73
Novo-Hispanic school; 18th century."Annunciation".Oil on canvas. Re-coloured.It presents
1/6
Beschreibung
Novo-Hispanic school; 18th century.
"Annunciation".
Oil on canvas. Re-coloured.
It presents repainting and frame of later period.
Measurements: 50 x 37 cm; 63 x 50,5 cm (frame).
The scene is placed in a private interior, as it can be deduced by the presence of the furniture, the chair and the lectern that precedes the virgin, although this interior is merged with a break of glory in the upper area of the canvas. The influence of Baroque models is evident, despite the fact that this is a later work. The two large figures are in the foreground: the Archangel Gabriel, whose garments are blown by the wind to suggest that he is flying, raises one of his hands towards the sky and points towards the dove of the Holy Spirit, who appears enveloped in light. Mary, dressed in a red robe and a dark blue angular cloak, bows her head slightly in humility and clasps her hands against her chest, gestures that define her intention to accept the message the Tariff is conveying to her. Next to him, a low table with a book on which he rests his hands refers to the instruction that the Virgin would have received. It is worth noting that the archangel carries several white flowers, specifically a bouquet of lilies, alluding to the Virgin's purity, which is one of the most common iconographic attributes in the depiction of this scene.
The Annunciation is one of the most frequently depicted themes in Christian art because it marks the Incarnation of Christ as man and as God, with Mary maintaining her purity and virginal state, points of great theological importance. Thus, throughout the evolution of the different styles in European art, there is a great variety of models and different details according to style, school and period. The present work clearly relates to Baroque works in terms of the palette chosen, the iconography (with details retained from earlier traditions), the contrasts of light, etc. These types of models and styles were very common in colonial painting, which developed its art through the direct influence of the aesthetic guidelines set by Spain.
"Annunciation".
Oil on canvas. Re-coloured.
It presents repainting and frame of later period.
Measurements: 50 x 37 cm; 63 x 50,5 cm (frame).
The scene is placed in a private interior, as it can be deduced by the presence of the furniture, the chair and the lectern that precedes the virgin, although this interior is merged with a break of glory in the upper area of the canvas. The influence of Baroque models is evident, despite the fact that this is a later work. The two large figures are in the foreground: the Archangel Gabriel, whose garments are blown by the wind to suggest that he is flying, raises one of his hands towards the sky and points towards the dove of the Holy Spirit, who appears enveloped in light. Mary, dressed in a red robe and a dark blue angular cloak, bows her head slightly in humility and clasps her hands against her chest, gestures that define her intention to accept the message the Tariff is conveying to her. Next to him, a low table with a book on which he rests his hands refers to the instruction that the Virgin would have received. It is worth noting that the archangel carries several white flowers, specifically a bouquet of lilies, alluding to the Virgin's purity, which is one of the most common iconographic attributes in the depiction of this scene.
The Annunciation is one of the most frequently depicted themes in Christian art because it marks the Incarnation of Christ as man and as God, with Mary maintaining her purity and virginal state, points of great theological importance. Thus, throughout the evolution of the different styles in European art, there is a great variety of models and different details according to style, school and period. The present work clearly relates to Baroque works in terms of the palette chosen, the iconography (with details retained from earlier traditions), the contrasts of light, etc. These types of models and styles were very common in colonial painting, which developed its art through the direct influence of the aesthetic guidelines set by Spain.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
Novo-Hispanic school; 18th century.
"Annunciation".
Oil on canvas. Re-coloured.
It presents repainting and frame of later period.
Measurements: 50 x 37 cm; 63 x 50,5 cm (frame).
The scene is placed in a private interior, as it can be deduced by the presence of the furniture, the chair and the lectern that precedes the virgin, although this interior is merged with a break of glory in the upper area of the canvas. The influence of Baroque models is evident, despite the fact that this is a later work. The two large figures are in the foreground: the Archangel Gabriel, whose garments are blown by the wind to suggest that he is flying, raises one of his hands towards the sky and points towards the dove of the Holy Spirit, who appears enveloped in light. Mary, dressed in a red robe and a dark blue angular cloak, bows her head slightly in humility and clasps her hands against her chest, gestures that define her intention to accept the message the Tariff is conveying to her. Next to him, a low table with a book on which he rests his hands refers to the instruction that the Virgin would have received. It is worth noting that the archangel carries several white flowers, specifically a bouquet of lilies, alluding to the Virgin's purity, which is one of the most common iconographic attributes in the depiction of this scene.
The Annunciation is one of the most frequently depicted themes in Christian art because it marks the Incarnation of Christ as man and as God, with Mary maintaining her purity and virginal state, points of great theological importance. Thus, throughout the evolution of the different styles in European art, there is a great variety of models and different details according to style, school and period. The present work clearly relates to Baroque works in terms of the palette chosen, the iconography (with details retained from earlier traditions), the contrasts of light, etc. These types of models and styles were very common in colonial painting, which developed its art through the direct influence of the aesthetic guidelines set by Spain.
"Annunciation".
Oil on canvas. Re-coloured.
It presents repainting and frame of later period.
Measurements: 50 x 37 cm; 63 x 50,5 cm (frame).
The scene is placed in a private interior, as it can be deduced by the presence of the furniture, the chair and the lectern that precedes the virgin, although this interior is merged with a break of glory in the upper area of the canvas. The influence of Baroque models is evident, despite the fact that this is a later work. The two large figures are in the foreground: the Archangel Gabriel, whose garments are blown by the wind to suggest that he is flying, raises one of his hands towards the sky and points towards the dove of the Holy Spirit, who appears enveloped in light. Mary, dressed in a red robe and a dark blue angular cloak, bows her head slightly in humility and clasps her hands against her chest, gestures that define her intention to accept the message the Tariff is conveying to her. Next to him, a low table with a book on which he rests his hands refers to the instruction that the Virgin would have received. It is worth noting that the archangel carries several white flowers, specifically a bouquet of lilies, alluding to the Virgin's purity, which is one of the most common iconographic attributes in the depiction of this scene.
The Annunciation is one of the most frequently depicted themes in Christian art because it marks the Incarnation of Christ as man and as God, with Mary maintaining her purity and virginal state, points of great theological importance. Thus, throughout the evolution of the different styles in European art, there is a great variety of models and different details according to style, school and period. The present work clearly relates to Baroque works in terms of the palette chosen, the iconography (with details retained from earlier traditions), the contrasts of light, etc. These types of models and styles were very common in colonial painting, which developed its art through the direct influence of the aesthetic guidelines set by Spain.
10th March - Old Masters from America and Europe
Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Wichtige Informationen
22% buyer´s premium
18% buyer´s premium at www.setdart.com
AGB
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
