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LOUIS BOSWORTH HURT (1856 - 1929)Afternoon on a Perthshire moorlandOil on canvas, 30.2 x 46cmSigned; inscribed with title verso ...[more]
ALEXIS DE LEEUW (1822 - 1900)Landscape with farm workers and horsesOil on canvas, 60.5 x 92cmSignedCondition Report: In very good presentable con...
JOHN BAGNOLD BURGESS (1830 - 1897) The cup of tea Oil on canvas, 41 x 32.5cm Signed; also signed
JOHN BAGNOLD BURGESS (1830 - 1897)The cup of teaOil on canvas, 41 x 32.5cmSigned; also signed and inscribed on artist's label versoCondition Repor...
ALFRED DE BREANSKI SNR. RBA (1852 - 1928)Ben NevisOil on canvas, 46 x 61.5cm SignedCondition Report: Canvas relined and restoredGilt frame with s...
ALFRED FONTVILLE DE BREANSKI (1877 - 1957)Evening, Snowden, North WalesOil on canvas, 30.5 x 51cmSigned; also inscribe versoIncluded with this lot...
EDWARD CHARLES WILLIAMS (1807 - 1881)The FerryOil on canvas, 56 x 92cm Signed (b.l)Inscribed faintly on artists label versoExhibited: London, Roya...
A LARGE SILVER TWO HANDLED SERVING TRAY, Sheffield 1894 , mark of Martin Hall & Co, of octagonal form with cast pierced border and finely engraved...
A GEORGE III SILVER BOAT SHAPED FRUIT BASKET, London 1808, marker's mark rubbed, with swing handle, engraved with the crest of a lion passant, the...
A VICTORIAN SILVER GILT CLARET EWER, London c.1874, maker's mark of Bernard & Sons Ltd., with tall acanthus capped loop handle, above lozenge shap...
A GEORGE I SILVER TWO-HANDLE CUP AND COVER, London c.1726, makers mark of Richard Bayley, the domed cover with urn finial, the body with central g...
A PAIR OF GEORGE III NAVETTE-SHAPED SILVER SAUCE TUREENS AND COVERS, London c.1777, maker's mark of Robert Makepeace & Richard Carter, the oval st...
A LARGE GEORGE II IRISH SILVER TWIN HANDLE CUP, Dublin c.1728, mark of Peter Gervais, of baluster form, the twin s scroll handles attached to a ri...
§ A HISTORIC DUBLIN SILVER-GILT PRESENTATION TROWEL, Dublin 1792, the blade formed as an armorial
§ A HISTORIC DUBLIN SILVER-GILT PRESENTATION TROWEL, Dublin 1792, the blade formed as an armorial with bright cut rim, the centre engraved with a ...
A GEORGE II IRISH SILVER WARWICK CRUET STAND, C.1750, the typical frame fitted with three castors,
A GEORGE II IRISH SILVER WARWICK CRUET STAND, C.1750, the typical frame fitted with three castors, Dublin c.1750, and a pair of facet cut glass bo...
A FINE SET OF FOUR GEORGE II IRISH CAST SILVER CANDLESTICKS, Dublin c.1750, mark of George Hill,
A FINE SET OF FOUR GEORGE II IRISH CAST SILVER CANDLESTICKS, Dublin c.1750, mark of George Hill, the flared detachable drip guards on urn sconces ...
A PAIR OF 19TH CENTURY FRENCH ORMOLU AND BRONZE FIGURAL CANDELABRA, the seven sconces supported
A PAIR OF 19TH CENTURY FRENCH ORMOLU AND BRONZE FIGURAL CANDELABRA, the seven sconces supported by a single putto, seated above a circular socle a...
A 19TH CENTURY CORAMANDEL AND BRASS BOUND LADIES TRAVELLING VANITY CASE, the hinged lid with
A 19TH CENTURY CORAMANDEL AND BRASS BOUND LADIES TRAVELLING VANITY CASE, the hinged lid with inlaid plaque inscribed 'John Kelly', with inset bras...
***WITHDRAWN***A VICTORIAN 'SAILOR'S VALENTINE' , the shells arrange as a heart contained within a sun, contained within a mahogany octagonal case...
A PAIR OF GILDED METAL AND PORCELAIN FIGURAL CANDELABRA, French 19th Century, in the rococo taste,
A PAIR OF GILDED METAL AND PORCELAIN FIGURAL CANDELABRA, French 19th Century, in the rococo taste, the branches embellished with porcelain flowerh...
IN THE MANNER OF FRANZ SCHIER, AFTER PETER PAUL RUBENS 'The Garland of Fruit' Enamel on porcelain
IN THE MANNER OF FRANZ SCHIER, AFTER PETER PAUL RUBENS'The Garland of Fruit'Enamel on porcelain in the Manner of Berlin, the original oil hangs in...
A GEORGIAN WEATHERED CARVED MARBLE BUST OF A CLERIC. 50cm tall. ...[more]
A LARGE PAIR OF 'SEVRES STYLE' COBALT BLUE-GROUND PORCELAIN AND ORMOLU MOUNTED VASES, the domed fixed lids with pineapple finals above ovoid bodie...
A PAIR OF 19TH CENTURY MAHOGANY BRASS BOUND FUEL BUCKETS of coopered construction, with brass banding and twin handles. 40cm tall. ...[more]
A 19TH CENTURY MAHOGANY BRASS BOUND FUEL BUCKET of coopered construction with brass swing handle.
A 19TH CENTURY MAHOGANY BRASS BOUND FUEL BUCKET of coopered construction with brass swing handle. 39cm tall. ...[more]
***WITHDRAWN*** HARRY HALL (1814 - 1882) Portrait of Wild Dayrell, with Jockey Robert Sherwood,
***WITHDRAWN***HARRY HALL (1814 - 1882)Portrait of Wild Dayrell, with Jockey Robert Sherwood, being led by trainer Mr. RickabyOil on canvas, 152 x...
A 19TH CENTURY IRISH MAHOGANY BREAKFRONT SERVING TABLE,with three quarter gallery back, plain frieze, raised on leaf capped scroll cabriole legs. ...
A GEORGE III GILTWOOD AND ETCHED GLASS MIRROR, CIRCA 1770 the rectangular bevelled plate within a
A GEORGE III GILTWOOD AND ETCHED GLASS MIRROR, CIRCA 1770 the rectangular bevelled plate within a husk and bead and reel carved border and etched ...
AN IRISH MAHOGANY SIDE TABLE, c.1750 the white marble top with moulded rim, above plain frieze
AN IRISH MAHOGANY SIDE TABLE, c.1750 the white marble top with moulded rim, above plain frieze with central carved scallop shell, the apron rim ca...
JAMES GREY RHA (fl.1865-1884) John Doolin, Ringkeeper at the Wrestling, Phoenix ParkOil on board, 18.5 x 14.5cmInscribed 'The Smoker, purchased at...
JOHN FREDERICK HERRING JNR (1820 - 1907) A Farmyard Scene with Horses, Pigs, Ducks and Chickens
JOHN FREDERICK HERRING JNR (1820 - 1907)A Farmyard Scene with Horses, Pigs, Ducks and Chickens Oil on canvas, 51 x 76cm Signed lower leftCondition...
A GEORGE III MAHOGANY SERVING TABLE c.1770, the plain rectangular top above a panelled apron,
A GEORGE III MAHOGANY SERVING TABLE c.1770, the plain rectangular top above a panelled apron, on fluted square tapering legs, headed by reeded cur...
ISADORE BONHEUR (1827-1901)Model of a standing stallionBronze, 24cm high On a rectangular base strewn with a horse cloth embroidered with an M. be...
FRENCH SCHOOL, 19TH CENTURY Two stallions in opposing positions, on a naturalistic ground Bronze,
FRENCH SCHOOL, 19TH CENTURYTwo stallions in opposing positions, on a naturalistic groundBronze, on Sienna marble plinth base, 22cm wide x 25cm hig...
EMMA MCDERMOTT (IRISH, CONTEMPORARY)Arkle & Pat TaaffeBronze, 64cm wide x 67cm highSignedEdition 3/27The sculpture is from an edition of 27, to ce...
A GEORGE III MAHOGANY CHEST ON CHEST, 18th century, the moulded straight pediment above three
A GEORGE III MAHOGANY CHEST ON CHEST, 18th century, the moulded straight pediment above three short and three long drawers, the base with three fu...
A MAHOGANY CONSOLE TABLE IN THE IRISH 18TH CENTURY STYLE , of rectangular form, with moulded rim above plain frieze with central carved scallop sh...
A CARVED IRISH MAHOGANY SILVER TABLE, 19TH CENTURY, in the mid 18th century style, the rectangular dished top, above carved frieze with central p...
AFTER JOSEPH WRIGHT OF DERBY (1734 – 1797) Portrait of Mrs John Ashton Oil on canvas, 49 x 39.
AFTER JOSEPH WRIGHT OF DERBY (1734 – 1797)Portrait of Mrs John AshtonOil on canvas, 49 x 39.5cmThis work is a slightly different version after a p...
AN IRISH GEORGE II STYLE MAHOGANY SILVER TABLE, LATE 19TH CENTURY, IN THE MANNER OF HICKS OF DUBLIN
AN IRISH GEORGE II STYLE MAHOGANY SILVER TABLE, LATE 19TH CENTURY, IN THE MANNER OF HICKS OF DUBLIN the dished rectangular top above an applied sc...
A 19TH CENTURY MAHOGANY FRAMED EASY CHAIR, the button back, padded seat and arms upholstered in
A 19TH CENTURY MAHOGANY FRAMED EASY CHAIR, the button back, padded seat and arms upholstered in yellow fabric, with turned supports, raised on tur...
A QUEEN ANNE STYLE WALNUT FRAMED WING BACK ARMCHAIR, with embroidered fabric upholstery on cabriole legs with turned stretcher. 126cm high ...[mo...
A MID 19TH CENTURY MAHOGANY FRAMED TWO-SEATER SOFA, upholstered in brass studded striped green
A MID 19TH CENTURY MAHOGANY FRAMED TWO-SEATER SOFA, upholstered in brass studded striped green fabric, raised on turned legs and brass castors. 13...
***WITHDRAWN***A GEORGE IV ROSEWOOD SWEPT BACK ARMCHAIR, with scroll carved arm supports, upholstered in tapestry fabric on carved turned bulbous ...
A VICTORIAN SPECIMEN MARBLE TOP CIRCULAR TABLE, the white ground with star pattern in alternating
A VICTORIAN SPECIMEN MARBLE TOP CIRCULAR TABLE, the white ground with star pattern in alternating coloured marble enclosing a eagle seated on a tr...
A PAIR OF GEORGE IV MAHOGANY HALL CHAIRS, in the manner of Gibton with well carved scallop shell
A PAIR OF GEORGE IV MAHOGANY HALL CHAIRS, in the manner of Gibton with well carved scallop shell backs raised on opposing scrolls with rounded pan...
A WILLIAM IV MAHOGANY SIDE TABLE, the back with raised brass tubular gallery centred by an anthemion panel, the top with rope moulded rim raised o...
FRANCIS WHEATLEY RA (1747-1801) The Ploughman: ‘And leaves the world to darkness and to me’ Oil
FRANCIS WHEATLEY RA (1747-1801)The Ploughman: ‘And leaves the world to darkness and to me’Oil on canvas, 154.9 x 215.9 cmSigned ‘F. Wheatley pinxt...
A GEORGE III MAHOGANY BOTTLE TRAY ON STAND, of rectangular form, with eight open compartments,
A GEORGE III MAHOGANY BOTTLE TRAY ON STAND, of rectangular form, with eight open compartments, shaped divisions and raised carrying handles, the s...
A PAIR OF MAHOGANY FRAMED GAINSBOROUGH ARMCHAIRS, each covered in a floral patterned fabric,
A PAIR OF MAHOGANY FRAMED GAINSBOROUGH ARMCHAIRS, each covered in a floral patterned fabric, with padded back and seat, leaf carved outscrolling a...
ATTRIBUTED GEORGE CHINNERY (1774 - 1852) Portrait of a Young Lady in an Interior Oil on canvas,
ATTRIBUTED GEORGE CHINNERY (1774 - 1852)Portrait of a Young Lady in an InteriorOil on canvas, 125 x 112cmCondition Report: In good presentable co...
***PLEASE NOTE THIS LOT IS INCORRECTLY ILLUSTRATED IN THE PRINTED CATALOGUE*** A PAIR OF IRISH
***PLEASE NOTE THIS LOT IS INCORRECTLY ILLUSTRATED IN THE PRINTED CATALOGUE***A PAIR OF IRISH MAHOGANY DOUBLE DROP LEAF TABLES, mid 18th Century, ...
A GEORGE II MAHOGANY FRAMED OPEN ARMCHAIR, the scroll back top, above a pierced vase shaped splat,
A GEORGE II MAHOGANY FRAMED OPEN ARMCHAIR, the scroll back top, above a pierced vase shaped splat, outscrolling arms, blue fabric drop-in seat and...
A WILLIAM IV ROSEWOOD FRAMED LIBRARY ARMCHAIR, attributed to Williams & Gibton, covered with a brass studded green velour, the rectangular back wi...
A GEORGE III MAHOGANY RECTANGULAR ARCHITECT'S TABLE, the hinged top with adjustable angle, above a pull-out front section with fitted interior, on...
A PAIR OF REGENCY STYLE GILT-GESSO MIRRORS, 19th Century, in the manner of Del Vecchio, the flat frieze with leaf moulding above panels of a Roman...
A PAIR OF GEORGE IV MAHOGANY AND EBON STRUNG TOILET COMMODES, each of squared upright form, with cupboard compartments and pull-out section, with ...
A GEORGE III INLAID MAHOGANY BOW FRONT CHEST OF DRAWERS crossbanded and inlaid with boxwood
A GEORGE III INLAID MAHOGANY BOW FRONT CHEST OF DRAWERS crossbanded and inlaid with boxwood stringing above four long graduated drawers with brass...
A LARGE EDWARDIAN BRASS AND STAINED GLASS HALL LANTERN, each of the four glass panels fitted with
A LARGE EDWARDIAN BRASS AND STAINED GLASS HALL LANTERN, each of the four glass panels fitted with a central circular vignette of a bust, enclosed ...
A VICTORIAN BRASS FRAME HALL LANTERN OF QUATREFOIL FORM with stained glass panels and tubular
A VICTORIAN BRASS FRAME HALL LANTERN OF QUATREFOIL FORM with stained glass panels and tubular hanging frame. 72cm high, 26cm wide ...[more]
A 19TH CENTURY BRASS STUDDED HARDWOOD ZANZIBAR CHEST, of flat rectangular form, the lift top opening to reveal an interior with compartment, havin...
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