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[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature

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[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature - Bild 1 aus 3
[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature - Bild 2 aus 3
[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature - Bild 3 aus 3
[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature - Bild 1 aus 3
[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature - Bild 2 aus 3
[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature - Bild 3 aus 3
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[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature for the Years 1758-75, 1777-78, 1780-91, 1793, 1798-99, 1801. Various publishers, principally J Dodsley, varying dates and editions. 8vo (37 vols). Uniformly sometime bound in half calf over marbled boards (save 2 vols.); provenance: almost all volumes from the library of John Waldie (engraved armorial bookplate to upper pastedowns). (Duplicate 1798). This publication is a highly important historical source with a timeline of the year and extracts from a miscellany of primary. Events recorded included accounts of Bligh's escape from the Bounty (1790), the suffering of the Black Hole of Calcutta (1758) and the Battle of Copenhagen (1801). The Register was a vital source of information to its readers on the major political upheavals of the time such as the French Revolution, the French and Indian war and most significantly the birth of the new country of America. Possibly the most significant volume in the run is that for 1787 which included an early UK printing of the full text of the new Constitution of the United States, along with the text of Washington's transmittal letter from the Convention to Congress. This volume was printed in 1789 - the year in which Washington became President and the first Congress convened. The same volume has a prescient assessment of the discontent in France which led to the first convocation of the Estates-General called by Louis XVI in 1788. It argues that the support offered by France to the Revolutionary government in America - and the vision of new freedoms enjoyed there - was likely to break the despotic monarchy. Completing the American interest is a letter from Benjamin Franklin concerning the remedy for smoking chimneys and an excerpt from Jefferson's Notes on the State of Virginia (his only published book). It focuses on the speech of Chief Logan after a war with the Virginians which helped construct the idea of the noble savage. This volume forms part of a trilogy of the War of Independence with 1781 and 1783. 1781 features detailed accounts of the Battles of Guildford Court House and Yorktown, and the surrender of Cornwallis as well as the story of Benedict Arnold and the hanging of his co-conspirator Major Andre. 1783 concentrated on the end of the War and the peace negotiations which followed (negotiations which had been pushed for by Burke and his allies in the House). It printed the text of the peace treaty, George III's 1782 speech (in which he notes his offer to ''declare them free and independent states'') and the contract between America and the French King to repay 18 million livres of loans. Finally it printed Washington's letter resigning from the Continental Army which had far-reaching influence on American constitutional history. Of further interest is the famous map volume, 1763, which featured four maps by Thomas Kitchens, including one showing the American Colonies at the end of the French and Indian War and on the eve of Independence. Also 1774, which contains a long description of the boarding of tea ships in Boston harbour by men 'under the disguise of Mohawk Indians', the infamous Tea Party, and the events which led to the raid. Together with the other volumes during this period the Annual Register is a very important contemporary source for early American history. According to Gephart many leading historians of the American Revolutionary period, including David Ramsay, James Murray, and William Gordon ''borrowed heavily from the Annual Register'' (Gephart 1016, 2565). Sabin 1614Conditions vary with signs of age and use. Some copies have detached boards and there is evidence of spotting, creasing and similar damage throughout. Some have evidence of library use. However a solid run of a very important source.
[Burke, Edmund]. Broken run of The Annual Register or a View of the History, Politics and Literature for the Years 1758-75, 1777-78, 1780-91, 1793, 1798-99, 1801. Various publishers, principally J Dodsley, varying dates and editions. 8vo (37 vols). Uniformly sometime bound in half calf over marbled boards (save 2 vols.); provenance: almost all volumes from the library of John Waldie (engraved armorial bookplate to upper pastedowns). (Duplicate 1798). This publication is a highly important historical source with a timeline of the year and extracts from a miscellany of primary. Events recorded included accounts of Bligh's escape from the Bounty (1790), the suffering of the Black Hole of Calcutta (1758) and the Battle of Copenhagen (1801). The Register was a vital source of information to its readers on the major political upheavals of the time such as the French Revolution, the French and Indian war and most significantly the birth of the new country of America. Possibly the most significant volume in the run is that for 1787 which included an early UK printing of the full text of the new Constitution of the United States, along with the text of Washington's transmittal letter from the Convention to Congress. This volume was printed in 1789 - the year in which Washington became President and the first Congress convened. The same volume has a prescient assessment of the discontent in France which led to the first convocation of the Estates-General called by Louis XVI in 1788. It argues that the support offered by France to the Revolutionary government in America - and the vision of new freedoms enjoyed there - was likely to break the despotic monarchy. Completing the American interest is a letter from Benjamin Franklin concerning the remedy for smoking chimneys and an excerpt from Jefferson's Notes on the State of Virginia (his only published book). It focuses on the speech of Chief Logan after a war with the Virginians which helped construct the idea of the noble savage. This volume forms part of a trilogy of the War of Independence with 1781 and 1783. 1781 features detailed accounts of the Battles of Guildford Court House and Yorktown, and the surrender of Cornwallis as well as the story of Benedict Arnold and the hanging of his co-conspirator Major Andre. 1783 concentrated on the end of the War and the peace negotiations which followed (negotiations which had been pushed for by Burke and his allies in the House). It printed the text of the peace treaty, George III's 1782 speech (in which he notes his offer to ''declare them free and independent states'') and the contract between America and the French King to repay 18 million livres of loans. Finally it printed Washington's letter resigning from the Continental Army which had far-reaching influence on American constitutional history. Of further interest is the famous map volume, 1763, which featured four maps by Thomas Kitchens, including one showing the American Colonies at the end of the French and Indian War and on the eve of Independence. Also 1774, which contains a long description of the boarding of tea ships in Boston harbour by men 'under the disguise of Mohawk Indians', the infamous Tea Party, and the events which led to the raid. Together with the other volumes during this period the Annual Register is a very important contemporary source for early American history. According to Gephart many leading historians of the American Revolutionary period, including David Ramsay, James Murray, and William Gordon ''borrowed heavily from the Annual Register'' (Gephart 1016, 2565). Sabin 1614Conditions vary with signs of age and use. Some copies have detached boards and there is evidence of spotting, creasing and similar damage throughout. Some have evidence of library use. However a solid run of a very important source.

Books, Maps, Prints & Manuscripts

Auktionsdatum
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Wichtige Informationen

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Shipping:

Shipping/Delivery is entirely at the discretion of the Auction House. We suggest contacting the Auction House before placing a bid to ensure delivery is possible. Tennants can potentially only ship small items up to 5 kilos by Royal Mail Special Delivery, they cannot guarantee being able to pack ceramic or glazed items or to ship internationally. They recommend contacting one of the following companies to assist with delivery of purchases.

Bradley's Antique Packing Services Ltd - 01325 281332 info@antiquepacking.co.uk

Mailboxes, Etc (Leeds) -  0113 242 8715 info@mbeleedscity.co.uk

Bridgefields -  01748 850606 info@bridgefields.co.uk

 

AGB


TERMS OF BUSINESS




GENERAL


1. Definition

TENNANTS OF YORKSHIRE FINE ART AND ANTIQUE AUCTIONEERS LTD are referred to as TENNANTS throughout these Terms of Business. The representative of TENNANTS conducting the auction is referred to as the “Auctioneer”

2. Attribution and Condition of Lots

Every effort is made to ensure the accuracy of any statement as to authorship, attribution, origin, date, age, provenance and condition of any lot whether or not such statement forms part of the description of any such lot. Whether any such statement is made orally or in the catalogue it is an expression of opinion given after careful consideration and research. Each buyer by making a bid for a lot acknowledges that they have satisfied themselves fully as to the attribution and condition of the lot. In respect of pictures, it should be noted that these have not been removed from their frames unless specifically mentioned in the Condition Report. If any damage is done to any lot at the viewing or before, during or after the sale, such damage shall be made good by the person committing such damage, principals being responsible for the acts of their servants, such damage to be assessed by the TENNANTS.

3. Third Party Liability

Every person on TENNANTS premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against TENNANTS in respect of any injury they may sustain or any accident which may occur.

4. Disputes

Any dispute not herein proved for shall be settled at the sole discretion of TENNANTS.


THE SELLER

5. Payment

The “net sale proceeds” received from the buyer in cleared funds will be forwarded to the vendor no later than 28 working days after the auction (TENNANTS endeavour to settle non-catalogue sales within 14 working days after the auction). Where the buyer makes a payment more than 23 working days after the auction TENNANTS shall send to the vendor the “net sale proceeds” within 5 working days of receipt of cleared funds. The “net sale proceeds” are the hammer price less commission and expenses set out in the Property Receipt and Instruction Form. The vendor waives any right to interest that may be earned during the period from payment by the buyer to receipt of the “net sale proceeds” by the vendor.


THE BUYER

6. The Buyer

The highest bidder acknowledged as such by the Auctioneer will be the buyer. If any dispute arises, the Auctioneer shall have absolute discretion to settle the matter. The Auctioneer shall rule the bidding and no bid shall be retracted. The Auctioneer reserves the right to refuse any bid. The bidder in the room who is successful in purchasing any lot or lots is entirely responsible for paying for such lot or lots in accordance with TENNANTS Terms of Business. Purchases made on behalf of a third party are entirely the responsibility of the bidder in the room. The Auctioneer reserves the right to bid on behalf of the vendors for any lot and to withdraw, consolidate or divide any lot or lots.

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Prospective buyers need to register before the sale, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill or a document showing their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. This card may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

8. Buyer’s Premium

A buyer’s premium of 17.5% of the hammer price is payable on each lot in Antiques and Interiors sales, 20% in Specialist sales and 20% in Fine Art sales. The buyer’s premium is subject to VAT at the current rate.

9. Value Added Tax

All charges are subject to VAT at the current rate.

10. Auctioneers’ Margin Scheme

The Auctioneers Margin Scheme allows auctioneers to sell items without VAT on the hammer price. Under the Auctioneers Margin Scheme an amount equivalent to VAT at the current rate is added to the buyer’s premium. This amount cannot be refunded. The VAT element will not be shown separately on the buyer’s invoice.

11. Payment

Payment is due immediately after the auction in pounds sterling.

The following methods of payment may be used:
Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of £9,000.

Wire transfers should be sent to:
Barclays Bank, High Row, Darlington, DL3 7QS
Sort Code: 20-25-29
Account no: 30874329
Account name: Tennants Auctioneers Client account
IBAN: GB37BARC20252930874329
SWIFTBIC: BARCGB22

Credit cards: Visa or Mastercard
Debit cards: Delta, Switch, Connect.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

12. Internet Bidding

A charge of 3% will be levied on all items purchased by this method.

13. Ownership of Purchases

The ownership of the lot(s) purchased will not pass to the buyer until the buyer has paid TENNANTS in full the total amount due and TENNANTS have applied such payment to the lot.

14. Transfer of Risk

Each lot shall be the buyer’s sole responsibility from the fall of the hammer and shall be sold with all faults and imperfections, TENNANTS not being responsible for the correct description, genuineness or authenticity of any lot and making no warranty whatsoever. The buyer is deemed to have inspected each lot and satisfied himself as to its condition. In specific circumstances, a lot incorrectly described which proves to be a forgery may be returned to TENNANTS within 14 days of the sale and a full refund made.

15. Commission Bids

If instructed, TENNANTS will execute bids and advise prospective buyers. This service is free. Lots will always be purchased as cheaply as is allowed by such other bids and reserves as are on the Auctioneer’s book. In the event of identical bids, the earliest will take precedence. There must always be a maximum limit indicated, ie the amount to which the buyer would bid if they were attending the auction themself. “Buy” or unlimited bids will not be accepted. Commission bids placed by telephone are accepted at the client’s risk. TENNANTS urge their clients to place such commission bids within one hour of the close of the view day.

16. Telephone Bids

Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first served basis and are subject to a minimum lot value of £500. Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. If we are unable to contact you we will bid up to the lower estimate on your behalf.

17. Absentee Bidding

Whilst every effort will be made to execute absentee bidding, TENNANTS cannot be held responsible for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the prospective buyer’s risk.

18. Storage and Collection

Please note furniture, carpets, clocks and larger works of art lots will remain in the salerooms for seven working days following each sale, after which they will be removed to store and arrangements for collection must be made in advance.

Storage charges will be levied on all lots not collected within fourteen days of the sale. This will include a handling fee of £5 per consignment as well as a storage charge of £5 per lot per day. No goods may be collected until these charges have been paid.

DROIT DE SUITE ROYALTY CHARGES

From 14 February 2006 all United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died with the last 70 years. This payment is calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates.

It is the responsibility of the buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the day of the sale. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.

All items in this catalogue that are marked with “?” are potentially qualifying items, and the royalty charge will apply if the hammer price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

The royalty charge for qualifying items which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. For qualifying items that sell for more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges will apply. For a complete list of the royalty charges and threshold levels please refer to www.dacs.org.uk. There is no VAT payable on this royalty charge.


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