78
JORGE CASTILLO CASALDERREY (Pontevedra, 1933)."Child with Hare's Ears". New York, 1985.Oil on
1/7
Beschreibung
JORGE CASTILLO CASALDERREY (Pontevedra, 1933).
"Child with Hare's Ears". New York, 1985.
Oil on canvas.
Signed in the upper left corner.
Measurements: 177 x 152 cm.
In this painting made in the mid-eighties, Jorge Castillo makes different planes of reality coincide on the canvas.
Minimal geometries, still life pieces and a child disguised as a hare materialise this overlapping of realities, which we access through the fragmentary. The animalistic theme associated with childhood was one of the themes that Castillo repeatedly dealt with in a mysterious and almost dreamlike manner.
As a child, Jorge Castillo was passionate about drawing, and at the age of ten he made his first copy of Rubens with coloured pencils. According to Castillo, Rubens' painting taught him to understand the cubism of Braque and Picasso. His family emigrated to Buenos Aires the year after the painter was born, but he returned to Europe. He tried to go to Paris, but due to lack of financial resources he settled in Spain. After passing through Vigo he settled in Madrid in 1957, where he soon came into contact with the art critic José María Moreno Galván, who admired his work and introduced him to Madrid's artistic circles. In 1958 he began to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself bought several of them. The following year he exhibited his works on paper and watercolours at the Altamira gallery in Madrid. Gradually he turned to the technique of engraving, which would eventually become his main means of expression, although he alternated it with painting. In 1960 he was selected for the São Paulo Biennial in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Düsseldorf and Geneva. He took part in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition devoted to a specific period of his career. He won prizes such as the International Drawing Prize (1964) and the International Painting Prize (1975) in Darmstadt, the Ciudad de Pontevedra Prize (1994) and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen in the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the San Francisco and Vitoria Museums of Modern Art, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.
"Child with Hare's Ears". New York, 1985.
Oil on canvas.
Signed in the upper left corner.
Measurements: 177 x 152 cm.
In this painting made in the mid-eighties, Jorge Castillo makes different planes of reality coincide on the canvas.
Minimal geometries, still life pieces and a child disguised as a hare materialise this overlapping of realities, which we access through the fragmentary. The animalistic theme associated with childhood was one of the themes that Castillo repeatedly dealt with in a mysterious and almost dreamlike manner.
As a child, Jorge Castillo was passionate about drawing, and at the age of ten he made his first copy of Rubens with coloured pencils. According to Castillo, Rubens' painting taught him to understand the cubism of Braque and Picasso. His family emigrated to Buenos Aires the year after the painter was born, but he returned to Europe. He tried to go to Paris, but due to lack of financial resources he settled in Spain. After passing through Vigo he settled in Madrid in 1957, where he soon came into contact with the art critic José María Moreno Galván, who admired his work and introduced him to Madrid's artistic circles. In 1958 he began to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself bought several of them. The following year he exhibited his works on paper and watercolours at the Altamira gallery in Madrid. Gradually he turned to the technique of engraving, which would eventually become his main means of expression, although he alternated it with painting. In 1960 he was selected for the São Paulo Biennial in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Düsseldorf and Geneva. He took part in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition devoted to a specific period of his career. He won prizes such as the International Drawing Prize (1964) and the International Painting Prize (1975) in Darmstadt, the Ciudad de Pontevedra Prize (1994) and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen in the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the San Francisco and Vitoria Museums of Modern Art, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
JORGE CASTILLO CASALDERREY (Pontevedra, 1933).
"Child with Hare's Ears". New York, 1985.
Oil on canvas.
Signed in the upper left corner.
Measurements: 177 x 152 cm.
In this painting made in the mid-eighties, Jorge Castillo makes different planes of reality coincide on the canvas.
Minimal geometries, still life pieces and a child disguised as a hare materialise this overlapping of realities, which we access through the fragmentary. The animalistic theme associated with childhood was one of the themes that Castillo repeatedly dealt with in a mysterious and almost dreamlike manner.
As a child, Jorge Castillo was passionate about drawing, and at the age of ten he made his first copy of Rubens with coloured pencils. According to Castillo, Rubens' painting taught him to understand the cubism of Braque and Picasso. His family emigrated to Buenos Aires the year after the painter was born, but he returned to Europe. He tried to go to Paris, but due to lack of financial resources he settled in Spain. After passing through Vigo he settled in Madrid in 1957, where he soon came into contact with the art critic José María Moreno Galván, who admired his work and introduced him to Madrid's artistic circles. In 1958 he began to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself bought several of them. The following year he exhibited his works on paper and watercolours at the Altamira gallery in Madrid. Gradually he turned to the technique of engraving, which would eventually become his main means of expression, although he alternated it with painting. In 1960 he was selected for the São Paulo Biennial in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Düsseldorf and Geneva. He took part in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition devoted to a specific period of his career. He won prizes such as the International Drawing Prize (1964) and the International Painting Prize (1975) in Darmstadt, the Ciudad de Pontevedra Prize (1994) and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen in the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the San Francisco and Vitoria Museums of Modern Art, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.
"Child with Hare's Ears". New York, 1985.
Oil on canvas.
Signed in the upper left corner.
Measurements: 177 x 152 cm.
In this painting made in the mid-eighties, Jorge Castillo makes different planes of reality coincide on the canvas.
Minimal geometries, still life pieces and a child disguised as a hare materialise this overlapping of realities, which we access through the fragmentary. The animalistic theme associated with childhood was one of the themes that Castillo repeatedly dealt with in a mysterious and almost dreamlike manner.
As a child, Jorge Castillo was passionate about drawing, and at the age of ten he made his first copy of Rubens with coloured pencils. According to Castillo, Rubens' painting taught him to understand the cubism of Braque and Picasso. His family emigrated to Buenos Aires the year after the painter was born, but he returned to Europe. He tried to go to Paris, but due to lack of financial resources he settled in Spain. After passing through Vigo he settled in Madrid in 1957, where he soon came into contact with the art critic José María Moreno Galván, who admired his work and introduced him to Madrid's artistic circles. In 1958 he began to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself bought several of them. The following year he exhibited his works on paper and watercolours at the Altamira gallery in Madrid. Gradually he turned to the technique of engraving, which would eventually become his main means of expression, although he alternated it with painting. In 1960 he was selected for the São Paulo Biennial in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Düsseldorf and Geneva. He took part in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition devoted to a specific period of his career. He won prizes such as the International Drawing Prize (1964) and the International Painting Prize (1975) in Darmstadt, the Ciudad de Pontevedra Prize (1994) and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen in the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the San Francisco and Vitoria Museums of Modern Art, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.
12th July - Contemporary and Actual Art
Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Wichtige Informationen
25% buyer´s premium
21% buyer´s premium at www.setdart.com
AGB
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
