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1996 Avignonesi Grappa, 50cl, 42% vol, In original box / Please see images for fill level and general condition. Please be aware that the lack of a condition statement does not signify that this item is in flawless condition or devoid of wear and tear, imperfections, or signs of aging. Bottles that have aged may have traces of sediment. We cannot gaurantee that the contents of this bottle will be immune to the effects of aging, cork taint, oxidation, or other potential faults.

Wine: two bottles of Grappa Dalle uve Chianti 

Grappa dalle uve Chianti - Az.Ag. Casale, 2 bottles x 50ml

12 BOTTLES GRAPPASibona Antica Distilleria di Barolo 2008, di Barolo 5YO (50cl), XO (50cl), Port Barrelled Riserva (50cl) and Rum Barrelled Riserva (50cl); Deta Distilleria di Chianti Classico Riserva; Rossi d'Angera Acqua d'Angera; Marzadro Giare Amarone; Blo Nardini Riserva 7YO; Levi Stravecchia; Fattoria La Vialla Riserva Casa Conforto Stravecchia (50cl) and Casa Conforto Chianti Superiore (50cl)

10 BOTTLES RUM AND 2 GRAPPAHotham's Spiced (50cl); Dead Man's Fingers Spiced; Duppy Share White; Wildjac Homegrown Distillery Cherry Wood Spiced; Diotisalvi 2 x Essenziale Grappa (20cl); Bangyikhan Distillery Mekhong; Havana Club Cuban Spiced; Caribú Black-Strap Spiced; Captain Cook's Original; Admiral Nelson's Premium Spiced; Hattiers Eminence White

Grappa - Berta Bric del Gaian Grappa Invecchiata di Moscato 1995

Four bottles; Tanqueray Sevilla, Pernod, Calvados and Grappa **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

attributed to Leandro Bassano called Leandro da Ponte (Bassano del Grappa 1557 - 1622 Venice), Head of a saint, charcoal heightened with white on paper.8 x 9 cm.

1 20-cl bt Moët et Chandon Petite Liquorelle 18% oc 1 50-cl bt Rota Grappa di Aglianico 40% 1 50-cl bt Trentin Grappa Liquore Mela Verde Likor Grüner Apfel 24% 1 50-cl bt St. Michael Lemonel 28% 1 75-cl bt Giuseppe Alberta Liquore Strega 42.5% 1 70-cl bt Tia Maria 1980's bottling 26.5% 1 70-cl bt Dom Benedictine 40% 1 70-cl bt Drambuie 40% 1 70-cl bt Campari 25% 1 75-cl bt Molinari Sambuca Extra 42° 1 70-cl bt Romanetti Vermouth Extra Dry sl bs 1 70-cl bt Cointreau 40% 1 50-cl bt Chirima Blue Curaco 20% 1 50-cl bt Serenade Noble Cherry Liqueur 20% 1 70-cl bt Creme de Grand Marnier 17% 1 70-cl bt Grand Marnier Cordon Rouge 40% 1 50-cl bt Cusenier Freezomint Creme de Menthe 20% 1 50-cl bt De Kuyper Apricot Brandy Liqueur 24% 1 70-cl bt Duc de Coeur Creme de Cassis 15% 1 35-cl bt Fernet-Branca Bitters 40% Above 20 various sized bottles

A collection of miniature spirits. Including Jegermeister, Grappa Julia, etc.

Quantity of wine, liquors and spirits; Bonollo Grappa OF, Remy Martin VSOP, Glenmorangie single malt Highland Whisky, Carlshamns Punsch, Carlshamns Flaggpunsch, Lakka Rubus Cloudberry Aperitif, and Inniskillin Ice Wine (7)

Three boxes of assorted spirits and liqueurs, mostly 1980s bottlings, including:Noilly Prat Vermouth, Extra Dry, and BiancoFior di Vite grappaPlessis de luxe SOV Pineau des CharentesRamazzotti Amaro, 1LCarpano Punt e Mes vermouth, 1Lvarious bottles of kirsch, pear brandy, German and South African liqueurs etc.

A collection of vintage 20th century miniature liqueurs / liquors collectibles & souvenir bottles. The lot comprising Benedictine, Blue Curacao, flavoured brandies, flavoured grappa, Marie Brizard, Bols, Egg Liquor, Ouzo, & many more. Approx. 40 bottles. 

An Italian 1918 Grappa 18th Army Corps medal

11 Items Mixed Lot Grappa, Aquavit, Genever, Liqueurs and miniatures 11 Items Mixed Lot Grappa, Aquavit, Genever, Liqueurs and miniatures comprising: 1x 35cl bottle Antica Grapperia Mazzetti Grappa Morbida in Fine Wooden Presentation Case, 1 x 1 Litre bottle O.P. Anderson 1er Swedish Aquavit, 1 x 50cl bottle O.P. Anderson 1er Swedish Aquavit, 1 x 1 Litre bottle Skane Swedish Aquavit, 1 x 1 Litre bottle Bokma ‘Friesche Dutch Genever’, 1 x 1 Litre bottle Baileys Original Irish Cream Liqueur, 1 x 1 Litre bottle Cointreau, 1 x 50cl bottle Lapponia Mesimarja Wild Arctic Brambleberry Liqueur, 3 Miniature bottle being 1x 10cl Danzy Jones Welsh Whisky Liqueur, 1x 5cl Chase Distillery English Potato Vodka and 1x 5cl Jack Daniels Tennessee Whiskey.Qty: 11Wilson55 can help with delivery! Click on the shipping tab for more details.

Five bottles of mixed Italian Grappa. Not available for in-house P&P

11 BOTTLES BRANDY AND LIQUEURSWolfberger 2 x Poire Williams Eau-de-Vie (35cl) and Fleur de Bière Originale; Roner Gewürztraminer Grappa Riserva and Raritas (50cl); Sibona La Grappa di Barolo (50cl); Diotisalve Essenziale (20cl); Ziegler Z Waldhimbeer (50cl); Bertagnolli K24 Liquid Gold; The Stillery's Château de Vie (50cl); Pietro Gallus Estate Grappa di Moscato (50cl)

Jacopo Bassano (1510 - 1592)A portrait of a ProcuratoreOil on canvasProvenance:Lucien Bonaparte's Collection (as Portrait of Doge Priuli, Tiziano);Virginia Museum, Richmond (as Portrait of Doge Lorenzo Priuli).Dimensions:(Canvas) 24 in. (H) x 19 in. (W)(Frame) 30.25 in. (H) x 26 in. (W)The painting is a portrait of a man half-length, on a black background. It is a three-quarter portrait, according to a custom very common in the genre of portraiture in the sixteenth century. The man is wearing a decorated dark red velvet jacket, lined with ermine on the front. There can also be seen a dark stole draped over the sitter’s right shoulder and a black cap. The face is fully illuminated, and framed by a long, bushy gray beard. The beard is darker on the cheeks and almost white on the front. The sitter’s crimson jacket is in velvet, decorated with large floral motifs - concentric corollas of flowers – and it is edged with ermine.In the catalogue of the collection of paintings of Prince of Canino Lucien Bonaparte (1775-1840), we can read that the painting was known as “Portrait of Doge Priuli†and attributed to Titian. The attribution to Titian, however, is no longer sustainable. Already in 1972, Federico Zeri, in his census of Italian paintings from America collections, and reporting the painting in the collection of the Museum of Richmond, Virginia, he did not confirm the name of Vecellio, preferring the term “Venice school, 16th centuryâ€.The portrait has recently been confirmed as the work of Jacopo Bassano, by the Bassano academic Dr. Bernard Aikema, and is a significant addition to the corpus of that artist. The masterful handling of paint and the absolute naturalism are signatures of the work of Jacopo. The skill of the naturalistic rendering of the face (thin shadows in the area of the eyes, the light on one temple and the blue vein that is visible under the left eye) can be attributed to Bassano’s paintings of the late period. There are also features that you can find in his other portraits. The half-length in three-quarter pose is one that identifies almost all Bassano’s portraits, just as the dark background and the lack of contextual details (no objects, even the hands are excluded) that isolate the face and bring it to the fore.The role of Jacopo Bassano as a portraitist has been the subject of considerable academic discussion. Just one signed portrait exists, and the attribution of the other portraits included in the artist’s catalogue raisonne is based exclusively on stylistic evidence. The account book that records all commissions for Jacopo and his father up to the 1550s, registers little more than a dozen portraits over two decades. The number of those works was increased gradually by critics, basing their attributions on the analysis of touch, colors and on the identification of his basic naturalism. In more than one of these portraits, for example in the Portrait of a Man at the Getty Museum in California, all the attention is concentrated on the face, without the insertion of the arms and hands and environmental details, and with the help of contrasting dark clothes.The approach of these portraits is internalized, staking everything on the sitter and the expressiveness of his presence. A methodology that derives directly from Lorenzo Lotto and, more obviously, from Titian. A deep interpretation of a single personality and subject, supported by superb observation skills and the rendering of naturalistic reality.A formal analysis of the painting allows us to date the work to the fifth decade of the sixteenth century. This was a period during which the work of Jacopo Bassano is faithful to a certain realism, and doesn’t yet display the gradual disintegration of form of the following decades. In comparison, it is appropriate to look at parts of other contemporary works by the artist, such as the hyper-realism in the rendering of the faces (especially San Giuseppe) in the different versions of the Flight into Egypt (the one in the Civic Museum at Bassano del Grappa, and that in Toledo. The comparison with the Adoration of the Magi in the National Gallery in Edinburgh is also interesting, with the male faces in the foreground, the old man and the kneeling person behind. Also, the heads of the old men in the Last Supper of the Galleria Borghese in Rome and in the Miraculous Draught of Fishes, now in Washington.More striking is the comparison with the portraits. In addition to that of the podesta Bernardo Morosini, in the Staatliche Museen of Kassel, recognized by Rearick in 1980 (the portrait of the mayor, who held the city of Bassano from 1541 to '42, is documented in Libro secondo) One might sensibly suggest the Portrait of Cardinal, now in Szépm?vészeti Múzeum in Budapest (also present in Bonaparte collection): the same black background, the same refined attention to details in the face, the same half-length, and the same lack of descriptive elements.The painting is initially registered as Portrait of Doge Priuli (and assigned to Titian); Federico Zeri finds it cataloged with the same words in the inventory of the Museum of Richmond, even with the clarification that this is the Doge Lorenzo Priuli. In the sixteenth Century, there are two Doges from the Priuli family, the brothers Lorenzo (1489-1559), elected doge in 1556, and Girolamo (1486-1567), elected after him.What prevents us from identifying this painting as a portrait of a Doge is the dress worn by the subject, the crimson red decorated velvet jacket. This type of garment, with the stole, also velvet but darker in color, and the cap, allows us to make some considerations that may affect the social status of this man. The color of this velvet, decorated with giant caper flowers, was the exclusive prerogative of members of certain social categories and specifically of precise political offices. This dress, therefore, including the scarf on the shoulder, also velvet decorated with plant motifs, and the hat, appears to be the traditional "vesta" or "toga" worn by procurators and senators.There are a number of portraits of procurators and senators portrayed by Tintoretto, which are wearing this type of garment, and in the catalogue of Jacopo Bassano, there are two portraits of senators of the same type: one now in Berlin, Portrait of senator, Staatliche Museen, Gemäldegalerie, and the Portrait Bernardo Morosini. The Doge, in his official portrait, was always represented with the robe, which identified him as such, which was different from that worn by our sitter, and above all wearing distinctive headgear, the “corno ducaleâ€. This cannot, therefore, be a portrait of Doge. It is instead certainly a portrait of a senator, or procurator, and is likely to date from the mid-1540s. *We are grateful to Dr. Bernard Aikema for confirming the attribution of this painting to Jacopo Bassano.? (delta)

Leandro Bassano, 1557 Bassano del Grappa – 1622 Venedig, zug.DIE TIERE BETRETEN DIE ARCHE NOAHÖl auf Leinwand. Doubliert.121 x 173 cm.In ornamental, verziertem bronziertem Rahmen.Dichte Komposition in einer teils hügeligen, teils gebirgigen Landschaft mit einem rechts liegenden Repoussoirbaum, sowie einem weiteren Repoussoirbaum auf der linken Seite, hinter dem sich die Arche Noah erhebt. Das Gesicht Noahs ist im Inneren der Eintrittsluke gut sichtbar. Vor und unter dem Schiff zahlreiche Tiere und Figuren, welche paarweise im Begriff sind das Schiff zu betreten. Ein Paar Löwen ist bereits auf dem Steg nach oben zu sehen und die Bäume an den Bildseiten von zahlreichen Vögeln bevölkert. Eine weitere Bassano-Komposition mit den Bildmaßen 226,5 x 226,5 cm wird im Wawel in Krakau verwahrt. Eine Komposition von Jacopo da Ponte Bassano (1510/15-1592), das gleiche Thema zeigend, befindet sich im Museo del Prado, Invent.nr. P000022. (1360922) (13)Leandro Bassano, 1557 Bassano del Grappa – 1622 Venice, attributedTHE ANIMALS ENTERING NOAH’S ARK Oil on canvas. Relined.121 x 173 cm.

Leandro Bassano, genannt "Leandro da Ponte", 1557 Bassano del Grappa – 1622 VenedigSohn des Jacopo Bassano (1510/15-1592).PORTRAIT DES ANDREA GIOVANELLI IM ALTER VON 48 JAHRENÖl auf Leinwand. Doubliert.118,7 x 94,3 cm.Rechts oben mit Betitelung, Datierung 1590 und Wappen des Dargestellten.In vergoldetem ornamental verziertem Rahmen.Anbei ein Gutachten von Prof. Giuseppe Maria Pilo vom 29. April 2007, der das vorliegende Gemälde als ein typisches Portrait des genannten Künstlers erkennt, in Kopie.Dreiviertelportrait eines Mannes besten Alters mit Halskrause, Spitzbart und leicht nach rechts gerichtetem Haupt. In seiner rechten einen Brief haltend, seine linke Hand auf einem mit einem Textil bekleidetem Tisch ruhend. Besch.Anmerkung:Das hier rudimentär im oberen rechten Bildviertel dargestellte Familienwappen der aus Bergamo stammenden Familie Giovanelli zeigt offiziell geviert mit dem silbernen Kreuz: im 1. und 4. in Gold einen schwarzer Adler mit roter Membrane, rotem Harnisch und roter Krone; im 2. und 3. auf blauem Grund ein silbernes, verhülltes Schiff mit zwei Matrosen dahinter, auf dem wogenden Meer (siehe Vergleichsfoto).Literatur:Vgl.: E. Arslan, I Bassano, Mailand, 1960, Bd. 22, Tafel 291, 292, 294. (1361032) (2) (13)Leandro Bassano,also known as "Leandro d Ponte",1557 Bassano del Grappa – 1622 VeniceSon of Jacopo Bassano (1510/15-1592).PORTRAIT OF ANDREA GIOVANELLI AT THE AGE OF 48 YEARSOil on canvas. Relined. 118.7 x 94.3 cm.Upper right with title, date 1590 and coat of arms of the sitter.Accompanied by an expert‘s report by Prof. Giuseppe Maria Pilo, dated April 29, 2007, who recognizes the present painting as a typical portrait of the aforementioned artist, in copy.

Francesco Bassano d. J., 1549 Bassano del Grappa – 1592 VenedigDIE VISION JOACHIMSÖl auf Leinwand.92 x 120 cm.Lucco datiert das Gemälde auf um 1580.In profiliertem vergoldetem Rahmen mit Dekorationen.Beigegeben ein Gutachten von Mauro Lucco, 05. Mai 2021, Bazzano, in Kopie.Inmitten einer hügeligen Landschaft eine biblische Szene mit Architekturmotiv und Figurenstaffage, beleuchtet durch zwei Kerzen und eine Feuerstelle sowie durch einen göttlichen Lichtschein am rechten Bildrand. Im Hintergrund wird dem greißen Priester Joachim von einem Engel ein Kind verheißen (Pseudo-Evangelium des Jacobus 1-4).Anmerkung:Vergleichsweise befindet sich eine signierte Version mit den Maßen 94,2 x 131 cm (Inventarnummer B10) im Thorvaldsens Museum in Kopenhagen. Weitere Versionen werden beispielsweise im Dorotheum 2009 angeboten und befand sich zuvor in der Sammlung Giuseppe Veronese in Mailand; in der Santissima Annunziata Maggiore in Neapel verwahrt; in der Sammlung der Familie Alba im Palacio de Liria in Madrid; in Genua bei Wannenes Art Auctions in Genua am 21. Dezember 2020 unter Lot 1271 angeboten sowie eine weitere Version im Corsham Court in der Sammlung Lord Methoen verwahrt wird. Eine Werkstattkopie Bassanos wird auch in der Gemäldegalerie Alte Meister in Kassel unter der Inventarnummer GK520 verwahrt. Literatur: Vgl. Louise Beverly Brown, Paola Marini, Jacopo Bassano c.1510-1592, Bologna 1992, S. 157. (1350874) (13)Francesco Bassano the Younger,1549 Bassano del Grappa – 1592 VeniceTHE VISION OF JOACHIM Oil on canvas.92 x 120 cm.The expert Mauro Lucco dates the painting to ca. 1580.Accompanied by an expert’s report by Mauro Lucco, 5 May 2021, Bazzano, in copy.

Grappa di Vitigni, Goccia di Pinot e Chardonnay, 1 bottle

Quantity of spirits, liquors, etc to include Tia Maria, Vodka, Grappa, Rose wines, Elderflower Sparkling wine, etc

Grappa di Muller Thurgau, 50cl, 42%, one bottle (OB); Eau de Noix, 70cl, 23%, one bottle; Blackcurrant vodka liqueur, 25cl, 37.5%, one bottle; Ballycastle Irish Cream liqueur, 70cl, 17%, one bottle; Cafe da Avo Madeira, 35cl, 20%, one bottle; and Licor de Anona Maderia, 35cl, 20%, one bottle (6)

13 BOTTLES GRAPPA AND BRANDYKamanterena Winery 2 x Zivania Deka Muscat Of Alexandria (20cl) and Zivania Tou Vraka (20cl); Grappa dei colli Morbida; Grappa Moscato d'Asti (50cl); Distillerie Peroni Maddalena Grappa Amarone 4YO; Rona Grappa Gewürztraminer; Pietro Gallus Estate Grappa Stravecchia (50cl); Nardini Grappa Riserva 5YO and Grappa Riserva 3YO; Bocchino Grappa Moscato; Marzadro Grappa Stravecchia; Bela Cachaça Bela Ouro

A pair of Manfrotto 004B Professional telescopic stands, together with a collection of six other various microphone stands, including a pair of König & Meyer Starline bases, a Manfrotto Bassano Del Grappa mono pod, another Manfrotto tripod stand with dual microphone attachment to top, a Benbo 2 tripod stand and a large Manfrotto tripod telescopic stand

ALCOHOL, Seven Boxes containing a superb collection of approximately 260, mostly 5cl, 'Miniatures' which includes Single Malt Whiskies and Blends, Brandy and Cognac, Port, Rum, Gin, Vodka, DOM Benedictine, Tequilla, Grappa, Ouzo, Schnapps, Pimm's and Liqueurs, the Single Malts include Glengoyne, Glenlivet, Glen Grant, Glenmorangie, Cardhu, Knockando, Tobermory, Masters of Malt and Oban (7 boxes)

Gliederarmband mit Rubinen18 kt Gelbgold. Aus dreidimensionalen Ovalgliedern im Retro-Stil mit Bogenmotiven, gefasst mit kalibrierten Leisten kleiner Rubincarrés (84 Steine zus. ca. 4,20 ct). Gestempelt: Italienischer Feingehalt 750, Herkunftsmarke, "Favero". L 21 cm. Gewicht 64,38 g.Gioielleria Favero, Bassano del Grappa, um 1990.

Two bottles of brandy. Comprising one bottle of Soberano Gonzalez Bypass Jerez, 1l, 36% vol, and one bottle of Grappa dei Colli, 70cl, 40% vol.

Seven assorted bottles of alcohol. Comprising one bottle of Peller Estates Icewine 2011, boxed, 37.5cl, 11% vol, one bottle of Pillitteri estates Icewine 2015, boxed, 37.5cl, 11% vol, one bottle of Trockenbeerenauslese 2008, 37.5cl, 10.5% vol, one bottle of Grappa al Mirtillo, 70cl, 40% vol, one bottle of Somerset five years old Cider Brandy, boxed, 35cl, 42% vol, one bottle of Echter Steinhager Steinhagen, 1l, 38% vol, one bottle of Freihof Williams Edelbrand, 70cl, 40% vol.

11 BOTTLES GRAPPACarlo Bocchino Riserva; Roner Lagrein and Blauburgunder; Mazetti Grappa di Ruché 100% Cru Barricata; Otaroff Muscat Grape (50cl); Tsipouro Kalaitzi; Domenis 1898 Graparuta (50cl) and Vegan (50cl); Gli Alambicchi Invecchiata; Veneta (50cl); Darius (50cl)

ALEXANDER AQVA DI VITA GRAPPA DI PROSECCO, DRAMBUIE AND FAMOUS GROUSE RWC1999 3 ASSORTED SPIRITS ALEXANDER AQVA DI VITA GRAPPA DI PROSECCO38% ABV / 20clDRAMBUIEWhisky Liqueur40% ABV / 70clFAMOUS GROUSE RUGBY WORLD CUP 1999Blended whisky.40% ABV / 1LQty: 3

Follower of Jacopo Bassano (Bassano del Grappa 1510-1592)Drovers resting with their herd, an extensive landscape beyond oil on canvas122.2 x 148.7cm (48 1/8 x 58 9/16in).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Pusser's Rum, 70cl, together with a bottle of Grappa Paesanella and Cognac, both 60cl, with set of four shot glasses

Jacopo da Ponte Bassano, 1510/15 Bassano del Grappa – 1592 Venedig, Werkstatt/ Nachfolge desVERTREIBUNG DER HÄNDLER AUS DEM TEMPELÖl auf Leinwand. Doubliert.100 x 137 cm.In vergoldetem Profilrahmen.Darstellung eines großzügigen architektonischen Raumgefüges mit leicht rechts aus dem Zentrum gerückter, von einem Textil gezierter Mittelsäule. Davor die Händler, die Jesus zu vertreiben im Begriff ist. Die Darstellung bezieht sich etwa auf die Bibelstelle Mt. 21,12-13. Nach den Originalen Bassanos und seiner Werkstatt entstanden, wie sich eine Version etwa in den Bayerischen Staatsgemäldesammlungen unter Inv.Nr 2402 befindet. 13 Kurz vor dem jüdischen Passahfest reiste Jesus nach Jerusalem. 14 Dort sah er im Vorhof des Tempels viele Händler, die Rinder, Schafe und Tauben als Opfertiere verkauften. Auch Geldwechsler saßen hinter ihren Tischen. 15 Jesus machte sich aus Stricken eine Peitsche und jagte die Händler mit all ihren Schafen und Rindern aus dem Tempelbezirk. Er schleuderte das Geld der Wechsler auf den Boden und warf ihre Tische um. 16 Den Taubenhändlern befahl er: „Schafft das alles hinaus! Das Haus meines Vaters ist doch keine Markthalle!“. (1350445) (13)Jacopo da Ponte Bassano, 1510/15 Bassano del Grappa – 1592 Venice,workshop/ follower ofEXPULSION OF THE TRADERS FROM THE TEMPLEOil on canvas. Relined. 100 x 137 cm.Based on the originals by Bassano and his workshop, a version is held at Bayerische Staatsgemäldesammlungen under inventory number 2402.

6 Bottles Various Alcohol to include:2 half bottles Port, 1 Vecchia Romagna 15 Year Old Riserva Rara, 1 Campari 100cl e, 1 Sarpa Di Poli Grappa, 1 Glenfiddich Highland Clan Miniature in tin (6 in Total)

Grappa di Vitigni, Goccia di Pinot e Chardonnay, 1 bottle

v 4 50-cl bts Zwetschgen Brand Winzergenossenschaft 41.5% 2 50 -cl bts Licor 43 Cuarenta Y Tres 31% 1 70-cl bt Julia Grappa Invecchiata 40% 4 75-cl bts Lillet French Apertif Wine 17% Above various sized 11 bottles

A set of six hock glasses, six matched sherry glasses and four grappa glasses

Muybridge (Eadweard). The Human Figure in Motion, 7th impression, London: Chapman & Hall, 1931, numerous monochrome illustrations, period inscription to the front endpaper, some light marginal toning, original red cloth, boards slightly rubbed & marked, spine faded & rubbed to head & foot, oblong 4to, together with:Di Grappa (Carol), Fashion:Theory, 1st edition, New York: Lustrum Press, 1980, numerous monochrome illustrations, some minor toning & marks, original cloth in dust jacket, covers slightly toned & rubbed, large 8vo, plusNewby (Eric), What the Traveller Saw, 1st edition, London: Collins, 1989, numerous monochrome illustrations, period inscription to the front endpaper, some minor marginal toning, original cloth in dust jacket, covers lightly toned & rubbed to head & foot, 4to, and other modern photography reference, including Silver and Grey, fifty years of Australian photography 1900-1950, edited by Gael Newton et al, London: Angus & Robertson, 1980, original cloth in dust jacket, large 8vo, some original cloth in dust jackets, some paperbacks, G/VG, 8vo/4to70 volumesQTY: (3 shelves )

Volpato, Giovanni: (1733 Bassano del Grappa - Rom 1803). Al dolce sussurar dell'auve e l'onda Dorme e di canna al suon la Pastorella (...). Kupferstich n. Paolo Panini, gest. v. Girol. Carattoni bei I. Wagner Venedig. 1779. Blgr. 65,7 x 48 cm. Plgr. 52 x 35 cm. - Vermehrt stockfl. außerhalb der Darstellung. R

Leandro Bassano, 1557 Bassano del Grappa – 1622 Venedig, zug.Portrait eines Mannes mit HalskrauseÖl auf Leinwand. Doubliert.52,5 x 40,5 cm.Stark plastisch fruktal verzierter vergoldeter Rahmen.Leicht nach rechts gewandtes Portrait eines reifen Mannes mit breitem Pelzkragen und Halskrause in weißer Spitze in der Art des Tintoretto. (1340182) (13))

Giovanni Antonio Canal, genannt „Canaletto“, 1697 Venedig – 1768 undGiovanni Battista Cimaroli, um 1687 Salò – um 1753Caccia ai Tori in Piazza San Marco – Stierrennen auf der Piazza San MarcoÖl auf Leinwand.99 x 145 cm.Um 1740. Auf der Rückseite auf dem Spannrahmen bildlich gestalteter Aufkleber mit Aufschrift: „Frank T. Sabin / New Bond Street / 1848“.Beigegeben ein Zustandsbericht des Centro Restauri, Venedig 2008.Kaum ein Gemälde dieser Zeit kann eine derart umfangreiche Provenienz und Nennung in der Literatur aufweisen. In nahezu sämtlichen Katalogen und Beschreibungen zu diesem Thema wurde das Werk gelegentlich vieler Ausstellungen besprochen und abgebildet. Zudem spielte das Gemälde eine Rolle anlässlich von Fernsehaufzeichnungen, wie etwa am 29. Februar 2004 in RAI 3 unter der Regie von Anna Di Benedetto. Das Gemälde ist bereits für das Jahr 1761 dokumentiert, also noch zur Lebenszeit Canalettos, der 1768 verstarb, als Teil der Sammlung des Engländers Bourchier Cleeve di Foots Cray Place (Kent). Es wurde bereits damals erwähnt in der Druckausgabe „London and its environs described“, 1761, Bd. II, S. 313, als ein Werk von „Canaletti and Chimerolli“ (d.h. Canaletto und Cimaroli.)Bereits die Größe des opulenten Werkes weist auf die historische Bedeutung von Ereignissen der Lagunenstadt. Nicht nur in der Karnevalszeit wurden solche Stierkämpfe oder -rennen veranstaltet, sondern häufig anlässlich von Staatsbesuchen, wie etwa zu Ehren des Königs Friedrich IV von Dänemark 1709 oder des Prinzen Frederick Christian von Polen, 1740. Diese Schauveranstaltungen – mit oder ohne Tiere – wurden sowohl auf dem Markusplatz, aber auch auf der Rialtobrücke, dem Campo San Polo oder dem Ponte Santa Fosca abgehalten. Schon vor Canaletto und Cimaroli haben auch früher Maler wie Louis de Caulery um 1620 oder Joseph Heintz d. J. 1648 solche Ereignisse im Bild dokumentiert.Bekanntlich haben Canaletto und Cimaroli häufig zusammengearbeitet, wie etwa auch an der Ausführung von „Tomba allegorata dell‘archivescovo Tillotson“ und anderen, erwähnt in: „Saggi Memorie di Storia dell‘Arte“, 1976, S. 79-102, Abbn. S. 141-151. Ein bekanntes Markusplatz-Gemälde mit nahezu derselben Gesamtansicht und Blick auf den Dom, schuf Canaletto anlässlich der Paviment-Neuverlegung der Platzfläche zwischen 1723 und 1724, dort mit wenigen Figuren und Marktbuden unter Sonnenschirmen vor der Markuskirche. Der Maler, eigentlich Giovanni Antonio Canal, wurde Canaletto genannt, um ihn von seinem Vater Bernardo Canal abzugrenzen. Dabei ist sein Werk zu unterscheiden von dem seines Neffen Bernardo Bellotto, der auch in Dresden und Polen wirkte und ebenfalls den Beinamen Canaletto erhielt. Der englische Konsul Joseph Smith war es, der unseren Canaletto als Mäzen unterstützte, und 1728 durch Antonio Visentini Stiche seiner Werke venezianischer Veduten anfertigen ließ, ediert unter dem Titel „Venetiarum nobis Prospectus“, was auch zahlreiche Aufträge für den Maler, vor allem für englische Adelshäuser nach sich zog.Eine sehr ähnliche Darstellung wie im vorliegenden Gemälde, allerdings mit erheblichen Abweichungen, etwa mit ephemeren Aufbauten, schuf der in Salò unweit von Brescia geborene Giovanni Battista Cimaroli um 1740. Der Maler, vor allem von Landschaften mit Tieren, in Bologna geprägt durch Antonio Calza und Francesco Zuccarelli, arbeitete häufig mit Canaletto zusammen, wobei sein Anteil das Figürliche betrifft. Hier zeigt das Gemälde in der Schilderung des Getümmels anlässlich des Ereignisses eine erstaunliche Vielfalt an Figuren. In Gruppen und vereinzelt beteiligen sie sich an der Veranstaltung, wobei mehrere Stiere an langen Seilen gehalten für Aufregung sorgen. Seitlich des Platzes sind Tribünen errichtet, voll besetzt mit schaulustigem Publikum, das auch in den Fenstern zu sehen ist. Die Regeln diese Schauspiels sind nicht überliefert, jedoch scheinen diese Stierhatzen in Venedig keineswegs so blutig verlaufen zu sein wie jene in Spanien. A.R. (†)Provenienz:1761 Sammlung Cleeve di Foots Cray of Kent.Peter Jones, Chester.Colombo di Milano.1982 Oscar Bussandri, Bassano del Grappa/ Vicenza.Seit 1996 Privatsammlung, Mailand.Anmerkung:Laut Vorbesitzer befand sich verso ehemals ein Aufkleber der „Collection Bourchier Cleeve di Foots“ Kent (England) vor 1761 mit Aufschrift: „BOUC . R CLEEVE WIT. THOS. COOKE“. (Die Aufschrift, heute nicht mehr erhalten, wurde 1962 von W.G. Constable (s. Lit. S. 373) und nochmals 1987 (S. 39) dokumentiert).Literatur: Rob Dodsley, London and its environs described, London 1761, II. 313, mit Bildtitel „View of St. Marc´s place and bulls feast at Venice, Canaletti and Chimerolli“ (sic). Martin, English Connoissé 1766.F. J. B. Watson, G. B. Cimaroli. A collaborator with Canaletto, in: The Burlington Magazine, XCV, Nr. 205-206, 1953.Carlo Donzelli, I pittori veneti del Settecento, Florenz 1957, S. 69, Abb. 92.Rodolfo Pallucchini, La pittura veneziana del Settecento, Venedig 1960, S. 174, Abb. 454.William G. Constable, Canaletto. Giovanni Antonio Canal. 1697-1768, Oxford 1962, Bd. II, S. 373f., Nr. 361.Joseph G. Links, Canaletto and his Patrons, New York (NY) 1977, S. 101-102.Homan Potterton (Hrsg.), Venetian seventeenth century painting, Ausstellungskatalog, National Gallery, London, 5. September-30. November 1979, London 1979, S. 74.Lionello Puppi L., L´opera completa del Canaletto, Mailand 1968, S. 121, Nr. 354.William G. Constable, Canaletto. Giovanni Antonio Canal. 1697-1768, hrsg. von Joseph G. Links, Oxford 1987, Bd. I, Tafel 66, S. 361, S. 373f. Marco Magnifico, Vedute italiane del´ 700 in collezioni private italiane, Ausstellungskatalog, Museo Diocesano d’Arte Sacra Sant’Apollonia, Venedig, 19. September - 8. November 1987, Mailand 1987, Nr. 27, S. 39, Abb. S. 63.Lina Urban, Les fètes de la Republique Sérénissime, in: Lina Urban, Giandomenico Romanelli und Fiora Gandolfi, Venise en fe^tes, Paris 1992, Abb. 86.Dario Succi, Canaletto e Carlevarijs, Mailand 1994, S. 80f. Abb. S. 80.Lina Urban, La piazza Cerimonie e feste, in: Gabriele Morolli und Giovanna Nepi Scire’, Le Procuratie Nuove in Piazza San Marco, Rom 1994, S. 269, Abb. Tafel XXII.Lina Urban, in: Alessandro Bettagno und Davide Banzato, Venezia da stato a mito, Ausstellungskatalog, Isola di San Giorgio Maggiore, Venedig, 30. August-30. November 1997, Venedig 1997, Blatt 38, S. 356f., Tafel S. 217.Lina Urban, Cronace di carnevali veneziani, in: Carmelo Alberti, Teatro del Veneto. La scena del mondo, Mailand 2003, S. 99. 2007 – Scarpa A., Ausst.-Kat. Madrid – Barcelona.Dario Succi (Hrsg.), Le meraviglie di Venezia. Dipinti del ’700 in collezioni private, Ausstellungskatalog, Palazzo della Torre, Gorizia, 14. März-27. Juli 2008, Mailand 2008. Ausstellungen: Vedute italiane del´ 700 in collezioni private italiane, Museo Diocesano d’Arte Sacra Sant’Apollonia, Venedig, 19. September-8. November 1987, Nr. 27, S. 63.Vedute italiane del ´700 in collezioni private italiane, Palazzo Reale, Mailand, 21. November 1987-17. Januar 1988, Nr. 27, S. 63.Venezia da stato a mito, Isola di San Giorgio Maggiore, Venedig, 30. August-30. November 1997, Nr. 38, S. 356f., Tafel S. 217.Le meraviglie di Venezia. Dipinti del ’700 in collezioni private, Palazzo della Torre, Gorizia, 14. März-27. Juli 2008.Barcelona, Banco Santander.Madrid, Banco Santander.Picasso, Dali, Goya. La Tauromachia, Muzeum Architektury, Wroclaw, 24. Juli bis 16. November 2014. (1330571) (11)Giovanni Antonio Canal, also known as “Canaletto“, 1697 Venice – 1768 and Giovanni Battista Cimaroli, 1687 Salò – 1753CACCIA AI TO...

Seventeen wines and spirits to include an Amaroni Montresor 1989, a bottle of Marsala fine wine, a boxed Benedictine D.O.M. liqueur, a Barbera and Asti wine, a Chsari Grappa, a Bocchino Grappa, A Carpene Malvolti Grappa, a Banear Grappa, a Gavioli Nocino, a commemorative Old St Andrews Scotch whisky in the form of a golf ball, and various other boxed and unboxed spirits (17).

11 MIXED BOTTLES SPIRITSKleiner Sliver Plum Limited Edition; Bache Gabrielsen Cognac XO; Chateau de Pellehaut La Fleur de l'Age Armagnac XO; Zunftler Apricot; Benjy's Plum Brandy (50cl); Waitrose No 1 Cognac VSOP; Domaine Tariquet 8, 12 and 15 Year Old Bas-Armagnac Pure Folle Blance; Andrea da Ponte Vecchia Grappa Prosecco; Roullet Amber Gold Cognac Fins Bois

11 MIXED BOTTLES SPIRITSAntiqua VSOP; Yebiga Prva and Bela Plum Brandy; Phantom Light Distillery Vodka; ICS DK Intertrade Brandy (50cl); Bernard Family Brewery Pivni Palenka (50cl); Dionysian Cellars Brandy (50cl); Libra Da Ponte Grappa of Prosecco 18 Years Old; Edelhof 1514 Fruit and Walnut; Aurvin Divin D'or Brandy

11 MIXED BOTTLES SPIRITSGrappa Veneta (50cl); Hortar Single Malt Whisky (50cl); The Holy Spiritus 2 x Ginulst Gin (50cl); Lumber's Bartholomew Navy Royal Newbury Gin (50cl); Oliver + Oliver 2 x Ron Contrabando Anejo 5 Year Old Rum; Alianca Velha Aguardente Vinica; Free Spirit Distillery 102 Hand Crafted Gin (50cl); House of Vintage Cognacs "Tavria" Kherson XO; Lambay Malt Irish Whiskey

11 MIXED BOTTLES SPIRITSKalki Moon Solstice Pinot Noir Barrel Gin; Grappa dei Colli 2 x Morbida; Four Pillars Bloody Shiraz Gin; William Grant + Sons Atopia Spiced Citrus Ultra-Low Alcohol Spirit; Villa Massa 2 x Amaretto; Quetzalli Mixed Fruit Spirit; Emilio Lustau 2 x Brandy de Jerez Solera Gran Reserva

Guerresi, Patrizia (geb. Pove del Grappa 1951), Parfüm-Sammlerflakons Les beaux arts designedition Nr. 13, italienische Renaissance, "Aphrodite" u. "Paris", Figuren aus Bronze partiell farbig patiniert, mit Künstlerdesign u. num. 285/7500 bzw. 285/7500, H: je ca. 17,8 cm, 2000, Falkons mit Inhalt, ungebraucht in orig. Karton, mit Zertifikat, sehr gute Erhaltung, 3371 - 0005

Six various bottles of vermouth plus a bottle of ouzo, grappa and lemon liqueur

Francesco da Ponte Bassano (Bassano del Grappa, Veneto, 1549 - Venice, 1592)"Birth of the Virgin Mary"Oil on canvas. Signed. 91 x 126 cm.The Nativity of Mary is an iconography that was drawn together in several apocryphal gospels, including the Gospel of James.  Saint Joachim and Saint Anne, not having had children in the marriage, promise to consecrate the child that is granted to them to God, and for that purpose, Saint Joachim goes to the temple to make an offering. After being rejected by the priest, he withdraws to meditate until an angel tells him and his wife that he will father a daughter, who would in turn be the Mother of the Son of God.On the canvas you can see Saint Anne lying on the bed, attended by several women. One of them offers her a tray with eggs so that she can recover the strength lost in childbirth, while a servant holds the baby Mary and prepares her for a bath in a basin and several women prepare bandages and towels. A servant kneels as a sign of respect before her. Saint Joachim is depicted in the scene, next to Saint Anne, despite this being uncommon. The interior of the house is sumptuous, with decorative elements and high quality furniture, marble columns, curtains and pitchers, among other elements.Francesco Bassano, known in Spain as "Bassano el Mozo" was a renowned Italian painter who worked in Venice, Florence and Rome and who belonged to a family of painters.As can be read in the Prado Museum encyclopedia , "he was the eldest son of the founder of this dynasty of artists [Jacopo Bassano], as well as the most gifted of the four brothers, all painters, who formed the Bassanesque workshop."His paintings were highly valued in the Spanish court of King Philip II and during the 17th century, which is why the Prado Museum has numerous works by the Bassanos.The Prado also reports that his outstanding paintings include "the seven canvases preserved from the series of «The months of the year», which are now entirely attributed to Francesco and had not been studied by specialists until recently."Bibliographic reference:- Museo del Prado (s.f.). "Bassano, Francesco da Ponte". https://www.museodelprado.es/aprende/enciclopedia/voz/bassano-francesco-da-ponte/f8cb65f5-289b-462d-bdcb-e3b98135972f

ROBIN HUME (SCOTTISH)  DESIGNER GRAPPA HALDANE MUGS  Oil on board, 48 x 48cm Condition Report:Available upon request

6 mixed bottles of spirits and sparkling wine, comprising 1 litre Smirnoff, 1 bottle Smirnoff Black, 1 bottle Gordon's London Dry Gin, 1 Vecchia Grappa Proscecco, 1 Grappa di Brunello and 1 Grappa Stravecchia Monte SabotinoCondition good

Graham's Malvedos 1968 Vintage Port (one bottle), Harveys Hunting Port (tawny) (one bottle), Sake (one bottle), Grappa (one bottle), Bitter Almond Liquor (one bottle) (5)

MONTEGRAPPAItalien - Bassano del GrappaL. 12,6/13,7 cm (Box: 22,3 x 14,5 x 6,2 cm)2 Füllfederhalter; limitiert erschienen 1994 / 1996, ungebraucht mit Holzbox / Papieren / Patrone925/000 Silber, Federstärke: MPrivatbesitz, Rheinland.Versteigerung zu Gunsten der Hilfsorganisation Weißer Ring e.V.

A litre bottle of Premium CERVO ESPECIAL Tequila 40% vol; a 70cl bottle of Pojer & Sandri Muller-Thurgau Grappa, 48% vol, in cardboard tube

Grappa di Vinacce del Chianti in box 

Eight various bottles of Grappa, to include two 50cl Bocchino. (8)

Four 50cl bottles of Grappa. (4)

Three 70cl bottles of Grappa, comprising: Nonino Vuisinar 1996; Nonino Fruilana; and Candolini Classica. (3)