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After Giovanni Battista Piranesi, (Italian, 18th century), An interior view of S. Maria Maggiore (?), Rome, 19th century or later reproduction pri...
Graham Clarke, artists Proof, "Windmill, Rye" signed to margin, 15cm x 18cm. ...[more]
Harold Wyllie (1880-1975) Etching /Aquatint, "Shipping in an Estuary" pub 1926, 16 x 43cm
John Sutton (British, 20th century), Broadland views, woodblock print, signed and inscribed, 33 x
John Sutton (British, 20th century), Broadland views, woodblock print, signed and inscribed, 33 x 49cm
Reproduction coloured print Neapolis (Naples), 37 x 88cm
After Thomas Rowlandson (British, 18th century), Vauxhall Gardens, 1732, 19th century or later
After Thomas Rowlandson (British, 18th century), Vauxhall Gardens, 1732, 19th century or later reproduction colour lithograph on paper, 34 x 47cm
Matthew Dubourg (British, 19th century), Pair of prints depicting The Queen returning from the House
Matthew Dubourg (British, 19th century), Pair of prints depicting The Queen returning from the House of Lords and the arrival at Brandenburg House...
Janowski Sandor (Hungarian, 20th century), Still Life print of flowers and fruit, woodblock print,
Janowski Sandor (Hungarian, 20th century), Still Life print of flowers and fruit, woodblock print, signed and inscribed, 35 x 23cm
Philip Rickman (British, 20th century), Partridges in a winter landscape, limited edition print,
Philip Rickman (British, 20th century), Partridges in a winter landscape, limited edition print, signed and inscribed, 51 x 39cm
John Sell Cotman (British, 19th century), Ecclesiastical interest, three individual etchings including Ely Cathedral and the east window at Burnha...
Almer Keene (British, 19th century), Going to Pasture, lithograph on paper, 27 x 41cm
Late 18th century print "War", etching on paper, 15 x 20cm
Set of three coloured 19th century engravings, "The Show", "Punch" each approx 25cm x 35cm and
Set of three coloured 19th century engravings, "The Show", "Punch" each approx 25cm x 35cm and a coloured engraving of Guy Fawkes Day. ...[more]
Coloured engraving, after Wivell, "His Most Gracious Majesty George IV", 32 x 22cm
Thomas Rowlandson (British, 18th century), A series of satirical prints on the fortunes of Dr Syntax
Thomas Rowlandson (British, 18th century), A series of satirical prints on the fortunes of Dr Syntax (6), coloured engravings, 17 x 22cm (largest)
David Logan (British, 17th century), An aerial prospect view of Sidney Sussex College, Cambridge,
David Logan (British, 17th century), An aerial prospect view of Sidney Sussex College, Cambridge, uncoloured engraving on paper, 34 x 46cm
Arthur O'Klein (French, 20th century), set of prints taken from The Dirty Dogs Paris series entitled
Arthur O'Klein (French, 20th century), set of prints taken from The Dirty Dogs Paris series entitled "Internal enemies", etchings with hand colour...
After Sir Oswald Walters Brierly, (British, 19th century), large coloured engraving, ships in
After Sir Oswald Walters Brierly, (British, 19th century), large coloured engraving, ships in harbour, bears both pencil signature of artist and f...
Set of four Victorian satirical prints, etchings with hand colouring on paper, 10 x 55cm
British, 19th century, Maps of Suffolk and Cambridgeshire, 1832, engravings on paper, 44 x 36cm (
British, 19th century, Maps of Suffolk and Cambridgeshire, 1832, engravings on paper, 44 x 36cm (largest)
Hong Kong, central portion of the town of Victoria March 1857, colour lithograph on paper, 23 x
Hong Kong, central portion of the town of Victoria March 1857, colour lithograph on paper, 23 x 34cm
After Luigi Mayer (Italian, 18th century), Geological interest: crater in the island Stromboli,
After Luigi Mayer (Italian, 18th century), Geological interest: crater in the island Stromboli, aquatint on paper, 30 x 40cm
After William Fleetwood Varley, (British, 19th century), Addenbrooke Hospital, Cambridge, circa
After William Fleetwood Varley, (British, 19th century), Addenbrooke Hospital, Cambridge, circa 1830, uncoloured lithograph on paper, 31 x 42cm
W F Austin (British, 19th century), Norwich marketplace, uncoloured lithograph on paper, 37 x 54cm
W F Austin (British, 19th century), Norwich marketplace, uncoloured lithograph on paper, 37 x 54cm
William Simpson (British, 19th century), The seat of the war in the East: I (camp of the Naval
William Simpson (British, 19th century), The seat of the war in the East: I (camp of the Naval Brigade before Sebastopol) II (Distant view of Lord...
After William Westall (British, 19th century) and other artists. Series of prints from A History
After William Westall (British, 19th century) and other artists. Series of prints from A History of the University of Cambridge, its Colleges, Ha...
Two British 19th century prints of colonial interest - Madras and Calcutta, lined engravings on
Two British 19th century prints of colonial interest - Madras and Calcutta, lined engravings on paper, 16 x 22cm (largest)
After George Morland (British, 18th century), Guinea pigs, coloured mezzotint, 56 x 44cm
After J F Herring Snr (British, 19th century), Set of four prints from the series Farmyard Mothers, coloured engravings, 33 x 38cm
After Joseph Vernet (French, 18th century), "The fishermen with their lines" and "The first view
After Joseph Vernet (French, 18th century), "The fishermen with their lines" and "The first view of the Levant", engravings on paper, 36 x 43cm
Two prints of Rochester Castle, engravings on paper, 17 x 23cm (largest)
William Daniel, RA (British, 19th century), A view of Southwold, Suffolk, aquatint 1822, signed,
William Daniel, RA (British, 19th century), A view of Southwold, Suffolk, aquatint 1822, signed, 22 x 30cm
A longitudinal view of Brighton Pavilion, coloured lithograph on paper, 18 x 30cm
Selection of attractive 19th century prints, along the Thames, including a view of the Villa
Selection of attractive 19th century prints, along the Thames, including a view of the Villa Riversdale, Twickenham, engravings on paper, mostly u...
After Paul Sandby (British, 18th century), Datchet Bridge near Windsor, 1774, hand coloured etching,
After Paul Sandby (British, 18th century), Datchet Bridge near Windsor, 1774, hand coloured etching, 18 x 23cm
After Douglas Adams, three coloured prints of golfing interest "A difficult bunker", "The putting
After Douglas Adams, three coloured prints of golfing interest "A difficult bunker", "The putting green" and "The drive", all contemporary framed ...
Robert Richardson (British, 20th century), limited edition landscape print of the River Calder,
Robert Richardson (British, 20th century), limited edition landscape print of the River Calder, Yorkshire, signed and inscribed, 41 x 57cm
Robert Richardson (British, 20th century), limited edition print of Stonegate, York, signed and
Robert Richardson (British, 20th century), limited edition print of Stonegate, York, signed and inscribed, 40 x 56cm
Robert Richardson (British, 20th century), limited edition print of the seaside village of Staithes,
Robert Richardson (British, 20th century), limited edition print of the seaside village of Staithes, North Yorkshire, signed and inscribed, 41 x 5...
20th century fashion study of a lady, possibly French, printed by Smith Val Rosa & Co, Finsbury,
20th century fashion study of a lady, possibly French, printed by Smith Val Rosa & Co, Finsbury, London, hand coloured lithograph, 17 x 11cm ...[...
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