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An 18th century gin glass, 12.5cm high.
An 18th century incised twist stemmed glass, 12.5cm high.
An 18th century combined twist stem wine glass, 15.5cm high.
An 18th century wine glass, 14cm high.
A 19th century colour twist wine glass, 15cm high.
An 18th century mercury twist wine glass, with double ogee bowl, 15.5cm high.
A Royal Worcester fruit painted cabinet cup and saucer, painted by Ricketts, the saucer 17cm
A Royal Worcester fruit painted cabinet cup and saucer, painted by Ricketts, the saucer 17cm diameter; together with a matching plate, 22cm diamet...
A Royal Worcester fruit painted cabinet plate, circa 1924, indistinctly signed, 18.5cm diameter.
A Royal Worcester fruit painted cabinet plate, circa 1924, indistinctly signed, 18.5cm diameter.
A Continental porcelain floral painted plaque, 14.5 x 11cm oval.
European School, late 19th/early 20th century, a reclining female, red crayon, 9cm diameter.
European School, late 19th/early 20th century, a reclining female, red crayon, 9cm diameter.
Two similar 19th century bone inlaid novelty shoe snuff boxes, one dated 1889, largest 14cm long. (
Two similar 19th century bone inlaid novelty shoe snuff boxes, one dated 1889, largest 14cm long. (2)
A collection of 19th century and later boxes and caskets, largest 15cm wide. (11)
A Victorian brass and leather dog collar, inscribed 'Alfred A Grosvenor, Guys Hospital', further
A Victorian brass and leather dog collar, inscribed 'Alfred A Grosvenor, Guys Hospital', further inscribed '9 Greville Place, Maidavale, London'.
A mixed lot, to include a World War I Victory Medal, to: 301524 Pte W S Hewitt, Essex R.
A small group of Chinese cast metal animals and similar, largest 7cm long, boxed.
Nine Halcyon Days enamel boxes, seven boxed; together with a Crummles example; and three others.
Nine Halcyon Days enamel boxes, seven boxed; together with a Crummles example; and three others.
A mixed lot, to include a copper and agate box and cover, 6cm wide; a small silver capstan inkwell, 5.5cm diameter; sporting medals etc.
A mixed lot, to include a Pygmalion novelty piano compact.
A mahogany solitaire board and thirty six glass marbles, 22cm diameter.
A small group of glass, to include a pair of silver mounted scent bottles, 7.5cm high. (7)
A Royal Albert 'Heirloom' pattern part tea service.
Of Lincoln's Inn Interest: a Royal Doulton porcelain part tea and dinner service, bearing the Inn'
Of Lincoln's Inn Interest: a Royal Doulton porcelain part tea and dinner service, bearing the Inn's coat of arms.
An Art Deco slate and green onyx clock garniture, the clock 52.5cm wide.
A Villleroy & Boch 'Geranium' pattern part tea and dinner service.
A Royal Doulton 'Gold Concord' pattern part dinner service.
A Villeroy & Boch 'Ivoire' pattern part tea and dinner service.
A canteen of electroplated King's pattern cutlery.
Manner of Ken Howard, the artist's studio, unsigned, oil on canvas, 75 x 55cm.
Henry Charles Fox, 'Hunting on The River', signed and dated 1898, watercolour, 36 x 53.5cm.
Henry Charles Fox, 'Hunting on The River', signed and dated 1898, watercolour, 36 x 53.5cm.
John Isaac Richardson, sheep at rest, signed, watercolour, 36.5 x 53.5cm.
Paul Linington, 'The Thames at Erith, Circa 1800', watercolour, 33 x 54.5cm.
Rowland Hilder, 'The Lane, High Halstow', signed and inscribed 'Artists Proof 3rd State 1954',
Rowland Hilder, 'The Lane, High Halstow', signed and inscribed 'Artists Proof 3rd State 1954', engraving, pl.25 x 54.5cm.
Tom Merrifield, seated ballet dancer, two works, each signed and numbered 129/250 and 12/150
Tom Merrifield, seated ballet dancer, two works, each signed and numbered 129/250 and 12/150 respectively, monochrome prints, 43.5 x 54cm, pl.45.5...
Thomas Creswick, 'Grasmere Lake, Cumberland', signed and dated 1850, further inscribed on old
Thomas Creswick, 'Grasmere Lake, Cumberland', signed and dated 1850, further inscribed on old label verso, oil on canvas, 37 x 54.5cm.
Thomas Bush Hardy, 'Plymouth', signed and titled, watercolour, 21.5 x 57cm.
W Hubbard, 'View of Erith Church and Belvedere Tower, Kent', signed and dated 1850, watercolour,
W Hubbard, 'View of Erith Church and Belvedere Tower, Kent', signed and dated 1850, watercolour, 33 x 59cm.
Ivan Taylor, 'River Douro, Portugal', signed, labelled verso, oil on board, 39 x 59cm.
A George III mahogany and line inlaid eight day longcase clock, with 13in silvered brass dial, 215cm
A George III mahogany and line inlaid eight day longcase clock, with 13in silvered brass dial, 215cm high, with weights and pendulum.
Della Riley, 'Hay Rolls, Braunton'; 'Tollhouse, Braunton', a pair, each signed, and further
Della Riley, 'Hay Rolls, Braunton'; 'Tollhouse, Braunton', a pair, each signed, and further inscribed on labels verso, oil on board, 14 x 19cm. (2...
Tom Merrifield, nude ballet dancers, numbered in pencil 196/250, monochrome print, 28.5 x 22cm;
Tom Merrifield, nude ballet dancers, numbered in pencil 196/250, monochrome print, 28.5 x 22cm; together with Tony Watts, 'Cobble on Honsea Beech'...
Rowland Hilder, 'Stangate Creek', signed, pastel, 11.5 x 17.5cm.
Rowland Hilder, 'Erith', signed, titled and dated '23, gouache, 10.5 x 18cm.
Ange Francois (French, 1800-67), 'Le Pot au Rose', inscribed and variously labelled verso, oil on
Ange Francois (French, 1800-67), 'Le Pot au Rose', inscribed and variously labelled verso, oil on chamfered mahogany panel, 27 x 21cm.
William Lionel Wyllie, 'Beached Schooner, Thames Estuary', signed in pencil, etching, pl.23 x 35.
William Lionel Wyllie, 'Beached Schooner, Thames Estuary', signed in pencil, etching, pl.23 x 35.5cm.
William Lionel Wyllie, 'In The Solent, Towards Ryde', signed in pencil, etching, pl.21.5 x 49.5cm.
William Lionel Wyllie, 'In The Solent, Towards Ryde', signed in pencil, etching, pl.21.5 x 49.5cm.
William Lionel Wyllie, 'HMS Victory in Portsmouth Harbour', signed, etching, pl.21.5 x 49.5cm.
William Lionel Wyllie, 'HMS Victory in Portsmouth Harbour', signed, etching, pl.21.5 x 49.5cm.
William Lionel Wyllie, 'The Thames off Greenwich', signed in pencil, sepia etching, pl.21.5 x 38cm.
William Lionel Wyllie, 'The Thames off Greenwich', signed in pencil, sepia etching, pl.21.5 x 38cm.
S M Litten, 'Thames Boats & Crafts', signed in pencil, etching, pl.17.5 x 30cm.
Eileen Robey, five works, one signed, watercolour, largest 27 x 38cm. (5)
E A Woods, a yacht, signed, oil on canvas, 49 x 59.5cm; together with another similar by the same
E A Woods, a yacht, signed, oil on canvas, 49 x 59.5cm; together with another similar by the same hand. (2)
Copley Fielding, a figure and cattle in an extensive landscape, signed, watercolour, 32 x 44.5cm.
Copley Fielding, a figure and cattle in an extensive landscape, signed, watercolour, 32 x 44.5cm.
T M Dow, cat in a workshop, signed, oil on canvas, 50 x 40cm.
A Victorian 'Bexley Fair!...Fireworks!' advertising broadsheet, 1866, 45.5 x 29cm.
Alphonse Cornet (French, 19th Century), the dressing room, signed and dated 1850, oil on chamfered
Alphonse Cornet (French, 19th Century), the dressing room, signed and dated 1850, oil on chamfered oak panel, 40 x 27.5cm.
N B James, deer in a Highland landscape, a pair, each signed and indistinctly titled, gouache, 19
N B James, deer in a Highland landscape, a pair, each signed and indistinctly titled, gouache, 19 x 29cm.
Gervase Alington, 'Mid-day Rest', watercolour, 16.5 x 35cm.
Ethelbert White, 'The Folly Farm' signed, titled and numbered 1/50, engraving, pl.15 x 20cm.
Ethelbert White, 'The Folly Farm' signed, titled and numbered 1/50, engraving, pl.15 x 20cm.
Adrian Ryan, head study, watercolour, 33 x 25.5cm; together with a watercolour by Patricia Aballay. (2)
Paul Linington, 'Landing at St John's, Erith'; 'Blendon Hall' a pair, each signed, watercolour, 26.5
Paul Linington, 'Landing at St John's, Erith'; 'Blendon Hall' a pair, each signed, watercolour, 26.5 x 36.5cm. (2)
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