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Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and

In 22nd November - Old Masters

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Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 1 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 2 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 3 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 4 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 5 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 6 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 7 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 1 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 2 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 3 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 4 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 5 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 6 aus 7
Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and - Bild 7 aus 7
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Barcelona
Spanish Renaissance school, 16th century.
"Calvary".
Oil on panel.
It presents faults and restorations.
Measurements: 71 x 48 cm; 85 x 62 cm (frame).
Due to the technical characteristics, such as the modelling of the forms, the tonalities used, the type of composition, and even the aesthetic details used in the treatment of the canvases that make up the scene, this work can be inscribed within the Renaissance school. It shows the Crucifixion with the Virgin and Saint John at her feet, an iconographic form evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and Saint John the Baptist. In Western art, the depiction of Christ on the cross was preferred, as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. Another significant change, which seeks greater naturalism, is that while in the Byzantine model both the Virgin and Saint John have their faces raised or turned towards Christ, with their hands in a position of supplication on behalf of humanity, here they are shown mourning in the classical manner, with restrained expressiveness. Mary appears suffering, with her face bowed, while John shows greater emotional restraint, with his gaze fixed on the front, lost, holding his hand to his heart. The three figures are set in the foreground against a neutral background, with Adam's skull at their feet.
Spanish Renaissance school, 16th century.
"Calvary".
Oil on panel.
It presents faults and restorations.
Measurements: 71 x 48 cm; 85 x 62 cm (frame).
Due to the technical characteristics, such as the modelling of the forms, the tonalities used, the type of composition, and even the aesthetic details used in the treatment of the canvases that make up the scene, this work can be inscribed within the Renaissance school. It shows the Crucifixion with the Virgin and Saint John at her feet, an iconographic form evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and Saint John the Baptist. In Western art, the depiction of Christ on the cross was preferred, as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. Another significant change, which seeks greater naturalism, is that while in the Byzantine model both the Virgin and Saint John have their faces raised or turned towards Christ, with their hands in a position of supplication on behalf of humanity, here they are shown mourning in the classical manner, with restrained expressiveness. Mary appears suffering, with her face bowed, while John shows greater emotional restraint, with his gaze fixed on the front, lost, holding his hand to his heart. The three figures are set in the foreground against a neutral background, with Adam's skull at their feet.

22nd November - Old Masters

Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain

Generelle Versandinformationen vom Auktionshaus verfügbar

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YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com

 

Wichtige Informationen

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AGB

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BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium

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WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING


PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.


YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com


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