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A GEORGE III GILTWOOD FLAT CARVED OVERMANTLE MIRROR, the rectangular plate contained within a
A GEORGE III GILTWOOD FLAT CARVED OVERMANTLE MIRROR, the rectangular plate contained within a shaped rectangular frame, carved with stylised anthe...
A GEORGE III EBON CASED MANTLE CLOCK, the arched domed top with brass carrying handle, above hinged glazed door, containing brass with roman numer...
A FRENCH ORMOLU FIGURAL MANTLE CLOCK, 19th century formed as an 18th Century gentleman sitting at
A FRENCH ORMOLU FIGURAL MANTLE CLOCK, 19th century formed as an 18th Century gentleman sitting at a table of books and papers, the clock face inco...
A GEORGE I JAPANNED LONG CASE CLOCK, the tabernacle hood enclosing a brass dial with steel chapter ring, second hand and date aperture, inscribed ...
AN IRISH MAHOGANY LONGCASE CLOCK, by William Stafford, Dublin, c.1760, the hood with swan neck
AN IRISH MAHOGANY LONGCASE CLOCK, by William Stafford, Dublin, c.1760, the hood with swan neck pediment with scallop shell frieze, the brass dial ...
A GEORGE III GILTWOOD AND GESSO PIER MIRROR, the rectangular plate enclosed within carved acanthus and floral frame, surmounted by a carved eagle....
A GEORGE III MAHOGANY CASED LONGCASE CLOCK, by Thomas Hunter of London, the pagoda topped hood
A GEORGE III MAHOGANY CASED LONGCASE CLOCK, by Thomas Hunter of London, the pagoda topped hood with blind fretwork panel and two spherical brass f...
AN IRISH 18TH CENTURY MAHOGANY CASED LONGCASE CLOCK, the hood of architectural form with pediment,
AN IRISH 18TH CENTURY MAHOGANY CASED LONGCASE CLOCK, the hood of architectural form with pediment, above glazed hinged door, flanked by fluted col...
A VICTORIAN GILTWOOD AND GESSO MANTLE MIRROR, the naturalistic carved frame formed from vines
A VICTORIAN GILTWOOD AND GESSO MANTLE MIRROR, the naturalistic carved frame formed from vines with surmounted fruiting bunches. 157cm wide, 143cm ...
A FRENCH GILTMETAL MANTLE CLOCK, 19th century, signed Richand Montmartre, of classical design,
A FRENCH GILTMETAL MANTLE CLOCK, 19th century, signed Richand Montmartre, of classical design, the white enamel dial surmounted by a classical run...
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