Art & Design post 1880

* GINNY RUFFNER (b.1952): A COLLECTION OF GLASS SCULPTURES freeform swirls, largest 39cm long (5)

* ERIK HOGLUND (1932-1998) FOR BODA: AN AMBER GLASS BOTTLE VASE of tapered form with an applied lip to the rim and air bubble decoration, 29.5cm h...

A QUANTITY OF ASSORTED STUDIO GLASS to include a Murano glass comport with dolphin support, various other vases and centrepieces, coloured and cle...

CARTERS (POOLE POTTERY): A PORTRAIT PLAQUE depicting Charles Van Raalte, green glazed, 15.5cm high x 11cm wide

ROYAL DOULTON: A JARDINIERE ON STAND Doulton Slaters Patent, early 20th Century,  Arts and Crafts jardiniere and pedestal stand decorated with tub...

WILLIAM MOORCROFT: A "POMEGRANATE" COMPORT circular form, the dish raised on a plated fluted base, impressed and painted marks, 22cm dia

ROSENTHAL: A BISQUE PORCELAIN BUST OF NEFERTITI based on the famous Thutmose bust, the headdress and underside glazed, 29cm high

ERIC RAVILIOUS (1903-1942) FOR WEDGWOOD: A LARGE 'BOAT RACE' BOWL black transfer printed vignettes against an off-white ground, 31cm diameter ......

DAISY MAKEIG-JONES FOR WEDGWOOD: A "FAIRYLAND LUSTRE" OCTAGONAL BOWL pattern no. Z5125, the outside decorated in the "Castles on a Road" pattern, ...

* MARY ROSE YOUNG (b.1958) A BREAD CROCK AND COVER cylindrical form, the body applied with ceramic "jewels" and flowers, painted in polychrome wit...

A SMALL QUANTITY OF STUDIO POTTERY including a small ribbed vase by David Leach, a small patch box by John Maltby, a cobalt blue vase by John Bedd...

*ALAN WALLWORK (1931-2019) TWO RECTANGULAR 'SLAB' VASES each with geometric designs, 17.5cm and 17cm high; and a smaller example with incised wave...

A QUANTITY OF STUDIO POTTERY WARES including examples by David Eeles, Ray Finch, Stephanie Kalan and others (12) . Provenance: The Walter Fletcher...

* MICHAEL LEACH (1913-1985) A YELLAND POTTERY JUG, stoneware, the globular body decorated with repeating white stripes against a brown ground, 20c...

* MICHAEL CASSON (1925-2003) A STUDIO POTTERY VASE, red earthernware, decorated using the wax-resist method, 16.5cm high. Provenance: The Walter F...

*SARAH WALTON (b.1945): A LARGE STUDIO POTTERY STONEWARE LAMP BASE, glazed with stylised decoration, 43.5cm high approx (excl. fittings)

ATTRIBUTED TO DR CHRISTOPHER DRESSER FOR HUKIN AND HEATH: A SILVER PLATED CANDLE HOLDER, circular form, with cylindrical bone handle, circular pan...

* ELEANOR KEARNEY: A CONTEMPORARY PEWTER TEAPOT AND CANISTERS, c.1993, globular form with straight wooden turned handle, wooden detachable ball co...

DUNHILL: A NOVELTY ELECTROPLATED LIGHTER IN THE FORM OF A 12" RULER, stamped to base; together with a similar 6" example (2)

DAVID FISHER FOR AUSTIN PRODUCTIONS 'STARGAZER', signed and dated 1981, plaster, 60cm high

IN THE MANNER OF HENRI BARGAS (fl. 1920-1930) An Art Deco style sculpture 'Tigre', the big cat depicted walking on a naturalistic rectangular base...

HERBERT TERRY & SONS: AN ANGLEPOISE LAMP, cream painted finish and raised on a stepped base, stamped "Made in England by Herbert Terry & Sons Ltd,...

A 20TH CENTURY FRENCH 'SPUTNIK' TYPE CEILING LIGHT, the chrome body with five branches and five spikes emanating from a central globe, 62cm high

A MODERNIST CHROME TABLE LAMP, the column with central globular 'ball' above a circular base, 49cm high

VERNER PANTON: A 'FUN 2TM' TABLE LAMP, the chrome body holding numerous cascading drops of capiz shells, 60cm high

COTSWOLD SCHOOL, MANNER OF EDWARD BARNSLEY (1900-1987) A CABINET OF SPECIMEN DRAWER PULLS, the oak cabinet with a glazed door opening to reveal a ...

*PHOEBE STABLER (1879-1955) 'The Piping Fawn' a lead-covered roundel plaque, cast in relief with a central fawn framed by a decorative garland bor...

A COPPER FOUNTAIN BY JAMB, Mid-20th century, of curving asymmetrical form, with two jets for the water, 100cm x 50cm, Provenance: purchased at Chr...

ÉMILE-JACQUES RUHLMANN (1879-1933) A RARE 'VIVILLE' SILVERED BRONZE TABLE MIRROR the circular mirror plate resting on a volute base, the underside...

A LARGE QUANTITY OF AUCTION CATALOGUES largely London salesrooms, mainly concerning the Decorative Arts

FLEMING, IAN (1908-1964) 'Live and Let Die' London: Jonathan Cape, 1964 edition, facsimile dust jacket  ...[more]

FLEMING, IAN (1908-1964) 'Thunderball' London: Jonathan Cape, 1961 first edition, first impression, publisher's cloth lettered in gilt with impres...

FLEMING, IAN (1908-1964) 'Dr No' London: Jonathan Cape, early 1958 first edition, first impression, first state copy, publisher's cloth lettered i...

FLEMING, IAN (1908-1964) 'Diamonds Are Forever' London: Jonathan Cape, 1956 first edition, publisher's cloth lettered in silver to the spine with ...

A PAIR OF FOUR-BRANCH HANGING LIGHTS the central green dish with brass band from which emanates four branches each with Tiffany style glass and le...

MAITLAND-SMITH: A LARGE HANGING LIGHT in the Art Nouveau taste with scrolling foliate body, possibly a billiard table light, approximately 155cm w...

LAURENCE LAFONT FOR SERGE LESAGE: 'SOLEIL' A HAND TUFTED CIRCULAR RUG the buff ground with central sunburst design and two-tone green accents, 112...

TABERGS YLLEFABRIKS AB, SWEDEN: A VINTAGE RUG (MATTA) with repeating geometric motif against a bright orange ground, 235cm x 170cm

IN THE MANNER OF THONET: A NEST OF THREE BENTWOOD TABLES, the largest 55cm wide x 38cm deep, 69cm high when together

A SECESSIONIST STYLE NARROW BRASS AND STAINED HARDWOOD DRESSING TABLE, the triptych mirror with adjustable side plates above the top with inset be...

A FRENCH WROUGHT IRON AND FROSTED GLASS TOPPED OCCASIONAL TABLE, c.1940s, of circular form, the scrolling structure joined by a ring stretcher wit...

A GILT BRONZE MOUNTED ARGENTINE ONYX COFFEE TABLE, the shaped top above four foliate-cast baluster legs and a conforming undershelf, 78cm high x 4...

AN ITALIAN 'BLACKAMOOR' GLASS TOPPED DINING TABLE the parcel-gilt bronze supports modelled as seated figures, the later glass top with canted corn...

KESTERPORT: A SET OF EIGHT BLACK LACQUER HIGH BACK DINING CHAIRS, the form taking inspiration from Charles Rennie Mackintosh and with Chinese styl...

CHARLES AND RAY EAMES FOR HERMANN MILLER: A LCM LOUNGE CHAIR with black aniline plywood back and seat on chrome tubular body, the shock mounts mar...

LARGE ITALIAN GLASS TOPPED COFFEE TABLE the rectangular top with canted corners raised on four pairs of conjoined tubular legs, 120cm square, 39cm...

BEITHCRAFT: A MID-CENTURY TEAK SIDEBOARD AND EXTENDING DINING TABLE the sideboard with three drawers, twin cupboards and single fall front cupboar...

NIELS OTTO MOLLER FOR J.L. MOLLERS: A SET OF SIX 'MODEL 78' CHAIRS teak frames with Danish paper cord strung seats, stamped to the underside, 80cm...

A PAIR OF 'AVIATOR' CHROME AND LEATHER 'EGG' CHAIRS after the design by Arne Jacobsen, with 'riveted' chrome outer shell and leather squab cushion...

GUY ROGERS: A 'SANTA FE' THREE SEATER SOFA AND PAIR OF ARMCHAIRS teak framed with 'cognac' button back leather upholstery, the sofa approx. 196cm ...

TIM BATES FOR PIEFF: A 'KADIA' TWO SEATER SETTEE AND SINGLE ARMCHAIR, chrome body and 'cognac' leather upholstery, the settee, 112cm wide x 79cm d...

A SET OF FOUR CHROME AND RED LEATHER CANTILEVER ELBOW CHAIRS, 59cm across the arms, 64cm deep, the larger chairs 100cm high, the smaller chairs 86...

BRENT MARSHALL (B. 1947) A STUDIO GLASS AND HARDWOOD THREE-FOLD SCREEN the segmented glass panels with foliate decoration, some with colour, 165cm...

A PAIR OF UPHOLSTERED TUB CHAIRS with a two tone upholstery of grey and blue, with open backs, on tapering wooden legs. Provenance: The Devonshire...

A PAIR OF UPHOLSTERED TUB CHAIRS with two-tone green and bronze fabric, on wooden legs. Provenance: The Devonshire Club, Spitalfields, London

NATTIER: A QUANTITY OF UNOPENED WALLPAPER ROLLS thirty three rolls of "high quality pre-trimmed non-woven paste-the-wall wallcovering", Aix design...

NATTIER: A LARGE RUG with a repeating wave pattern against grey ground, 327cm x 200cm  Provenance: The Devonshire Club, Spitalfields, London ...[...