We found 962 price guide item(s) matching your search

Charles "Snaffles" Johnson Payne (1884-1967) John Jorrocks Esq. M.F.H. "Tell Me a Man's a Foxhunter and I Loves i'm At Once", photolithograph, 35x39cm, framed and glazed

Cecil Aldin (1870-1935), Harrow from 'Public Schools' series, photolithograph, signed in pencil lower left, numbered 56 lower right, 44 x 36cm. Framed and glazed.Condition Report: Under glass, paper discoloured, otherwise good clean condition.

Lawrence Alma-Tadema (1836-1912) photolithograph, Caracalla and Geta (1907), signed in pencil. 64cm x 78cm, in glazed frame. Provenance: From the Estate of Douglas Wilmer (1920-2016) star of stage and screen, best known for his definitive 1960s B.B.C. portrayal of Sherlock Holmes

AR * Henry (Paul, 1876-1958). Village by the Lake, colour photolithograph on thick wove paper, printed by WJ Stacey London, signed in pencil lower right, Fine Art Trade Guild blindstamp to lower left, mount stained, laid onto card, tipped onto mount, G.G. Limerick label to verso detailing title and artist, image size 34.5 x 39.5 cm (13 1/2 x 15 1/2 ins), sheet size 39 x 42 cm (15 1/4 x 16 1/2 ins), framed and glazed QTY: (1)

Salvador Dalí (1904-1989)Cérises Pierrot, from Flordali (Field 69-11G; M&L 350b)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed in pencil, numbered in roman numerals from the edition of 150, printed by Ateliers Rigal, Paris, Published by Orangerie-Verlag, Cologne, with their blindstamp, on Auvergne Richard de Bas paper, with full margins, sheet 745 x 554mm (29 3/8 x 21 3/4in)

Salvador Dalí (1904-1989)Abricot chevalier, from Flordali (Field 69-11D; M&L 347b)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed and dated in pencil, numbered in roman numerals from the edition of 150, printed by Ateliers Rigal, Paris, Published by Orangerie-Verlag, Cologne, with their blindstamp, on Auvergne Richard de Bas paper, with full margins, sheet 753 x 561mm (29 5/8 x 22 1/8in)

Salvador Dalí (1904-1989)Grenade et l'ange, from Flordali (Field 69-11L; M&L 355b)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed and dated in pencil, numbered in roman numerals from the edition of 150, printed by Ateliers Rigal, Paris, Published by Orangerie-Verlag, Cologne, with their blindstamp, on Auvergne Richard de Bas paper, with full margins, sheet 754 x 560mm (29 5/8 x 22in)

Salvador Dalí (1904-1989)Framboisier, from Flordali (Field 69-11K; M&L 354e)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed in pencil, inscribed 'Epreuve d'Artiste', an artist's proof aside from the edition of 200, printed by Ateliers Rigal, Paris, Published by Orangerie-Verlag, Cologne, with their blindstamp, on BFK Rives paper, with full margins, sheet 746 x 555mm (29 3/8 x 21 7/8in)

Salvador Dalí (1904-1989)Homme Figuier, from Flordali (Field 69-11B; M&L 345b)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed in pencil, numbered in roman numerals from the edition of 150, printed by Ateliers Rigal, Paris, Published by Orangerie-Verlag, Cologne, with their blindstamp, on Auvergne Richard de Bas paper, with full margins, sheet 740 x 555mm (29 1/8 x 21 5/8in)

* Havell (A. C.). A Fox-Hunter's Dream, Messrs. Fores, April 15th 1890, photolithograph after A. C. Havell, with bright contemporary hand-colouring, 680 x 500 mm, mounted, framed and glazedQTY: (1)

* The Stock Exchange. Whistler (Reginald John, 'Rex'), The Stock Exchange London 1933, London: The Financial News, 1933, colour photolithograph, additional cartouche with the title 'The Financial News map of the Stock Exchange' with a table of explanation below, numerous allegorical symbols and figures surrounding the map, slight marginal staining, laid on later card, 390 x 535 mm, framed and glazedQTY: (1)NOTE:A scarce map crammed with allegorical symbolism. The cartouche is supported by a bear and a bull, the classic representations of a sellers and buyers market, and both are shown in morning dress. The secondary cartouche is flanked by King Midas who has coins spilling from his waist and Dame Fortune who is blindfolded and holding a pair of scissors and whose arm rests on the 'rota fortunae' or wheel of fortune, a symbol of the capricious nature of fate. In the upper corners of the map are representations of Mercury carrying an elaborate compass and the goddess Demeter spilling her cornucopia into the market. The stock exchange itself is shown as a castellated courtyard within whose walls commodities, gilts and bonds are depicted being traded by a variety of humorous vignettes.

After Lionel Edwards, racing at Epsom, photolithograph, signed in pencil by the artist, image size 9.5" x 15.25" (24 x 39cm).

Morley (b.1982) Give Up/Get Up Photolithograph on paper Signed, lower right Numbered 12/40 Embossed with the Lazarides Editions chopmark in the margin  To be sold without reserve  Dimensions: (Paper) 26.5 in. (H) x 20 in. (W) (Frame) 31 in. (H) x 23.25 in. (W)

Eduardo Paolozzi (1924-2005)Homage to MichelangeloPhotolithograph printed in colours, 1974, signed, dated and inscribed 'A/P' in pencil, aside from the edition of 95, printed by Kelpra Studio, London, on wove paper, with full margins, image 630 x 480mm (24 3/4 x 18 7/8in)

Manner of James Abbott McNeill Whistler (1834-1903) pencil, Mother and child, 37 x 27cm, another subject verso, together with a photolithograph after Whistler (2)

▴ Charles Johnson Payne, called 'Snaffles' (1884-1967) 'John Jorrocks Esq M.F.H', 1923 photolithograph with hand colouring with printed remarque, signed 'Snaffles' in pencil l.r., with blind stamp 38.5 x 42cm'I Would Bring Such Fishes Back' print in colours, with printed remarque, signed 'Snaffles' and inscribed with title in pencil l.r. 51 x 54.5cmThe Grand National, 'The Canal Turn' print in colours with printed remarque signed 'Snaffles' in pencil l.r., inscribed 'A memory/The Old Sergeant and Geoffrey Bennett' l.l., with blind stamp 48 x 73.5cm (3) Condition Report'John Jorrocks Esq M.F.H' Overall: 41 x 44.5cm Time staining and foxing. There are some thunderbugs trapped behind the glazing. Not viewed out of glazed frame.'I Would Bring Such Fishes Back' Overall: 53 x 57cm Time staining with spots and speckles of surface dust and dirt trapped behind the glazing. Not viewed out of glazed frame.The Grand National, 'The Canal Turn' Overall: 52 x 77cm Discolouration and time staining to the paper. The colours are faded, please see images. Not viewed out of glazed frame.

Cecil Aldin (1870-1935), Eton Chapel, photolithograph, signed and numbered 94 in pencil, 33x43cm, framed and glazed

* Payne (Charles Johnson 'Snaffles'). The Informers, circa 1934, colour photolithograph, black and white remarque (entitled The Moonlighter) of a fox sitting on a stone wall, signed in pencil by the artist to the lower right, snaffle bit blind stamp, slight creasing, overall size 480 x 530 mm, framed and glazedQTY: (1)

* Aldin (Cecil 1870 - 1935). 'Nonie', Richard Wyman & Co. Ltd., circa 1920, colour photolithograph, 430 x 405 mm, mounted, framed and glazed, together with The Model who Wouldn't Sit, published by The Sketch, Christmas Number, 1931, colour photolithograph, old folds, 280 x 380 mm, mounted, framed and glazed, with Confound all presents wot Eat, circa 1930, black and white photolithograph, slight creasing, 85 x 235 mm, mounted, framed and glazed, plus, West Highland Terriers, circa 1930, two photolithographs finished with body colour, each approximately 50 x 195 mm, displayed in a double-aperture mount, framed and glazedQTY: (4)

First world war memorabilia to include three handkerchiefs, one with "it's a long way to Tipperary", some framed embroidered postcards, a framed, part coloured photolithograph by Charles Johnson 'snaffles' "The Gunner, Good Hunting Old Sportsman" C1916 amd a Japanese paper hand fan.   

Ben Eine (b.1970) Untitled (Moniker Edition) Photolithograph on paper Inscribed lower left, numbered 149/175 Property of a Gentleman Dimensions: (Frame) 25.5 in. (H) x 19 in. (W) (Paper) 19 in. (H) x 12.5 in. (W)

Y CHARLES JOHNSON PAYNE "SNAFFLES" (1884-1967) "Not Taking Any", photolithograph finished in gouache, inscribed mount signed in pencil, 17" x 16", ebonised frame (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Very slight browning, good

Terence Donovan FRPS (1936-1996) - Fashion model wearing satin, monochrome photolithograph, signed in pencil and dated 1992, inscribed 'To Tony', unframed, 71cm x 50cm.

* Henry (Paul, 1876-1958). Cottages, Connemara, colour photolithograph on thick wove paper, printed by WJ Stacey London, signed in pencil lower right, Fine Art Trade Guild blindstamp to lower left, full sheet, plate size 360 x 415 mm (14 x 16 1/4 ins), sheet size 480 x 530 mm (19 x 21 ins), together with Killary Bay, Connemara, 1924/25 and an additional copy of Cottages, Connemara, by the same artist, both colour photolithograph and signed in pencil lower right, partial Fine Arts Trade Guild blindstamp to lower left, each trimmed and laid on board, the largest 360 x 418 mm (14 x 16 1/2 ins)QTY: (3)

The Stock Exchange. Whistler (Reginald John, 'Rex'), The Stock Exchange London 1933, London: The Financial News, 1933, colour photolithograph, additional cartouche with the title 'The Financial News Map of the Stock Exchange' with a table of explanation below, numerous allegorical symbols and figures surrounding the map, slight spotting, very slight surface abrasion, laid on later card, 390 x 535 mmQTY: (1)NOTE:A scarce map crammed with allegorical symbolism. The cartouche is supported by a bear and a bull, the classic representations of a sellers and buyers market, and both are shown in morning dress. The secondary cartouche is flanked by King Midas who has coins spilling from his waist and Dame Fortune who is blindfolded and holding a pair of scissors and whose arm rests on the 'rota fortunae' or wheel of fortune, a symbol of the capricious nature of fate. In the upper corners of the map are representations of Mercury carrying an elaborate compass and the goddess Demeter spilling her cornucopia into the market. The stock exchange itself is shown as a castellated courtyard within whose walls commodities, gilts and bonds are depicted being traded by a variety of humorous vignettes.

Property of a Gentleman. Cecil Aldin (1870 - 1935), The Pytchley Country, Gone Away From Bradby Wood. Colour, photolithograph on paper. Signed in pencil lower left. Gallery labels verso. Dimensions: (Paper) 12.75 in. (H) x 26.5 in. (W) (Frame) 26 in. (H) x 37 in. (W)

"Snaffles" Charles Johnson Payne (1884-1967)"The Huntsman",pencil signed, with Snaffles "bit" blindstamp,hand-tinted photolithograph,42 x 37cms, in frame.

After William Tombleson(1795-1846)"Tombleson's Panoramic Map of the Thames and Medway",limited edition hand-tinted photolithograph, published by The Collectors' Gallery,120 x 26cms, in frame.

Salvador Dali (Spanish, 1904-1989). Photolithograph on paper title "Helianthus Solifer (Sun)" from the "Flora Dalinae (FlorDali)" suite, 1968. Depicting an ten-armed plant, each leaf terminating with a sun with a face. Pencil signed along the lower right; numbered 164/200 along the lower left. Housed in a wooden frame with gilt cattails decoration.Sight; height: 26 1/4 in x width: 18 1/4 in. Framed; height: 35 1/4 in x width: 27 in.Condition: There are no visible rips, losses, or restorations. The sheet is toned somewhat unevenly; it is lighter along the center. There is a slight crease along the lower center. The work is framed behind a double mat. Light wear to the frame; framed under glass; not inspected out of frame.

PABLO PICASSO, Le Fumeur - The Smoker, 58cm x 39cm, photolithograph, signed in the plate. editions cercle d'Art, vintage French frame. (Subject to ARR - see Buyers Conditions)

Cecil Aldin (1870-1935), Eton Chapel, photolithograph, signed and numbered 94 in pencil, 33x43cm, framed and glazed

Cecil Aldin (1870-1935), Norwich Cathedral, photolithograph, framed and glazed, Burlington Gallery Ltd, London, label on verso, 34x41cm, framed and glazed.

Mary Anne Rogers(Contemporary)"Outnumbered",signed,limited-edition photolithograph, 331/500,15 x 68cms, in frame.together with;"Cocktail",signed,limited-edition photolithograph, 137/500,34 x 14.5cms, in frame. (2)

A photolithograph by South African artist Mike Fitzpatrick 140cm x 90cm

* Havell (A. C.). A Fox-Hunter's Dream, Messrs. Fores, April 15th 1890, photolithograph after A. C. Havell, with contemporary hand-colouring, slight spotting to the margins, 670 x 475 mm, mounted, framed and glazedQTY: (1)

PLAYGIRL 1970, 7 Kalenderblätter: das Cover, Januar, März, Mai, Juni, November und Dezember, je Fotolithographie/Papier, je im Druck monogrammiert J. A., HxB: Blatt je ca. 49,5x33 cm. Tlw. Alters- und Knickspuren. gebräunt.| PLAYGIRL 1970, 7 calendar pages: the cover, January, March, May, June, November and December, each photolithograph/paper, each monogrammed J. A. in the print, HxW: each page approx. 49.5x33 cm. partly Age and crease marks. tanned.

HUNDERTWASSER, FRIEDENSREICH (1928-2000) „10002 Nights Homo Humus Come Va How Do You Do“, Farbfotolithografie / Farbserigrafie mit Metallprägung, rechts unten signiert "dunkelbunt", nummeriert und zwei japanische Rotstempeln, verso typographische Beschreibung des Druckprozesses und der Farbvarianten. Exemplar 4863/10.000. Mit den Stempeln des Druckers, Spinea-Venedig und des Herausgebers, Die Galerie, Offenbach/Main. HxB (mit Rahmen): 73/53 cm. Leichte Altersspuren, leicht gelbstichig. | HUNDERTWASSER, FRIEDENSREICH (1928-2000) "10002 Nights Homo Humus Come Va How Do You Do", Colour photolithograph / colour serigraph with metal embossing, signed lower right "dunkelbunt", numbered and two inkan stamps, typographical description of the printing process and colour variations on verso. Copy 4863/10.000. With the stamps of the printer, Spinea-Venice and the publisher, Die Galerie, Offenbach/Main. HxW: (with frame): 73/53 cm. Slight signs of age, slightly yellowish.

HUNDERTWASSER, FRIEDENSREICH (1928-2000) „10002 Nights Homo Humus Come Va How Do You Do“, Farbfotolithografie / Farbserigrafie mit Metallprägung, rechts unten signiert "dunkelbunt", nummeriert und zwei japanische Rotstempeln, verso typographische Beschreibung des Druckprozesses und der Farbvarianten. Exemplar 5044/10.000. Mit den Stempeln des Druckers, Spinea-Venedig und des Herausgebers, Die Galerie, Offenbach/Main. HxB (mit Rahmen): 73/53 cm. Leichte Altersspuren, leicht gelbstichig.| HUNDERTWASSER, FRIEDENSREICH (1928-2000) "10002 Nights Homo Humus Come Va How Do You Do", Colour photolithograph / colour serigraph with metal stamping, signed "dunkelbunt" at lower right, numbered and two Japanese red stamps, typographical description of the printing process and colour variations on verso. Copy 5044/10.000. With the stamps of the printer, Spinea-Venice and the publisher, Die Galerie, Offenbach/Main. HxW (with frame): 73/53 cm. Slight signs of age, slightly yellowish.

The Stock Exchange. Whistler (Reginald John, 'Rex'), The Stock Exchange London 1933, London: The Financial News, 1933, colour photolithograph, additional cartouche with the title 'The Financial News map of the Stock Exchange' with a table of explanation below, numerous allegorical symbols and figures surrounding the map, slight spotting, very slight surface abrasion, laid on later card, 390 x 535 mmQTY: (1)NOTE:A scarce map crammed with allegorical symbolism. The cartouche is supported by a bear and a bull, the classic representations of a sellers and buyers market, and both are shown in morning dress. The secondary cartouche is flanked by King Midas who has coins spilling from his waist and Dame Fortune who is blindfolded and holding a pair of scissors and whose arm rests on the 'rota fortunae' or wheel of fortune, a symbol of the capricious nature of fate. In the upper corners of the map are representations of Mercury carrying an elaborate compass and the goddess Demeter spilling her cornucopia into the market. The stock exchange itself is shown as a castellated courtyard within whose walls commodities, gilts and bonds are depicted being traded by a variety of humorous vignettes.

* Payne (Charles Johnson, pseud Snaffles). Swagger - but a Workman, circa 1919, photolithograph, printed in colours and finished with water and body colour, uncoloured remarque of an elegant huntsman sitting on a horse, snaffle bit blind stamp and signed by the artist in pencil to the lower right, some spotting to the backboard, overall size 385 x 350 mm, mounted, framed and glazed QTY: (1)

* Payne (Charles Johnson, pseud. Snaffles). Happy are they who Hunt for their own Pleasure and not to Astonish others, Richard Wyman & Co. Ltd. circa 1926, colour photolithograph with a coloured remarque of a huntsman taking a crashing fall at a five bar gate, signed in pencil by the artist to the lower left, blind stamp of the Fine Art Trade Guild, some spotting to the backing paper, overall size 545 x 770 mm, framed and glazedQTY: (1)

* Aldin (Cecil, 1870 - 1935). A Warwickshire Thruster, colour photolithograph, boldly signed by the artist in pencil to the lower left, with an original pencil and crayon remarque of a fox below the image, 320 x 385 mm, mounted, framed and glazedQTY: (1)

860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenedig 198369,5 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 9129860 Friedensreich HundertwasserNIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenedig 198369,5 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 9129

860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenedig 198369,5 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 9132860 Friedensreich HundertwasserNIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenedig 198369,5 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 9132

860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenedig 198369,7 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 9143860 Friedensreich HundertwasserNIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenedig 198369,7 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 9143

859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN KRIECHERTHIS IS A CREEPERCECI EST UN RAMPEURQUESTO E UN ARAMPICATOREVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG, Glarus, 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304; LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Probedruck / proof XXXIII859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN KRIECHERTHIS IS A CREEPERCECI EST UN RAMPEURQUESTO E UN ARAMPICATOREVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG, Glarus, 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304; LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Probedruck / proof XXXIII

859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN SCHLÄFERTHIS IS A SLEEPERCECI EST UN QUI DORTQUESTO E UN DORMITOREVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG , Glarus , 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304; LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Nr. 632/1304859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN SCHLÄFERTHIS IS A SLEEPERCECI EST UN QUI DORTQUESTO E UN DORMITOREVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG , Glarus , 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304;LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Nr. 632/1304

859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN TRÄUMERTHIS IS A DREAMERCECI EST UN REVEURQUESTO E UN SOGNATOREVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG, Glarus, 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304; LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Nr. 943/1304859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN TRÄUMERTHIS IS A DREAMERCECI EST UN REVEURQUESTO E UN SOGNATOREVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG, Glarus, 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304; LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Nr. 943/1304

859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN DENKERTHIS IS A THINKERCECI EST UN PENSEURVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG, Glarus, 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304; LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Probedruck / proof LXXI859 Friedensreich HundertwasserIL ROTOLANTEDAS IST EIN DENKERTHIS IS A THINKERCECI EST UN PENSEURVenice 198370 x 48,5 cmHerausgegeben von: Gruener Janura AG, Glarus, 1988 Mixed media Graphik: Fotolithographie von Zink in 3 Farben, Siebdruck in 14 Farben mit Metallprägungen in 9 Farben (5 auf jedem Abzug) Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della Vecchia Auflage: 1304, signiert und nummeriert 1-1304/1304; LXXXVI Probedrucke, signiert und nummeriert I-LXXXVI/LXXXVIPublished by: Gruener Janura AG, Glarus, 1988 Mixed media graphic: photolithograph from zinc in 3 colours, silk screen in 14 colours with metal embossings in 9 colours (5 on each print) Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della Vecchia Edition: 1304, signed and numbered 1-1304/1304; LXXXVI proofs, signed and numbered I-LXXXVI/LXXXVI4 verschiedene Positionen des Kopfes, in 2 Farbversionen (nicht mehr als 168 identische Abzüge), insgesamt 8 Farbversionen, die Zustandsdrucke in mehr.Rückseite: handschriftlich ausgeführte Auflistung der Arbeitsvorgänge und Varianten.4 different positions of the head, in 2 colour variants (not more than 168 identical prints), totaling 8 colour variants, in addition to the states.Reverse: autographed breakdown of the technical process and list of colour variants.Koschatzky / Fürst HWG 90 Probedruck / proof LXXI

858 Friedensreich HundertwasserTHE CITY MANHOMME DE LA CITEVenice 198375,8 x 55,8 cmHerausgegeben von: Gruener Janura AG, Glarus, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 13 Farben, Metallprägungen in 9 Farben (41 Druckvorgänge)Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 252, signiert und nummeriert 1-252 (von Hand)/252 (im schwarzen Sieb); LIV Probedrucke, signiert und nummeriert I-LIV/LIVPublished by: Gruener Janura AG, Glarus, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 13 colours with metal embossings in 9 colours (41 print operations)Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Venice, Spinea, 1983Coordinator: Alberto della VecchiaEdition: 252, signed and numbered 1-252 (by hand)/252 (in the black screen); LIV proofs, signed and numbered I-LIV/LIV10 Farbversionen (nicht mehr als 30 identische Abzüge). Von Hand verfasste Auflistung der technischen Arbeitsvorgänge und Farbversionen auf der Rückseite.10 colour variants (no more than 30 identical prints). Autographed breakdown of the technical procedure and list of colour variants imprinted versoKoschatzky / Fürst HWG 84Nr. 27/252858 Friedensreich HundertwasserTHE CITY MANHOMME DE LA CITEVenice 198375,8 x 55,8 cmHerausgegeben von: Gruener Janura AG, Glarus, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 13 Farben, Metallprägungen in 9 Farben (41 Druckvorgänge)Gedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 252, signiert und nummeriert 1-252 (von Hand)/252 (im schwarzen Sieb); LIV Probedrucke, signiert und nummeriert I-LIV/LIVPublished by: Gruener Janura AG, Glarus, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 13 colours with metal embossings in 9 colours (41 print operations)Printed by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Venice, Spinea, 1983Coordinator: Alberto della VecchiaEdition: 252, signed and numbered 1-252 (by hand)/252 (in the black screen); LIV proofs, signed and numbered I-LIV/LIV10 Farbversionen (nicht mehr als 30 identische Abzüge). Von Hand verfasste Auflistung der technischen Arbeitsvorgänge und Farbversionen auf der Rückseite.10 colour variants (no more than 30 identical prints). Autographed breakdown of the technical procedure and list of colour variants imprinted versoKoschatzky / Fürst HWG 84Nr. 27/252

860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenice 198369,5 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 8911860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenice 198369,5 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 8911

860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenice 198369,4 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 8913860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenice 198369,4 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 8913

860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenice 198369,4 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 8963860 Friedensreich Hundertwasser10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DOVenice 198369,4 x 49,7 cmHerausgegeben von: Die Galerie, Offenbach/Main, 1984Mixed media Graphik: Fotolithographie von Zink in 4 Farben, Siebdruck in 5 Farben mit Metallprägungen in 3 FarbenGedruckt von: Quattrifoglio (Fotolithographie), Claudio Barbato (Siebdruck), Giuseppe Barbato (Metallprägungen), Spinea, Venedig, 1983Koordinator: Alberto della VecchiaAuflage: 10002, signiert und nummeriert 1-10002 (von Hand)/10002 (Stempel; gedruckt 10001, überstempelt 10002); CCLII Probedrucke, signiert und nummeriert I-CCLII/CCLIIPublished by: Die Galerie, Offenbach/Main, 1984Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 5 colours with metal embossings in 3 coloursPrinted by: Quattrifoglio (photolithographs), Claudio Barbato (silk screens), Giuseppe Barbato (metal embossings), Spinea, Venice, 1983Coordinator: Alberto della VecchiaEdition: 10002, signed and numbered 1-10002 (by hand)/10002 (by stamp; printed 10001 overstamped 10002); CCLII proofs, signed and numbered I-CCLII/CCLII10.002 Farbversionen. Imprint auf der Rückseite mit der Auflistung der Arbeitsvorgänge und Varianten10,002 colour variants. Imprint verso with the autographed breakdown of the technical procedure and list of colour variantsKoschatzky / Fürst HWG 83Nr. 8963

914 Friedensreich HundertwasserIN GAMBAVenice 198969,5 x 50,2 cmHerausgegeben von: Gruener Janura AG, Glarus, 1990Mixed media Graphik: Fotolithographie in 5 Farben, Siebdruck in 8 Farben mit Metallprägungen in 4 Farben Gedruckt von: Claudio Barbato, Spinea (Siebdrucke), Quattrifoglio (Fotolithographie) und Giuseppe Barbato (Metallprägungen), Spinea, Venedig, Februar 1987 - März 1989 (Vorbereitende Arbeiten seit 1980)Koordinator: Alberto della Vecchia (zu Beginn)Auflage: 905, signiert und nummeriert 1 - 905/905 (905 Versionen);LXXXI Probedrucke, signiert und nummeriert I-LXXXI/LXXXI (81 weitere Versionen)Published by: Gruener Janura AG, Glarus, 1990Mixed media graphic: photolithograph in 5 colours, silk screen in 8 colours with metal embossings in 4 colours on FabrianoPrinted by: Claudio Barbato, Spinea (silk screens), Quattrifoglio (photolithographs) and Giuseppe Barbato (metal embossings), Spinea/Venice, Feb. 1987 - March 1989 (Preliminary works since 1980Coordinator: Alberto della Vecchia (at the beginning)Edition: 905, signed and numbered 1 - 905/905 (905 variants);LXXXI proofs, signed and numbered I-LXXXI/LXXXI (81 more variants)Fürst HWG 104Nr. 898/905914 Friedensreich HundertwasserIN GAMBAVenice 198969,5 x 50,2 cmHerausgegeben von: Gruener Janura AG, Glarus, 1990Mixed media Graphik: Fotolithographie in 5 Farben, Siebdruck in 8 Farben mit Metallprägungen in 4 Farben Gedruckt von: Claudio Barbato, Spinea (Siebdrucke), Quattrifoglio (Fotolithographie) und Giuseppe Barbato (Metallprägungen), Spinea, Venedig, Februar 1987 - März 1989 (Vorbereitende Arbeiten seit 1980)Koordinator: Alberto della Vecchia (zu Beginn)Auflage: 905, signiert und nummeriert 1 - 905/905 (905 Versionen);LXXXI Probedrucke, signiert und nummeriert I-LXXXI/LXXXI (81 weitere Versionen)Published by: Gruener Janura AG, Glarus, 1990Mixed media graphic: photolithograph in 5 colours, silk screen in 8 colours with metal embossings in 4 colours on FabrianoPrinted by: Claudio Barbato, Spinea (silk screens), Quattrifoglio (photolithographs) and Giuseppe Barbato (metal embossings), Spinea/Venice, Feb. 1987 - March 1989 (Preliminary works since 1980Coordinator: Alberto della Vecchia (at the beginning)Edition: 905, signed and numbered 1 - 905/905 (905 variants);LXXXI proofs, signed and numbered I-LXXXI/LXXXI (81 more variants)Fürst HWG 104Nr. 898/905

Charles Johnson Payne 'Snaffles' (1884-1967) - 'The Gunner' photolithograph with hand colouring, framed & glazed. Measures approx 46cm x 36.5cm

AFTER CECIL ALDIN (1870-1935) Hunting Countries Series - 'The Pytchley - Gone Away from Crick', coloured lithograph, signed in pencil, published 1912-13 by Lawrence and Jellicoe, 38 x 67cm, and After Aldin (1911), 'The Quorn - Away from Billesdown Coplow, 1912-13, colour print, 27.5 x 57.5cm, The Pytchley, Gone Away from Badby Wood' and The Companion - The Warwickshire Away from Watergall', coloured lithographs, signed and numbered in pencil, plates 15 x 30cm, and similar - 'Who Whoop near Solom Wood', and 'The V.W.H. (Cricklade) into the Vale from Blunsdon', unsigned, plates 15 x 30cm, all published Richard Wyman & Co., London', 'The First Fence', photolithograph, 41.5 x 72.5cm,'A Pytchley Wednesday, Gone Away from Crick', and 'The Meynell Hunt, Away from Ash Gorse, Sutton,' similar 18 x 31.5cm. (9)

HENRI MATISSE, Buste de femme, signed in the plate, photolithograph 1959, faux bamboo frame, 37.5cm x 48cm.

Charles 'Snaffles' Johnson Payne (1884-1967) The Season 1939-1940 colour photolithograph signed in pencil Snaffles bit blind stamp - 29cm x 49.5cm, frame size 55cm x 78cm - The Tryon Gallery Ltd label verso - some surface marks but reasonably good

David Bowie (British, 1947-2016)Untitled (Jon), 1998AP from an edition of 175, photolithograph on Fabriano paper, numbered, signed and dated '98 in pencil by Bowie to the lower margin, with Sky Editions blindstamp, after the original 1995 watercolour by Bowie sheet 45.5 x 58.5cm (18 x 23in)Footnotes:The subject 'Jon' was a crew member on David Bowie's tours. Bowie remembered him as 'a simple man, but not without wit'. See www.bowiewonderworld.com.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Laurie Simmons (American, b. 1949). Group of three prints including two photogravures and one photolithograph from the "Ventriloquism" suite, each pencil signed and dated 1986 along the lower right; editioned 16/40 along the lower left. Published by Editions Ilene Kurts, New York, 1986. The photolithograph depicts a close-up of the puppet depicted in the two black-and-white photogravures.Provenance: Distinguished Corporate Collection, Minnesota.As a prominent member of the Pictures Generation, Simmons uses dolls, puppets, and other anthropomorphized subjects to explore objectification, domesticity, and American consumerism. In particular, she explores how these affect women. She's photographed miniature scenes, shot a series focusing on a custom-made Japanese "love doll," and made a feature starring Meryl Streep with a cast of puppets and Alvin Ailey dancers dressed as inanimate objects. Her works are in the collections of the International Center of Photography, the Los Angeles County Museum of Art (LACMA), the Metropolitan Museum of Art, Moderna Museet, the Guggenheim Museum, the Stedelijk Museum, and the Whitney Museum of American Art.Image; height ranges from 18 in to 19 in; width ranges from 12 in to 12 1/2 in. Framed; height: 36 1/4 in x width: 29 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.