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CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891)

In Five Centuries

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CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 1 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 2 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 3 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 4 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 5 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 6 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 7 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 8 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 9 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 1 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 2 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 3 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 4 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 5 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 6 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 7 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 8 aus 9
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891) - Bild 9 aus 9
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CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891)
PROVIDENCE WITH WIDOW AND CHILDREN, CIRCA 1832
modelled as the figure of Providence holding a large cornucopia issuing grain and fruit, flanked by the figures of a widow and children and a child holding a sheaf of wheat next to a founding stone with date MDCCCXV (Scottish Widows founded in 1815), together with two pediment corners, modelled as a plough surrounded with wheat and an anchorIMPORTANT NOTICE FOR THIS LOT: This sculpture will be sold in situ and is not available to view at Lyon & Turnbull. Additional photographs and a condition report are available. Viewing can be arranged by appointment - please contact the department. The lot is currently situated approximately one hour's drive south east of Edinburgh. All removal costs will be the responsibility of the purchaser.
182cm high, 250cm wide
Scottish Widows' Fund and Life Assurance Society, 5 St Andrew Square, Edinburgh from 1832Removed to Scottish Widows' office, 141 Buchanan Street, Glasgow, circa 1860Removed to 9 St Andrew Square, Edinburgh, circa 1970The Late Donald Mackenzie and thence by descentSold in these rooms, Scottish Silver & Applied Arts, 16 August 2017, where purchased by the current owner's family
John Steell (1804-1891) was born in Aberdeen in 1804, but moved to Edinburgh with his family in 1807. He entered into an apprenticeship with his father, who was a carver and gilder, and trained at the Trustees' School of Design. Just five years after going into partnership with his father in 1824 he resolved to become a sculptor and travelled to Rome. On his return in 1830, he was made a member of the Royal Scottish Academy. During the course of his career he became one of the most important and esteemed sculptors of nineteenth century Scotland, being made sculptor to the Queen in Scotland in 1838. He is known for several famous statues including the statue of Queen Victoria atop the RSA building on Princes Street, Edinburgh, the statue of Sir Walter Scott in the Scott Monument, also on Princes Street, and Edinburgh's Prince Albert Memorial monument in Charlotte Square, for which he received his knighthood in 1876.In 1832 he was commissioned to design his first architectural piece, the current lot, which would adorn the entrance to the St Andrew Square, head office of the Scottish Widows' Fund and Life Assurance Society in Edinburgh. It was based on the decorative emblem that was used on the society's policy documents. The sculpture depicts Providence, who is the divine representation of the ability to make provision, with a cornucopia with fruit and vegetables spilling from it. To her left is a child holding a bulging sheaf of wheat. On the left of the sculpture sits a mourning widow, shawled and seated in a Madonna-like fashion, surrounded by her children who look up at her. On the right of the sculpture is a headstone, signifying the lost husband, with the date AD MDCCCXV (1815) inscribed on it, which was the year of the society's establishment. In 1859 the society's offices were moved a few doors down and the sculpture was relocated to their Glasgow branch on Buchanan Street. From there it was removed some time before the building's demolition in the 1970s, at which point it was stored in the basement of the old Scottish Widows' building at 9 St Andrew Square. The sculpture was subsequently gifted to Donald Mackenzie who placed it in his garden, from whence it was sold by Lyon & Turnbull in 2017.
CARVED SANDSTONE FIGURE GROUP, BY SIR JOHN STEELL RSA (1804-1891)
PROVIDENCE WITH WIDOW AND CHILDREN, CIRCA 1832
modelled as the figure of Providence holding a large cornucopia issuing grain and fruit, flanked by the figures of a widow and children and a child holding a sheaf of wheat next to a founding stone with date MDCCCXV (Scottish Widows founded in 1815), together with two pediment corners, modelled as a plough surrounded with wheat and an anchorIMPORTANT NOTICE FOR THIS LOT: This sculpture will be sold in situ and is not available to view at Lyon & Turnbull. Additional photographs and a condition report are available. Viewing can be arranged by appointment - please contact the department. The lot is currently situated approximately one hour's drive south east of Edinburgh. All removal costs will be the responsibility of the purchaser.
182cm high, 250cm wide
Scottish Widows' Fund and Life Assurance Society, 5 St Andrew Square, Edinburgh from 1832Removed to Scottish Widows' office, 141 Buchanan Street, Glasgow, circa 1860Removed to 9 St Andrew Square, Edinburgh, circa 1970The Late Donald Mackenzie and thence by descentSold in these rooms, Scottish Silver & Applied Arts, 16 August 2017, where purchased by the current owner's family
John Steell (1804-1891) was born in Aberdeen in 1804, but moved to Edinburgh with his family in 1807. He entered into an apprenticeship with his father, who was a carver and gilder, and trained at the Trustees' School of Design. Just five years after going into partnership with his father in 1824 he resolved to become a sculptor and travelled to Rome. On his return in 1830, he was made a member of the Royal Scottish Academy. During the course of his career he became one of the most important and esteemed sculptors of nineteenth century Scotland, being made sculptor to the Queen in Scotland in 1838. He is known for several famous statues including the statue of Queen Victoria atop the RSA building on Princes Street, Edinburgh, the statue of Sir Walter Scott in the Scott Monument, also on Princes Street, and Edinburgh's Prince Albert Memorial monument in Charlotte Square, for which he received his knighthood in 1876.In 1832 he was commissioned to design his first architectural piece, the current lot, which would adorn the entrance to the St Andrew Square, head office of the Scottish Widows' Fund and Life Assurance Society in Edinburgh. It was based on the decorative emblem that was used on the society's policy documents. The sculpture depicts Providence, who is the divine representation of the ability to make provision, with a cornucopia with fruit and vegetables spilling from it. To her left is a child holding a bulging sheaf of wheat. On the left of the sculpture sits a mourning widow, shawled and seated in a Madonna-like fashion, surrounded by her children who look up at her. On the right of the sculpture is a headstone, signifying the lost husband, with the date AD MDCCCXV (1815) inscribed on it, which was the year of the society's establishment. In 1859 the society's offices were moved a few doors down and the sculpture was relocated to their Glasgow branch on Buchanan Street. From there it was removed some time before the building's demolition in the 1970s, at which point it was stored in the basement of the old Scottish Widows' building at 9 St Andrew Square. The sculpture was subsequently gifted to Donald Mackenzie who placed it in his garden, from whence it was sold by Lyon & Turnbull in 2017.

Five Centuries

Auktionsdatum
Lose: 1-313
Lose: 314-602
Ort der Versteigerung
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Edinburgh
EH1 3RR
United Kingdom

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Wichtige Informationen

BUYER'S PREMIUM

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

26% up to £20,000
25% from £20,001 to £500,000
20% thereafter

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

† VAT at the standard rate payable on the hammer price‡ Reduced rate of 5% import VAT payable on the hammer price[Ω] Standard rate of import VAT on the hammer price

Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction

REGISTRATION

All potential buyers must register prior to placing a bid. Paddle registration must be completed in advance of the sale day. Please note that all first-time, and those returning after an extended period, bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:1 – Government issued photo ID (Passport/Driving licence)2 – Proof of address (utility bill/bank statement).

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ARTIST’S RESALE ROYALTY (DROIT DE SUITE)

§ indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than £1,000. The charge for works of art sold at and above £1,000 and below £50,000 is 4%. For items selling above £50,000, charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT.  

More information on Droit de Suite is available at www.dacs.org.uk

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COLLECTION OF PURCHASES

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Call 0131 557 8844 or email info@lyonandturnbull.com to book  

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Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. Our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

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UK - Conditions Of Sale For Buyers
These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

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