A fine George III silver teapot, by Charles Aldridge, London 1789, bat-wing panelled shaped oval form, bright-cut foliate decoration, wooden scro...

A 19th century whale bone walking stick. With octagonal finial, and cross-hatched and spiral turned decoration. Length 84.5cm. No condition is...

A cast iron, brass and copper fireplace, cast iron basket, brass finials, the chimney flue with brass and copper detail, 108cm high, 63cm wide, 40...

A 19th century brass wall mounted globular oil lamp, cast with foliate scrolls and Greek key border, lift out font, Matador 20" burner, frosted cl...

Bronze and ormolu niche urn, with bacchic putto finial and oak leaf ornament, flanking by twin boar mask handles, 52cm high Condition is good, n...

A George III silver mustard pot, by Edward Capper, London 1798, rectangular form, canted corners, with engraved bright-cut decoration, step-dome...

Three large and one small cast iron finial posts.

A George III mahogany book press, the frame with two flush brass corner brackets, mahogany helix with acorn finial, 42cm h, base 27 x 32.5cm Good ...

Five gilt metal single-light wall appliques of Louis XVI style, 20th century, each with fluted columnar backplates adorned with laurels, surmounte...

A GEORGIAN STYLE BRASS AND CAST IRON FIRE GRATE The arched backplate and three bar grill with serpentine-front frieze, centred with a classical...

White-painted iron and brass double bed, with tubular brass top rails and ball finials, 137cm wide x 131cm height, sold with runners

A PAIR OF ORNATE CAST IRON GARDEN URNS AND COVERS PROBABLY FRENCH, LAST QUARTER 19TH CENTURY Each with a floral finial lid above the classically i...

A pair of reconstituted stone gate finials, each modelled in the form of a heraldic eagle, on a square base, 47cm high.

OAK GOTHIC STYLE CHAIR, with panel back and seat and pine cone finials

A 19th century wrought and cast iron pedestrian gate. With two rows of fleur de lys finials. Maximum height 147.5cm, maximum width 92cm (includi...

A mid 19thC neo classically styled copper pedestal samovar of twin handled, ovoid form with a cover, finial and brass tap, elevated on a square pl...

Modelled as urns and covers, the bodies carved with festoons, on square section bases. 85 cm. high, 27 cm. square at the base.

On stepped rectangular plinth bases 62 cm. high, 49 cm. wide, 27 cm. deep.

finely worked in repousse in low and pierced relief, with very good gilding, to show a kite shaped emblem with lotus bud finial, flanked by two pi...

20th Century, the arched top rails with painted riverside scenes and boats under sail to the middle rail, turned finials to the stile and painted ...

10th-12th century B.C. Openwork finial formed as a miniature church comprising a square base with four stub feet, sidewalls each with a keyhole-sh...

2nd-1st century B.C. Comprising a broad disc with raised rim to one face, pelta-shaped junction developing to a balustered handle with acorn finia...

19th century A.D. Round-section shank with ribbed baluster, C-shaped arch to the bow with lanceolate openwork panels, knop finial, pierced rectang...

Circa 1st century A.D. Comprising: applicator with head finial; tag with nail cleaner; hair pin with balustered shank; cosmetic spoon. See Allason...

Late 17th century A.D. Rectangular plate with two wrought-iron hinges attached to tapering straps with punched tendril detailing; sliding fastener...

1st-4th century A.D. With balusters to the shank, slender point and erasing blade finial. 5.97 grams, 10.7 cm (4 1/4 in.). Ex German art market...

Spain, 16th-17th century A.D. Hinged with mounting spike, balustered shank with gusseted collar and zoomorphic finial. 588 grams, 31 cm (12 1/4 i...