FINE ART & ANTIQUES

A pair of 18th century Derby porcelain sauce boats, each of moulded shell form with scroll decoration to the rim, rococo-scroll handle, & on oval ...

A Bloor Derby model of a peacock by John Whitaker, standing on a floral-encrusted mound base with gilt scroll border; 6” high. ...

A pair of campana-shaped vases of chocolate-brown ground with applied white decoration of classical figures in oval reserves, 7½” high (one with c...

A large cylindrical buff-ground tankard by TURNER, three-pint capacity, with relief decoration of cherubs in a landscape, & with Sheffield plated ...

A cylindrical buff-ground tankard by TURNER, with relief decoration of archers in a landscape, between two reeded chocolate-ground bands, 4¾” high...

A buff-ground pot pourri vase of classical urn design with applied white swags & anthemions, pierced outer & inner covers, on three dolphin suppor...

A HACKWOOD bulbous jug with applied blue decoration of birds within wreaths, 4½” high (chip & crack to rim); a similar Wedgwood 4” jug decorated w...

A RARE TURNER SQUARE TEAPOT of slightly rounded form, with applied raised scenes of ladies beneath trees within chocolate-ground roundels to two s...

Two bulbous jugs with chocolate-brown rims & applied classical figures within pale blue-ground ovals, 4¼” high; & a similar four-sided jug with re...

A TURNER straight-sided milk jug of serpentine outline, with classical figures within chocolate-ground reserves, 4” high; two similar small jugs; ...

A buff-ground model of the Warwick vase, on square pedestal foot, 6¼” high; an olive-ground oval cream jug with applied decoration of putti; a sim...

A round tapered vase with scroll side handles to the olive-ground neck, the buff-ground body with applied decoration of putti in ovals, ...

A pair of TURNER round tapered vases, the chocolate-ground bodies with applied off-white decoration of cherubs, each on round pedestal foot, 6½” h...

An ovoid jug with pale agate body & applied scenes of the Anvil Marriage & classical figures either side, chocolate-ground ribbed neck & foot; 8” ...

A cane-ware round engine-turned teapot with over-hang handle & cloaked figure knop to the cover, probably Neale & Co., 7½” high; a similar sugar b...

A MATCHED PAIR OF LARGE BOUGH POTS, each of “D” section, one of blue ground, the other buff-ground, each with domed pierced cover & applied white ...

No Lot.

No Lot.

A set of four 19th century black-&-white wood engravings of Bath views including the Roman Baths, Circus, Abbey Church & Pump Room; & two similar ...

CURRIER & IVES, publishers. A coloured lithograph titled: “The Narragansett Steam Ship Co’s Steamer BRISTOL, of the Fall River Line”; 11¾” x 16¼”....

GRIGNION & ROOKER, after S. WALE (Vale). An 18th century coloured engraving titled: “A Perspective View of the Foundling Hospital, With Emblematic...

REYNOLDS, S. W., after Sir THOMAS LAWRENCE. A black & white full-length portrait engraving of General Lord Lynedoch GCB., publ. 1831 by Colnaghi, ...

KAPP, Edmund Xavier (1890-1978). Portrait studies of George Moore (1852-1933), titled: “Conversations in Ebury Street (George Moore)”; lithograph,...

KUNISADA, Utagawa (1786-1865). A 19th century woodcut; study of a Geisha. 13” x 8½”, in glazed frame.

CLARKE, Graham (born 1941). A coloured etching titled: “Buzzer”, signed & numbered 64/300 to lower border; 7” x 8”, in glazed frame. ...[more]

RIPLEY, Simon (Contemporary). An untitled abstract study. Monoprint; signed & dated ’79 to lower left border; 19½” square. ...[more]

BISSON, Paul (born 1938). A black & white etching titled: “Front door, Cumberwell”, numbered 41/75; signed to lower right: 9” x 6½”. ...[more]

HARTMAN, John (Contemporary). A black & white drypoint etching titled: “The Manchester Road at Slaithwaite”. Signed & dated 18.6.89 to lower right...

ROGERS, Eric (contemporary). An abstract study with silhouettes of birds on a multicoloured geometric background. Lithograph: 17” x 12”.

THOMPSON, Porl (Contemporary, The Cure). “Primal Sound”. Lithograph; 11” x 15”, with exhibition pamphlet “Acts of Dark And Light” The Great Atlant...

CUTTS, Tom (Contemporary). “Ralph Allen’s Town House”, artist’s proof, monochrome etching with aquatint, signed & inscribed in pencil, 11¾” x 7¼”;...

PIPER, John, C. H. (1903-1992). “Oxburgh Hall, Norfolk” printed in colours, signed in pencil & numbered 1/120 & with blind-stamps; 23½” x 18¼”. ....

PIPER, John, C. H. (1903-1992). “Carew Castle”, printed in colours, signed in pencil & numbered 14/100 & with blind-stamps; 20¾” x 28¾”. ...[more]

PIPER, John C. H. (1903-1992). “Ruined Church Bawsey” printed in colours, signed in pencil & numbered 88/100 & with blind-stamps; 21” x 27”. ...[...

A 19th century coloured engraving of Durham Cathedral; 20½” x 14½”, in glazed frame.

BASIRE, Isaac; eighteen black & white engraved book-plates of "Medals of King William III, Queen Mary, & Queen Anne", publ. 1745-6, by J. & P. Kna...

WELLS, Donald (1929-2014). An untitled abstract study. Signed & dated ’61 to lower right; mixed media on paper; 15” x 22”, in glazed frame. ...[m...

WILLIAMS, Helen (Contemporary). “Contour Drawing I”. Signed on stretcher in ink & acrylic on canvas: 12¼” square. ...[more]

ROBERTS, Liam (Contemporary). An untitled abstract study. Signed to lower left; mixed media on paper: 5½” x 9”. (With pamphlets for the 19th May...

NACIRI, Saad Dine (Contemporary). “Sugar Cane”. Watercolour, signed & dated 9-’02 lower right; 9¼” x 12¼”. ...[more]

WILLIAMS, Helen (Contemporary). An abstract study titled: “V”. Stitched canvas; 18¼” x 12¼”; Contemporary Art Society Market Exhibition label vers...

WILDE, Terence (Contemporary). “Marriage of Inconvenience”. Mixed media on paper; 9” x 11¼”.

McLary, Louise (Contemporary). Study of an angel. Signed to lower right, charcoal; 12” x 8¼”.

McLary, Louise (Contemporary). Study of an angel. Mixed media; 10” x 8¼”.

METTO, Roger (Contemporary). An abstract study titled: “Serpentine”. Signed “Metto ‘85” to lower left; collage: 6” x 12½”, in glazed frame.

WOODSIDE, Christine, R. S. W., R. G. I. (Scottish, born 1946). “Through the Window”. Signed & dated ’97; mixed media on board: 10” x 8”. ...[more]

HARRISON, D. (late 19th century). Figures beside a stone cottage at Braddan, Isle of Man, signed & dated 1889, watercolour: 9” x 11¾”; & GOZZARD, ...

Four pen & wash studies of sea shells produced for book illustration, each specimen with a figure number, plate numbers to upper corners, possibly...

BOWER, Douglas. A 19th century style estuary scene with figures in a tender rowing out to a three-masted merchant vessel at anchor. Signed; waterc...

SKEATES, Frank G. (Exh. 1880-1887). An autumnal river landscape, titled: “Scene on Southampton Common”. Watercolour; 8” x 13”.

FARE, Arthur Charles (1876-1958) ‘The Mermaid Inn, Rye’. Signed to lower left; Watercolour: 11” x 15”, in glazed frame.

FARE, Arthur Charles (1876-1958, A.R.I.B.A.) & TAYLOR, Alfred J. (F.R.I.B.A.). A pair of architects’ plans for the Trowbridge Co-Operative Society...

MONOGRAM T.J. (or J. T.). A pair of moonlit prairie landscapes with covered wagons & figures beside campfires, cattle resting nearby; one signed w...

RUSHTON, George Robert, R. I., R. B. A., R. B. S. A. (1869-1948). An autumn wooded landscape with hills beyond. Signed; watercolour: 10½” x 14½”,...

CHINESE SCHOOL, early 20th century. A coastal landscape with fishing vessels, buildings & figures to the fore, hills beyond. Signed with seal mar...

CHINESE SCHOOL, late 19th century. A group of four figure studies; pen & watercolour: 10” x 7”, 12” x 11” (area of damage), 11” x 9”, & 11” x 9”. ...

A 19th century watercolour painting of a farmhouse & outbuildings beside a river, signed with monogram, 5” x 14”; a black & white woodcut by Micha...

DYSON, Julian (1936-2003). A Cornish village scene. Charcoal; signed & dated 2.’90 to lower left: 13¼” x 9”. ...[more]

ARCHER, Frank Joseph, R. W. S. (1912-1995). A pastoral landscape with setting sun. Signed & dated ’85 to lower left; watercolour: 9½” x 10½”. .....

An early 19th century watercolour of a female costume study, 7½” x 5”; & a watercolour design for a Romanesque gold or silver wine ewer, 10” x 5½”...