Fine British and European Sculpture

From Egyptian antiquities, through Medieval Venetian Gothic & the Tuscan Renaissance, & finishing with works by modern British & European sculptors

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room Newbury, Berkshire

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Fine British and European Sculpture

From Egyptian antiquities, through Medieval Venetian Gothic & the Tuscan Renaissance, & finishing with works by modern British & European sculptors

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A sculpted Istrian limestone heraldic lion, probably Veneto or Dalmatian coast, 13th century, portrayed as salient on its haunches, the slightly u...

A French sculpted and polychrome painted wood model of Christ, Ecce Homo, circa 1500, traditionally portrayed wearing the Crown of Thorns, His hea...

Circle of Lorenzo di Pietro di Giovanni, called Vecchietta (1410 ~ 1480), Italian, Siena or Florence, a sculpted terracotta bust of Saint Benedict...

A sculpted and polychrome painted model of Saint Mary, previously part of a Pieta group, probably French, last quarter 15th century, traditionally...

Workshop of Pietro Torrigiani (1472 ~ 1528), Italian, Florence, a sculpted terracotta bust of Christ the Redeemer, early 16th century 33cm high,...

A painted terracotta bust of a maiden, probably Tuscan and in the manner of Agnolo di Polo, (1470 ~ 1528), portrayed with serene visage declined a...

A Roman sculpted white marble vasque wall basin, late 16th / early 17th century, of loosely demi-lune section, the front carved in relief with a g...

An Italian sculpted terracotta half-length bust, Ecce Homo, Lombardy, late 16th /early 17th century and later, in the manner of earlier Lombard wo...

An Egyptian fragmentary steatite section of a cippus, Late Period to Ptolemaic, circa 600 ~ 32 B.C., sculpted in high relief, the head of Bes prot...

An Italian, probably Venetian wrought iron window guard, 17th century, of rectangular form, the front and sides with top rail above an openwork re...

After Giambologna, (Flemish working in Italy, 1527 ~ 1608), a bronze model of Venus After the Bath, Italian, 17th century, a cloth held up in her ...

After Giambologna, ‘(Flemish working in Italy, 1527 ~ 1608), a bronze model of a pacing bull, 17th century, the bull portrayed with the left forel...

A pair of substantial sculpted oak terms, 17th century, possibly from a maritime context, carved as bearded men and modelled opposing, each with o...

A set of three Flemish carved oak armrests from a cathedra throne, later remounted with a glass top as a table, mid 18th century and later, the th...

A set of four carved and stained oak terms, 17th century and later elements, each with a standing and partially draped putto supporting an Ionic c...

A pair of Italian carved and giltwood altar sticks, early 18th century, the later electrical fitments and drip pans on baluster moulded, knopped, ...

A pair of carved and painted wood term pilasters in Baroque taste, second half 19th century, in the manner of Venetian Blackamoors, with rectangul...

A painted plaster and marble topped pedestal, late 19th century and adapted, the circular top above three panther headed monopodia with oversized ...

French 18th Century School, possibly Circle of Augustin Pajou, (French 1730 ~ 1809), a sculpted terracotta bust of a maiden, portrayed with serene...

A sculpted sandstone group of three putti, mid 18th century, portrayed arm in arm and nude but for partial drapery across their loins, with traces...

The Property of a Lady After Jean-Antoine Houdon, (French 1741 ~ 1828), Le Baiser Donné and Le Baiser Rendu, a pair of patinated bronze bust gro...

After Louis-Félix de La Rue, (French 1731 ~ 1765), a gilt bronze Bacchic group of a putto, two infant fauns and a panther, late 18th / early 19th ...

After Louis-Félix de La Rue, (French 1731 ~ 1765), a patinated bronze Bacchic group of a putto, two infant fauns and a panther, mid 19th century, ...

After Claude Michel, called Clodion, (1738 ~ 1814), a patinated bronze Bacchic group of two putti and a goat, mid 19th century, the putti portraye...

After Giovanni Bonazza, (Italian 1654 ~ 1736), a bronze model of the young Bacchus, portrayed as corpulent and nude but for loose drapery across h...

An Italian patinated bronze model of the Roman she-wolf, possibly workshop of Francesco Righetti, late 18th century, cast after the Antique, her ...

An Italian patinated bronze model of the Capitoline Dying Gaul, late 18th century, cast after the Antique, probably the workshop of Zoffoli or Rig...

A Continental gilt bronze and marble mounted model of a triton, late 18th century, in the manner of examples by Gian Lorenzo Bernini (1598 ~ 1680)...

A pair of Continental patinated bronze mounts in Neoclassical taste, 19th century, each cast in openwork relief with a flambeau finial supported o...

A pair of patinated bronze and marmo convento Siena mounted models of putti, mid 19th century, each portrayed standing and loosely attired, holdin...

After Louis-Simon Boizot (French 1743 ~ 1809) and Gaspar Marsy (French 1624 ~ 1681), the Abduction of Proserpine and Boreas and Orithya, patinated...

A painted cast iron model of the Venus de Milo, second half 20th century, cast after the Antique, portrayed as standing and partially draped 178...

A group of assorted Continental patinated metal figural sculpture, late 19th century, comprising a pair of spelter models of amorini, 16cm high; a...

A pair of Continental patinated bronze models after the Warwick Vase, late 19th century, each cast in relief with the heads of Bacchantes in profi...

A pair of Continental patinated bronze urns and covers in Rococo taste, in the manner of Clodion, late 19th century, the domed and foliate cast co...

A white painted plaster bust of Cicero, 19th century, modelled after the Antique 1st century A.D. example held at the Capitoline Museum in Rome, p...

A Continental, probably Italian sculpted white marble bust of a Bacchante, second half 19th century, his smiling face turned slightly to sinister,...

A Victorian Copeland biscuit porcelain bust of Sir Walter Scott, circa 1870, after Sir Francis Chantrey R.A., portrayed as togate, his head turned...

A pair of French white marble and gilt bronze mounted urns in Neoclassical style, circa 1875, with flambeau cast finials above waisted necks, the ...

A pair of gilt bronze mounted white marble urns in Louis XVI style, late 19th century, the fixed domed covers each with a fir-cone finial, above w...

A substantial and impressive bust after the Farnese Hercules, 19th century, the careworn visage turned downwards to sinister, on a waisted, circul...

A sculpted white marble portrait bust of a gentleman, early 19th century, portrayed togate, his head turned a little to sinister, with parted but ...

Charles Cumberworth, (French 1811 ~ 1852), a patinated bronze group of Venus Clipping Cupid's Wings, mid 19th century, the goddess portrayed as se...

A patinated bronze twin handled urn in Neoclassical style, the exterior cast in high relief with a figural scene of centaurs and amorini, on a wai...

A Continental patinated bronze twin handled urn, probably a planter, last quarter 19th century, of oval section, with egg-and-dart cast everted ri...

A substantial sculpted marmo Verona wall fount modelled as a bearded Bacchic mask in Baroque taste, 20th century, his tousled hair adorned with fo...

Margaret F. Foley, (north American 1820 ~ 1877), two sculpted white marble portrait relief roundels, circa 1863, the smaller example inscribed MF ...

After Jean-Antoine Houdon, (French 1741 ~ 1828), a bronze bust of Diana the Huntress, portrayed with head turned to dexter, a crescent moon diadem...

A pair of Continental patinated bronze and marble mounted twin handled urns in Neoclassical taste, third quarter 19th century, each with gilt met...

A pair of Continental gilt and patinated bronze and marble mounted models of recumbent sphinges, late 19th / early 20th century, each with pharaon...

After Claude Michel, called Clodion, (French 1738 ~ 1814), a pair of patinated bronze Bacchic groups of revelling amorini, late 19th century, port...

A pair of patinated bronze tripod atheniennes in the manner of ancient Pompeian examples, circa 1900, made for use as planters, each with a copper...

A Neapolitan polychrome painted composition and robed creche figure, probably the Virgin Mary, late 18th/ early 19th century, with metal halo abov...

A Charles X carved and gilt wood overdoor or cresting, circa 1825, modelled as two opposed cornucopias, each brimming with fruit, their avine head...

A pair of French patinated bronze and marble mounted twin handled urns and covers, circa 1880, the covers each with a cast putto surmount, the tap...

A pair of Italian patinated bronze and marmo Siena mounted models of Campana urns, late 19th century, each with beaded upper edge to an egg-and-da...

A painted plaster bust after the Diana of Versailles (Diane Chasseresse), late 19th century, after the Antique and now held at the Llouvre, Paris;...

A Victorian plaster bust of the Emperor Augustus, second half 19th century, by Brucciani & Co., modelled after the Antique and later repainted to ...

A painted plaster bust of the Emperor Nero, second half 19th century, modelled after the Antique, with crown embedded in his tousled hair, the hea...

An Italian patinated bronze model of the Pompeiian Dancing Faun, late 19th century, after the Roman original excavated in 1830, portrayed in ecsta...

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