We found 122 price guide item(s) matching your search

Bronze Age, circa 2000-1600 B.C. Hemispherical in profile with slightly inverted rim, band of circumferential incised lines beneath the rim and concentric zigzags below, roundels to the underside; single small pierced bulb for suspension. 289 grams, 14 cm (5 1/2 in.). Ex Ian Auld collection, 1970s-1990s.Acquired from Bonhams, London, 29 April 2009, no.315 (part).From an important Cambridgeshire estate; thence by descent.Accompanied by copies of the relevant Bonhams catalogue pages. [No Reserve]

An Ashanti Kente cloth, Ghana, mid 20th century. 197 x 121cm.Private West Cornwall collection from late 1970's to present day. Items were purchased on worldwide travels from antique markets and private sources. This was bought in 1978-1980 from known dealer Ian Auld who had a boutique stall in Camden Passage Market in Islington.

A Chancay figural vesselPeru, circa 1100 - 1450 ADpottery, with a headdress, disc ear ornaments and holding a stem cup, with remains of slip decoration,42.5cm high.ProvenanceIan Auld, London, 13th January 1993.Romy Rey Collection, London.

A Chorrera standing figureEcuador, circa 950 - 350 BCpottery, with ear ornaments, a bead necklace and a skirt with incised linear decoration, having two holes through the body at the top of the skirt, with traces of pigment,30.5cm high, on a stand. (2)ProvenanceIan Auld, London, 25 March 1992.Romy Rey Collection, London.

Two Chancay textiles fragmentsPeru, circa 1100 - 1450 ADboth with a central band depicting either figures or birds, with a stepped shape top border and a tasselled base,20cm x 60cm and 25cm x 62.5cm, both framed. (2)ProvenanceIan Auld, London, 2nd March 1994.Romy Rey Collection, London.

An Ica jarPeru, circa 1000 - 1500 AD pottery, with stepped shoulder and a cylindrical neck with red ground and white painted geometric linear decoration,17.5cm high.ProvenanceIan Auld, London, 21st February 1990.Romy Rey Collection, London.

† IAN AULD (1926-2000); a rectangular stoneware slab vase partially covered in running grey/green glaze with impressed decoration, impressed IA mark, made circa 1965, height 11.5cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

An Ashanti Kente cloth, Ghana, mid 20th century. 197 x 121cm.Private West Cornwall collection from late 1970's to present day. Items were purchased on worldwide travels from antique markets and private sources. This was bought in 1978-1980 from known dealer Ian Auld who had a boutique stall in Camden Passage Market in Islington.

An Ashanti Kente cloth, Ghana, mid 20th century. 197 x 116cm.Private West Cornwall collection from late 1970's to present day. Items were purchased on worldwide travels from antique markets and private sources. This was bought in 1978-1980 from known dealer Ian Auld who had a boutique stall in Camden Passage Market in Islington.

Ian Auld (1926-2000)Large vasepale green glaze with incised patternsimpressed potter's seal42cm high.Condition appears good. No signs of damage or restoration.

COLLECTION OF CELTIC F.C. BOOKS including Forgotten Star. The Untold Story of former Celtic, Kilmarnock, Brentford and Scotland and others Qty: 25Celtic Triumphant. A Souvenir of a Wonderful Year. Ian Peebles. 1967. Bobby Evans. Celtic’s Forgotten Hero. Tom Campbell. Foreword Bertie Auld. 2017Paperback. Charlie Tully. Celtic’s Cheeky Chappie. Tom Campbell. 2008. Celtic. A Complete Record 1888-1992. Paul Lunney. 1992. Ronnie Simpson. Sure It’s A Grand Old Team To Play For. Autobiography. 1967. Charlie Tully. Passed To You. Autobiography. 1958. Tommy Gemmell. The Big Shot. Foreword by Jock Stein. Autobiography. 1968. The Celtic Football Companion. A Factual History 1946-1986. Every Match, All Teams, Opponents and Scorers. Foreword John C. McGinn. 1986. Paperback. The Story of Celtic. An Official History 1888-1978. Gerald McNee. 1978. Jimmy McMenemy. Celtic’s Napoleon. David Potter. 2012. Paperback. The Celtic Story. James E. Handley. Foreword by Robert Kelly J.P., Chairman, CelticFootball Club. 1960. The Mighty Atom. The Life and Times of Patsy Gallacher. Foreword by Kevin Gallacher.David Potter. 2000. Paperback. Celtic. When Football Was Football Series. A Nostalgic Look At A Century Of The Club.Graham McColl. 2010. Bobby Collins. The Wee Barra. David Saffer. 2004. The Glory and The Dream. The History of Celtic F.C. 1887-1986. Tom Campbell andPat Woods. 1986. Bobby Murdoch. All The Way With Celtic. Autobiography. 1970. Lacking Dust Jacketotherwise fine. Jimmy Delaney. The Stuff of Legend. David Potter. 2014. The Lisbon Lions. A Celebration of the European Cup Campaign 1967. Andy Dougan.1997. Heroes Are Forever. The Life and Times of Celtic Legend Jimmy McGrory. John Cairney.2005. The Essenntial History of Celtic. Foreword by Bobby Lennox. Graham McColl and George Sheridan. 2002. Tommy Gemmell. Lion Heart. Foreword by Jimmy Johnstone. Tommy Gemmell and Graham McColl. 2004. The Alphabet of the Celts. A Complete Who’s Who of Celtic F.C. Foreword by SeanFallon. Eugene McBride and Martin O’Connor with George Sheridan. 1994. Oh, Hampden In The Sun… Celtic 7 Rangers 1. Scottish League Cup Final 1957. PeterBurns and Pat Woods. 1997. Paperback. Celtic The Encyclopaedia. Tom Campbell and George Sheridan. 2008. Forgotten Star. The Untold Story of former Celtic, Kilmarnock, Brentford and ScotlandGreat Malcolm MacDonald. Combined Gaelic and English text. Alex O’Henley. 2013.

Autographed England V Scotland Book, H/B - History Of Internationals Between Both Countries, Superbly Signed By 17 Former Internationals From Both Nations In Blue Biro Pen: Roy Bentley, Gil Merrick, Nat Lofthouse, Tommy Docherty, Bertie Auld, Tommy Gemmell, John Greig, Ralph Brand, Davy Wilson, Joe Mcbride, Steve Chalmers, Bobby Lennox, Jim Craig, Jim Mccalliog, Colin Stein, John Hughes And Ian Ure. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A Nazca bowl Peru, circa 200 - 600 AD pottery, the sides divided into four panels and painted alternate images of a mythological creature and a group of nine black birds, 9cm high. Provenance Ian Auld Collection. Estate Collection of Ian Auld, 12 September 2019. Romy Rey Collection, London.

A Nazca vessel Peru, circa 100 BC - 200 AD pottery of waisted cylinder form painted with a white ground and four panels of arrows between linked triangles, 16cm high. Provenance Ian Auld Collection. Estate Collection of Ian Auld, 12 September 2019. Romy Rey Collection, London.

A Yoruba House of the Head shrine ile ori Nigeria leather, cowrie shells, mirrors, wood and fabric, the middle top with a part leather bound stone, 49cm high. Provenance Ian Auld, London, 18 May 1983. Romy Rey Collection, London.

A Yoruba miniature equestrian group Nigeria the seated male figure wearing a hat and holding a rein in each hand, with a metal rod though the base, 8.5cm high, including the rod, on a stand. (2) Provenance ex Ian Auld, London, UK.

A Maya cylindrical vessel Lake Lojoa Region, Santa Barbara, Honduras, circa 250 - 900 AD pottery with a slightly flared rim, decorated with six pairs of embracing figures and with glyphs, 20cm high. Provenance Christie's, London, 11 October 1991, lot 297. Ian Auld Collection, London. Estate Collection of Ian Auld, 12 September 2019. Romy Rey Collection, London. cf. An identical vessel in the Middle America Research Institute, no.35.6981, from the Lake Lojoa region, Santa Barbara, Honduras, illustrated in Ferdinand Anton, Indian Art in Middle America, Greenwich, 1964, pl.137.

A Moche anthropomorphic vessel Peru, circa 100 - 700 AD terracotta, modelled as an owl human transformation, with a dark red ground and white painted detailing, the base with a painted collection number 606, 23.5cm high. Provenance Ian Auld, London, 2 March 1994. Romy Rey Collection, London.

Three Peru vessels including a Moche mask vessel, circa 450 - 550 AD, representing a jaguar transformation, with painted decoration, 29cm high, a Moche figural vessel, circa 300 - 600 AD, with white slip detailing, 25.4cm high and a Chimu vessel, circa 1100 - 1470 AD, with relief facial feature and a beak like coiffure, 22.8cm high. (3) Provenance Moche mask vessel - Bonhams, London, 28 January 2014, lot 345. Chimu vessel - Ian Auld, London, 21 March 1990. Romy Rey Collection, London.

A Chancay female figural vessel Peru, circa 1100 - 1400 AD pottery, the ovoid body painted black with a decorated belt and a pair of breasts, and the arms raised with the hands covering the ears of the head neck, with a painted head strap supporting two pots on the back, the back of the neck with a C shape handle, 47.5cm high. Provenance Ian Auld, London. Estate Collection of Ian Auld, London, 12 September 2019. Romy Rey Collection, London.

§ Gillian Lowndes (British, 1936-2010), wall hanging, fired mixed media38 x 75cm Quietly disquieting and with unsettling sentience, grey-tipped talons appear to pierce the fossilised ceramic flesh of the present lot, as if this intriguing object has been gestating an extra-terrestrial life form. Operating far beyond the restraints and expectations of traditional ceramics, Gillian Lowndes is today celebrated as one of the most audacious and creatively uninhibited ceramic artists and teachers of her generation. Born in West Kirby, Cheshire, in 1936, Lowndes spent much of her childhood in India before training at the Central School of Arts and Crafts from 1957. Initially studying sculpture, Lowndes soon found herself drawn to the pottery department, where she studied first under Dora Billington and later under Gilbert Harding Green. Renowned as a lively and progressive teaching environment, it was at the Central School of Arts and Crafts that Lowndes first met such influential figures as Ruth Duckworth, Dan Arbeid, Gordon Baldwin and Ian Auld - the latter of whom she would later marry. Following her studies in London and after a year studying in Paris at L'École des Beaux-Arts in 1970, Lowndes accompanied Auld on an 18-month research trip to Nigeria. Experiencing the rich material culture of the country, Lowndes quickly became fascinated with the bricolage nature of West African sculpture, which typically juxtaposed several unexpected materials and methods within the construction of a single artifact. Whilst her distinctive artistic voice is undoubtedly the result of a confluence of experiences, the influence of these objects on Lowndes’ work cannot be understated. Exploring the absolute limits of the medium and the transformative properties of the kiln, Lowndes’ entropic and unquantifiable works have won praise for their raw physicality and for their ability to challenge the boundaries between art and craft, ancient and modern, organic and alien. So experimental are these works that it is almost easier to conceive that they have been excavated from an archaeological site or dredged from the deepest depths of the ocean, the evidence of a lost civilisation or a visit from an alien race, than it is to accept that they have been made by human hands. Acquired from the Lynn Strover Gallery, Cambridge.  In seemingly good condition with no apparent condition issues, examined under UV light.

Annals Of The Persecuted in Scotland, l & ll, By James Aikman Esq 1844 Philadelphia.Cover, Worn.Binder : Gold Lettering, Worn.Pages: Large Amount of Damp Spots.An Edinburgh Eleven X 2, By J. M. Barrie 1886 Cover Shelf Worn.Binders: Good.Pages: PP 115. Good Condition.Der Tag Or The Tragic Man J. M. Barrie 1915 London.Cover: Paper Sleeve worn. Boards Good.Binder: GoodPages: PP 39, Some Damp Spots.First American Edition: Auld Light Idylls, By J. M. Barrie, New York 1892.Cover: Shelf Worn, Rounded Corners.Binder: Gold Lettering, Damage to Edges. Pages: PP 249 Some age Related Marks, small tear to one page. Lines Of Battle By Henry Howard Brownell, New York 1812.Cover: Shelf Worn, Rounded Corners.Binder: Shelf Worn Gold Lettering.Pages: PP 165, Still Joined Together. (Never Been Read)Rabbie Saunderson By Ian Maclaren, London 1898.Cover: Slight Shelf Ware, Gold Lettering.Binder: Ware to top and bottom ages. Pages: PP 215 Gold Edges, In Good Condition.The Life Of Sir Walter Scott, International Exhibition Edinburgh 1886. (Scares) Cove: Paper Sleeve, Tarnished, Shelf Worn, Boards Not been Examined.Binder: Slight Tear To Paper Sleeve.Pages: Some Damp Spots, Pages still Joined, Never Been Read.

Mauchline ware and other items, comprising a cylinder box in alternate woods (Ballochmyle Mauchline / Should Auld ÉÉ.), 8.3cms, a napkin ring (Ste Anne de Beaupre), 6cms, a colour transfer decorated card case with pin hinge lid, 10.5 x 7.5cms, a Tartan ware (M'Pherson) double lancet case with lancets, slight loss to joint, 6.3cms, and a turned wooden light bulb case with bulb inscribed 'Trade Mark HH Metallic Filament Electric Bulb', 6cms. (5) From the collectionof Dr Ian McFeeters

[PUBLISHER'S TRADE BINDINGS - AMERICAN]. A group of 5 decorative bindings, comprising:MACLAREN, Ian (1850-1907). The Days of Auld Lang Syne. New York: Dodd, Mead, & Company, 1895. 8vo. Original publisher 's decorated green cloth. -- GRAY, Thomas (1716-1771). Elegy Written in a Country Churchyard. New York: E.P. Dutton and Co., and London: J.M. Dent and Co., 1899. 8vo. Illustrations by R.W.A. Rouse. Original publisher 's decorated grey cloth. -- ROBINS, Elizabeth (1862-1952). The Convert. New York: The Macmillan Company, 1907. 8vo. Original publisher 's decorated boards. -- SPITTELER, Carl (1845-1924). Friedle der Kolderi, 2. Auflage. Zurich: Albert Muller 's Derlag, 1908. Small 8vo. Original publisher 's decorated brown cloth. -- ROBERTSON-MILLER, Ellen (1859-1937). Butterfly and Moth Book. New York: Charles Scribner 's Sons, 1912. 8vo. Numerous illustrations. Original publisher 's decorated grey cloth. -- Together, 5 works in 5 volumes, condition generally fine.  From the Private Collection of Richard CadyFor condition inquiries please contact lesliewinter@hindmanauctions.com

Samuel Herman (B.1936, American) - 'Three Bottles', signed artists proof, inscription verso with provenance of Ian Auld, on fine woven paper, 14 x 18cm, framed

ASIBI IDO for Abuja Pottery; a large stoneware water pot covered in green/grey glaze with incised decoration, impressed AI and pottery marks, made circa 1959, height 24cm.Provenance: Ian Auld collection.PR – This married Ian Auld's two major interests – handbuilt pots and African art. Some of the Abuja potters were on a par with Ladi Kwali who has been the focus of all the attention.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

IAN AULD (1926-2000); a large globular stoneware pot with heavily textured surface, impressed IA mark, made early 1960s, height 22cm. (D)Provenance: Artist's collection.PR – I asked Ian if he had made many coiled pots. He said that, at the time, making rectangular pots was so strange that he occasionally had to ‘get round pots out of my system’. I put on a retrospective of his work based around his own collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

IAN AULD (1926-2000); a square stoneware pot with raised rectangular panel to each face and incised marks, impressed IA mark, made circa 1970, height 18cm. (D)Provenance: Peter Dingley Gallery, Stratford-upon-Avon.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

LOBI FIGURE BURKINA FASO carved wood, shown standing, the torso subtly turned, the hands placed on the belly, thick patination, raised on a bespoke mount(20.4cm tall)Footnote: Provenance: Ian Auld, United Kingdom Private collection, London, United Kingdom, acquired from the above

1890's Literature, 14 volumes Including Bennett, Arnold A Man from the North. 1898, First edition, second issue (with adverts dated 1898), original red cloth lettered in red, slightly bumped at tail; Maclaren, Ian Beside the Bonnie Brier Bush. 1896, one of 50 copies signed by author and artist, original quarter parchment, t.e.g., dustwrapper torn, slipcase worn; Davidson, John. Ballads & Songs. 1894, pictorial black cloth gilt; Davidson, John The Last Ballad and other Poems. 1899, original pictorial maroon cloth gilt; Gissing, G. Charles Dickens. 1898, original red cloth; Grahame, Kenneth Dream Days. 1899, first edition, original blue cloth, very slightly rubbed; Locker-Lampson, F. Lyra Elegantiarum. 1891, inscribed on half-title and 4pp. A.L.S. at end to Smythe, endpapers spotted; Spurr, Harry A. A Cockney in Arcadia. 1899, Presentation copy, signed, original pictorial cloth, corners slightly bumped; Setoun, Gabriel The Child World, illustrated by Charles Robinson, pictorial cloth gilt; Barrie, J.M. Auld Licht Idylls. 1895. First edition, limited to 50 copies signed by the author, original blue cloth, t.e.g., endpapers lightly spotted; Barrie, J.M. The Little White Bird. 1902. First edition, original black cloth; Zola, Emile Doctor Pascal. 1893, First edition in English, original cloth; Haggard, H.R. Joan Haste. 1898, First edition, lightly rubbed at head and tail of spine; Stevenson, R.L. St. Ives. 1898, (14)

IAN AULD (British: 1926 - 2000): A small baluster shaped vase in brown glaze with wax resist striped pattern. Approx. 8 cms high. Est. £20 - £30.

IAN AULD (British: 1926 - 2000): A set of six studio pottery two handled bowls with grey glaze and blue floral patterns to interiors. Impressed mark 'IA' to bases. Approx. 18 cms in diameter each. Est. £40 - £60.

IAN AULD (1926-2000); a five piece stoneware sculpture on a wooden base, height 21.5cm. (D)Provenance: Purchased from The Crafts Centre of Great Britain, Hay Hill Gallery, London, 1964.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

IAN AULD (1926-2000); a tall square stoneware bottle with textured surface, impressed IA mark, height 43.5cm. (D)Provenance: Purchased from The Crafts Centre of Great Britain, Hay Hill Gallery, London, 1964.Additional InformationCouple of nibbles to edges, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

BOLTON WANDERERS, 1970/1971, a football programme from the Testimonial game held for Eddie Hopkinson, the game original scheduled for the 21/04/1971, was delayed until the 04/05/1971 as many of the star played had European Cup comitments. The programme comes with a rare card insert showing the new date, and line ups for two games played, Eddie Hopkinson XI v European All-Star XI & Bolton Wanderers 1958 XI v All-Star XI. Clubs represented include - Manchester City, Blackpool, Brighton And Hove Albion, Burnley, Birmingham City, Stoke City, Celtic [Clarke & Auld], Benfica [Eusebio/Simoez], Newcastle United, Liverpool, Manchester United, Preston North End [Tom Finney], and Stuart Hall [BBC TV]. The programme has 11 autographs on the back page including - Ian Greaves, Syd Farrimon, Dave Hatton, John Clarke, Bertie Auld, Gordon Taylor, and 4 Unknown players.

Three ancient Pre Columbian textiles fragments from Nazca Peru, circa 8th century AD, in two glazed frames, 52cm x 24.5cm and 33.5cm x 24.5cm Provenance: Ex Ian Auld Collection

A Plains belt pouch cloth, coloured glass beads, leather and hide, 11.5cm wide, a Cheyenne beaded pouch, hide with coloured glass and brass beads, with dyed hair, 10cm high, and a Plains beaded panel with tassles, 22cm long. (3) Provenance Cheyenne pouch - Ian Auld, London, 1983. Dr Alan Black Collection.

A pair of Plains moccasins hide with red, light and dark blue, white and yellow glass beads, with worn raw hide soles, 26.5cm long. (2) Provenance Ian Auld, London, March 1981. Dr Alan Black Collection.

Three Sioux quilled hair ornaments Plains hide, cloth, natural and dyed quills, coloured glass beads, tin cones, feather and hair, including a nine strand ornament, with a tag inscribed MOHAVE APACHE NECK ORNAMENT PORCUPINE QUILL AND FEATHER, 167, 43cm long, a beaded panel with a crossed circle ornament, 37cm, and an open quilled ornament, 21cm long. (3) Provenance Nine strand ornament - Dr W C Martin Collection; Skinner, Sale 1290; John and Valerie Arieta, 1991. Open quill ornament - Ian Auld, 1981. Dr Alan Black Collection.

Ian Auld (1926-2000) Bottle vase blue glaze impressed potter's seal 20.7cm high. Provenance: Collection of Peter Dingley.

An African Ebo Tribal carved and painted wood fertility figure, height 85cm, ex Ian Auld collection

YORUBA WOODEN IBEJI tall with dark used and worn patina, various losses, 19th century, 26cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

YORUBA WOODEN IBEJI good used dark brown patina, 19th century, 23cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

TWO YORUBA WOODEN IBEJIS both with fine brown used patina, both with straight arms to their side, 19th century, 23cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

STANDING YORUBA WOODEN FEMALE FIGURE dark brown patina, pierced coiffe, hands to her side, 42cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

TWO ETHIOPIAN WOODEN NECKRESTS good brown used patina, curved rests supported by six columns on each, finely decorated surface, 19th century, 23.5cm x 19cm Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

METAL OSANYAN HEALERS STAFF, YORUBA crown like form, each extension terminating in a stylised bird, 46cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

IRON METAL YORUBA DISH with stylised birds and figures, 22cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

MASSIVE CONGO COPPER CURRENCY WEIGHT good dark patina, 19th century, 19cm diameter Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

TWO YORUBA WOODEN KENGA (ABSTRACT) OFFERING DISHES good used patina, 19cm diameter and 11.5cm diameter (2) Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

YORUBA WOODEN IBEJI tall with a crown shaped coiffe, very worn and used fine patina, 19th century 29.5cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

YORUBA WOODEN IBEJI pierced coiffe, very worn and used fine patina, 19th century, 26cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

YORUBA WOODEN IBEJI wearing a cap and apron, very worn and used fine old patina, 19th century, 25cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

YORUBA WOODEN IBEJI losses to arms and legs, blue pigment to coiffe, very old used and worn fine patina, 19th century, 26cm high; and another similar with dark old used patina, 24cm high (2) Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

PAIR OF YORUBA WOODEN IBEJI TWINS one male, one female, both with bent arms to their sides, good dark brown used patina, 19th century, 21cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

WOODEN KENYAN KAMBA NECKREST 20cm high; and a tall white painted wooden Igbo figure, 85cm high (2) Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

YORUBA LEATHER AND COWRIE SHELL TEMPLE HANGING 35cm long Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

•TOM PHILLIPS CBE RA (B.1937) 'OH MISS SOUTH AFRICA' colour offset lithograph, the image 33cm x 24cm (page 38cm x 29cm), with a pencil dedication to Ian Auld Tom Phillips collected Tribal Art and wrote the R.A. Catalogue 'Africa: The Art of a Continent' in 1995 Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA

WOODEN MINIATURE DOGON LADDER, a treasured spiritual artefact, 45cm high Provenance: Ian Auld (1926-2000) Full-sized Dogon ladders are used for access to homes and granaries. Miniature Dogon ladders are treasured spiritual artefacts kept in the home to help the soul of the owner to climb upwards to join his/ her ancestors. Broadly based on information published in African Forms by Mark Ginzberg.

A Plains pouch, possibly Potawatomi buckskin, coloured glass beads and wool, one side with a Maple leaf, the other with a floral design, beaded edging and with a serrated rim, the drawstring with wool clusters and chequer bead tassels, 20.5cm long, and an Assiniboine pouch, buckskin with a beaded panel front with a white ground and a series of triangles and two crosses, with open beaded edging and a scalloped rim, with a drawstring and a base fringe, 28.5cm long. (2) Provenance Potawatomi pouch - Ian Auld, London, UK, 1981. The Ian West Collection.