Fine Art, Antiques & Textiles

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* Piper (John). Tombs, Lancashire: David Whitehead & Sons Ltd., 1956, screen-printed rayon, with pattern of church monuments, selvedge to each sid...

* Quilt. A large Victorian patchwork quilt, English, hand-stitched bedcover, backed with cream cotton, composed of hexagons forming flowers, in a ...

* Quilt. A silk patchwork quilt, English, early 20th century, a neatly hand-stitched patchwork bedcover, with jockey cap pattern of repeated squar...

* Quilt. An appliqué coverlet, English, 1830s, hand-stitched bedcover of pieced beige cotton, overlaid with numerous cut-out printed chintz appliq...

* Quilt. An early Victorian patchwork quilt, English, a large hand-stitched bedcover, backed with cream cotton (stained in places), composed of wi...

* Quilts. A patchwork quilt by Mrs. Twine, Sussex, early 20th century, a hand-stitched patchwork bedcover, with all-over star pattern, composed of...

Sample book. Book of tatted lace samples, circa 1867, 141 tatted lace samples stitch-mounted onto rectos and versos of 18 pages (the blue leaves s...

Sample Books. A collection of three large books of lace and fabric samples, 1949-1957, two thick folio volumes, approximately 80 blue paper leaves...

* Scapulars. Two embroidered devotional scapulars, Continental, late 18th century, two scapulars, both composed of two small joined panels hand-em...

* Shawl. A fine Indian Delhi shawl, mid-late 19th century, ornately hand-embroidered in cream silk floss to a grey/blue net base, with central flo...

* Shawl. A Georgian gauze stole, fine silk gauze, of ivory and pink stripes, with hand-knotted fringe at both short ends, small hole in one edge, ...

* Shawls. A Chinese embroidered shawl, late 19th century, cream silk shawl, hand-embroidered overall with elaborate floral and foliate pattern, wi...

* Shawls. A large printed silk crinoline shawl, circa 1860s, fine cream silk, with wide border in pink, green, and yellow, featuring floral and ge...

* Shawls. A large woven crinoline shawl, circa 1860s, woven shawl, short edges with wide border of boteh and fan motifs in shades of red and blue,...

* Shawls. A large woven kirking shawl, circa 1840s-1850s, woven shawl, with all-round border of small boteh motifs and wide border of large botehs...

* Shawls. A large woven striped shawl, mid 19th century, woven shawl with alternating stripes of boteh motifs and repeating Dutch gable pattern, i...

* Shawls. A Welsh nursing shawl, circa 1860s-1880s, finely handwoven wool shawl, cream ground, with black, muted grey, and pale terracotta check, ...

Textile Samples. A large ledger of textile samples, 1933, approximately 1,600 woven textile samples on rectos and versos of approximately 100 leav...

* Toiles de Jouy . A collection of fabric samples, late 18th century and later, together 15 large and some smaller fragments of Toiles de Jouy fab...

* Trapunto . An early piece of trapunto quilting, 18th century, portion of peach silk satin, padded and backed with a coarse woollen cloth, close-...

* Wallpaper. A set of ten hand-blocked rolls 'Myriam', Paris: Leleu Dehays , circa 1950s, ten matching rolls of wallpaper, hand-blocked with flora...

* Continental School. Still Life of Flowers, 2nd half 19th century, oil on canvas, depicting flowers in an urn with a relief of cavorting putti se...

* English School. Girl with Dog, circa 1660-1700, oil on canvas, full-length portrait of a young girl seated in a landscape against a backdrop of ...

* English School. Portrait of a Clergyman, circa 1720, oil on canvas half length portrait, relined and some cracking to paint surface, 77 x 63.5 c...

* English School. Portrait of Captain Follett Walrond Pennell, in Royal Navy uniform, circa 1828, oil on canvas full length portrait, relined, 76 ...

* English School. Study of Queen Charlotte, mid 18th century, half-length oil on canvas portrait, captioned to lower edge, relined, 76 x 64 cm (30...

* Flemish School. The Village Feast, circa 1650-1700, oil on canvas, with old relining and surface restoration (probably mid 20th century), 20th-c...

* Follower of Anthony Van Dyck (1599-1641). St. John the Evangelist, oil on canvas, depicting the evangelist in flowing yellow robe, and red silk ...

* Follower of David Teniers. (1610-1690). Peasants Drinking in a Tavern, oil on canvas, old relining, surface with some marks and wear, generally ...

* Italian School. The Holy Family, 17th century, oil on canvas, with old relining, depicting the virgin and child with Joseph asleep behind, two a...

* Leys ( Hendrik , 1815-1869). Gerrit Six in Rembrandt's Studio, oil on wood panel, signed lower left, large wax seal to reverse of the panel, and...

* Pal (Boris, 1939-). Still life of flowers, oil on wooden panel, painted in the Dutch Old Master style, signed lower right, 41 x 51 cm (16 x 20 i...

* Attributed to Salomon Ruysdael (1602 - 1670). Landscape with figures by a pool, oil on canvas, old relining, some discolouration, early 19th cen...

* Sienese School. Madonna and Child, tempera and gold on thick wood panel, some surface wear, extreme edges slightly chipped, traces of old woodwo...

* Studio of Anthony Van Dyck (1599-1641). Portrait of a Gentleman, believed to be Antoine (or Antoon) Triest (1576-1657), Bishop of Ghent, half-le...

* Attributed to Ludovico Cardi, il Cigoli (1559-1613) . Joachim and the Angel (after Durer), pen, brown ink and dark brown wash on laid paper, old...

* Bolognese School. Bearded man anointing the ground with drops from a small vessel, late 16th or early 17th century, pen, brown ink and brown was...

* Calvaert Denys, circa 1540-1619, Danae, circa 1590, red chalk on laid paper, with touches of opaque grey wash, squared for transfer, collectors ...

* French School. Studies of Putti, later 18th or early 19th century, pencil and black chalk on pale blue paper, sheet size 23.5 x 17 cm (9.3 x 6.7...

* Flemish School. Adoration of the Shepherds, circa 1650, pen brown ink and brown wash on laid paper, contemporary inscription in Flemish towards ...

* Flemish School , Rustic landscape with Tobias and the Angel, 17th century, pen, brown ink and brown wash on laid paper, 22.6 x 31cm (8.9 x 12.2 ...

* Panfili (Pio, 1712-1812) . Designs for ceiling, four pen, ink & watercolour drawings on laid paper, one signed and another with artist's initial...

* English School. High Tor, Matlock, Derbyshire, late 18th century, pen, ink & watercolour on laid paper, 23.7 x 32.2 cm (9.25 x 12.5 ins), togeth...

* Burgess (William, 1748/49-1812). Croyland Abbey, Lincolnshire, circa 1815, fine pen, black ink and grey wash view on paper, inscribed by the art...

* Amling, (Karl Gustav, circa 1650 - 1703). Nox [Night], 1698, copper engraving on laid paper, after Pieter de Witte (1548-1628), trimmed just ins...

* Attributed to Luca Cambiaso (1527-1585). Sketch of the Holy Family, and a Putto, pen and brown ink on laid paper, collector's mark AF within a s...

* Attributed to Matteo Rosselli (1578 - 1650). Study of a Young Woman in Prayer, red chalk on laid paper, with indistinct partial watermark, laid ...

* Attributed to Taddeo Zuccaro (1529-1566). Interior Scene, with figures before a seated Cardinal, pen, brown ink and brown wash on laid paper, in...

* Boitard, (Louis Philippe, active 1734-1760). Seated Gentleman Asleep, pen, brown ink, and grey wash on laid paper, light overall mount stain and...

* Brustolon (Giovanni Battista, 1712-1796). Canalis majoris caput qua Venetias ingreditur, [1766], etching with engraving on laid paper, from the ...

* Canaletto (Giovanni Antonio, 1697-1768). Five Views of Venice after Canaletto, circa 1780s, together five engraved views on laid paper (2 publis...

* Circle of Anthony van Dyck (1599-1641). Scene of a Roman Martyrdom, 17th century, pen and brown ink, and brown wash, with touches of red ink, on...

* Continental School. Young Man Stacking Pots, red chalk on laid paper, laid down on card, irregularly shaped (upper left corner excised), sheet s...

* Coornhert (Dirk Volkertsz, 1522-1590). The Parable of the Great Banquet: The Second Excuse, 1558-59, copper engraving after Maarten van Heemsker...

* Cristall (Joshua, 1767-1847). Apollo and the Muses, 1816, pen lithograph on pale cream wove paper, image size 31 x 46 cm (12.25 x 18.2 ins), wit...

* Dandini (Pietro, 1646-1712). Study of a male head looking upwards, possibly Saint Jerome, black chalk on laid paper, initialled P.D. in brown in...

* De Gheyn (Jacques II, 1565-1629). Trumpet Players, from the Riding School series, 1599, hand-coloured engravings on laid paper, together with tw...

* Dente (Marco, 1486/1500-1527 ). Battle Scene, circa 1520, engraving on laid paper (after Raphael's design for the fresco of The Battle of The Mi...

* Fossati (Davide Antonio, 1708-1791). XXIV Tabulas Olim a Marco Ricci Bellunensi Colorib. Expressas, quae extant in aedibus Joseph Smith, et Anto...

* Follower of Francesco Guardi (1712-1793). View of the Coliseum and Arch of Titus, Rome, probably 19 th or 20th century, pen and brown ink, brown...

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