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Albrecht Dürer (German, 1471-1528)THE BETROTHAL OF THE VIRGIN (HOLLSTEIN; MEDER 194) Woodcut, c.
Albrecht Dürer (German, 1471-1528)THE BETROTHAL OF THE VIRGIN (HOLLSTEIN; MEDER 194) Woodcut, c.1504, from 'The Life of the Virgin', a good but la...
Albrecht Dürer (German, 1471-1528)THE ANNUNCIATION (HOLLSTEIN; MEDER 128)Woodcut, c.1510, from
Albrecht Dürer (German, 1471-1528)THE ANNUNCIATION (HOLLSTEIN; MEDER 128)Woodcut, c.1510, from the 'Small Passion', Italian edition published in 1...
Albrecht Dürer (German, 1471-1528)SUDARIUM, SAINT VERONICA BETWEEN SAINTS PETER AND PAUL (HOLLSTEIN;
Albrecht Dürer (German, 1471-1528)SUDARIUM, SAINT VERONICA BETWEEN SAINTS PETER AND PAUL (HOLLSTEIN; MEDER 147)Woodcut, 1510, from the 'Small Pass...
Rembrandt van Rijn (Dutch, 1606-1669)THE TRIBUTE MONEY (WHITE & BOON 68; NEW HOLLSTEIN 138)Etching
Rembrandt van Rijn (Dutch, 1606-1669)THE TRIBUTE MONEY (WHITE & BOON 68; NEW HOLLSTEIN 138)Etching and drypoint, c.1635, a good but later impressi...
Rembrandt van Rijn (Dutch, 1606-1669)THE STROLLING MUSICIANS (WHITE & BOON 119; NEW HOLLSTEIN 141)
Rembrandt van Rijn (Dutch, 1606-1669)THE STROLLING MUSICIANS (WHITE & BOON 119; NEW HOLLSTEIN 141)Etching, c.1635, a good but later impression, fr...
Rembrandt van Rijn (Dutch, 1606-1669)PORTRAIT OF ABRAHAM FRANCEN, APOTHECARY (WHITE & BOON 273;
Rembrandt van Rijn (Dutch, 1606-1669)PORTRAIT OF ABRAHAM FRANCEN, APOTHECARY (WHITE & BOON 273; NEW HOLLSTEIN 301)Etching, c.1657, a good but late...
After Rembrandt van Rijn (Dutch, 1606-1669)ADAM AND EVE (CF. WHITE & BOON 28; NEW HOLLSTEIN 168)
After Rembrandt van Rijn (Dutch, 1606-1669)ADAM AND EVE (CF. WHITE & BOON 28; NEW HOLLSTEIN 168)Etching, after Rembrandt (1638), c.1789-97. printe...
After Rembrandt van Rijn (Dutch, 1606-1669)SIX’S BRIDGE (CF. WHITE AND BOON 208; NEW HOLLSTEIN 222)Etching, after Rembrandt (1645), c.1789-97, pri...
After Rembrandt van Rijn (Dutch, 1606-1669)A GROUP OF THREE ICONIC PRINTS Three etchings with
After Rembrandt van Rijn (Dutch, 1606-1669)A GROUP OF THREE ICONIC PRINTS Three etchings with engraving After Rembrandt, by Jacques Philippe Le Ba...
William Hogarth (British, 1697-1764)A PAIR OF SATIRICAL PRINTSTwo etchings, c.1758-64, 'The Bench'
William Hogarth (British, 1697-1764)A PAIR OF SATIRICAL PRINTSTwo etchings, c.1758-64, 'The Bench' depicting bewigged judges, also referencing Da ...
William Hogarth (British, 1697-1764)FOUR SATIRICAL PRINTS Four etchings, c.1758-64, including 'The
William Hogarth (British, 1697-1764)FOUR SATIRICAL PRINTS Four etchings, c.1758-64, including 'The Bathos', 'Chairing the Members: Plate 4', 'The ...
Giovanni Battista Piranesi (Italian, 1720-1778)REMAINS OF ANCIENT BUILDINGS AMONG WHICH STANDS THE
Giovanni Battista Piranesi (Italian, 1720-1778)REMAINS OF ANCIENT BUILDINGS AMONG WHICH STANDS THE SEPULCHRAL URN OF MARCUS AGRIPPA;IMAGINARY SEPU...
After Thomas Gainsborough RA (British, 1727-1788)RURAL LANDSCAPES Three engravings, one printed in
After Thomas Gainsborough RA (British, 1727-1788)RURAL LANDSCAPES Three engravings, one printed in colours, c.1819, from the book 'A Collection of...
After Thomas Gainsborough RA (British, 1727-1788)RURAL LANDSCAPES Three engravings, two printed in
After Thomas Gainsborough RA (British, 1727-1788)RURAL LANDSCAPES Three engravings, two printed in colours, c.1819, from the book 'A Collection of...
Francesco Bartolozzi RA (Italian, 1727-1815)THE LADY LISTER;NICHOLAS BORBONIUS POETATwo stipple
Francesco Bartolozzi RA (Italian, 1727-1815)THE LADY LISTER;NICHOLAS BORBONIUS POETATwo stipple engravings printed in colours, 1792-95, both from ...
Francesco Bartolozzi RA (Italian, 1727-1815)THE LADY MARY AFTER QUEEN;SIR JOHN MORETwo stipple
Francesco Bartolozzi RA (Italian, 1727-1815)THE LADY MARY AFTER QUEEN;SIR JOHN MORETwo stipple engravings printed in colours, 1792-96, both from t...
Francisco de Goya (Spanish, 1746-1828)NI ASI LA DISTINGUE (EVEN THUS HE CANNOT MAKE HER OUT) (
Francisco de Goya (Spanish, 1746-1828)NI ASI LA DISTINGUE (EVEN THUS HE CANNOT MAKE HER OUT) (DELTEIL 44; HARRIS 42)Etching, aquatint and drypoint...
Francisco de Goya (Spanish, 1746-1828) NADIE NOS HA VISTO (NO ONE HAS SEEN US) (DELTEIL 114;
Francisco de Goya (Spanish, 1746-1828) NADIE NOS HA VISTO (NO ONE HAS SEEN US) (DELTEIL 114; HARRIS 116)Etching, aquatint and engraving, 1799, pla...
Francisco de Goya (Spanish, 1746-1828)LA FILIACIÓN (THE FILIATION) (DELTEIL 94; HARRIS 92)Etching
Francisco de Goya (Spanish, 1746-1828)LA FILIACIÓN (THE FILIATION) (DELTEIL 94; HARRIS 92)Etching and aquatint, 1799, Plate 57 from 'Los Caprichos...
Francisco de Goya (Spanish, 1746-1828)DESPACHA, QUE DISPIÉRTAN (BE QUICK, THEY ARE WAKING UP) (
Francisco de Goya (Spanish, 1746-1828)DESPACHA, QUE DISPIÉRTAN (BE QUICK, THEY ARE WAKING UP) (DELTEIL 115; HARRIS 113)Etching and aquatint, 1799,...
Francisco de Goya (Spanish, 1746-1828)EL DE LA ROLLONA (NANNY’S BOY) (DELTEIL 41; HARRIS 39)
Francisco de Goya (Spanish, 1746-1828)EL DE LA ROLLONA (NANNY’S BOY) (DELTEIL 41; HARRIS 39)Etching and aquatint, 1799, Plate 4 from the Sixth Edi...
Francisco de Goya (Spanish, 1746-1828)TANTALO (TANTALUS) (DELTEIL 44; HARRIS 46)Etching and
Francisco de Goya (Spanish, 1746-1828)TANTALO (TANTALUS) (DELTEIL 44; HARRIS 46)Etching and aquatint, 1799, Plate 9 from the Sixth Edition of 'Los...
Francisco de Goya (Spanish, 1746-1828)MEJOR ES HOLGAR (IT IS BETTER TO BE LAZY) (DELTEIL 110; HARRIS
Francisco de Goya (Spanish, 1746-1828)MEJOR ES HOLGAR (IT IS BETTER TO BE LAZY) (DELTEIL 110; HARRIS 108)Etching and aquatint, 1799, Plate 73 from...
Francisco de Goya (Spanish, 1746-1828)DESPACHA, QUE DISPIÉRTAN (BE QUICK, THEY ARE WAKING UP)
Francisco de Goya (Spanish, 1746-1828)DESPACHA, QUE DISPIÉRTAN (BE QUICK, THEY ARE WAKING UP) DELTEIL 115; HARRIS 113)Etching and aquatint, 1799, ...
After William Blake (British, 1757-1827)QUEEN OF EVIL;CREATION OF EVE;EVE EATING THE FORBIDDEN
After William Blake (British, 1757-1827)QUEEN OF EVIL;CREATION OF EVE;EVE EATING THE FORBIDDEN FRUIT;MICHAEL FORETELLS THE CRUCIFIXIONFour etching...
After James Gillray (British, 1757-1815)POLITICAL DREAMINGS! VISIONS OF PEACE! PERSPECTIVE HORRORS!;THE INJURED COUNT…Two engravings printed in co...
After James Gillray (British, 1757-1815)A SPHERE, PROJECTING AGAINST A PLANE;CLEARING A FIVE BAR
After James Gillray (British, 1757-1815)A SPHERE, PROJECTING AGAINST A PLANE;CLEARING A FIVE BAR GATE;DIDO, IN DESPAIR!Three engravings printed in...
J M W Turner (British, 1775-1851)THE MILDMAY SEA PIECEEtching with mezzotint, 1812, the edition
J M W Turner (British, 1775-1851)THE MILDMAY SEA PIECEEtching with mezzotint, 1812, the edition was 200, from the 'Liber Studiorum' portfolio, dra...
J M W Turner (British, 1775-1851)WATER MILLEtching and mezzotint, 1812, the edition was 200, from
J M W Turner (British, 1775-1851)WATER MILLEtching and mezzotint, 1812, the edition was 200, from the 'Liber Studiorum' portfolio, drawn and etche...
After J M W Turner (British, 1775-1851)PROCRIS AND CEPHALUSEtching with mezzotint, 1812, the edition
After J M W Turner (British, 1775-1851)PROCRIS AND CEPHALUSEtching with mezzotint, 1812, the edition was 200, from the 'Liber Studiorum' portfolio...
John Constable (British, 1776-1837)A DELL, HELMINGHAM PARK, SUFFOLKMezzotint, 1855, from 'English
John Constable (British, 1776-1837)A DELL, HELMINGHAM PARK, SUFFOLKMezzotint, 1855, from 'English Landscape Scenery: A Series of Forty Mezzotint E...
Eugène Delacroix (French, 1798-1863)FAUST AND MEPHISTOPHELES IN THE HARZ MOUNTAINSLithograph,
Eugène Delacroix (French, 1798-1863)FAUST AND MEPHISTOPHELES IN THE HARZ MOUNTAINSLithograph, 1828, from the Goethe's 'Faust' suite, the 1st editi...
Eugène Delacroix (French, 1798-1863)FAUST, WANGER AND THE POODLELithograph, 1828, from the Goethe'
Eugène Delacroix (French, 1798-1863)FAUST, WANGER AND THE POODLELithograph, 1828, from the Goethe's 'Faust' suite, the 1st edition, the stone was ...
Eugène Delacroix (French, 1798-1863)MARGARET’S GHOST APPEARING TO FAUSTLithograph, 1828, from the
Eugène Delacroix (French, 1798-1863)MARGARET’S GHOST APPEARING TO FAUSTLithograph, 1828, from the Goethe's 'Faust' suite, the 1st edition, the sto...
Amand Durand (French, 1831-1905)TWO STUDIES OF A DRAPED FEMALE FIGURE (AFTER FRANCESCO PRIMATICCIO);THE COW WITH THE NEAR HORN CROOKED (AFTER PAUL...
*Raoul Dufy (French, 1877-1953)FROM THE SUITE 'VACANCES FORCÉES'Four wood engravings printed in
*Raoul Dufy (French, 1877-1953)FROM THE SUITE 'VACANCES FORCÉES'Four wood engravings printed in colours, 1956, the edition was 233, printed by Jac...
*Raoul Dufy (French, 1877-1953)TIREZ LES PREMIERS, MESSIEURS LES FRANCAIS! (IFF 41)Woodcut with
*Raoul Dufy (French, 1877-1953)TIREZ LES PREMIERS, MESSIEURS LES FRANCAIS! (IFF 41)Woodcut with drawing, 1915, signed, inscribed ‘Dans la tranchee...
After Raoul Dufy (French, 1877-1953)ATELIER MOURLOTLithographic poster printed in colours, 1987;
After Raoul Dufy (French, 1877-1953)ATELIER MOURLOTLithographic poster printed in colours, 1987;together with another one after Matisse, both prin...
After Raoul Dufy (French, 1877-1953)UNTITLED FROM THE 'CONCERT DES ANGES' SUITELithograph printed in
After Raoul Dufy (French, 1877-1953)UNTITLED FROM THE 'CONCERT DES ANGES' SUITELithograph printed in colours, 1963, the edition was 305, published...
*Auguste Herbin (French, 1882-1960)LA FIN (THE END)Screenprint, c.1960, stamp signed and numbered
*Auguste Herbin (French, 1882-1960)LA FIN (THE END)Screenprint, c.1960, stamp signed and numbered 18/200 in pencil, bearing the Atelier stamp vers...
Thomas Shotter Boys (British, 1803-1874)A group of London Views from 'ORIGINAL VIEWS OF LONDON AS IT
Thomas Shotter Boys (British, 1803-1874)A group of London Views from 'ORIGINAL VIEWS OF LONDON AS IT IS'Seventeen lithographs with hand colouring,...
Samuel Palmer (British, 1805-1881)NINE PLATES FROM THE BOOK 'AN ENGLISH VERSION OF THE ECLOGUES OF
Samuel Palmer (British, 1805-1881)NINE PLATES FROM THE BOOK 'AN ENGLISH VERSION OF THE ECLOGUES OF VIRGIL'Nine heliogravures, 1883, published by S...
Honoré Daumier (French, 1808-1879)ROBERT MACAIRE THE PROFESSOR OF INDUSTRY;ROBERT MACAIRE BANKER AND
Honoré Daumier (French, 1808-1879)ROBERT MACAIRE THE PROFESSOR OF INDUSTRY;ROBERT MACAIRE BANKER AND JURORTwo lithographs with hand-colouring and ...
Charles Meryon (French, 1821-1868)MINISTÈRE DE LA MARINE (DELTEIL 45)Etching, 1865, the final
Charles Meryon (French, 1821-1868)MINISTÈRE DE LA MARINE (DELTEIL 45)Etching, 1865, the final sixth state with lettering, bearing the artist’s mon...
Rodolphe Bresdin (French, 1822-1885)LA COMÉDIE DE LA MORT (VAN GELDER 84) Lithograph, 1854, a
Rodolphe Bresdin (French, 1822-1885)LA COMÉDIE DE LA MORT (VAN GELDER 84) Lithograph, 1854, a later impression, on chine appliqué paper, with full...
Camille Pissarro (Danish/French, 1830-1903)FEMME À LA BÊCHELithograph, c.1900, plate 3 from the
Camille Pissarro (Danish/French, 1830-1903)FEMME À LA BÊCHELithograph, c.1900, plate 3 from the portfolio '25 Lithographies par W Thornley d’apr?s...
Camille Pissarro (Danish/French, 1830-1903)LE JARDINIERLithograph, c.1900, plate 16 from the
Camille Pissarro (Danish/French, 1830-1903)LE JARDINIERLithograph, c.1900, plate 16 from the portfolio '25 Lithographies par W Thornley d’apr?s Pi...
After Edgar Degas (French, 1834-1917)TWO PLATES FROM THE BOOK 'MIMES DES COURTISANES DE LUCIEN'Two
After Edgar Degas (French, 1834-1917)TWO PLATES FROM THE BOOK 'MIMES DES COURTISANES DE LUCIEN'Two etchings, 1935, one of 20 hors de commerce impr...
After Edgar Degas (French, 1834-1917)UNTITLED (SEATED GIRL)Copper etching printed in colours,
After Edgar Degas (French, 1834-1917)UNTITLED (SEATED GIRL)Copper etching printed in colours, 1936, the edition was 325, printed after an original...
After Paul Cézanne (French, 1839-1906)BAIGNEURS ET BAIGNEUSESTwo pochoirs in colours, 1971, from the
After Paul Cézanne (French, 1839-1906)BAIGNEURS ET BAIGNEUSESTwo pochoirs in colours, 1971, from the portfolio 'Quinze Aquarelles', the 1st copy o...
After Paul Cézanne (French, 1839-1906)LE DÉJEUNER SUR L’HERBE (MELOT 9)Lithograph printed in
After Paul Cézanne (French, 1839-1906)LE DÉJEUNER SUR L’HERBE (MELOT 9)Lithograph printed in colours, 1914, commissioned by Ambroise Vollard, prin...
After Auguste Rodin (French, 1840-1917)LES JAMBES TENDUES ET VIBRANTES AINSI QUE LES CORDES D'UNE
After Auguste Rodin (French, 1840-1917)LES JAMBES TENDUES ET VIBRANTES AINSI QUE LES CORDES D'UNE VIOLELithograph, 1902, from The Torture Garden, ...
Lovis Corinth (German, 1858-1925)FRAUENRÄUBERS (WOMEN RAIDERS) (S.443)Drypoint, 1916, signed and
Lovis Corinth (German, 1858-1925)FRAUENRÄUBERS (WOMEN RAIDERS) (S.443)Drypoint, 1916, signed and numbered No.7 in pencil from the edition of 100, ...
Charles Haslewood Shannon (British, 1863-1937)AUTUMN, LATE SUMMER Two lithographs printed in
Charles Haslewood Shannon (British, 1863-1937)AUTUMN, LATE SUMMER Two lithographs printed in colours, 1917, each signed, titled and annotated with...
After Henri de Toulouse-Lautrec (French, 1864-1901)DRESSEUR DE CHIENSCollotype printed in colours,
After Henri de Toulouse-Lautrec (French, 1864-1901)DRESSEUR DE CHIENSCollotype printed in colours, 1905, signed in the plate, from the 'Au Cirque'...
After Henri de Toulouse-Lautrec (French, 1864-1901)FEMME COUCHÉE;LASSITUDETwo lithographs printed in
After Henri de Toulouse-Lautrec (French, 1864-1901)FEMME COUCHÉE;LASSITUDETwo lithographs printed in colour, 1969, both numbered 501/1250 in penci...
After Henri de Toulouse-Lautrec (French, 1864-1901)LE GOMMEUX (THE MASHER)Lithograph printed in
After Henri de Toulouse-Lautrec (French, 1864-1901)LE GOMMEUX (THE MASHER)Lithograph printed in colours, 1969, numbered 501/1250 in pencil, from t...
After Henri de Toulouse-Lautrec (French, 1864-1901)LE PAS DE DEUX;TRAVAIL SANS SELLETwo collotypes, 1905, both signed in the plate, from the 'Au C...
After Henri de Toulouse-Lautrec (French, 1864-1901)LE TUBLithograph printed in colours, 1969,
After Henri de Toulouse-Lautrec (French, 1864-1901)LE TUBLithograph printed in colours, 1969, numbered 501/1250 in pencil, from the 'Elles' portfo...
Wassily Kandinsky (Russian, 1866-1944)IMPROVISATION 7 Woodcut, 1913, from the book 'Klänge' (
Wassily Kandinsky (Russian, 1866-1944)IMPROVISATION 7 Woodcut, 1913, from the book 'Klänge' (Sounds), the edition was 300 with 45 HC impressions, ...
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