Asian art

PAIR OF IMPORTANT PORCELAIN JARDINIÉRES WITH CUT PEONY DECORATION. Origin: China. Dynasty: Kangxi period (1622-1722). Technique: Porcel...

PAIR OF PROCELAIN CALABASH VASES. Origin: China. Dynasty: Ming Dynasty. Date: Presumably Chongzhen period (1627 untill 1644). Techniq...

PORCELAIN SLOP BOWL WITH ASIAN DECOR. Origin: Japan. Arita. Date: ca. 1750. Technique: porcelain, enriched with colour . Measurement:...

SMALL COPPER-BRONZE JAIN-ALTAR JAIN-ALTAR. Origin: India, presumably Rajhastan or Gujarat. Date: Presumably 18th c. Technique: Copper-b...

BRASS-BRONZE PARAVATI. Origin: South India. Date: Presumably 18th c. Technique: Brass-bronze. Description: Standing in tribhanga pos...

STONEWARE OVOIDE VASE WITH FLOWER ORNAMENTATION. Origin: China. Dynasty: Northern Sung dynasty. Date: 11th-12th c. Technique: Stonew...

PORCELAIN VASE FAMILLE ROSE DECORATED WITH PEONIES. Origin: China. Date: 20th c. Technique: Porcelain. Measurement: Height 28cm, ø 1...

BRONZE BUDDAH SHAKYAMUNI. Origin: Sri Lanka. Date: 19th/20th c. Technique: Heavy yellow cast. Description: Standing, the right hand ...

LARGE BRONZE KANNON FIGURE. Origin: Japan. Date: Probably Meiji period or later. Technique: Patinated bronze, cloisonné. Description:...

ENSEMBLE OF SIX SILVER BOWLS AND TWO BOXES. Origin: Laos. Date: 19th c. Technique: Silver-repoussé. Ca.1045g. Description: Various s...

TWO SILVER TEA CUPS STANDS AND THREE TEA BOWL (PHORBA). Origin: Tibet. Date: Early 20th c. Technique: Silver-repoussé, partly gilt. Roo...

FIVE SILVER TRAVELLING SHRINES, SO-CALLED GA'US. Origin: Tibet. Technique: Silver, repoussé. Textile fragments. Stone trimming. Descript...

COPPER HELMET OF A PRIEST. Origin: East Tibet. Date: 19th/20th c. Technique: Copper and silver repoussé, gold-plated skulls, stone trim...

TWO STONE BOWLS. Origin: South East Asia. Date: Piu period, ca. 500 AD. Technique: black, greenish spotted stone resp. grey, granite-li...

TWO LARGE CELADON-BOWLS. Origin: China. Dynasty: Ming dynasty (1368-1644). Technique: Longquan celadon. Heavy ferrous body with engrave...

COPPER VAJRASATTVA-HELMET. Origin: East Tibet. Date: Ca. 1900. Technique: Copper, silver, rock crystal, various stone cabochons. Desc...

CLOISONNÉ JARDINIÈRE WITH BIRDS AND BLOOMING TWIGS. Origin: China. Dynasty: Qing-Dynasty. Date: 19th c. Technique: Polychrome cloiso...

AMBER RITUAL VESSEL WITH FACES AND ORNAMENTAL DECORATION. Origin: Tibet. Date: 19th c. Technique: Silver-repoussé, amber. Description...

LARGE SILVER LOTOS BOWL. Origin: Laos. Date: 20th c. Technique: Silver ca. 295g. Description: Bulbous shape with a flat base and ste...

IRON FIGURE OF A SEATED, LAUGHING GOD OF LUCK BUDAI. Origin: China. Date: 19th/20th c. Technique: Iron, gold-plated. Description: Th...

COPPER ROD- OR CROWN CENTREPIECE WITH SKULL AND FLAMES. Origin: East Tibet. Date: 19th/20th c. Technique: Fire-gilded copper-repoussé, ...

STANDING BRONZE BUDDHA IN LOPBURI STYLE. Origin: Central Thailand. Dynasty: U-Thong-Style. Date: Presumably 18th/19th century. Techni...

GILDED BUDDAH SHAKYMANUNI ON LOTOS THRONE. Origin: Myanmaar. Shan-Staaten. Date: 18th c. Technique: Gilded over a red-brown lacquer set...

SMALL SANDSTONE BUDDHA-HEAD. Origin: India. Mathura-Region. Date: 16th/17th c. Technique: Red sandstone. Description: Large oval hea...

BRONZE SARVABUDDHA-DAKINI. Origin: Tibet. Date: 18th/19th c. Technique: Bronze, fire-gilt. Stone setting. Description: The initiatio...

BRONZE PRIEST'S BELL (GHANTA). Origin: Tibet. Technique: Bronze/ bell metal. Description: The handle of the bell consists of the head o...

DRY LAQUER BUDDAH SHAKYAMUNI. Origin: Birma. Shan States. Date: 19th c. Technique: Dry laquer, gilt. Description: The Buddha seated ...

WOMEN'S FABRIC HEADDRESS SO-CALLED GANLEP. Origin: Ladakh. Tibet. Technique: Red, slightly faded fabric with sewn-on silver ornaments, lar...

SILVER TRAVVELING SHRINE, SO-CALLED GA'U. Origin: Tibet or Bhutan. Technique: Sliver, repoussé, fabric among other. Description: Two-pa...

TAOTIE MASK. Origin: China. Dynasty: Han Dynasty. Date: 207 BC - 25 AD. Technique: Bronze with remnants of gilding. Description: ...

STANDING BRONZE BUDDHA. Origin: Thailand. Ratanakosin. Dynasty: 19th/20th c. Maker/Designer: Gilt in several layers over a red-brown la...

COPPER FRAGMENT OF AN AUREOL OR A JEWELLRY BAND WITH EIGHT HEADS. Origin: Tibet. Date: 18th/19th c. Technique: Fire-gilded copper-repou...

GREAT SILK YUZEN BIRODO WITH SEA BATTLE. Origin: Japan. Dynasty: Late Meiji period. Date: Ca. 1900. Technique: Silk velvet partially...

WOODEN PART OF A BOOK COVER WITH COLOURED DEPICTIONS OF THREE DEITIES. Origin: Tibet. Date: Early 19th c. Technique: Wood, polychromed....

COPPER FRAGMENT OF A MANDALA. Origin: Tibet or Nepal. Date: 18th/19th c. Technique: Sheet copper, embossed, fire-gilded. Description:...

SILK EMBROIDERY WITH STYLISED PAINTING OF AN IDYLLIC SUNSET. Origin: China. Date: 19th c. Technique: Red silk satin. In satin stitch ma...

TEXTILE KESI WITH THE EIGHT IMMORTALS. Date: 18th/19th c. Technique: Finely woven textile, contours and accentuations partially painted. ...