x 27½’’), SignedExhibited: ‘The Birth of Moder...
Robert Taylor Carson RUA (1919 - 2008)Travelling FolkOil on board, 59 x 72cm (23¼ x 28¼")Signed, inscribed and dated (19)'73 verso ...[more]
Cecil Maguire RHA RUA (b.1930)Maire Ruadh, Gathering Ribbonweed, AranmoreOil on board, 50 x 60cm (19¾ x 23½") Signed, dated 1976 and inscribed ver...
Maurice C. Wilks ARHA RUA (1910-1984) Hens outside a cottage on the North Antrim coast Oil on
Maurice C. Wilks ARHA RUA (1910-1984)Hens outside a cottage on the North Antrim coastOil on canvas, 51 x 61cm (20 x 24")Signed ...[more]
Marjorie Henry (1900-1974)West of Ireland Landscape with Cottage and DonkeysOil on board, 40 x 50cm (15¾ x 19½")Signed ...[more]
Thomas (Tom) Mitchell (1834-1903)The EvictionOil on canvas, 130 x 93cm (51¼ x 36½'')SignedNot a lot is known of the painter Thomas or Tom Mitchell...
Markey Robinson (1918 - 1999)Cottages, Figures, ShipsGouache on board, 74 x 99cm (29 x 39")SignedCondition Report: Overall condition is very good...
Markey Robinson (1918-1999)Figures on a PathGouache, 60 x 90cm (23½ x 35½")Signed ...[more]
Markey Robinson (1918-1999) Coastal Landscape with Three Figures and Two Sailboats Oil on board,
Markey Robinson (1918-1999)Coastal Landscape with Three Figures and Two SailboatsOil on board, 9 x 16.5cmSigned ...[more]
Erskine Nicol RSA ARA (1825-1904) Two Figures Outside a TavernOil on board, 34.5 x 27cm (13½ x 10¾")Signed and dated 1851Condition Report: Overal...
AN EARLY 19TH CENTURY HEDGE CHAIR, in elm and ash, rail back and arms on turned supports with plain
AN EARLY 19TH CENTURY HEDGE CHAIR, in elm and ash, rail back and arms on turned supports with plain panel seat on doweled splayed legs, incised 'H...
AN EARLY 19TH CENTURY PAINTED PINE HEDGE CHAIR, the plain stick back and arm support on a heavy
AN EARLY 19TH CENTURY PAINTED PINE HEDGE CHAIR, the plain stick back and arm support on a heavy panel seat with splayed legs, painted in brown. 51...
A 19TH CENTURY PAINTED PINE CURVED RAILBACK ARMCHAIR, the spindle and dished saddle seat, on splayed turned legs with stretchers. 95(h)cm ...[mor...
A 19TH CENTURY PAINTEDTIMBER CURVED RAILBACK ARMCHAIR, with flat scroll-end integral arm rests,
A 19TH CENTURY PAINTEDTIMBER CURVED RAILBACK ARMCHAIR, with flat scroll-end integral arm rests, spindle back rails with plain seat, on tapering le...
A PAINTED PINE CHILD'S SUGÁN ARMCHAIR, with plain arm rests, on cabriole legs with stretchers,
A PAINTED PINE CHILD'S SUGÁN ARMCHAIR, with plain arm rests, on cabriole legs with stretchers, painted in blue. 74(h) x 53(w)cm ...[more]
AN EARLY 19TH CENTURY PAINTED TIMBER HEDGE CHAIR, the plain stick back on a heavy panel seat
AN EARLY 19TH CENTURY PAINTED TIMBER HEDGE CHAIR,the plain stick back on a heavy panel seat with splayed legs, painted in brown
A 19TH CENTURY HEDGE CHAIR,spindle back, integral flat armrests, plain panel seat, raised on splayed turned legs
A PAINTED TIMBER DONEGAL ARMCHAIR, stepped rail back and out swept arms.Provenance: Part of the original set design for the Oscar nominated movie ...
A 'GIBSON' STAINED WOOD ARMCHAIR, spindle back and flat armrests on splayed legs ...[more]
A 19TH CENTURY GENERAL MERCHANT'S PAINTED PINE COMPACT BANK, of nine deep seed drawers with turned
A 19TH CENTURY GENERAL MERCHANT'S PAINTED PINE COMPACT BANK, of nine deep seed drawers with turned wooden handles. 79 x 28 x 85cm (h)Provenance: P...
A LARGE PAINTED PINE STORAGE SPIRIT BARREL, of graduating oval form, metal bound. 56(w) x 57(h)cm
A LARGE PAINTED PINE STORAGE SPIRIT BARREL, of graduating oval form, metal bound. 56(w) x 57(h)cm ...[more]
A 19TH CENTURY PAINTED PINE LOW STOOL, with plain slatted side supports, painted in red and black.
A 19TH CENTURY PAINTED PINE LOW STOOL, with plain slatted side supports, painted in red and black. 61(w) x 36(h)cmProvenance: Private Collection, ...
AN EARLY 19TH CENTURY PAINTED PINE WIDE DRESSER, the moulded cornice above three shelves of varying
AN EARLY 19TH CENTURY PAINTED PINE WIDE DRESSER, the moulded cornice above three shelves of varying depth, on an open compartmented fiddle front b...
A VICTORIAN MAHOGANY FRAMED TAXIDERMY GLAZED CASE OF SEA BIRDS. 83(h) x 71(w)cmProvenance: Private Collection, Athlone
A VICTORIAN PAINTED MAHOGANY FRAMED TAXIDERMY GLAZED CASE OF A PHEASANT FAMILY, by Williams & Son
A VICTORIAN PAINTED MAHOGANY FRAMED TAXIDERMY GLAZED CASE OF A PHEASANT FAMILY, by Williams & Son naturalist and furriers, label verso, painted ba...
A FRAMED TAXIDERMY GLAZED CASE OF RED SQUIRREL, in naturalistic setting. 36 x 38cm high ...[more]
AN 18TH CENTURY KILKENNY MARBLE IRISH CHIMNEY PIECE, the plain surround with moulded rim and
AN 18TH CENTURY KILKENNY MARBLE IRISH CHIMNEY PIECE, the plain surround with moulded rim and central cream marble shell reserve. 133(w) x 122(h) x...
A GEORGIAN STAINED PINE CABINET, with two large cupboard doors each with six fielded panels enclosing fitted shelves. 158 x 209cmProvenance: River...
A GEORGE III PAINTED PINE CABINET, the two long cupboard doors each with seven folded panels.
A GEORGE III PAINTED PINE CABINET, the two long cupboard doors each with seven folded panels. 193 x 140cmProvenance: Riverston House, Nenagh, Co. ...
A 19TH CENTURY PAINTED PINE METAMORPHIC TABLE STOOL, the plain panelled top on hinged back, lifting to reveal a stool with plain panel seat, on sq...
A 19TH CENTURY PAINTED SETTLE BED, the four panel back above a high seat hinged and opening to
A 19TH CENTURY PAINTED SETTLE BED, the four panel back above a high seat hinged and opening to reveal a fold out bed, painted in brown and white. ...
A STAINED AND PAINTED WOOD CARVED MODEL OF A CURRAGH, the shaped curved outline with three plain
A STAINED AND PAINTED WOOD CARVED MODEL OF A CURRAGH, the shaped curved outline with three plain panel seats and four oars. 123(w)cmProvenance: Pr...
REANEY A PAIR OF MARITIME LANDSCAPES, depicting hookers in Galway harbour and Galway bay (showing
REANEY A PAIR OF MARITIME LANDSCAPES, depicting hookers in Galway harbour and Galway bay (showing Reaney's boatyard)Oil on canvas, 40 x 59cmSigned...
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