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Hector McDonnell (Irish b.1947) Drypoint etching "Taylor Street", limited edition, signed, titled and numbered 17/20 within margin, framed and glazed, plate size 17cm x 24.5cm 

Cecil Collins (British, 1908-1989) Head, 1939 Drypoint on paper Signed, tilted, dated and numbered 12/40 in pencil by the artist Framed & glazed Measures approx. 8.5cm x 7.5cm (3.5" x 3") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lewis Baumer (1870-1963) 'The Columbine', drypoint etching, signed in pencil to the mount lower right, 22.5cm x 19cm Provenance: With 'The Fine Art Society Ltd, 148 New Bond Street, London, W1' paper label to the reverse. This piece is not glazed and has some resulting wear and marks. Some foxing and scuffs. Minimal discolouration in places.

Lewis Baumer (1870-1963) 'The Dancer', drypoint etching, signed in pencil to the mount lower right, 34cm x 25cmProvenance: With 'The Fine Art Society Ltd, 148 New Bond Street, London, W1' paper label to the reverse. Some foxing and scuffs. Minimal discolouration in places. Staining to the outer edges of the mount.

A signed Drypoint Etching by John Nicolson (1891-1951) A.R.E, R.B.A. With a Victor Waddington Galleries label. 18/50. 20x26cm. Frame 40.5x53cm

Terence David La Noue (American, b. 1941). Etching, aquatint, woodcut, drypoint, and acrylic paint on paper titled "Talking Drums" depicting an abstract composition, partially in black and white and partially in a rainbow of bright colors, 1987. Pencil signed, dated, and numbered A.P. 2/2 along the lower center.Height: 36 in x width: 39 1/2 in.Condition:The colors are bold and deep. The sheet is slightly toned There are light creases throughout inherent to the material. The work is affixed with four plastic corner tabs to a non-acidic backing. The work is shrink-wrapped in plastic. Due to this, the verso has not been inspected.

Robert Cottingham (American, b. 1935). Group of two drypoint relief prints published by Tandem Press, 2007. Including "Component I" and "Component X," both from an edition of 30. Each signed and dated along the lower right. Each with a label along the verso with the title, date, artist, and publishing information.(Component 10) Sight; height: 7 1/4 in x width: 5 1/4 in. Framed; height: 15 3/4 in x width: 13 3/4 in x depth: 1 3/4 in. (Component 1) Sight; height: 7 1/4 in x width: 5 1/4 in. Framed; height: 15 3/4 in x width: 13 3/4 in x depth: 1 3/4 in.Condition:Both prints appear to be in good condition with no tears, creases, or noticeable restorations. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered LXXV mounted, framed and under glass Wright's to catalogue 45 image size 22cm x 30ccm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered mounted, framed and under glass Wright's to catalogue 27 image sizw 14cm x 7cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered II mounted, framed and under glass Wright's to catalogue 22 image size 12cm x 15cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered LXIV mounted, framed and under glass Wright's to catalogue 35 image size 19cm x 9cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and inscribed; 1 of 2 proofs mounted, framed and under glass Wright's to catalogue 33 image size 15cm x 7cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered XXI and inscribed mounted, framed and under glass image size 17cm xx 35cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered IX mounted, framed and under glass Wright's to catalogue 34 image size 18cm x 26cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed mounted, framed and under glass Wright's to catalogue 63 image size 15cm x 27cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered XXV mounted, framed and under glass Wright's to catalogue 57 image size 21cm x 35cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered 'For my friend D Pollok' mounted, framed and under glass Wright's to catalogue 52 image size 17cm x 12cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered XXXVIII mounted, framed and under glass Wright's to catalogue 21 image size 17cm x 15cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered II mounted, framed and under glass Wright's to catalogue 29 image size 12cm x 15cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered trial proof mounted, framed and under glass Wright's to catalogue 31 image size 33cm x 22cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered LI mounted, framed and under glass Wright's to catalogue 52 image size 18cm x 12cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered XXXIII mounted, framed and under glass image size 22cm x 16cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered XXXIX mounted, framed and under glass Wright's to catalogue 46 image size 20cm x 34cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered trial proof mounted, framed and under glass Wright's to catalogue 37 image size 12cm x 17cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered proof mounted, framed and under glass Wright's to catalogue 58 image size 35cm x 22cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered Mitchell IX and inscribed with title mounted, framed and under glass Wright's to catalogue 28 image size 22cm x 33cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered LX mounted, framed and under glass Wright's to catalogue 54 image size 20cm x 34cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered LIII mounted, framed and under glass Wright's to catalogue 30 image size 27cm x 19cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered artist's print A and inscribed mounted, framed and under glass image size 25cm x 17cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered IX mounted, framed and under glass Wright's to catalogue 58 image size 35cm x 22cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed mounted, framed and under glass image size 15cm x 10cm

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered XXXIV mounted, framed and under glass Wright's to catalogue 51 image size 17cm x 12cm

CHRISTOPHER RICHARD WYNNE NEVINSON ARA (BRITISH 1889-1946) THE POOL OF LONDON (BARGES) c1920 Drypoint, signed in pencil, 17.5 x 14cm (7 x 5.5") Condition Report:Good condition. Possible slight discolouration to sheet, slight acid staining from edge of mount, very minor foxing to margin. Not examined out of frame

WILLIAM STRANG RA RPE (SCOTTISH 1859-1921) THE PROCESSION  Etching with drypoint, signed and inscribed 'Second State, 4 proofs only' in pencil, 20 x 40cm (8 x 16") The estate of The late Anda Paterson and James Spence. Condition Report:Some mottling and brown marking. Not examined out of frame

John Fullwood (1855-1931)"Bridge of Glencoe", a charming study of the River Coe in the Scottish highlands, drypoint etching, signed and titled in pencil, in card mount and ebonised frame under glass, 39 cm x 51 cm overall[Fullwood exhibited at the Royal Academy on numerous occasions.]

Paul Cesar Helleu, drypoint etching, portrait of an elegant lady, signed, 21.25ins x 13ins   

Paul Cesar Helleu, drypoint etching, an elegant lady, signed, 22ins x 13.5ins

Rembrandt Harmensz. van Rijn (1606-1669) Christ Driving the Money Changers from the Temple (B., Holl. 69; New Holl. 139; H. 126)Etching with touches of drypoint, 1635, New Hollstein's second state (of four), unframedsheet size 14.5 x 17.5cmUnframed. Attached to a card support at the four corners (not laid down). Very slight wrinkling to corners. Few small scattered spots.

Edmund Blampied (British, 1886 - 1966) 'The Sick Man' and 'The Farmer's Dentist' Pencil signed drypoint etchings, 15.5cm x 23cm.  (2)   ARR

Naomi FREARS (1963) What I Want Drypoint on linen Artist's proof Edition of five Signed, with Cornwall Contemporary label to the verso 17.5cm x 15.5cm Together with a Heather Bray print, 13cm x 17cm Postage is available on this lot from £25.22 to a UK address.

ROWLAND LANGMAID (1897-1956) THE EMBANKMENT, drypoint etching, framed under glass, 23 x 29cm

Arnulf RainerAhnt1967drypoint; framed28.8 x 39 cmhandwritten numbered and signed at the bottom: ep. art. A. Raineredition: 80 + 10 E.A.acquired from art dealer, Munich;since then private property, GermanyOtto Breicha, Arnulf Rainer. Überdeckungen, Mit einem Werkkatalog sämtlicher Radierungen, Lithographien und Siebdrucke 1950-1971, Vienna 1972, no. R68, ill. p. 79.

* Strang (William, 1859-1921). Portrait of Sir Henry Rider Haggard, 1911, etching with drypoint on cream paper, printed with light plate tone, one of 35 published proofs, signed 'David Strang imp' bottom left, signed 'Wm Strang fec. DS' bottom right on behalf of the artist by David Strang, inscribed 'Final St.' in pencil below image, research notes to verso, plate size 39.7 x 27.4 cm, framed and glazed (59 x 45 cm)QTY: (1)

* Wyllie (William Lionel, 1851-1931). A Bird’s Eye View of Westminster Bridge and The City, etching with drypoint, an atmospheric impression, on thick cream wove paper, signed in pencil to lower left, the full sheet, plate size 225 x 375 mm (9 x 15 3/4 ins), sheet size 305 x 460 mm (12 x 18 ins), hinge-mounted, together with: Clausen (George, 1852-1944). The Barn Door, 1894-1904, etching, a fine, bright impression, on laid paper watermarked O.W.P. and A.C.L., signed 'George Clausen' in pencil lower right, with margins, old tape at the sheet edges, platemark 15.7 x 12.2 cm (6 1/8 x 4 3/4 ins), sheet 21.7 x 17.5 cm (8 1/2 x 6 7/8 ins), mounted, plus: Brockhurst (George, 1890-1978). The Artist’s Mother, 1920, etching on thick ivory wove paper, the full sheet, signed in pencil to lower right, a balanced and characterful impression, titled and numbered '55 proofs' in pencil in another hand to lower sheet edge, plate size 88 x 88 mm (3 1/4 x 3 1/4 ins), sheet size 230 x 195 mm (9 x 7 3/4 ins)QTY: (3)NOTE:F. Gibson Print Collector's Quarterly VIII, 1921, pp.203-227, no. 15.

* John (Augustus, 1878-1961). Rambling by the Lake, 1909, etching on buff paper, signed in pencil, plate size 17.6 x 12.6 cm (7 x 5 ins), framed and glazed (35.5 x 29 cm), and Middleton Todd (Arthur Ralph, 1891-1966). The Ancestor, etching with drypoint, signed lower right, a proof before the unnumbered edition, Inns & Blake label to verso, plate size 11.5 x 8.6 cm (4 1/2 x 3 1/2 ins), framed and glazed (38 x 29 cm), plus Buckles (Alec, 1892 – 1972). Feasts: Fairs Beggars: Gipsies, an illustration from 'Come hither. A collection of rhymes and poems for the young of all ages' by Walter De la Mare, 1923, woodcut, titled, signed and dated in pencil, image size 10 x 7.5 cm (4 x 3 ins), framed and glazed (40 x 37 cm), together with other etchings by various artists including Donald Maxwell, John Fullwood (4), G. Wyllie (Clifton near Cape Town), Joseph Burns (Doctor Livingston Blantyre), Alburny E Howarth, Donald Crawford, L. Russell Conway, etc.QTY: (15)

Salvador Dalí (1904-1989)Portrait of Picasso (Field 70-7; M&L 448)Etching with drypoint, collotype and pochoir printed in colours, 1970, signed and inscribed 'a/b' in pencil, numbered from the edition of 200, printed by Ateliers Rigal, Paris, published by Jean Schneider, Basel, on grey Ingres laid paper, with full margins, sheet 730 x 500mm (28 3/4 x 19 3/4in) This work was authenticated by Dali Trade on 19/05/22 and bears the authentication signature in pencil verso.

Rembrandt Harmensz. van Rijn (1606-1669)The Raising of Lazarus: The Small PlateEtching with touches of drypoint, 1642, but a later impression of the second state (of two), printing with plate tone on laid paper without watermark, sheet 149 x 112 mm (5 3/4 x 4 3/8 in), trimmed to or just within the platemark, upper corners and edge carefully restored with support verso, minor nicks repaired (unframed)Literature:Bartsch 72; New Hollstein 206

Salvador Dalí (1904-1989) Le Vieil Hippie, from Hippies (Field 69-13A; M&L 384)Drypoint with etching and extensive hand-colouring, signed in pencil, numbered from the edition of 100 in roman numerals, published by Graphik Europa Anstalt, Switzerland, with the Dalí blindstamp, on Japan paper, with full margins, sheet 653 x 508mm (25 5/8 x 20in)

Rembrandt Harmensz. van Rijn (1606-1669)The Death of the VirginEtching and drypoint, 1639, but a later impression of New Hollstein's fourth state (of five) on sturdy wove paper without watermark, platemark 395 x 315 mm (15 1/2 x 12 3/8 in), sheet 415 x 330 mm (16 1/4 x 13 in), repaired tear to the upper left edge, spotting and browning to the sheet (unframed)Literature:Bartsch 99; New Hollstein 173 iv/v

Salvador Dalí (1904-1989) Notre Dame de Paris (Field 69-14; M&L 341)Drypoint with etching, aquatint and extensive hand-colouring, signed in pencil, numbered from the edition of 250, printed and published by Pierre Argillet, Paris, with the Dalí blindstamp, on BFK Rives paper, with full margins, sheet 503 x 653mm (19 3/4 x 25 5/8in)

Rembrandt Harmensz. van Rijn (1606-1669)The Beheading of Saint John the BaptistEtching and drypoint, 1640, but a later re-worked impression of New Hollstein's third state (of 3), printing with plate tone on sturdy laid paper with partial German text printing verso, platemark 127 x 102 mm (5 x 4 in), sheet 137 x 112 mm (5 3/8 x 4 3/8 in), minor surface dirt (unframed)Literature:Bartsch 92; New Hollstein 183 iii/iii

Pierre-August Renoir (1841-1919) Etude pour une baigneuse (Delteil 16) The original uncancelled copperplate for the drypoint, circa 1906, bevelled and the corners rounded, overall 218 x 166mm (8 5/8 x 6 1/2in) Provenance:Ex Coll Ambroise VollardEx Coll Henri-M. PetietAcquired by the present owner from the estate sale of the above

Salvador Dalí (1904-1989) Expulsé comme un megot par les magots, from After 50 years of surrealism (Field 74-8A; M&L 668a) Etching with drypoint and pochoir printed in colours, 1974, signed in pencil, numbered in roman numerals from the edition of 35, printed by Ateliers Rigal, Paris, published by Trans World Art, New York, on Arches paper, with full margins, sheet 655 x 500mm (25 3/4 x 19 5/8in) This work was authenticated by Dali Trade on 06/02/24 and bears the authentication signature in pencil verso.

Salvador Dalí (1904-1989)La Statue, from Tauromachie Surréaliste (M&L 154a)Heliogravure with drypoint and pochoir printed in colours, 1966/1967, signed and dated in pencil, numbered from the edition of 150, printed by Maeght, published by Pierre Argillet, Paris, with the Dalí blindstamp, on Arches paper, with full margins, sheet 500 x 658mm (19 5/8 x 25 7/8in)

Salvador Dalí (1904-1989)Argus, from Mythologie (Field 63-3A; M&L116a)Drypoint with etching and heliogravure, 1963, signed in pencil, numbered from the edition of 150, printed by Atelier Robbe, published by Pierre Argillet, Paris, on BFK Rives paper, with full margins, sheet 565 x 759mm (22 1/4 x 29 7/8in)

Rembrandt Harmensz. van Rijn (1606-1669)The Flight into Egypt: A Night PieceEtching with drypoint, 1651, a very fine impression of New Hollstein's sixth state (of nine), printing with tone on and around the head of the donkey, Joseph's hands and Mary, on laid paper with partial indistinct watermark, sheet 128 x 111 mm (5 x 4 3/8 in), trimmed to or just within the platemark, expertly inset at edges into conservation window mount (unframed)Literature:Bartsch 53; New Hollstein 262 vi/ix

Pablo Picasso (1881-1973)Buste d'Homme, from La Suite des Saltimbanques (Bloch 4; Baer 5)Drypoint, 1905, from the edition of 250, published by Ambrose Vollard, Paris, on Van Gelder Zonen wove paper, with full margins, sheet 468 x 319mm (8 1/2 x 12 1/2in)

Rembrandt Harmensz. van Rijn (1606-1669)Christ at Emmaus: the Larger PlateEtching with drypoint and engraving, 1654, a good but later impression of New Hollstein's fourth state (of five), printing with only the first signs of wear to the cross-hatching by Christ's feet but before final reworking, on fine laid paper without watermark, sheet 212 x 164 mm (8 3/8 x 6 3/8 in), trimmed to or just within the platemark, some spotting and even toning, careful repairs to perforations near Christ's halo, small repaired nick to the centre left (unframed)Literature:Bartsch 87; New Hollstein 283 iv/v

James Abbott McNeill Whistler (1834-1903)BillingsgateEtching and drypoint, 1859, a good impression of MacDonald's final state (of 9), printing with plate tone Arches laid paper, platemark 150 x 225 mm (5 7/8 x 8 7/8 in), sheet 215 x 308 mm (8 1/212 1/8 in) (unframed)Literature:Kennedy 47; MacDonald 51 ix/ix

Salvador DaIí (1904-1989)Lady Godiva (Field 69-6; M&L 337)Drypoint with etching, 1969, signed in pencil, numbered from the edition of 125, published by Jean Schneider and Editions Empreinte, Basel, with their blindstamp, on Japon nacré paper, with full margins, sheet 774 x 565mm (30 1/2 x 22 1/4in)