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HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty

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HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty - Bild 1 aus 3
HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty - Bild 2 aus 3
HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty - Bild 3 aus 3
HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty - Bild 1 aus 3
HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty - Bild 2 aus 3
HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty - Bild 3 aus 3
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HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty eight A.Ls.S., George Henschel, and others slightly abbreviated, some signed with his initials, fifty six pages, largely 8vo (a number on correspondence cards), various places (Aviemore, London, Villefranche etc.), 1914-25, all to Louis Fleury. Henschel writes an interesting series of letters, largely with musical content concerning a composition for his correspondent, in part, 'I have not forgotten my promise to write some variations for your instrument and shall commence as soon as I have finished an Organ Prelude on a Hymn of All Saints on which I am at present engaged. I shall endeavour to make it worthy of your beautiful art' (11th June 1919), 'At last I am quite in earnest working on those variations! I have abandoned the idea of the Scottish Folksong and made a simple theme of my own which I herewith send you as I want to know if you like it….is the Key of E agreeable? I have already 3 variations sketched…' (30th July 1920), 'You will see I have changed the key to F which is really better in every respect. I hope you will agree with me…I shall take the liberty of dedicating the little work to you' (9th August 1920), 'I have made a note of your suggestion regarding the rests for respiration. There will be seven variations in all, the whole thing lasting about 8 or 10 minutes. I am greatly looking forward to hearing you play my little work' (23rd August 1920), 'Lady Sheffield, our dear hostess, would love to come and hear the piece (she is a charming woman & very musical) and I hope it will suit you' (6th November 1920), '…with an interpreter like you, my little work is sure to be a success' (30th November 1920), 'It is very good of you to play my little variations at your various concerts & I am greatly obliged to you & hope you will have a great success….As to the publication of the variations - - not a word from Chesters! Do you think a Paris publisher would take the little work?' (23rd January 1921), 'I am truly delighted the variations - thanks to your exquisite playing - have met with such success and thank you very much' (4th May 1921), 'I do hope you will be in England in October. It would be awfully nice to have that little concert at Broadway and I should love to hear you play the Bach, and my flute variations' (4th August 1924), 'I have just read Mme. Navarro's letter again and am sorry I did not follow my first impulse….and told you that, although she accepts your terms she finds them rather high. "Higher" (she writes) than Suggias or any other of the artists that play and sing here for me…." I think therefore it would be a very gracious thing on your part - and good policy too for the future if in writing to her you would say that…..you will be very glad to accept fifteen guineas….After all, Mme de N has been a very famous artist herself and all the best musicians love to play & sing for her' (17th August 1924), 'I send you here a little sicilienne with which Casals (it is originally for cello) has had a huge success in New York' (27th August 1924). Several of the letters are written in French and seven of them incorporate musical quotations of various lengths, each being corrections and suggestions to Henschel's composition and submitted to Fleury for this thoughts and comments. Also including a further three Autograph Musical Quotations, unsigned, by Herschel, again each being corrections and suggestions sent to Fleury (and referred to in some of the letters). A number of the letters are accompanied by the original envelopes hand addressed by Herschel. An interesting archive. Some light age wear, generally VG, 31 Louis Fleury (1878-1926) French Flautist.
HENSCHEL GEORGE: (1850-1934) German Composer, Conductor, Pianist & Baritone. A good series of twenty eight A.Ls.S., George Henschel, and others slightly abbreviated, some signed with his initials, fifty six pages, largely 8vo (a number on correspondence cards), various places (Aviemore, London, Villefranche etc.), 1914-25, all to Louis Fleury. Henschel writes an interesting series of letters, largely with musical content concerning a composition for his correspondent, in part, 'I have not forgotten my promise to write some variations for your instrument and shall commence as soon as I have finished an Organ Prelude on a Hymn of All Saints on which I am at present engaged. I shall endeavour to make it worthy of your beautiful art' (11th June 1919), 'At last I am quite in earnest working on those variations! I have abandoned the idea of the Scottish Folksong and made a simple theme of my own which I herewith send you as I want to know if you like it….is the Key of E agreeable? I have already 3 variations sketched…' (30th July 1920), 'You will see I have changed the key to F which is really better in every respect. I hope you will agree with me…I shall take the liberty of dedicating the little work to you' (9th August 1920), 'I have made a note of your suggestion regarding the rests for respiration. There will be seven variations in all, the whole thing lasting about 8 or 10 minutes. I am greatly looking forward to hearing you play my little work' (23rd August 1920), 'Lady Sheffield, our dear hostess, would love to come and hear the piece (she is a charming woman & very musical) and I hope it will suit you' (6th November 1920), '…with an interpreter like you, my little work is sure to be a success' (30th November 1920), 'It is very good of you to play my little variations at your various concerts & I am greatly obliged to you & hope you will have a great success….As to the publication of the variations - - not a word from Chesters! Do you think a Paris publisher would take the little work?' (23rd January 1921), 'I am truly delighted the variations - thanks to your exquisite playing - have met with such success and thank you very much' (4th May 1921), 'I do hope you will be in England in October. It would be awfully nice to have that little concert at Broadway and I should love to hear you play the Bach, and my flute variations' (4th August 1924), 'I have just read Mme. Navarro's letter again and am sorry I did not follow my first impulse….and told you that, although she accepts your terms she finds them rather high. "Higher" (she writes) than Suggias or any other of the artists that play and sing here for me…." I think therefore it would be a very gracious thing on your part - and good policy too for the future if in writing to her you would say that…..you will be very glad to accept fifteen guineas….After all, Mme de N has been a very famous artist herself and all the best musicians love to play & sing for her' (17th August 1924), 'I send you here a little sicilienne with which Casals (it is originally for cello) has had a huge success in New York' (27th August 1924). Several of the letters are written in French and seven of them incorporate musical quotations of various lengths, each being corrections and suggestions to Henschel's composition and submitted to Fleury for this thoughts and comments. Also including a further three Autograph Musical Quotations, unsigned, by Herschel, again each being corrections and suggestions sent to Fleury (and referred to in some of the letters). A number of the letters are accompanied by the original envelopes hand addressed by Herschel. An interesting archive. Some light age wear, generally VG, 31 Louis Fleury (1878-1926) French Flautist.

Autograph Auction featuring the Collection of a Yorkshire Gentleman

Auktionsdatum
Lose: 1-626
Lose: 627-1000
Ort der Versteigerung
Nottingham Racecourse
Colwick Road
Nottingham
Nottinghamshire
NG2 4BE
United Kingdom

Generelle Versandinformationen vom Auktionshaus verfügbar

Shipment

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Wichtige Informationen

Buyers Information:

Buyers Premium 27% including VAT 

Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT at the rate imposed. 

Viewing:

By appointment only, in Nottingham, one week before the sale, at Foxhall Business Centre, Foxhall Road, Nottingham, NG7 6LH and on the sale day at Nottingham Racecourse from 9am

Glossary: 

The following conventional abbreviations have been used in this catalogue.

A.L.S. - Autograph Letter Signed (a letter entirely in the hand of the person named and signed)

T.L.S. - Typed Letter Signed (a typewritten letter signed by the person named)

L.S. - Letter Signed (a letter in the hand of a secretary although signed by the person named)

D.S. - Document Signed (a document, either printed or in the hand of a secretary although signed by the person named)

F.D.C. - First Day Cover

M.S. – Manuscript

A.M.Q.S. – Autograph Musical Quotation Signed

A.N.S. - Autograph Note Signed

n.d. - no date

n.p. - no place

All measurements are in inches, horizontal measurements given first, and the paper sizes used in this catalogue are:

12mo (approximately 3x5 inches).

8vo (approximately 5 x 7 inches), 4to (approximately 8x10 inches) and

folio (approximately 8 x I I inches).

 

We would recommend that buyers satisfy themselves personally with the

condition of each lot, however the following abbreviations have been used in

the descriptions as a guide to the condition:

EX – Excellent

VG - Very Good

G – Good

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P – Poor

VR - Varying condition.

Items being described as matted or framed and glazed have not been inspected out of their frames and the condition is only given on the appearance of the piece as viewed in the frame.


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Most items are sent Royal Mail Special Delivery. They also use Parcel Force (24/48 and Worldwide Service). They can also arrange for items to be sent via Federal Express at a clients request.

AGB

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5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.
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For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.
7. Delivery
7.1. Lots will only be released once payment in full has been received from the Purchaser.
7.2 All lots are normally held at the sole risk of the Purchaser from the fall of the hammer. However, with effect from the 1st December 2013, the Auctioneer will indemnify the Purchaser against loss or damage to purchased lots from the fall of the hammer to the point of despatch at no extra charge to the Purchaser. Following receipt of payment lots will be despatched , at the Purchaser’s cost, by the most expedient means of transit (or in accordance with the purchaser’s written or emailed instructions).
With effect from the 1st December 2013 all shipments will be covered for the full value of the goods (including Purchaser’s premium but excluding import taxes) in the event of loss or damage. The charges for this service, which are as follows, will be added to the Purchaser’s invoice prior to shipment.
In the event that the Purchaser has either made alternative insurance arrangements or does not require to take advantage of the Auctioneer’s scheme, written (or emailed) instructions to that effect must be received prior to the goods leaving the Auctioneer’s premises.
Scale of Charges:
Shipment value including premium. Charge
Under £250 £5.00
£250-£500 £7.50
£501-£1000 £10.00
£1001-£2000 £20.00
£2001-£5000 £35.00
Over £5000 £50.00

7.3. Postage is subject to VAT at 20% within the EU
7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.
7.5. A charge will be made for the packing of deliveries which is subject to VAT at 20% within the EU.
8. Auctioneers Remedies
In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:
8.1. to rescind the sale of the relevant lot(s)
8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.
9. Jurisdiction
These Conditions shall be governed by English law and the parties submit to the exclusive jurisdiction of the English courts.
Online Bidding
International Autograph Auctions Ltd. offer an online bidding service for bidders who cannot attend the sale, however please be advised that a charge of 3% + VAT is chargeable on all purchases made through any of the online bidding facilities offered.
In completing the bidder registration and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Ltd. you
1. authorise International Autograph Auctions Ltd., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction, and
2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Ltd. and agree that International Autograph Auctions Ltd. are entitled to ship the goods to the card holder name and card holder address provided in fulfillment of the sale.
3. confirm that you accept that an additional charge of 3% + VAT will be applied to your invoice for use of an online bidding facility

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