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Seventeenth-century Lima school. Circle of BERNARDO BITTI (Camerino, Italy, 1548-Lima, Peru,
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Beschreibung
Seventeenth-century Lima school. Circle of BERNARDO BITTI (Camerino, Italy, 1548-Lima, Peru, 1610).
"Saint Peter Martyr".
Oil on canvas.
It presents faults, losses, repainting and restorations.
Measurements: 55,5 x 40,5 cm; 74 x 65 cm (frame).
This work represents Saint Peter of Verona (Italy, 1205-1252), a Dominican martyr born in the bosom of a family that followed the Cathar heresy who, at the age of sixteen, fascinated by the word of Saint Dominic of Guzmán, receives the Dominican habit from his own hands. The present canvas was painted by an artist from the circle of Bernardo Bitti, a Jesuit coadjutor brother and Italian painter who worked in Lima, Cusco, Ayacucho, La Paz and Sucre. Bitti's arrival on the American continent was very important as it marked the initial development of Cuzco art. He introduced Mannerism, one of the main pictorial trends in vogue in Europe at the time, to Cuzco.
After completing his ecclesiastical training, Saint Peter Martyr was appointed preacher of the Gospel of Jesus in the face of the Italian Cathars, a task he carried out with piety and austerity, achieving great fame throughout Italy. One day, the holy martyrs Agnes, Cecilia and Catherine appeared to him in his cell and he was reprimanded for having violated the enclosure by welcoming women into his cell. The saint did not defend himself and acknowledged that he was a sinner and was punished. In the solitude of his punishment, he intensified his study and prayer, and one day he unburdened himself in front of a crucifix, asking "What evil have I done, Lord, to see me as I am? Christ then consoles and comforts him with these words, "And I, Peter, what evil have I done?". At last the truth triumphs and he is appointed Inquisitor General by Pope Gregory IX, allowing him to continue his evangelising work in Rome, Florence and Milan. He was finally killed while crossing the Barlassina forest on his way back to Milan. His murderer struck him with an axe in the back of the head and stabbed him in the chest, weapons that often appear in pictorial representations of the saint. The crime was plotted by the heretic bishop Daniele da Giussano, who had paid the murderer 40 Milanese pounds, making his death an echo of that of Christ.
"Saint Peter Martyr".
Oil on canvas.
It presents faults, losses, repainting and restorations.
Measurements: 55,5 x 40,5 cm; 74 x 65 cm (frame).
This work represents Saint Peter of Verona (Italy, 1205-1252), a Dominican martyr born in the bosom of a family that followed the Cathar heresy who, at the age of sixteen, fascinated by the word of Saint Dominic of Guzmán, receives the Dominican habit from his own hands. The present canvas was painted by an artist from the circle of Bernardo Bitti, a Jesuit coadjutor brother and Italian painter who worked in Lima, Cusco, Ayacucho, La Paz and Sucre. Bitti's arrival on the American continent was very important as it marked the initial development of Cuzco art. He introduced Mannerism, one of the main pictorial trends in vogue in Europe at the time, to Cuzco.
After completing his ecclesiastical training, Saint Peter Martyr was appointed preacher of the Gospel of Jesus in the face of the Italian Cathars, a task he carried out with piety and austerity, achieving great fame throughout Italy. One day, the holy martyrs Agnes, Cecilia and Catherine appeared to him in his cell and he was reprimanded for having violated the enclosure by welcoming women into his cell. The saint did not defend himself and acknowledged that he was a sinner and was punished. In the solitude of his punishment, he intensified his study and prayer, and one day he unburdened himself in front of a crucifix, asking "What evil have I done, Lord, to see me as I am? Christ then consoles and comforts him with these words, "And I, Peter, what evil have I done?". At last the truth triumphs and he is appointed Inquisitor General by Pope Gregory IX, allowing him to continue his evangelising work in Rome, Florence and Milan. He was finally killed while crossing the Barlassina forest on his way back to Milan. His murderer struck him with an axe in the back of the head and stabbed him in the chest, weapons that often appear in pictorial representations of the saint. The crime was plotted by the heretic bishop Daniele da Giussano, who had paid the murderer 40 Milanese pounds, making his death an echo of that of Christ.
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Seventeenth-century Lima school. Circle of BERNARDO BITTI (Camerino, Italy, 1548-Lima, Peru, 1610).
"Saint Peter Martyr".
Oil on canvas.
It presents faults, losses, repainting and restorations.
Measurements: 55,5 x 40,5 cm; 74 x 65 cm (frame).
This work represents Saint Peter of Verona (Italy, 1205-1252), a Dominican martyr born in the bosom of a family that followed the Cathar heresy who, at the age of sixteen, fascinated by the word of Saint Dominic of Guzmán, receives the Dominican habit from his own hands. The present canvas was painted by an artist from the circle of Bernardo Bitti, a Jesuit coadjutor brother and Italian painter who worked in Lima, Cusco, Ayacucho, La Paz and Sucre. Bitti's arrival on the American continent was very important as it marked the initial development of Cuzco art. He introduced Mannerism, one of the main pictorial trends in vogue in Europe at the time, to Cuzco.
After completing his ecclesiastical training, Saint Peter Martyr was appointed preacher of the Gospel of Jesus in the face of the Italian Cathars, a task he carried out with piety and austerity, achieving great fame throughout Italy. One day, the holy martyrs Agnes, Cecilia and Catherine appeared to him in his cell and he was reprimanded for having violated the enclosure by welcoming women into his cell. The saint did not defend himself and acknowledged that he was a sinner and was punished. In the solitude of his punishment, he intensified his study and prayer, and one day he unburdened himself in front of a crucifix, asking "What evil have I done, Lord, to see me as I am? Christ then consoles and comforts him with these words, "And I, Peter, what evil have I done?". At last the truth triumphs and he is appointed Inquisitor General by Pope Gregory IX, allowing him to continue his evangelising work in Rome, Florence and Milan. He was finally killed while crossing the Barlassina forest on his way back to Milan. His murderer struck him with an axe in the back of the head and stabbed him in the chest, weapons that often appear in pictorial representations of the saint. The crime was plotted by the heretic bishop Daniele da Giussano, who had paid the murderer 40 Milanese pounds, making his death an echo of that of Christ.
"Saint Peter Martyr".
Oil on canvas.
It presents faults, losses, repainting and restorations.
Measurements: 55,5 x 40,5 cm; 74 x 65 cm (frame).
This work represents Saint Peter of Verona (Italy, 1205-1252), a Dominican martyr born in the bosom of a family that followed the Cathar heresy who, at the age of sixteen, fascinated by the word of Saint Dominic of Guzmán, receives the Dominican habit from his own hands. The present canvas was painted by an artist from the circle of Bernardo Bitti, a Jesuit coadjutor brother and Italian painter who worked in Lima, Cusco, Ayacucho, La Paz and Sucre. Bitti's arrival on the American continent was very important as it marked the initial development of Cuzco art. He introduced Mannerism, one of the main pictorial trends in vogue in Europe at the time, to Cuzco.
After completing his ecclesiastical training, Saint Peter Martyr was appointed preacher of the Gospel of Jesus in the face of the Italian Cathars, a task he carried out with piety and austerity, achieving great fame throughout Italy. One day, the holy martyrs Agnes, Cecilia and Catherine appeared to him in his cell and he was reprimanded for having violated the enclosure by welcoming women into his cell. The saint did not defend himself and acknowledged that he was a sinner and was punished. In the solitude of his punishment, he intensified his study and prayer, and one day he unburdened himself in front of a crucifix, asking "What evil have I done, Lord, to see me as I am? Christ then consoles and comforts him with these words, "And I, Peter, what evil have I done?". At last the truth triumphs and he is appointed Inquisitor General by Pope Gregory IX, allowing him to continue his evangelising work in Rome, Florence and Milan. He was finally killed while crossing the Barlassina forest on his way back to Milan. His murderer struck him with an axe in the back of the head and stabbed him in the chest, weapons that often appear in pictorial representations of the saint. The crime was plotted by the heretic bishop Daniele da Giussano, who had paid the murderer 40 Milanese pounds, making his death an echo of that of Christ.
10th March - Old Masters from America and Europe
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