Watercolours, Drawings & Prints

Circle of Gaspare Diziani - Studies for the flagellation of Christ (recto and verso), black chalk with touches of white, on grey coloured coarse l...

Circle of Simone Cantarini - Christ healing the sick, surrounded by angels, red chalk, on laid paper, 26.5 x 18.5 cm. (10 1/2 x 7 1/4 in) Provenan...

Attributed to Gugliemo Caccia, called Moncalvo - The Stoning of St Stephen, pen and brown ink with wash, on laid paper, with ruled black ink borde...

Genoese School (18th century) - Tobias and the Angel, black chalk with brown wash, on laid paper, with single ruled border, 20 x 25 cm. (7 3/4 x 9...

Roman School (18th century) - Standing figure with staff, pointing to the left, black chalk, pen and ink with wash, on laid paper watermarked with...

Circle of Jacopo Chimenti, called Jacopo da Empoli - A seated figure, with his arms held out before him to the left, red chalk, on laid paper, wat...

Giorgio Vasari (1511-1574) - The Coronation of the Virgin, pen and brown ink, with touches of white heightening, with hand-ruled black ink border,...

Francesco Panini (1745-1812) - View of the interior of St. Peter`s Basilica, Rome, with the tomb of Queen Christina of Sweden, pen and grey and bl...

Attributed to Wenceslaus Hollar - View showing The Battle of White Mountain, with the city of Prague beyond, pen and black ink on laid paper, insc...

Circle of Anselm Friedrich Feuerbach - Saint preaching, with outsretched arms (recto); drapery study (verso), black chalk, with touches of white h...

Louis Gauffier (1761-1801) - Six cherubs playing and collecting grapes, pencil with sepia wash, on laid paper, signed L. Gauffier lower right,...

Benjamin West (1738-1820) - Moses Showing the Brazen Serpent, black chalk on buff paper, squared, mounted on contemporary laid paper support with ...

Benjamin West (1738-1820) - St. John the Baptist, black chalk on buff paper, squared, mounted on contemporary laid paper support with inscribed pe...

English School (18th century) - The Old Guildhall, Bath, two views, an elevation and a longitudinal perspective view, both with staffage, both in ...

English School (18th century) - View of the Corinthian Arch at Stowe, pencil with monochrome wash, mounted on contemporary ruled support inscribed...

Thomas Carwitham (fl. 1713-1733) - A sheet of studies, showing figures grappling, mythical gods, and pyramids, pen and brown ink, bears signature ...

Paul Sandby RA (1731-1809) - Study of an old woman with basket, sepia wash over pencil, 13 x 7.5cm (5 1/8 x 3 in), unframed. Provenance: with P. ...

Richard Cooper Jr (c.1740-1814) - A group of three drawings, two landscapes, one in pen and ink with wash, the other in pencil, with a pencil stud...

English School (19th century) - Studies of a dachshund, pencil with touches of body white on buff paper, 29.5 x 46 cm (11 5/8 x 18 1/8 in); with a...

William Samuel Howitt (1765-1822) - A hound chasing a deer into a trap, pen and black ink with wash, mounted on a washlined late 18th century laid...

William Samuel Howitt (1765-1822) - A pair of leopards, watercolour, over pencil, signed lower left, 17 x 22.5 cm (6 3/4 x 8 3/4 in). View on bloo...

Thomas Stothard (1755-1834) - Ode to the Evening, original artwork for a vignette illustration to one of Thomas Townshend`s `Poems`, published by ...

Thomas Stothard (1755-1834) - Farm dog chasing a wolf; Resting Lion with ?pony, a pair, pencil with sepia wash, each c. 9.5 x 9 cm. (3 1/4 x 3 1/2...

Archibald Thorburn (1860-1935) - Study of a grouse; Study of a falcon, the former in pencil with touches of black ink, on pale green paper, signed...

Circle of John Constable - Study for a beach scene, pencil on stiff wove paper, 9 x 12.5 cm (3 1/2 x 5 in); with Circle of William Payne Landsca...

William Green of Ambleside (1760-1823) - A group of 5 drawings of the Lake District, pencil drawings on wove paper, each titled in the artist`s ha...

Hugh O`Neill (1784-1824) - Bristol from the New Docks, pencil drawing, c.1820, inscribed lower left, 19 x 31cm (7 1/2 x 12 1/4 in). O`Neill moved ...

James Duffield Harding (1798-1863) - Grosvenor Square, London, pencil drawing, heightened with body white, on grey paper, inscribed on the verso ...

Agostino Aglio (1842-1885) - Eisenach and die Wartburg, monochrome wash over pencil, signed and titled in pencil, lower left, 19 x 31 cm (7 1/2 x ...

French School (c.1790-1830) - An album of drawings and prints, including over 80 tipped-in watercolours and pen and ink drawings, all by the same ...

Henri Lehmann (1814-1882) - Study for decoration in the Eglise Sainte Clotilde, Paris, pencil study for a child resting on a woman`s lap, c.1854, ...

William James Muller (1812-1845) - A group of four drawings of continental subjects, Entrance to Heidelberg, interior of Strasbourg cathedral, the...

John Phillip RA (1817-1867) - Cathedral of Toledo, View on bloomsburyauctions.com ...[more]

Lieutenant-General Ezekiel Barton (1781-1855) - A group of seven drawings of India, one in watercolour, four in pen and ink, of which one initiall...

George Richmond RA (1809-1896) - Classical head study, pen and brown ink on thin wove paper, trimmed, 8.5 x 7.5 cm. (3 1/4 x 3 in) Provenance: ins...

George Richmond RA (1809-1896) - Study of the artist`s infant son, T.R. Richmond, pencil on stiff card, inscribed by the artist T.R. Richmond ab...

George Richmond RA (1809-1896) - A sketchbook, numerous single-page and a few double-page sketches in pencil, one heightened with white chalk, thi...

Thomas Richmond (1771-1837) - Portrait drawing of the infant George Richmond, pencil with touches of watercolour on thin card, inscribed on verso ...

Melchior Gommar Tieleman (1784-1864) - TRH Prince George and Princess Augusta of Cambridge, monochrome watercolour over charcoal, circa 1828, sign...

Richard Westall (1766-1836) - Byron`s Dream, pencil, heightened with body white, signed with initials lower right, 12.5 x 10cm (5 x 3 7/8 in) Prov...

Emily Eden (c.1797-1869) - A pair of caricatures, pen and black ink, with pen and brown ink inscriptions below, one signed lower right, each c. 11...

Sir Max Beerbohm (1872-1956) - Vote for Free Trade and Stylish Head-Gear, pen and brown and black ink, scratching out, on laid paper, inscribed ...

Sir Max Beerbohm (1872-1956) - War-Experts discussing Mr Kennington`s prophecy brush and ink with wash, on laid paper, title inscribed lower centr...

Edmund Blampied (1886-1966) - `Country Centeniers discussing Parochial Haffairs`; The snail, a pair, black chalk on wove paper, both inscribed, th...

Marcel Pic (fl. late 19th century) - Caricature of a polo player, charcoal and pastel on grey/green paper, signed and dated 1895 lower right, 48.5...

Steve Bell (b.1951) - The Spirit of Open Government, after Edouard Manet, with another depicting a graveyard scene with John Major and Norman Lamo...

Kenneth Mahood (b.1930) - "Is it a stand seat you want, sir, or the stand itself?" original cartoon artwork of a Middle Eastern gentleman at the t...

Sir Bernard J. Partridge (1861-1945) - Made in Germany (recto); The Shrine of Honour (verso), pen and black ink, with scratching out, signed lower...

Sir Bernard Partridge (1861-1945) - An Appeal to the Nation, London: "If money can save this, surely it will be saved." pen and black ink over p...

Walter Crane (1845-1915) - Anne: Will`t please your worship to come in, Sir? original illustration for act 1, scene 2 of The Merry Wives of Windso...

Walter Crane (1845-1915) - Falstaff: I do begin to percieve that I am made an ass, original illustration for act V, scene V of The Merry Wives of ...

Walter Crane (1845-1915) - Mistress Page: Letter for letter, but that the name of Page and Ford differs? original illustration for act 2, scene 1 ...

Walter Crane (1845-1915) - Falstaff: But what says she to me? be brief, my good she-Mercury, original illustration for act II, scene II of The Mer...

Walter Crane (1845-1915) - Falstaff: I love thee, help me away, let me creep in here, I`ll never - , original illustration for act III, scene III ...

Walter Crane (1845-1915) - Anne: May be he tells you true, original illustration for act III, scene IV of The Merry Wives of Windsor, pen and ink ...

Walter Crane (1845-1915) - Ford: I`ll prat her - Out of my door, you witch, original illustration for act IV, scene II of The Merry Wives of Winds...

Walter Crane (1845-1915) - Sir H. Evans: Come, will this wood take fire? original illustration for act V, scene V of The Merry Wives of Windsor, p...

Walter Crane (1845-1915) - Shakespeare, The Merry Wives of Windsor, in VIII Pen Designs by Walter Crane, ornamental title and 8 dallastype facsimi...

Elyse Ashe Lord (1900-1971) - The King of hearts ..., watercolour and bodycolour, over pencil, on prepared laid paper coloured white, signed and d...

Sir David Wilkie (1785-1841) - Study of a hand, charcoal with touches of white chalk and red pastel, on buff paper, 15 x 12.5 cm (6 x 5 in). View ...