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"MAESTRO PALMERO"; ALFREDO PALMERO DE GREGORIO (Ciudad Real, 1901 - Barcelona, 1991)."Las
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Beschreibung
"MAESTRO PALMERO"; ALFREDO PALMERO DE GREGORIO (Ciudad Real, 1901 - Barcelona, 1991).
"Las caramellas".
Oil on canvas.
Signed in the lower right corner and titled.
It presents slight damage in the upper right margin.
Measurements: 90,5 x 71 cm; 121 x 101 cm (frame).
Of Neapolitan descent, Alfredo Palmero showed a clear interest in painting from his childhood. In his adolescence, and in search of new horizons, in 1913 he moved to Madrid to enter the San Fernando Academy of Fine Arts at the age of fourteen. There he was taught by Sorolla, Romero de Torres and Valle Inclán, the latter as a professor of aesthetics. During these years he also made frequent visits to the studio of the photographer and painter Vicente Rubio Sánchez. Palmero became fully integrated into the bohemian atmosphere of the capital, and was a regular at the gatherings of well-known cafés such as "El Parnasillo" and "La Fontana de Oro", where the liberal and intellectual atmosphere was prominent. Here he came into contact with Unamuno, Juan Ramón Jiménez, García Lorca and Manuel de Falla, among others. It was precisely the atmosphere of the cafés of the time, full of splendour and culture, that he would capture in his canvases. In 1920, after making his individual debut at the Casino de Ciudad Real, he left Madrid and moved to Paris, attracted by the pictorial novelties of the French capital. In this city he became interested in new trends such as Dadaism, and especially in Apollinaire and other leading figures of the time. It was at this stage that he began to produce his moving and personal works, focused through a gaze of Romantic heritage. His painting was filled with luminosity, rich chromaticism, formal exuberance, sharpness of perspective and, above all, pictorial fantasy. Thus his paintings of the Folies Bergère, Pigalle, Montmartre, Montparnasse, etc. were born. He then made a series of trips to Germany, Italy and Belgium, where he portrayed, as he had done in Madrid and Paris, the everyday life of the cities. On his return to Spain he taught art in Ciudad Real, Burgos, Toledo and Barcelona, where he settled permanently in 1940. Barcelona became his platform for Europe and America, where he founded the Instituto Palmero de Arte. In 1964 he created the Palmero Museum in his hometown, Almodóvar del Campo, in a mansion in La Mancha where he used to spend his summers. In 1972 he was named Favourite Son of Almodóvar, and in 1983 he joined the Institute of La Mancha Studies. During his life, he exhibited his work both in Spain and abroad, in cities such as Osaka, Paris, Brussels, Florida, Bogota and Caracas. Maestro Palmero is currently represented in the museum that bears his name in Almodóvar and in the museum of Don Quixote in Ciudad Real, as well as in private collections in Spain and abroad.
"Las caramellas".
Oil on canvas.
Signed in the lower right corner and titled.
It presents slight damage in the upper right margin.
Measurements: 90,5 x 71 cm; 121 x 101 cm (frame).
Of Neapolitan descent, Alfredo Palmero showed a clear interest in painting from his childhood. In his adolescence, and in search of new horizons, in 1913 he moved to Madrid to enter the San Fernando Academy of Fine Arts at the age of fourteen. There he was taught by Sorolla, Romero de Torres and Valle Inclán, the latter as a professor of aesthetics. During these years he also made frequent visits to the studio of the photographer and painter Vicente Rubio Sánchez. Palmero became fully integrated into the bohemian atmosphere of the capital, and was a regular at the gatherings of well-known cafés such as "El Parnasillo" and "La Fontana de Oro", where the liberal and intellectual atmosphere was prominent. Here he came into contact with Unamuno, Juan Ramón Jiménez, García Lorca and Manuel de Falla, among others. It was precisely the atmosphere of the cafés of the time, full of splendour and culture, that he would capture in his canvases. In 1920, after making his individual debut at the Casino de Ciudad Real, he left Madrid and moved to Paris, attracted by the pictorial novelties of the French capital. In this city he became interested in new trends such as Dadaism, and especially in Apollinaire and other leading figures of the time. It was at this stage that he began to produce his moving and personal works, focused through a gaze of Romantic heritage. His painting was filled with luminosity, rich chromaticism, formal exuberance, sharpness of perspective and, above all, pictorial fantasy. Thus his paintings of the Folies Bergère, Pigalle, Montmartre, Montparnasse, etc. were born. He then made a series of trips to Germany, Italy and Belgium, where he portrayed, as he had done in Madrid and Paris, the everyday life of the cities. On his return to Spain he taught art in Ciudad Real, Burgos, Toledo and Barcelona, where he settled permanently in 1940. Barcelona became his platform for Europe and America, where he founded the Instituto Palmero de Arte. In 1964 he created the Palmero Museum in his hometown, Almodóvar del Campo, in a mansion in La Mancha where he used to spend his summers. In 1972 he was named Favourite Son of Almodóvar, and in 1983 he joined the Institute of La Mancha Studies. During his life, he exhibited his work both in Spain and abroad, in cities such as Osaka, Paris, Brussels, Florida, Bogota and Caracas. Maestro Palmero is currently represented in the museum that bears his name in Almodóvar and in the museum of Don Quixote in Ciudad Real, as well as in private collections in Spain and abroad.
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"MAESTRO PALMERO"; ALFREDO PALMERO DE GREGORIO (Ciudad Real, 1901 - Barcelona, 1991).
"Las caramellas".
Oil on canvas.
Signed in the lower right corner and titled.
It presents slight damage in the upper right margin.
Measurements: 90,5 x 71 cm; 121 x 101 cm (frame).
Of Neapolitan descent, Alfredo Palmero showed a clear interest in painting from his childhood. In his adolescence, and in search of new horizons, in 1913 he moved to Madrid to enter the San Fernando Academy of Fine Arts at the age of fourteen. There he was taught by Sorolla, Romero de Torres and Valle Inclán, the latter as a professor of aesthetics. During these years he also made frequent visits to the studio of the photographer and painter Vicente Rubio Sánchez. Palmero became fully integrated into the bohemian atmosphere of the capital, and was a regular at the gatherings of well-known cafés such as "El Parnasillo" and "La Fontana de Oro", where the liberal and intellectual atmosphere was prominent. Here he came into contact with Unamuno, Juan Ramón Jiménez, García Lorca and Manuel de Falla, among others. It was precisely the atmosphere of the cafés of the time, full of splendour and culture, that he would capture in his canvases. In 1920, after making his individual debut at the Casino de Ciudad Real, he left Madrid and moved to Paris, attracted by the pictorial novelties of the French capital. In this city he became interested in new trends such as Dadaism, and especially in Apollinaire and other leading figures of the time. It was at this stage that he began to produce his moving and personal works, focused through a gaze of Romantic heritage. His painting was filled with luminosity, rich chromaticism, formal exuberance, sharpness of perspective and, above all, pictorial fantasy. Thus his paintings of the Folies Bergère, Pigalle, Montmartre, Montparnasse, etc. were born. He then made a series of trips to Germany, Italy and Belgium, where he portrayed, as he had done in Madrid and Paris, the everyday life of the cities. On his return to Spain he taught art in Ciudad Real, Burgos, Toledo and Barcelona, where he settled permanently in 1940. Barcelona became his platform for Europe and America, where he founded the Instituto Palmero de Arte. In 1964 he created the Palmero Museum in his hometown, Almodóvar del Campo, in a mansion in La Mancha where he used to spend his summers. In 1972 he was named Favourite Son of Almodóvar, and in 1983 he joined the Institute of La Mancha Studies. During his life, he exhibited his work both in Spain and abroad, in cities such as Osaka, Paris, Brussels, Florida, Bogota and Caracas. Maestro Palmero is currently represented in the museum that bears his name in Almodóvar and in the museum of Don Quixote in Ciudad Real, as well as in private collections in Spain and abroad.
"Las caramellas".
Oil on canvas.
Signed in the lower right corner and titled.
It presents slight damage in the upper right margin.
Measurements: 90,5 x 71 cm; 121 x 101 cm (frame).
Of Neapolitan descent, Alfredo Palmero showed a clear interest in painting from his childhood. In his adolescence, and in search of new horizons, in 1913 he moved to Madrid to enter the San Fernando Academy of Fine Arts at the age of fourteen. There he was taught by Sorolla, Romero de Torres and Valle Inclán, the latter as a professor of aesthetics. During these years he also made frequent visits to the studio of the photographer and painter Vicente Rubio Sánchez. Palmero became fully integrated into the bohemian atmosphere of the capital, and was a regular at the gatherings of well-known cafés such as "El Parnasillo" and "La Fontana de Oro", where the liberal and intellectual atmosphere was prominent. Here he came into contact with Unamuno, Juan Ramón Jiménez, García Lorca and Manuel de Falla, among others. It was precisely the atmosphere of the cafés of the time, full of splendour and culture, that he would capture in his canvases. In 1920, after making his individual debut at the Casino de Ciudad Real, he left Madrid and moved to Paris, attracted by the pictorial novelties of the French capital. In this city he became interested in new trends such as Dadaism, and especially in Apollinaire and other leading figures of the time. It was at this stage that he began to produce his moving and personal works, focused through a gaze of Romantic heritage. His painting was filled with luminosity, rich chromaticism, formal exuberance, sharpness of perspective and, above all, pictorial fantasy. Thus his paintings of the Folies Bergère, Pigalle, Montmartre, Montparnasse, etc. were born. He then made a series of trips to Germany, Italy and Belgium, where he portrayed, as he had done in Madrid and Paris, the everyday life of the cities. On his return to Spain he taught art in Ciudad Real, Burgos, Toledo and Barcelona, where he settled permanently in 1940. Barcelona became his platform for Europe and America, where he founded the Instituto Palmero de Arte. In 1964 he created the Palmero Museum in his hometown, Almodóvar del Campo, in a mansion in La Mancha where he used to spend his summers. In 1972 he was named Favourite Son of Almodóvar, and in 1983 he joined the Institute of La Mancha Studies. During his life, he exhibited his work both in Spain and abroad, in cities such as Osaka, Paris, Brussels, Florida, Bogota and Caracas. Maestro Palmero is currently represented in the museum that bears his name in Almodóvar and in the museum of Don Quixote in Ciudad Real, as well as in private collections in Spain and abroad.
22nd September - 19th & 20th Century Art
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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