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Iossif ILINE (1915-1991) "Spring" 1958, Oil on canvas, Soviet realism painting. Artist's signature in the lower right corner, Inscription on the back, Iline I. M. "Spring" 1958. Iossif Mikhailovich ILINE (1915-1991) Born in Mogilev, lived in Moscow. He studied at art studios in Ivanovo (1935Ð1937) and Kyiv (1937Ð1939). The artistÕs works are in the State Museum of Contemporary History of Russia, the Kineshma Art Gallery, other museums and many private collections.Height: 60cm; Width: 40cm;
A&M and Dawn Records Singles collection. Fourteen 7" singles, most of which are advance promotion copies. Bill & Buster; 'Make A Change (To Something Better)' (Promotion copy, AMS 789), J.J. Cale; 'After Midnight' (Promotion copy, AMS 7022), Prelude; 'Here Comes The Sun' (Promotion copy, DNS,1078), Zenith; 'A Fool That Was In Love/Silent Words' (Promotion copy, DNS.1112), Pluto; 'Rag-A-Bone Joe' (Promotion copy, DNS.1017), David McWilliams; 'You've Only Been a Stranger' (Promotion copy, DNS.1064), Curtis Knight Zeus; 'People Places and Things' (Promotion copy, DNS.1065), Predule; 'After The Goldrush' (Promotion copy, DNS.1052), Zenith; 'A Face You Won't Forget' (Promotion copy, DNS.1095), Sandgate; 'A Thousand Years' (Promotion copy, DNS.114), Jam; 'The Witch' (Promotion copy, DNS.1069), Paul King; 'Whoa Buck' (Promotion copy, DNS.1023), Ross Stagg; 'I'll Never Be A Star (But I Might)' (Promotion copy, DNS.1059), The Casuals; 'The Witch' (DNS.1069). (14) The overall condition is generally VG/VG+. Estimated in-house shipping for this lot is available to the UK for £17.20.
Christoph Schwarz, Raphael Sadeler - Allegory of death / Description: Allegory of death, after Christoph Schwarz: a naked boy sitting with his right hand resting on a hourglass, a vase and a skull on the right; beyond, a funeral monument at right and wheat and flowers at left. The theme of the ears of corn and the few fallen grains around the skull are an equivalent of the ideas resurrection and expresses the idea that Man when dead and buried will be resurrected. The grains of corns create new plants. Within image: 'cum. grat. et privilegio S. C. M.' and 'Hodie mihi, cras tibi', and below: 'Cristoff Swarz pinxit, R. Sadeler scalpsit', with two lines of Latin inscription: 'Vita quid est hominis?... illa bonis brevis est'. Engraving made by: Raphael Sadeler I, after: Christoph Schwarz (1595-1592) / Dimensions: 15,00 x 10,40 cm / Condition: Good impression with a little wear to the plate. Good condition. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (212) / Medium: Engraving /Circa: C.1580-1590 320
Andries Stock - Portrait of Karel van Mander, 1610 / Description: Karel van Mander, famous Flemish painter . Seen three-quarter length, directed to the left head slightly turned to face the viewer, holding a paper in his left hand. A portrait from the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. This is a first edition published by Hondius, a later edition was published in 1612and 1618 by Jansonius. / Dimensions: 2060 x 12,50 cm / Condition: Outstanding early impression on a full sheet of watermarked laid paper. In excellent condition. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (80-155) ----- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (2400) ----- van Someren 1888 / Beschriivende catalogus van Gegraveerde Portretten van Nederlanders. Vervolg op Frederik Mullers catalogus van 7000 Portretten van Nederlanders. (M.2400) / Medium: Etching /Circa: 1610 220
Jan Breughel, M. Merian - Nuremberg landscapes, complete series (6) in proof states by Merian (RRRR) / Description: Jan Breughel the Younger , who had spent some days in Nürnberg made the original drawings for this series. The engraver and publisher Peter Isselburg (1580-1631), originally from Cologne selected a total of six images, which were engraved by Matthäus Merian the Elder. He published the series in 1616 with etched titles top middle of the etchings. Here a complete series of these landscapes from the Nuremberg area (Wüttrich 226-231) in incredible rare proof states, before the title on top and with still square plate borders. Prints from this set are very rare to find let alone as a complete set in proof states even not described by Wütrich, the specialist who complied his catalogue raisonné in 1966. . This excellent early impressions before publishers address or title and with still square plate borders are from the very first impressions of the copper plates, proof states before adding title and before published. Matthäus Merian I born in 1593 married the daughter of Theodor de Bry in 1617 and worked from then for his father-in-law. Here early works even before his marriage In his mid twenties. His early work shows great talent for free etching. His landscape art from that period is the best in his oeuvre This series is certainly one of the nicest he made. The subjects are identified as: Hallers Weyer Hause (W.226), Fischers häuslein untterm Lazarëth, see also A. Dürer aquarell (W.227), S Johannesfriedhofs und Kirche (W.228), Der Tetzell Gartten bey dem Judenbiell (W.229), Mögeldorff (W.230), Zu Sanct Jobs (W.231) / Dimensions: 12,60 x 17,80 cm / Condition: Early outstanding, richly inked and luminous impressions, each on a full sheet of laid paper (18 x 26 cm) . Excellent condition with no folds, tears or stains. Old number in sepia ink in the upper right margin. A rare print series, from the uppermost rarity as a complete set in these outstanding proof states. / Literature: Druckgraphik MMerian AB 3.13, Landschaften aus der Umgebung von Nürnberg, M. Merian, 6 Bll., Wüthrich 226-231 (Proof state unknown to Wüthrich)--- (Even the finished states are very rare to find, only two complete sets recorded by Wühtrich and half a dozen incomplete sets) ----- Besides the Wüthrich catalogue raisonné, most of the information of this series is credited to the work by Katharina Krause: The Legitimation of Council Rule Through Vedute of the City and Territory. Se describes the importance of Nuremberg as a Lutheran imperial city that attracted many artists who came to Germany fled from Flanders and the Netherlands since the late sixteenth century either as religious refugees or for economic reasons. They brought invovations that resulted in this first print series with views of the Nürnberg environs. Only 10 years after the first Dutch examples which elevated the unspectacular surroundings of Haarlem into evidence of its newly achieved sovereignty as a theme of print series, artists began to draw motifs from the environs of Nürnberg in the mode of vedute. There were several existing templates for reproducing the Nürnberg landscape, and artists drew on Dutch series, such as the “Plaisante Plaetsen” by Claesz Vischer (1611–12), and his Brabant “Small Landscapes” by Pieter Brueghel the Elder. The original drawings for this series of engravings were by Jan Brueghel the Younger , who had spent some days in Nürnberg. From the pool of sheets, the engraver and publisher Peter Isselburg, originally from Cologne, selected a total of six images, which he kept in a similar format to form a self-contained series. The execution of the prints is ascribed to Matthäus Merian the Elder. ---- One of the subject is Das Angersche Weiherhaus [The pond house of the Angerer family]. the Weiherhaus [pond house] of the Angerer family, which had been previously depicted by Dürer.The engraving shows the timbered house on a wooded island next to a pond whose smooth water surface reflects the buildings and the vegetation. In the distance, we see one of Nürnberg’s gate towers; the background is formed by a fisherman with a net, and a barge on its way to the island. The themes are the modest buildings themselves, the reflections in the water, the ambience of the cloudy sky, and the people who are going about their work. The caption on the page emphasizes that this is a depiction of a real place. The print pays tribute to a work by Dürer, the city’s most famous artist, whose works were already much sought after in the decades around 1600– but at the same time, cityscapes such as these reflected a more recent movement in the European market that focused interest on local environments. This new mode was also characterized by the accurate reproduction of the buildings embedded in their surroundings and collections of farmsteads and rural roadways, which were all identifiable real-world places. --- Another subject is The Hallersche Weiherhaus, located near St. Peter's Church, was destroyed in the Second World War. Lit.: 'Nürnberger Schau' 1941, issue 10, p. 247 with ill., it is the one with the man with a stick walking before a wooden fence that covers the complete print foreground from left to right. / Medium: Six etchings /Circa: Circa 1615-1616 2400
Pieter Nolpe - Emperor Maximilian II crowning the coat of arms of Amsterdam / Description: Emperor Maximilian II granting a crown to the coat of arms of Amsterdam; the emperor enthroned at center and holding a crown above an escutcheon with three crosses which is held by a female personification of Amsterdam, flanked by dignitaries. Signed in lower right: "CL M. Inv.". This is one from a series of plates showing the festivals and ceremonies given to Marie de Medici by the city of Amsterdam during her visit from 31 August to 5 September 1638. Engraved by Pieter Nolpe after the designs Nicolaes Moyaert, published by Blaeu in 1638 in Kaspar van Baerle's work on the festivities 'Medicea Hospes'. This is one of nine large engravings by Pieter Nolpe (Hollstein 95-103). / Dimensions: 29,30 x 38,40 cm / Condition: Very good impressions with nice plate tone on 'bunch of grapes' watermarked laid paper. In het full sheet with wide margins. Flattened middle fold. Condition is very good with a flattened middle fold slightly teared in at the top margin, otherwise fine and on clean sheets with no tears, stains or discoloring from age. Impressive large format. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (95-103) ----- Muller 1863-1882 / De Nederlandsche Geschiedenis in Platen. Beredeneerde Beschrijving van Nederlandsche Historieplaten (1793.8) / Medium: Engraving /Circa: 1638 220
Jan Sadeler I - Apollo playing music - 1597 / Description: Apollo sitting on a tree trunk playing the lyre, at his foot scientific instruments but also song books and a lute, at left the nine muses at the foot of mount Parnassus, pegasus appears at the summit. In and around the buildings scientists, including cartoghraphers and alchemists, and artists like a painter. The hole scene breathes education and knowledghe, science and art. Signed by inventor Stradanus and engraver Sadeler at the bottom of the print. Freom a series of five plates 'Schema seu speculum principum' dedicated to Charles Emanuel Savoy and his wife Catherine. / Dimensions: 22,50 x 28,00 cm / Condition: Excellent outstanding impression on laid paper with a circular Italian watermark. The print has good plate tone, full plate borders and good half centimeter margins. Top condition. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (381) --- Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (704.5) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (535) --- Literature: A. Baroni and M. Sellink, 'Stradanus 1523-1605: Court artist of the Medici', exh.cat. Groeningemuseum Brugge 2008-2009, Turnhout, 2012, pp.326-330, cat.no.127-132. / Medium: Engraving /Circa: 1597 480
Maarten de Vos, Anthony Wierix - Story of Samson (7) / Description: A complete set of seven plates on the 'Story of Samson'. Design drawings by Maarten de Vos, engravings by Anthony Wierix. Some spectacular scenes with Samson fighting the lion , Samson holding the doors of the city Gaza, Samson's hair cut by Deliah and Samson breaking out of the temple of the Philistines. A most enjoyable series, here the complete set of eight prints in good impressions sighed Visscher exc., Anto. Wierix.fec, M. de Vos. inve. on the first plate / Dimensions: 19,50 x 27,80 cm / Condition: Good impressions with plate tone on watermarked laid paper with full palte border and wide margins. Excellent homogenious set in very good condition. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (91-97 ) --- Mauquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (24-30 III/IV and III/III) ---Alvin 1866 / Catalogue raisonné de l'oeuvre des trois frères Jan, Jérome et Antoine Wierix (90-96) ---New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (102-108) --- On this series see Hans Mielke, 'Der Thesaurus Veteris et Novi Testamenti des GdJ', in 'Zeitschrift für Kunstgeschichte 1975, pp.29-83, see n. 18, p. 79. / Medium: Engravings /Circa: 1585 750
Mary Rich, a studio pottery stoneware vase, of tapering cylindrical from with flared rim, glazed in drizzled bands of colour, impressed 'M' seal mark, 43.5cm high; together with a studio pottery shallow bowl, signed Kitty [??] and a millefiore dish, of compressed form and internally decorated with millefiori canes, latticino canes and aventurine inclusions (3)Mary Rich vase is thickly potted as one might expect and there are inconsistencies in the glaze as a result, some areas carry less glazing. One possible rim chip but glazing is present, area below the rim looks like a chip but is fully glazed and seems to have been done during manufacture. overall in very good conditionMillefiore dish has small rim chip 1mm
First tirage volume from Hetzel's French edition A L'Editeur, dark red cover from the Voyages Extraordinaires by Jules Verne. It includes the novel Cesar Cascabel (Cesar Cascabel: The Show on Ice) with illustrations by George Roux and two color maps. Collection Hetzel, Bibliotheque d'Education et de Recreation, published by Pierre Jules Hetzel et Cie, Paris. Inside back cover in crayon: M. Borardel en 1891. Artist: Jules Verne (French 1828-1905)Issued: c. 1891Dimensions: 7.50"W x 11"H x 1.50"DEdition Number: First tirage Manufacturer: HetzelCountry of Origin: FranceProvenance: Collection of Marie-Claude Lalique Condition: Good. Areas of color loss and wear on spine.
Irish Interest: The History of Doctor Stevens' Hospital Dublin 1720-1920 by T Percy C Fitzpatrick, 1924. 1st Ed; The Political State of Europe at the Beginning of 1796 by Mons de Calonne. Printed by P Byrne, Grafton Street Dublin; Princes and Pirates-The Dublin Chamber of Commerce 1783-1983 by L M Cullen; Findlater-story of a Dublin Merchant Family by Alex Findlater SIGNED (4)
10 Hunting, Shooting and Natural History interest books : Foxhunting- What is it, and how it is conducted, D W E Brock, 1952, British Field Sports Society, lovely little card cover 32 pp booklet telling the whys and wherefore's of Fox Hunting. Hunting the Fox, Richard Greville Verney, 1921, Constable, hardback, very good condition. Shooting Wildfowl and Game, Noel M Sedgwick, 1953, Constable, 1st edition, hardback, very good condition. Notes on Sporting Rifle, Major Gerald Burrard, 1932, 3rd edition revised and enlarged, hardback, in excellent condition. Shore Shooting, R N Winnall, 1948, Batchworth Press, 1st edition, hardback in dust jacket. Foxes, Foxhounds and Fox-Hounds, Richard Clapham, no date, Heath Cranton Ltd., hardback in excellent condition, with numerous illustrations and photographs. Fox-Hound, Forest and Prairie, Captain Pennell-Elmhirst, 1892, George Routledge & Sons, hardback, in excellent condition, with numerous illustrations. Kerry A Natural History, Terry Carruthers, 1998, Collins Press, 1st edition, hardback in dust jacket. A very clean copy as new. Natural Heritage – Meath, Cavan, Westmeath Nature Yearbook 1991, edited by Patrick J Nugent, 1st edition, hardback in dust jacket, excellent condition, nicely illustrated. A Natural History of Game, John Marchington, 1984, Boydell Press, 1st edition, hardback in dust jacket. In excellent condition. (10)
W B Yeats, Seven Poems and a Fragment, 1922 reprint 1970, Cuala Press, hardback, in excellent condition. The Love Story of Thomas Davis: Told in the Letters of Annie Hutton Edited with an introduction by Joseph Hone, 1945 reprint 1971, Cuala Press, hardback in excellent condition. W B Yeats, A Centenary Exhibition in the National Gallery of Ireland 1865 – 1965, 1965 1st edition, softcover, in excellent condition. George Russell (A.E.), Richard M Kain and James H O Brien, 1976, Bucknell University Press, softcover, in excellent condition. Jack B Yeats – A Biography, Hilary Pyle, 1970 Routledge & Kegan Paul, 1st edition, hardback in dustjacket, in good condition with numerous illustrations of the artist’s work. (5)
Irish Local History: Wexford: History and society (Interdisciplinary essays on the history of an Irish county) Kevin Whelan and William Nolan Kevin Whelan [Editor]; William Nolan [Editor]; The Chapel Royal, Dublin Castle by Myles Campbell; Public Virtue,Public Love-The Rotunda edited by Ian Campbell Ross; Town Book of the Corporation of Belfast by Robert M Young plus 1 other (5)
A Dark Day on the Blaskets, Micheal O DubhShlaine, 2003, Brandon, 1st edition. 1st printing, softcover, in excellent condition. Eachtra sa Bhlascaod, Diarmaid O Cathain, 1975, Foilseachain Naisiunta Teoranta, 1st edition, hardback in dustjacket, very good condition. The Book of Leinster Vol 2, edited by R I Best and M A O’Brien,1956, Dublin Institute for Advanced Studies, 1st edition, hardback in dustjacket, very good condition. “This Volume of the Book of Leinster, contains the great epic tale Táin Bó Cúalnge, together with several other tales of the Ulster cycle immediately following it, as it were, a sequel to The Táin.” The Runaway Train Armagh 1889, J R L Currie, 1971, David & Charles, 1st edition, hardback in dustjacket, in excellent condition. (4)
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329049 item(s)/page